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Relevant bibliographies by topics / Popular culture – Italy – Venice

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Academic literature on the topic 'Popular culture – Italy – Venice'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Journal articles on the topic "Popular culture – Italy – Venice"

1

Pierini, Francesca. "The Genetic Essence of Houses and People: History as Idealization and Appropriation of an Imagined Timelessness." Acta Universitatis Sapientiae, Philologica 8, no. 1 (2016): 99–116. http://dx.doi.org/10.1515/ausp-2016-0007.

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Abstract Marina Fiorato’s The Glassblower of Murano (2008) tells the story of Eleonora, a young woman who travels to Venice in search of her genealogical past and existential roots. Coming from London, Eleonora incarnates a “modern” outlook on what she assumes to be the timeless life and culture of Venice. At one point in the novel, admiring the old houses on the Canal Grande, Eleonora is “on fire with enthusiasm for this culture where the houses and the people kept their genetic essence so pure for millennia that they look the same now as in the Renaissance” (2008, 15). This discourse of pure

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Burke, Peter. "Learned culture and popular culture in renaissance Italy." Revista de História, no. 125-126 (July 30, 1992): 53. http://dx.doi.org/10.11606/issn.2316-9141.v0i125-126p53-63.

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Fell, John. ": Popular Film Culture in Fascist Italy . James Hay." Film Quarterly 41, no. 3 (1988): 57–58. http://dx.doi.org/10.1525/fq.1988.41.3.04a00160.

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Hewitt, Nicholas. "Introduction: Popular Culture and Mass Culture." Contemporary European History 8, no. 3 (1999): 351–58. http://dx.doi.org/10.1017/s096077739900301x.

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At the end of the Second World War, the countries of Western Europe found themselves in a state of economic and physical ruin and, in the cases of Germany, Italy and France, in a position of, at best, moral and political ambiguity and, at worst, outright bankrupcy. Only Britain emerged from the war with its political regime intact and its moral purpose vindicated, although paradoxically its economy was to prove the most severely wounded. Perhaps because of the very scale of the disaster, however, Western Europe embarked upon a process of reconstruction, aided financially by the Marshall Plan,

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Berezin, Mabel, Zygmunt G. Baranski, and Robert Lumley. "Culture and Conflict in Postwar Italy: Essays on Mass and Popular Culture." Contemporary Sociology 21, no. 1 (1992): 111. http://dx.doi.org/10.2307/2074789.

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Lawton, Harry, Zygmunt G. Baranski, and Robert Lumley. "Culture and Conflict in Postwar Italy: Essays on Mass and Popular Culture." Italica 69, no. 1 (1992): 72. http://dx.doi.org/10.2307/479459.

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Longo, Alfio. "Dialects and Popular Culture in Italy in the Past Decade." Collection Management 15, no. 1-2 (1992): 173–93. http://dx.doi.org/10.1300/j105v15n01_20.

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Fell, John. "Review: Popular Film Culture in Fascist Italy by James Hay." Film Quarterly 41, no. 3 (1988): 57–58. http://dx.doi.org/10.2307/1212529.

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9

Cox, Virginia. "Rhetoric and Humanism in Quattrocento Venice." Renaissance Quarterly 56, no. 3 (2003): 652–94. http://dx.doi.org/10.2307/1261610.

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AbstractThis essay examines the development of humanistic rhetoric in fifteenth-century Venice, taking as its starting point a remark of Ermolao Barbaro's on the inadequacy of academic rhetorical instruction as a preparation for the practical oratorical skills necessary to Venetian civic life. It is argued that the context of Barbaro's remark is a series of humanistic polemics on rhetoric that took place in Venice and Padua in the latter decades of the Quattrocento, culminating in the famous debate of the 1490s on the authenticity of theRhetorica ad Herennium. As the essay shows, a considerati

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Brackett, John K., and Robert C. Davis. "The War of the Fists: Popular Culture and Public Violence in Late Renaissance Venice." American Historical Review 100, no. 4 (1995): 1263. http://dx.doi.org/10.2307/2168266.

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Dissertations / Theses on the topic "Popular culture – Italy – Venice"

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Tiozzo, Fasiolo Marco. "Consensus for Mussolini? : popular opinion in the province of Venice (1922-1943)." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7660/.

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The thesis focuses on the response of Venice province population to the rise of Fascism and to the regime’s attempts to fascistise Italian society. This thesis is developed around analysis of popular opinion and the way in which limited local consensus for the Fascist regime contributed to Fascism’s downfall. The thesis begins with a discussion of the Party, and to provides a clear picture of how ‘national’ and ‘local’ interacted alongside the establishment of the structures. The focus then shifts to the working class and the way it came to terms with the Fascist regime. The third chapter deal

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2

Yoshioka, Masataka. "Singing the Republic: Polychoral Culture at San Marco in Venice (1550-1615)." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33220/.

