Academic literature on the topic 'Popular journalism'

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Journal articles on the topic "Popular journalism"

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Fürsich, Elfriede. "LIFESTYLE JOURNALISM AS POPULAR JOURNALISM." Journalism Practice 6, no. 1 (February 2012): 12–25. http://dx.doi.org/10.1080/17512786.2011.622894.

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Ireri, Kioko. "Exploring Journalism and Mass Communication Training in Kenya: A National Survey." Journalism & Mass Communication Educator 73, no. 3 (July 26, 2017): 293–307. http://dx.doi.org/10.1177/1077695817720678.

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Conducted in 2012 to 2013, the current national survey of Kenyan journalists ( N = 504) examines major characteristics of journalism and mass communication training in Kenya. Findings show that training in journalism or mass communication is a prerequisite to practice as a journalist in Kenya. While 45% of journalists were trained at the level of associate degree, 91% said they need to get further training. Kenya Institute of Mass Communication is the most popular institution of journalism and mass communication. Moreover, 65% of respondents perceive the quality of journalism training as good—Though in contrast to this favorable evaluation, local colleges face a litany of serious problems.
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Pulkhritudova, Elizaveta. "Popular Fiction as Journalism." Journal of Communication 41, no. 2 (June 1, 1991): 92–101. http://dx.doi.org/10.1111/j.1460-2466.1991.tb02311.x.

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Rixon, Paul. "Popular newspaper discourse." Journal of Historical Pragmatics 15, no. 2 (July 21, 2014): 314–30. http://dx.doi.org/10.1075/jhp.15.2.08rix.

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Journalistic discourse, the world over, has developed over time, reflecting changes in the news industry and the wider society. Likewise television criticism, a specific form of journalism, has also had to evolve over time. Initially, as television critics sought recognition and respectability in the quality newspapers, they developed a form of writing similar to the way other forms of culture and art were reviewed. However, as journalists began to develop more popular ways of writing, and with the spread of soft news throughout newspapers and into new magazine supplements, television critics also found themselves having to follow suit. This was such that by the 1970s a number of critics had moved away from trying to mimic other forms of reviewing or criticism to creating their own, more popular form of discourse. In this article I will explore some of the ways the language of critics changed between the 1950s and the 1980s, and how these developments were similar or different to the wider changes in journalism happening at this time.
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Li, Zhurun. "Popular journalism with Chinese characteristics." International Journal of Cultural Studies 1, no. 3 (December 1998): 307–28. http://dx.doi.org/10.1177/136787799800100301.

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Shree, Ms Garima. "The Cinematic Depiction of Media’s Social Responsibility: An Analysis of Journalism Films." Indian Journal of Mass Communication and Journalism 1, no. 4 (June 30, 2022): 4–6. http://dx.doi.org/10.54105/ijmcj.d1017.061422.

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Journalism has been portrayed on the silver screen many times. Over the years, filmmakers have been attracted by the role of the journalist, and the news industry has been represented in a variety of ways in Indian cinema. This study examines how the concept and theory of ‘social responsibility of the media’ has been depicted in journalism films. In this context, it is imperative to understand that the professional practice of journalism in the past shows that the press has the responsibility to act in the public interest. Whether it is the role of the press in India’s freedom movement or the investigative function of the press in unearthing corruption and crime, the media has social duties and obligations towards society. Journalism and the media are often called the watchdogs of Indian democracy, and hence, it cannot be denied that society has some positive expectations from the media. These expectations go beyond journalism's obvious normative role(s). This paper will examine how the media’s social responsibility has been depicted in cinema. The researcher will do a thematic analysis of journalism films that portray the social responsibility of journalism. Research on popular culture portrayals is important because such portrayals cultivate popular perceptions as well as myths about journalism. Film theory suggests that films are a reflection of real-life (to some extent), and therefore, films play an important role in documenting the contemporary trends in journalism. This study is based on the theory of ‘film analysis’ to understand the relevance of cinematic representations of social responsibility in journalism.
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Mano, Winston. "POPULAR MUSIC AS JOURNALISM IN ZIMBABWE." Journalism Studies 8, no. 1 (February 2007): 61–78. http://dx.doi.org/10.1080/14616700601056858.

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Meech, Peter. "Book Review: Journalism and Popular Culture." Media, Culture & Society 16, no. 2 (April 1994): 362–64. http://dx.doi.org/10.1177/016344379401600213.

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Prokofeva, Natalia A. "Phatic meanings of key words in popular science journalism." Neophilology, no. 23 (2020): 591–98. http://dx.doi.org/10.20310/2587-6953-2020-6-23-591-598.

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The purpose of the research is to demonstrate the functioning of key words in the texts of popular science journalism. Modern media text is created not only to inform, but to attract the reader. This enlarges the role of contact-building means, for example – the address to the epoch key words. We consider the peculiarities of phatic meanings in popular science journalism, dedicated to the historic themes. The research contains the analysis of phatic meanings in two randomly chosen issues of historic magazines. The result of the analysis is the selection of two groups of key words, which make the journalistic text contain additional phatic meanings. The first group of words is the current key words, allowing relating the publication, containing the address to a historical event or a historical person, to the actual reality. This lexical group allows the journalist to make the publication politically critical and topical and also to evaluate the current political situation through the historical parallel. Such word usage allows including ironic subtext in the historical journalism. The second group of words is the key words of a single publication; they allow completely characterizing an event or a person, being in the center of a journalist’s attention. These are the words, which relate to the acute for the Russian culture value meanings. They stay aside with the complete semantics and characterize the speech subject, the journalist’s relation to it, but they do not relate the theme to the current political situation.
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Litke, Marianna V. "Popular Science Journalism: Quality Criteria, Creative Techniques." Voprosy zhurnalistiki, no. 9 (June 1, 2021): 80–95. http://dx.doi.org/10.17223/26188422/9/5.

