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1

Catalina, Rojas, ed. Poesía popular: Cuecas choras y La negra ester. Fondo de Cultura Económica, 1996.

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2

Encuentro Continental de la Medicina Indígena, Negra, Popular y Tradicional (1st 1992 Estelí, Nicaragua). Memorias: 500 años de resistencia indígena, negra y popular. Centro Nacional de la Medicina Popular Tradicional "Dr. Alejandro Dávila Bolaños,", 1992.

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3

Encuentro Continental de la Medicina Indígena, Negra, Popular y Tradicional (1st 1992 Estelí, Nicaragua). Memorias: 500 años de resistencia indígena, negra y popular. Centro Nacional de la Medicina Popular Tradicional "Dr. Alejandro Dávila Bolaños,", 1992.

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4

Ubilla Freire, Juan Enrique, author, ed. Lenguaje popular de la fiesta de la mama negra. [publisher not identified], 2008.

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5

Franco, Tomás Rafael Hernández. Apuntes sobre poesía popular y poesía negra en las Antillas. 3rd ed. Ediciones Libería La Trinitaria, 1999.

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6

Franco, Tomás Hernández. Apuntes sobre poesía popular y poesía negra en las Antillas. 3rd ed. Ediciones Libería La Trinitaria, 1999.

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7

Paulo Divino Ribeiro da Cruz. As negras raízes da cultura popular mato-grossense. Editora Plêiade, 2012.

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8

(Brazil), Fundação Cultural Palmares, ed. O teatro do Bando: Negro, baiano e popular. Teatro Vila Velha, 2003.

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9

Encuentro Continental (3rd 1992 Managua, Nicaragua). Memoria: Campaña continental 500 años de resistencia indígena, negra y popular. Secretaría Operativa Continental, 1992.

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10

Starke, Koch Ingelore, Igreja Evangélica de Confissão Luterana no Brasil. Conselho de Missão entre Indios., and Instituto Ecumênico de Pós-Graduação em Ciências da Religião., eds. Brasil: Outros 500 : protestantismo e a resistência indígena, negra e popular. COMIN, 1999.

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11

R, Gelman Salazar. Historia ilustrada de América: 500 años de resistencia indígena, negra y popular. 3rd ed. [Universidad Nacional?], 1992.

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12

Trói, Marcelo de, and Wladimir Cazé. Carnaval Ouro Negro. 2nd ed. Assessoria de Comunicação da Secretaria de Cultura do Estado da Bahia, 2010.

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13

Carnaval em branco e negro: Carnaval popular paulistano, 1914-1988. Editora UNICAMP, 2007.

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14

O'Meara, James J. The homo & the Negro masculinist meditations on politics & popular culture. Counter-Currents Pub., 2012.

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15

Nuvem negra: O drama do 27 de maio de 1977. Clássica, 2007.

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16

Solistas dissonantes: História (oral) de cantoras negras. Letra e Voz, 2009.

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17

Girardi, Giulio. Los excluídos construirán la nueva historia: El Movimiento Indígena, Negro y Popular. Centro Cultural Afroecuatoriano, 1994.

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18

Girardi, Giulio. Los excluídos, construirán la nueva historia: El Movimiento Indígena, Negro y Popular. Centro Cultural Afroecuatoriano, 1994.

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19

Tijuana, Centro Cultural, ed. Obra negra: Una aproximación a la construcción de la cultura visual de Tijuana. Centro Cultural Tijuana, 2011.

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20

O canto do quilombo: Músicas, poemas e orações do povo negro. Editora da UCG, 2008.

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21

Coraçóes De Chocolat: A história da Companhia Negra de Revistas (1926-1927). Livre Expressáo, 2005.

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22

El negro esclavo en Nueva España: La formación colonial, la medicina popular y otros ensayos. Fondo de Cultura Económica, 1994.

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23

O negro no museu brasileiro: Construindo identidades. Bertrand Brasil, 2005.

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24

Look, a Negro!: Philosophical essays on race, culture and politics. Routledge, 2005.

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25

Gooding-Williams, Robert. Look, a Negro!: Philosophical essays on race, culture and politics. Routledge, 2006.

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26

Marabaixo, dança afrodescendente: Significando a identidade étnica do negro amapaense. Edições UFC, 2008.

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27

Santana, Leonardo. A contribuição do chorinho para a inserção do negro na sociedade brasileira. Publ!t Soluções Editoriais, 2011.

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28

Negritude sem etnicidade: O local e o global nas relações raciais e na produção cultural negra do Brasil. Edufba, 2004.