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During the late sixteenth and early seventeenth centuries, Venetian society and politics could be considered as a "polychoral culture." The imagination of the republic rested upon a shared set of social attitudes and beliefs. The political structure included several social groups that functioned as identifiable entities; republican ideologies construed them together as parts of a single harmonious whole. Venice furthermore employed notions of the republic to bolster political and religious independence, in particular from Rome. As is well known, music often contributes to the production and tr

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Di, Franco Manuela. "Popular magazines in Fascist Italy, 1934-1943." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/286061.

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The dissertation examines the field of popular magazines in 1930s Italy, by first examining the broad field of magazine production under Fascism and then undertaking three case studies of individual magazines - L'Avventuroso (1934 - 1943), Omnibus (1937 - 1939), and Grazia (1938 -) - in order to build an in-depth analysis of the production, format and reception of the popular press in this period. In the interwar years, and in particular from 1934 onwards, innovative printing techniques and production methods transformed the periodical press worldwide. The emergence of new forms of illustrated

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Simpson, Yifat Fellner. "Unmasking the revels medium and message in the popular music culture of sixteenth-century Venice /." Online version, 2004. http://bibpurl.oclc.org/web/28634.

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Fellner, Simpson Yifat. "Unmasking the revels : medium and message in the 'popular' music culture of sixteenth-century Venice." Thesis, Royal Holloway, University of London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419868.

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Gavito, Cory Michael. "Carlo Milanuzzi's Quarto scherzo and the climate of Venetian popular music in the 1620s." Thesis, view full-text document, 2001. http://www.library.unt.edu/theses/open/20012/gavito%5Fcory/index.htm.

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Spicer, Jacqueline Nicole. "'A fare bella' : the visual and material culture of cosmetics in Renaissance Italy (1450-1540)." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/14161.

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This thesis maps out the roles of cosmetic use in Renaissance Italy from the period c.1450-1540, using books containing cosmetic recipes as the primary source material. Their content, dissemination, and use is explored as a means of creating a new understanding of a practice central to daily life and integral to ongoing arguments about the body. Recent scholarship has seen a rise in interest in books of recipes and secrets in the Renaissance and Early Modern periods, but there has yet to be a full-length study exploring cosmetic recipes as a significant source of information, leaving a conside

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Marfella, Claudia. "Art, industrial design, science and popular culture : modernism and cross-disciplinarity in Italy and Great Britain, 1948-1963." Thesis, Kingston University, 2015. http://eprints.kingston.ac.uk/33746/.

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Conceived inside a chronological frame, which starts in 1948, the year the Institute of Contemporary Arts in London founded, and ends in 1963, when Gillo Dorfles wrote a crucial essay on industrial design, concluding more than a decade of discussions, the thesis aims to examine some artistic and cultural phenomena identified in Italy and Great Britain, and seen as the acknowledgement or as the reaction to modernity. Topics and fields taken in consideration within the thesis are technology, science (fact and fiction), vision of the future, the relationship between arts and the awareness of indu

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Tycz, Katherine Marie. "Material prayers : the use of text in early modern Italian domestic devotions." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/276240.

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While scholarship often focuses on how early modern Italians used images in their devotions, particularly in the post-Tridentine era, little attention has been placed upon how laypeople engaged with devotional text during times of prayer and in their everyday lives. Studies of early modern devotional texts have explored their literary content, investigated their censorship by the Church, or concentrated upon an elite readership. This thesis, instead, investigates how ordinary devotees interacted with holy words in their material form, which I have termed ‘material prayers’. Since this thesis d

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Cumoli, Flavia. "Periferie e mondi operai: immigrazione, spazi sociali e ambiti culturali negli anni '50." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210345.

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Notre thèse analyse le rapport entre pratiques sociales d’intégration d’immigrés, modèles d’installation et processus de transformation de la morphologie urbaine dans deux études de cas qui se prêtent à une comparaison stimulante. D’un côté, nous avons le cas de l’émigration italienne interne vers un pole industriel de la banlieue métropolitaine milanaise (Sesto San Giovanni); de l’autre côté, celui de l’émigration italienne internationale dans une agglomération des bassins miniers wallons (La Louvière). Il s’agit de deux contextes d’insertion fort différents du point de vue de la morphologie

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Books on the topic "Popular culture – Italy – Venice"

1

Venice: A cultural and literary companion. Interlink Books, 2000.

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C, Davis Robert. The war of the fists: Popular culture and public violence in late Renaissance Venice. Oxford University Press, 1994.