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Dissertations / Theses on the topic "Popular journalism"

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Stafford, Andy. "Roland Barthes, 1947-1960 : journalism, sociology and the popular theatre." Thesis, University of Nottingham, 1995. http://eprints.nottingham.ac.uk/10978/.

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This thesis situates the writings of Roland Barthes in the immediate postwar period. Whilst Barthes's thought has generally been appreciated for its theoretical innovations, this study identifies the historical and cultural influences behind his theories. His first permanent job in 1960, at the age of forty-five, ended a decade of career and financial uncertainties, during which he had been, above all, a journalist. His most famous book, Mythologies, consists of articles which were originally part of a monthly column appearing in the left-wing journal Les Lettres nouvelles between 1954 and 1956; this column helped to inflect the journal's attitude towards events such as decolonization. At the same time, he was active in the popular theatre movement, writing for Theatre populaire and defending Brechtian theatre. Barthes was also a pioneer of analytical tools in the social sciences. An avid reader of Michelet's attempts to 'resurrect' those who had been excluded by traditional historical narratives, Barthes valued the new history-writing of the Annales. He suggested a historical materialist analysis which, underlining the voluntarist nature of history, tried to resolve two historiographical dilemmas. Firstly, how could historical representation incorporate both continuity and change? Secondly, could a scientific, objective description of reality be reconciled with its partisan, subjective explanation? Undermining his earlier voluntarist view of history, the first dilemma was resolved by semiology: change and continuity were reconciled by showing forms functioning in a system. In the second the committed sociologist and critic could use the 'dialectique d'amour' to denounce and explain the alienation caused by bourgeois myths. However, whilst developing his semiological analysis, Barthes also concluded that a representation of both subjective and objective reality led to the exclusion of the committed critic. Finally, this thesis will suggest how Barthes's experiences and theoretical developments can be linked to his political views in this immediate postwar period.
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Nunes, Pedro. "Popular music and the public sphere : the case of Portuguese music journalism." Thesis, University of Stirling, 2004. http://hdl.handle.net/1893/24.

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Music journalism has been acknowledged as an important space of mediation between artists and consumers. Journalists and critics have played an historical role in the creation of discourse on popular music and are acknowledged by the music industry as an important referent in promotion strategies. Research on the subject has been mostly focused either on the relationship between music journalism and the wider music industry in which it operates or on its status as a field of cultural production. Little consideration has been given to the role played by music journalists in articulating popular music with wider political, social and cultural concerns. This thesis will examine the case-study of Portuguese popular music journalism. It will address its historical evolution and current status by taking into consideration some dimensions, namely, the wider institutional contexts that frame the status of music journalism and how they work upon it, the ideologies and values realised in journalistic discourse, the journalists’ relationship to the music industry (as represented by record labels/companies and concert promotion companies) and issues of interactivity with readers. The thesis will draw on theories of the public sphere and, to a lesser extent, on Bourdieu’s notions of field, capital and habitus to assess the possibilities for music journalism to create reasoned discourse on popular music and, therefore, contribute to wider debates on the public sphere of culture.
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Pires, M. "Popular music reviewing in the French press, 1956-1996." Thesis, Roehampton University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298927.

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Galvez, Carbajal Luis Franco. "Cobertura política en la prensa popular: Análisis de las portadas de los diarios Trome y El Popular en las elecciones presidenciales 2016." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/652614.

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Este trabajo de investigación estudia la cobertura política en la prensa popular, enfocándose en los diarios El Trome y El Popular. Por un lado, tendrá un carácter explicativo, porque estudiará las principales prioridades que tienen estos diarios de corte popular en la elección de temas en coberturas de relevancia como los son las elecciones presidenciales. Asimismo, se hará un breve análisis sobre el concepto de lo popular, para conocer cómo ha ido evolucionando a lo largo de los años. Por otro lado, se analizará las portadas de los diarios El Trome y El Popular para conocer las características de los titulares y las fotos periodísticas en época de elecciones. Esta investigación se llevará a cabo mediante el análisis de libros, tesis, fuentes personales especializadas, artículos de investigación sobre temas relaciones a la cobertura política en la prensa popular. Además, este trabajo es viable porque existe información sobre el tema, distintas fuentes documentales han sido escritas a lo largo de los años sobre este tema importante en la prensa popular peruana. Asimismo, la información será conseguida en internet, librerías, bibliotecas y en los principales buscadores académicos.
This research study studies political coverage in the popular press, focusing on the newspapers El Trome and El Popular. On the one hand, it will have an explanatory nature, because it will study the main priorities of these popular newspapers in the choice of topics in relevant coverage such as the presidential elections. Also, a brief analysis will be made on the concept of the popular, to know how it has evolved over the years. On the other hand, the covers of the newspapers El Trome and El Popular will be analyzed to know the characteristics of the newspaper headlines and photos at election time. This research will be carried out through the analysis of books, theses, specialized personal sources, research articles on topics related to political coverage in the popular press. In addition, this work is viable because there is information on the subject, different documentary sources have been written over the years on this important issue in the Peruvian popular press. Likewise, the information will be obtained on the internet, bookstores, libraries and in the main academic search engines.
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Lane, Katie. "Living for the city : Drum magazine's journalism and the popular black press." Master's thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/8169.