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29

Brunson, James E. The early image of black baseball: Race and representation in the popular press, 1871-1890. McFarland & Co., 2009.

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30

From savage to Negro: Anthropology and the construction of race, 1896-1954. University of California Press, 1998.

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31

Son, Corinne. Xosé Neira Vilas y Memorias dun neno labrego: Acercamiento a la novela gallega más popular de la segunda mitad del siglo XX. Ediciós do Castro, 2001.

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32

El negro de América Latina, su música y sus creencias: Haití, República Dominicana, Cuba y Brasil. Aduana Vieja, 2014.

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33

Franco, Tomas Hernandez. Apuntes sobre poesia popular y poesia negra en las antillas. 3rd ed. Ediciones Libreria La Trinitaria, 1999.

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34

I encuentro continental de la medicina indígena, negra, popular y tradicional: Memorias. ISNAYA, 1992.

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35

Iglesia Guatemalteca en el Exilio., ed. Nosotros conocemos nuestra historia: 500 años de resistencia indígena, negra y popular. 2nd ed. Iglesia Guatemalteca en el Exilio], 1992.

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36

Pedreira, Josep. Soldats Catalans a la Roja I Negra (1936-1939). Publicacions de l'Abadia de Montserrat, 2003.

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37

Shamsudin, Jins. Filem Melayu: Citra Budaya dan Rakaman Sejarah. UUM Press, 2014. http://dx.doi.org/10.32890/9789670474700.

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Dunia perfileman Melayu telah bermula pada tahun 1933 di Singapura dengan penayangan filem Laila Majnun. Sejak itu, filem Melayu mula mengambil alih peranan bangsawan sebagai medium budaya popular yang utama dalam kalangan masyarakat Melayu bandaran. Setelah terjejas akibat Perang Dunia Kedua, perusahaan filem Melayu berkembang dengan pesat pada dekad 1940-an hinggalah dekad 1960-an. Pada waktu tersebut, filem Melayu yang berpangkalan di Singapura didominasi oleh dua buah syarikat iaitu Shaw Brothers dan Cathay-Keris Films yang menerbitkan dan menayangkan filem untuk seluruh Tanah Melayu, sela
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38

Golam Hassan, Asan Ali, ed. Prognosis pembangunan & transformasi struktur. UUM Press, 2004. http://dx.doi.org/10.32890/9832870690.

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Pembangunan dilihat sebagai satu proses transformasi untuk mencapai tahap kehidupan yang lebih baik.Walau bagaimanapun ketidakseimbangan pengagihan aktiviti ekonomi dan penumpuan populasi akan menyebabkan ketidakseimbangan dalam proses pembangunan. Pertumbuhan dan perubahan struktur berkait rapat antara satu sama lain dan industrialisasi merupakan matlamat utama dalam proses perubahan struktur.Malaysia telah melalui proses perubahan struktur demo-sosio-ekonomi ketara terutamanya sejak pertengahan tahun 1980-an apabila sektor perindustrian telah mula menjadi nadi ekonomi negara. Buku ini mengan
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39

Black Religion the Negro and Christianity in the Uni. Beacon Press, 2000.

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40

1820-1895, Howe Elias. The Ethiopian Glee Book : Containing The Songs Sung By The Christy Minstrels: With Many Other Popular Negro Melodies, In Four Parts. Franklin Classics, 2018.

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41

Murray, Sean. That “Weird and Wonderful Posture”. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.41.

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Sometime in the late 1820s to early 1830s, a little-known white theatre performer named Thomas Dartmouth Rice modeled a blackface song and dance on a “crippled Negro”; his performances of “Jump Jim Crow” became extraordinarily popular in pre–Civil War America. The extensive literature on these performances has generally been silent on two key characteristics of the phenomenon: the importance of “audience” performance to the act’s popularity and reception and the fact that the pleasure of jumping “Jim Crow” was rooted in the spectacular performance of disability by presumably able-bodied people
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42

Çidam, Çiğdem. In the Street. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190071684.001.0001.

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The 2010s were a decade of protests, and if the initial few months of 2020 are any indication, various forms of street politics, including spontaneous protests, demonstrations, acts of civil disobedience, and occupations are here to stay. Yet, contemporary discussions on the democratic significance of such events remain limited to questions of success and failure and the relative virtues of spontaneity and organization. In the Street: Democratic Action, Theatricality, and Political Friendship moves beyond these limited and limiting debates by breaking the hold of a deeply engrained way of thin
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