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3

Garrett, Martin. Venet︠s︡ii︠a︡: Istorii︠a︡ goroda. "ĖKSMO", 2007.

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4

City culture and the madrigal at Venice. University of California Press, 1995.

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T.S. Eliot's use of popular sources. E. Mellen Press, 1997.

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6

Speak the culture: Italy. Thorogood, 2010.

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7

The culture wars of the late Renaissance: Skeptics, libertines, and opera. Harvard University Press, 2007.

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8

Venice, myth and Utopian thought in the sixteenth-century: Bodin, Postel and the virgin of Venice. Ashgate, 1999.

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9

Popular film culture in Fascist Italy: The passing of the Rex. Indiana University Press, 1987.

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10

McClure, George W. The culture of profession in late Renaissance Italy. University of Toronto Press, 2004.

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Book chapters on the topic "Popular culture – Italy – Venice"

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Lepschy, Giulio. "How Popular Is Italian?" In Culture and Conflict in Postwar Italy. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20841-8_4.

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Policek, Nicoletta. "Prison on Screen in Italy: From “Shame Therapy” Propaganda to Citizenship Programmes." In The Palgrave Handbook of Incarceration in Popular Culture. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36059-7_45.

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Lavau, Georges. "Ill. The PCF, the State, and the Revolution: An Analysis of Party Policies, Communications, and Popular Culture." In Communism in Italy and France, edited by Donald L. M. Blackmer and Sidney Tarrow. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400867387-007.

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Giordan, Giuseppe. "Diagnosing the Devil. A Case Study on a Protocol Between an Exorcist and a Psychiatrist in Italy." In Popular Culture, Religion and Society. A Social-Scientific Approach. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43173-0_6.

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Gundle, Stephen. "Visions of Prosperity: Consumerism and Popular Culture in Italy from the 1920s to the 1950s." In Three Postwar Eras in Comparison. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230294134_7.

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Tedesco, Anna. "Ancora sulla fortuna de La Fuerza lastimosa nell’opera del Seicento: Alfonso I di Matteo Noris (Venezia Napoli Palermo)." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.12.

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Lope de Vega’s play, La fuerza lastimosa, written around 1599 and first published in 1609, was very popular in Seventeenth-Century Italy, as research by Fausta Antonucci and Salomé Vuelta has demonstrated. Several Italian adaptations are already known, among which a dramma per musica, La forza compassionevole, written by Antonio Salvi and staged in Leghorn in 1694. In the same year, another opera based on Lope’s drama was staged in Venice (as Alfonso I) and in Naples (under the title Alfonso il Sesto re di Castiglia). Two years later, this last version was revived in Palermo, again, as in Naples, to celebrate the birthday of King Charles II of Spain. None of these three librettos indicates Lope’s authorship nor it has been hypothesized until now. However, the plot of all librettos is clearly based on Lope’s play. This chapter aims at illustrating the relation between the librettos for these three performances and La fuerza lastimosa. It also discusses the context of all the stagings and identifies some of the existing musical sources. Finally, it argues that Alessandro Scarlatti could be the author of the Neapolitan score.

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Morone, Alfonso. "Religiuos Festivals Machines as Transition from Popular Culture Towards Industrial Design: Construction and Interpretation of the Giglio of Barra and Nola in Southern Italy." In Putting Tradition into Practice: Heritage, Place and Design. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57937-5_54.

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Kuntz, Marion Leathers. "Venice and Justice:." In Heresy, Culture, and Religion in Early Modern Italy. Pennsylvania State University Press, 2006. http://dx.doi.org/10.5325/j.ctv1c9hp2w.15.

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Niccoli, Ottavia, and Giulia Galastro. "Italy." In The Oxford History of Popular Print Culture. Oxford University Press, 2011. http://dx.doi.org/10.1093/acprof:osobl/9780199287048.003.0015.

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"The editor triumphant: editing in Venice, 1546–1560." In Print Culture in Renaissance Italy. Cambridge University Press, 1994. http://dx.doi.org/10.1017/cbo9780511597510.010.

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Conference papers on the topic "Popular culture – Italy – Venice"

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Bravaglieri, Simona. "Identification and preservation of the Cold War sites in Italy." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11470.

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Since the Fall of the Berlin Wall, more than 8000 militaries installations worldwide have been made available for civilian use. To many, the idea of attempting to conserve military sites from the Cold War sounds discordant due to the awkward or “uncomfortable” nature of the subject matter and the generally unappealing aesthetics associated. Even if the Cold War influenced many aspects of the popular culture, science and technology, architecture, landscape and people’s perception of the world, the legacy of this war is less tangible than others, and for this reason it is important to make an at

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