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This study examines Drum magazine's journalism from 951 to 1959. Many studies have primarily examined Drum and its role as a vehicle for the "Sophiatown generation" of fiction in the 1950s but this study instead concentrates on Drum's non-fiction reporting. It looks at both Drum's role in the birth of the popular black press and the magazine's complex conceptions of urban life. It argues that Drum's non-fiction promoted a cosmopolitan identity for its urban readers, in direct opposition to the efforts by the apartheid government to "retribralise" black urban residents, but also reflected anxieties about the urban experience. Drum was also one of the first non-partisan black publications to make political news accessible to a mass audience and the study argues that Drum's coverage of black politics has been overlooked and sometimes underestimated.
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Hahn, Laura K. "A Generic Analysis of the Rhetoric of Humorous Incivility in Popular Culture." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1391683148.

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Raymond, Joad. "The crisis of eloquence : reading and writing English newsbooks, 1641-1649." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320523.

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El, Biadi Maha. "Gender representation in the discourse of the Moroccan popular newspapers." Thesis, University of East Anglia, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390656.

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Pismel, Matheus Lobo. "Projeto popular e estratégias jornalísticas: relações entre jornalismo alternativo e organizações populares a partir das experiências de Brasil de Fato e Notas – Periodismo Popular." Universidade Estadual de Ponta Grossa, 2018. http://tede2.uepg.br/jspui/handle/prefix/2517.

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Submitted by Eunice Novais (enovais@uepg.br) on 2018-05-22T19:38:30Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Matheus Lobo Pismel.pdf: 2329266 bytes, checksum: a5aa08812987650f0006455744a3a123 (MD5)
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Este trabalho trata de relações estratégicas entre organizações populares e jornalismo profissional, a partir das experiências do jornal Brasil de Fato e do portal argentino Notas – Periodismo Popular, dirigidos pelo Movimento dos Trabalhadores Rurais Sem Terra (MST) e o movimento político Patria Grande, respectivamente. Em ambos os casos, os projetos jornalísticos correspondem à pretensão de expansão hegemônica das organizações e à necessidade de visibilizar demandas e perspectivas dos movimentos populares. A pesquisa se assenta sobre a pergunta “quais as características e como se materializam, no cotidiano de trabalho, as relações entre grupo político e veículo noticioso dirigido por ele?” São referências conceituais as teorias do jornalismo como forma de conhecimento, dos campos sociais e de hegemonia. O percurso metodológico passa por pesquisa bibliográfica, entrevistas abertas e análise editorial. As fontes principais das entrevistas são, de um lado, repórteres e editores (profissionais) e, de outro, militantes e dirigentes (atores políticos). Seus discursos, além de expor as concepções que balizam as iniciativas, indicam as interações entre jornalismo e política na produção noticiosa. As análises editoriais são operacionalizadas a partir de critérios jornalísticos como seleção e hierarquização de pautas e temas; gêneros e formatos textuais; recursos de edição; abrangência; escolha de fontes. Os resultados quantitativos desenham características jornalísticas gerais de Brasil de Fato e Notas. A presente pesquisa considera que, ao estarem localizados nas margens do campo jornalístico, os veículos alternativos têm de formular táticas e estratégias específicas para potencializarem seu alcance e incidência, considerando eixos como público-alvo, temáticas prioritárias e produção de conhecimento. Por fim, o trabalho discute a possibilidade de as relações entre veículo noticioso e organização popular serem pautadas pela busca cotidiana de uma heteronomia que não restrinja, senão, potencialize o jornalismo como forma de conhecimento e espaço de luta por hegemonia na sociedade.
This work deals with strategic relations between popular organizations and professional journalism, based on the experiences of the newspaper Brasil de Fato and the argentinian website Notas – Periodismo Popular, headed by the Landless Rural Workers Movement (MST) and the political movement Patria Grande, respectively. In both cases, the journalistic projects correspond to the pretension of hegemonic expansion of the organizations and to the need to make visible the demands and perspectives of the popular movements. The research is based on the question "what are the characteristics and how do the relations between the political group and the news vehicle led by it materialize?" The theories of journalism as a social form of knowledge, of the social fields and of hegemony are conceptual references. The methodological path goes through bibliographic research, open interviews and editorial analysis. The main sources of interviews are, on the one hand, reporters and editors (professionals) and, on the other, militants and leaders (political actors). His discourses, besides exposing the conceptions that mark the initiatives, indicate the interactions between journalism and politics in the news production. The editorial analyzes are operationalized from journalistic criteria, such as selection and hierarchy of agenda and themes; genres and textual formats; editing features; escope; choice of fonts. The quantitative results draw general journalistic characteristics of Brasil de Fato and Notas. The present research considers that, in the margins of the journalistic field, alternative vehicles have to formulate specific strategies to increase their reach and incidence, considering axes as target audience, priority themes and production of knowledge. Finally, the research discusses the possibility of news vehicle and popular organization relationships being guided by the daily search for a heteronomy that does not restrict, but rather, enhance journalism as a form of knowledge and a space of struggle for hegemony in society.
Esta investigación trata de relaciones estratégicas entre organizaciones populares y periodismo profesional, a partir de las experiencias del periódico Brasil de Fato y del portal argentino Notas – Periodismo Popular, dirigidos por el Movimiento de los Trabajadores Rurales Sin Tierra (MST) y el movimiento político Patria Grande, respectivamente. En ambos casos, los proyectos periodísticos corresponden a la pretensión de expansión hegemónica de las organizaciones y a la necesidad de visibilizar demandas y perspectivas de los movimientos populares. La investigación se asienta sobre la pregunta "¿cuáles las características y cómo se materializan, en el cotidiano de trabajo, las relaciones entre grupo político y vehículo noticioso dirigido por él?" Son referencias conceptuales las teorías del periodismo como forma de conocimiento, de los campos sociales y de hegemonía. El recorrido metodológico pasa por investigación bibliográfica, entrevistas abiertas y análisis editorial. Las fuentes principales de las entrevistas son, por un lado, reporteros y editores (profesionales) y de otro, militantes y dirigentes (actores políticos). Sus discursos, además de exponer las concepciones que balizan las iniciativas, indican las interacciones entre periodismo y política en la producción noticiosa. Los análisis editoriales son operacionalizados a partir de criterios periodísticos como selección y jerarquización de pautas y temas; géneros y formatos textuales; recursos de edición; el alcance geográfico; elección de fuentes. Los resultados cuantitativos dibujan características periodísticas generales de Brasil de Fato y Notas. La presente investigación considera que, al estar ubicados en los márgenes del campo periodístico, los vehículos alternativos tienen que formular estrategias específicas para potenciar su alcance e incidencia, considerando ejes como público-objetivo, temáticas prioritarias y producción de conocimiento. Por último, la investigación discute la posibilidad de que las relaciones entre vehículo noticioso y organización popular se guíen por la búsqueda cotidiana de una heteronomía que no restrinja, sino, potencie el periodismo como forma de conocimiento y espacio de lucha por hegemonía en la sociedad. Palabras clave: Periodismo. Periodismo alternativo. Movimientos populares. Organización política. Hegemonía.
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Mussio, Simone Cristina. "Popular sensacionalista : as estratégias discursivas do Jornal Agora São Paulo /." Bauru : [s.n.], 2008. http://hdl.handle.net/11449/89490.

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Orientador: Maria Inez Mateus Dota
Banca: Carly Batista de Aguiar
Banca: Murilo Cesar Soares
Resumo: Este trabalho tem como objetivo detectar as marcas discursivas verbais e não verbais presentes nas notícias de capa do jornal Agora São Paulo, observando as estratégias utilizadas por esse veículo para atrair de modo mais eficaz seu público leitor, de modo a caracterizar o periódico como pertencente ao jornalismo popular, que detém traços sensacionalistas. Como subsídio indispensável para o exame minucioso das notícias, fazemos uso da Análise do Discurso e dos dispositivos teóricos fornecidos pela Teoria do Jornalismo (ou da Notícia), verificando, a partir dos elementos que as constituem, as técnicas empregadas pelo referido jornal. Apontamos que características populares/sensacionalistas podem ser verificadas através do seu conteúdo, ao retratar notícias relacionadas aos interesses de seus leitores. Com uma linguagem clara e simples, as manchetes produzidas, geralmente, versam sobre assuntos com caráter econômico-social, já os títulos procuram fazer referência a temáticas que visam ao entretenimento. Além disso, a dinamicidade apresentada pelo seu logotipo na primeira página, a presença da tarja vermelha na palavra mais importante da manchete, o uso de fontes grossas e avantajadas na intitulação das notícias faz com que o caracterizemos como um periódico popular. Dessa maneira, pode-se comprovar que ao mesmo tempo em que usa determinadas estratégias sensacionalistas para se promover como popular, não necessariamente recorre a temas sexuais, sanguinolentos ou ficcionais para se posicionar como tal
Abstract: This thesis aims at detecting the verbal and non verbal discursive marks used in the cover news of the newspaper Agora São Paulo, verifying the strategies used by this paper in order to attract its readers in a more efficient way, so as to classify this paper as belonging to popular journalism and containing sensationalist traces. As an essential basis for the detailed examination of the news, we make use of Discourse Analysis and the theoretical devices offered by the Journalism Theory (or News Theory), checking, from the elements that constitute them, the techniques employed by this newspaper. We point out that the popular/sensationalist characteristics can be verified through its content, as it presents news related to the interests of its readers. With a clear and simple language, the headlines produced usually focus on socioeconomic issues, whereas the tiles try to make reference to subjects which aim at entertaining. Besides, the dynamicity presented by the logotype in the front page, the presence of a red mark in the most important word of the headline, the use of large and distinguished fonts in the news titles lead us to characterize this newspaper as a popular one. This way, it can be proved that at the same time it uses certain sensationalist strategies to promote itself as popular, it does not necessarily make use of sexual, sanguinary or fictional subjects, to position itself as popular
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Books on the topic "Popular journalism"

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Karl, Manoff Robert, and Schudson Michael, eds. Reading the news: A Pantheon guide to popular culture. New York: Pantheon Books, 1986.

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Popular reality: Journalism, modernity, popular culture. London, England: Arnold, 1996.

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1946-, Dahlgren Peter, and Sparks Colin 1947-, eds. Journalism and popular culture. London: SAGE Publications, 1992.

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Curthoys, Ann. Journalism: Print, politics, and popular culture. St. Lucia, Qld: University of Queensland Press, 1999.

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1959-, Hamilton James Frederick, ed. Alternative journalism. London: Sage, 2008.

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The press and popular culture. London: SAGE, 2002.

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Tabloid television: Popular journalism and the "other news". London: Routledge, 1998.

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Cragin, Thomas. Murder in Parisian streets: Manufacturing crime and justice in the popular press, 1830-1900. Lewisburg, PA: Bucknell University Press, 2006.

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Huntzicker, William. The popular press, 1833-1865. Westport, Conn: Greenwood Press, 1999.

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Morel, Marco. Jornalismo popular nas favelas cariocas. Rio de Janeiro: RIOARTE, 1986.

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Book chapters on the topic "Popular journalism"

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Shorter, Clement K. "Illustrated Journalism." In Popular Print Media: 1820-1900, 567–80. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003141082-43.

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Elyada, Ouzi. "Introduction." In Hebrew Popular Journalism, 1–24. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge studies in Middle Eastern history ; 21: Routledge, 2019. http://dx.doi.org/10.4324/9780429058462-1.

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Elyada, Ouzi. "The Ben-Yehuda newspapers." In Hebrew Popular Journalism, 25–67. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge studies in Middle Eastern history ; 21: Routledge, 2019. http://dx.doi.org/10.4324/9780429058462-2.

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Elyada, Ouzi. "The first Hebrew daily newspaper in Palestine." In Hebrew Popular Journalism, 68–99. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge studies in Middle Eastern history ; 21: Routledge, 2019. http://dx.doi.org/10.4324/9780429058462-3.

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Elyada, Ouzi. "The daily Ha-Zvi." In Hebrew Popular Journalism, 100–134. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge studies in Middle Eastern history ; 21: Routledge, 2019. http://dx.doi.org/10.4324/9780429058462-4.

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Elyada, Ouzi. "Ha-Zvi and the mass-communication revolution in Ottoman Palestine." In Hebrew Popular Journalism, 135–63. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge studies in Middle Eastern history ; 21: Routledge, 2019. http://dx.doi.org/10.4324/9780429058462-5.

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Elyada, Ouzi. "The struggle for yellow hegemony." In Hebrew Popular Journalism, 164–208. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge studies in Middle Eastern history ; 21: Routledge, 2019. http://dx.doi.org/10.4324/9780429058462-6.

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Elyada, Ouzi. "Crime and catastrophe stories in the Hebrew popular press." In Hebrew Popular Journalism, 209–57. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge studies in Middle Eastern history ; 21: Routledge, 2019. http://dx.doi.org/10.4324/9780429058462-7.

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Elyada, Ouzi. "Military coverage in the Hebrew popular press." In Hebrew Popular Journalism, 258–89. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge studies in Middle Eastern history ; 21: Routledge, 2019. http://dx.doi.org/10.4324/9780429058462-8.

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Elyada, Ouzi. "Conclusion." In Hebrew Popular Journalism, 290–93. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge studies in Middle Eastern history ; 21: Routledge, 2019. http://dx.doi.org/10.4324/9780429058462-9.

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Conference papers on the topic "Popular journalism"

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Eide, Martin. "Orchestrating Common Sense Popular Journalism and staging of public debate." In Annual International Conference on Journalism & Mass Communications. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2301-3729_jmcomm12.83.

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Kazan, Hüseyin. "Medical Journalism in Women’s Magazine: The Case of Cosmopolitan." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.036.

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Health is a most common topic discussed in women magazine ranking from fashion to beauty, sexuality to art and culture. Biological health, mental health, fertility and sexual health are the most common topics which are given wide coverage. Whether this news, having quantitatively audience, is qualitatively health news is the primarily problem. The most of the news deals with particular subject such as medical selling, aesthetic advertisement and prototypes imposed on popular life. A large number of news reaching the audience read for health purposes cannot go beyond triggering the consumption culture. That is the starting point of this study. The study limited to 52 issues of Cosmopolitan Turkey published between June 2014- September 2018 analyses Dr. Cosmo, which falls into the health news category. In this study, content analysis is used to examine to what extent the news qualitatively and quantitatively contributes to medicine journalism. At the end of the study, it is found that the most of the health news is published on the purposes of commercial concerns, consolidates aesthetic perception and generally stuck between certain topics.
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Malyshev, Alexander A. "LANGUAGE CONSCIOUSNESS OF RUSSIAN ACADEMIC POPULAR SCIENCE JOURNALISM TRANSLATORS OF THE FIRST HALF OF THE XVIII CENTURY." In FUNCTIONAL ASPECTS OF INTERCULTURAL COMMUNICATION. TRANSLATION AND INTERPRETING ISSUES. Peoples' Friendship University of Russia, 2019. http://dx.doi.org/10.22363/2712-7974-2019-6-554-562.

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Lucas, Joel Pinho, Leticia Freire de Figueiredo, and Felipe Alves Ferreira. "Dealing with Item Cold-Start in News Recommender at Globo." In Simpósio Brasileiro de Sistemas Multimídia e Web. Sociedade Brasileira de Computação - SBC, 2022. http://dx.doi.org/10.5753/webmedia_estendido.2022.wip03.

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Globo is the largest Latin American mass media group, where its vertical information portals play an important role in content distribution. Among such portals, G1 is Globo’s journalism portal, being the most popular news portal in Brazil and responsible for delivering informative content to more than 100 million unique users per day. In this context, recommender systems play an important role in achieving a good user experience, offering personalized content. In this paper, we discuss how G1’s recommender system identifies and deals with the item cold-start problem, describing the recommendation scenarios and how the applied improvements in the currently deployed algorithms led to a decreased processing time and an increased CTR in the context of news recommendations.
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Lima, D. F., A. S. C. Melo, and L. B. Marinho. "An Analysis of Subjectivity in Brazilian News." In VII Symposium on Knowledge Discovery, Mining and Learning. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/kdmile.2019.8792.

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With the advent of digital journalism, the democratization of information has become a reality, since news articles are published as soon as the facts occur and are accessible from any device connected to the internet. It is common sense the perception that some newspapers are more biased than others when it comes to the way of exposing the facts. However, automatic ways of measuring such biases is still an open research challenge. Under the premise that journalistic texts must have objective and unbiased language, news with high levels of subjectivity may indicate bias. In this paper, we propose to use subjectivity lexicons to characterize subjectivity in five news portals that are popular in Brazil. To better understand the results found, we performed a correlation analysis between the levels of subjectivity found and readability and news popularity metrics. We believe that the methods we used along with our findings contribute to a better understanding of the linguistic characteristics of the news we consume daily.
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Gureyev, Vadim N., and Nikolay A. Mazov. "Authorship models for editorial board members: The ethical aspect." In Twenty Fourth International Conference "Information technologies, computer systems and publications for libraries". Russian National Public Library for Science and Technology, 2020. http://dx.doi.org/10.33186/978-5-85638-231-9-2020-41-46.

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Various models of editorial board members’ publishing in parent journal are examined. Editorial membership makes an important stage of the academic career; hence, this requires careful bibliometric examination of editor researchers’ publication strategies. We examine the popular approaches of editors-in-chief toward publications by their editorial board members’ in the parent journal, in the range from encouragement to prohibition. Using a sample of Russian library and information science journals, we demonstrate that the publication models of editorial board members depend on the journal’s rank.
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Nguyen Thi, Nhung, and Minh Thu Nguyen Thi. "Television in the Tay-Nung Language in Vietnam." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.17-2.

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Broadcasting and television are two popular types of media, with more audience than other types of media in Viet Nam today. Tay-Nung is a common language of two ethnic groups with the largest population of ethnic minorities in Viet Nam. Research on broadcasting and television in the Tay-Nung language is importance research, involving both journalism and the science of language. On the basis of surveys on the state of broadcasting in Tay-Nung language and the attitude, needs and aspirations of the Tay and Nung ethnicity on this activity, this article aims to describe and evaluate the current status of broadcasting in the Tay-Nung language, thereby proposing ways and means to improve the efficiency and effectiveness of broadcasting in Tay- Nung language. The main methods used in this study are a scientific observation method, a sociological survey method (interviews, discussions, investigation by questionnaires), method of description (analytical, statistical, classification, systematization) and a comparison method. Research data is collected from relevant documents and from the use of sociological survey methods. The subject of the article is the broadcast in Tay-Nung language activities in Viet Nam at present. This subject is considered in the following aspects; the places, the levels of broadcasting and television; the choice and use of language / dialect; attitude, needs and aspirations of the recipients, and some ways and solutions to be implemented. Research results of the project will help the Ministry of Information and Communication, in radio and television, to develop specific suggestions on the choice of type and level of communication. At the same time, the Viet Nam has also suggested the development of policies related to communication in ethnic minority languages. Raising the effectiveness of broadcasting in the Tay-Nung language will contribute to the preservation of language and culture; will improve quality of life for the Tay and Nung ethnicity and will contribute to sustainable development of nations in the renewal period. The work will inform work by the State, the Ministry of Information and Communication, should the State and the Ministry of Information and Communications pay attention to this timely guidance. Results will contribute to studies on communication in ethnic minority languages in Viet Nam or on communication in Tày Nùng in Southeast Asia.
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Velinova, Neli, Lora Metanova, Mariyan Tomov, and Lilia Raycheva. "Fuzzy Choice – The Facebook Facade of The Triple Parliamentary Election Campaign 2021 In Bulgaria." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002522.

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The rapid advancement of ICTs has outstripped the theoretical rationalization, regulatory framework, business models, professional practices and audiences’ participation in contemporary democratic processes (Kaid L., Mazoleni G., Blumler JG, Esser F.). This new ‘mosaic culture’ is characterized by demassification of media and of society itself. A virtual online culture has been created which, due to its interactive nature, acts as integrating while having an alienating and restrictive impact on people, destroying ‘live’ communication. Nevertheless, media still stays among the main factors of the deliberative democracy, which should ensure fair and reasonable debate among citizens. Compared to traditional media, internet platforms and especially social networks are becoming increasingly popular channels for politicians to communicate with the electorate. The aim of the study undertaken by an academic team of the Faculty of Journalism and Mass Communication at the St. Kliment Ohridsky Sofia University of Bulgaria and supported by the National Scientific Fund (research project KP-06-M35/4-18.12.2019) focuses on the deficits of media literacy in pre-election online communication. The object is the dynamics of the online campaign for the three parliamentary elections in Bulgaria in 2021: one regular (April 4) and two preliminary (July 11 and November 14). They have been held under the shadow of social distance and strict observance of the anti-epidemic measures against COVID-19 and in conditions of political confrontation, hostile public speech, and neglected professional standards. The subject is related to the Facebook messages in the profiles of the political leaders within the one-month period of the three campaigns. The methodology is an empirical study and comparative analysis. The scope of the survey includes those political forces that have passed the 4% electoral threshold. The main research question of the study is how Facebook messages affect voter choiceThe results showed that during all the three election campaigns, Bulgarians preferred to be informed first by television, then by online platforms and most of all - by Facebook. However, the number of posts, the frequency of Facebook use, and the funds invested did not turn out to be directly proportional to the success achieved by the politicians. Relying on populism in various dimensions was a more profitable strategy. Thus, for some of the new political formations, aggressive rhetoric was winning. Online communication replaced politicians' live contact with the public, but numerous likes, comments and shares expanded the audience's reach. In the long run few of the Facebook profiles of political leaders who were elected MPs clearly presented their intentions in such a way that voters could have the opportunity to make informed choices. The results are indicative of the extent to which insufficient information, media and digital literacy as part of the civic education of electoral actors - regulators, politicians, media, analysts and audiences - affect informed voter choice. For successful participation of citizens in public debates on protecting, sustaining and developing of civic rights and democracy, a serious awareness of the risks and opportunities of the deliberative communication process needs to be studied.
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Tyszka, Konrad, and Michał Jagosz. "Polish music press in the face of systemic change in 1989 as an example of cultural transformation in post-communist countries." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.09103t.

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The systemic transformation has significantly increased and diversified the music press market. Liquidation of the monopoly, privatization, censorship abolition and media pluralism are just some of the factors that contributed to shaping new cultural policy in Poland. The research material used for this paper’s analytical purposes consists of Polish music magazines; based on a query covering over 110 journals being published since 1946 to the present, a historical and comparative analysis was made. It allowed to determine what new solutions the publishers started to put into practice to make their magazines more attractive. Moreover, it showed a clear fragmentation of the market. After ’89, popular music magazines began to prevail; there are also many specialist journals devoted to a specific topic. A look at cultural transformation from the perspective of the music press is therefore an innovative idea, combining knowledge from the borderline of musicology, cultural studies, and press studies.
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Tyszka, Konrad, and Michał Jagosz. "Polish music press in the face of systemic change in 1989 as an example of cultural transformation in post-communist countries." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.09103t.

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The systemic transformation has significantly increased and diversified the music press market. Liquidation of the monopoly, privatization, censorship abolition and media pluralism are just some of the factors that contributed to shaping new cultural policy in Poland. The research material used for this paper’s analytical purposes consists of Polish music magazines; based on a query covering over 110 journals being published since 1946 to the present, a historical and comparative analysis was made. It allowed to determine what new solutions the publishers started to put into practice to make their magazines more attractive. Moreover, it showed a clear fragmentation of the market. After ’89, popular music magazines began to prevail; there are also many specialist journals devoted to a specific topic. A look at cultural transformation from the perspective of the music press is therefore an innovative idea, combining knowledge from the borderline of musicology, cultural studies, and press studies.
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Reports on the topic "Popular journalism"

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Rudyk, Myroslava. COMMUNICATIVE FEATURES OF UKRAINIAN VIDEO BLOGS ON THE EXAMPLE OF YOUTUBE-CHANNELS OF «TORONTO TV», YANINA SOKOLOVA, AND OSTAP DROZDOV. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11111.

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The article is devoted to the study of the Ukrainian segment of video blogging as one of the most popular types of the functioning of the modern blogosphere. The content and statistics of popular video blogs were studied on the example of YouTube channels of Ukrainian bloggers and famous journalists. Today we are witnessing the rapid development of technologies that help journalists become better, and the creators of media content to work more quickly and ensure the completeness of the information. With the help of Internet communication, new ways of disseminating information have appeared in journalism. Journalists more often create their blogs on various platforms. Blogosphere video content has become very popular among the Ukrainian audience on YouTube because today the video format is the most effective in terms of communication. The YouTube social network partially replaces television, and the variety of thematic content is ably adapted to a wide audience. The paper analyzes Ukrainian blogs managed by journalists, where they publish different content formats. Therefore, the presentation of various examples of video blogs in our work helps to understand the specifics of Ukrainian blogging at its current stage of development. After all, videos of popular people such as Michael Shchur, Yanina Sokolova, Ostap Drozdov demonstrate the peculiarities of Ukrainian popular video content. For the research, we chose those blogs that are currently relevant to Ukrainian YouTube and have their specifics and uniqueness. The main objective of a blogger is to react quickly to the flow of information because the rating of the channel being monetized depends on it. With the help of statistical data, we can conclude that the Ukrainian audience is interested in a wide range of different information. Viewers now value the independent opinion of bloggers and more often listen to it. Every important event is covered by bloggers promptly. And the format in which it is presented depends on the individual style of the author and the concept of his channel. We can conclude that the video content of the modern blogosphere is developing rapidly. This provides the audience with information for different tastes.
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Yatsymirska, Mariya. MODERN MEDIA TEXT: POLITICAL NARRATIVES, MEANINGS AND SENSES, EMOTIONAL MARKERS. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11411.

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The article examines modern media texts in the field of political journalism; the role of information narratives and emotional markers in media doctrine is clarified; verbal expression of rational meanings in the articles of famous Ukrainian analysts is shown. Popular theories of emotions in the process of cognition are considered, their relationship with the author’s personality, reader psychology and gonzo journalism is shown. Since the media text, in contrast to the text, is a product of social communication, the main narrative is information with the intention of influencing public opinion. Media text implies the presence of the author as a creator of meanings. In addition, media texts have universal features: word, sound, visuality (stills, photos, videos). They are traditionally divided into radio, TV, newspaper and Internet texts. The concepts of multimedia and hypertext are related to online texts. Web combinations, especially in political journalism, have intensified the interactive branching of nonlinear texts that cannot be published in traditional media. The Internet as a medium has created the conditions for the exchange of ideas in the most emotional way. Hence Gonzo’s interest in journalism, which expresses impressions of certain events in words and epithets, regardless of their stylistic affiliation. There are many such examples on social media in connection with the events surrounding the Wagnerians, the Poroshenko case, Russia’s new aggression against Ukraine, and others. Thus, the study of new features of media text in the context of modern political narratives and emotional markers is important in media research. The article focuses review of etymology, origin and features of using lexemes “cмисл (meaning)” and “сенс (sense)” in linguistic practice of Ukrainians results in the development of meanings and functional stylistic coloring in the usage of these units. Lexemes “cмисл (meaning)” and “сенс (sense)” are used as synonyms, but there are specific fields of meanings where they cannot be interchanged: lexeme “сенс (sense)” should be used when it comes to reasonable grounds for something, lexeme “cмисл (meaning)” should be used when it comes to notion, concept, understanding. Modern political texts are most prominent in genres such as interviews with politicians, political commentaries, analytical articles by media experts and journalists, political reviews, political portraits, political talk shows, and conversations about recent events, accompanied by effective emotional narratives. Etymologically, the concept of “narrative” is associated with the Latin adjective “gnarus” – expert. Speakers, philosophers, and literary critics considered narrative an “example of the human mind.” In modern media texts it is not only “story”, “explanation”, “message techniques”, “chronological reproduction of events”, but first of all the semantic load and what subjective meanings the author voices; it is a process of logical presentation of arguments (narration). The highly professional narrator uses narration as a “method of organizing discourse” around facts and impressions, impresses with his political erudition, extraordinary intelligence and creativity. Some of the above theses are reflected in the following illustrations from the Ukrainian media: “Culture outside politics” – a pro-Russian narrative…” (MP Gabibullayeva); “The next will be Russia – in the post-Soviet space is the Arab Spring…” (journalist Vitaly Portnikov); “In Russia, only the collapse of Ukraine will be perceived as success” (Pavel Klimkin); “Our army is fighting, hiding from the leadership” (Yuri Butusov).
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Golovko, Khrystyna. TRAVEL REPORT BY ALEKSANDER JANTA-POŁCZYNSKI «INTO THE USSR» (1932): FROG PERSPECTIVE. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11091.

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The article analyzes a series of materials by Aleksander Janta-Polczynski «Into the USSR» from Soviet Russia during the in 1932, published on «Wiadomości Literackiе». The purpose of this article is explain the uniqueness of the reporter’s style and personality. We want to emphasize the role of Janta-Polczynski as the pioneer of reportage journalism. He was the first who worked professionally in this position in the full sense of this word. Analyzed the cycle of Alexander Janta-Polczynski from Russia, we can emphasize the scale of the reporter’s trip: in 1932 the journalist made the largest journalistic trip to the USSR. Janta visited the Eastern republics, which differed from the popular Moscow and Leningrad. Also, he saw the largest construction in the USSR at this time – which it bragged about russian newspapers – Magnitogorsk and Dneprostroy. For a better understanding are given the visual examples from reportorial texts. It should be noted that for Janta the main task of the reporter is to show what is seen and recorded: only facts and personal experience in communication. This cycle can safely be called a journey and social expedition. The main task for Janta the scene where the reportage takes place is to find proper characters and convince them of the importance of their story. These are the materials of a reporter – an eyewitness, not a researcher, a report from the scene, which pushes the reader to an independent conclusion. We explore that all the Janta-Polczynski texts are inextricably linked by looking into the «middle» of the process: the diversity of what is seen allows the journalist to look for differences and similarities, compare, look at the fundamental components, track changes and distinguish them. Special attention was paid to a low-angle shot in his materials. He describes how Soviet society lives, how factories work, how the system of educating a Soviet person, goes to the movies and exhibitions, communicates with ordinary citizens. Undoubtedly, all this is successfully complemented by the factual detail and uniqueness of the author’s style.
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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. The most popular platform for mass information and social interaction is, first of all, network journalism, which is characterized by mobility and unlimited time and space. Authors have complete freedom to express their views in direct language, including their own word formation. Phonetic, lexical, phraseological and stylistic means of speech create expression of the text. A figurative word, a good aphorism or proverb, a paraphrased expression, etc. enhance the effectiveness of a multimedia text. This is especially important for headlines that simultaneously inform and influence the views of millions of readers. Given the wide range of issues raised by the Internet as a medium, research in this area is interdisciplinary. The science of information, combining language and social communication, is at the forefront of global interactions. The Internet is an effective source of knowledge and a forum for free thought. Nonlinear texts (hypertexts) – «branching texts or texts that perform actions on request», multimedia texts change the principles of information collection, storage and dissemination, involving billions of readers in the discussion of global issues. Mastering the word is not an easy task if the author of the publication is not well-read, is not deep in the topic, does not know the psychology of the audience for which he writes. Therefore, the study of media broadcasting is an important component of the professional training of future journalists. The functions of the language of the media require the authors to make the right statements and convincing arguments in the text. Journalism education is not only knowledge of imperative and dispositive norms, but also apodictic ones. In practice, this means that there are rules in media creativity that are based on logical necessity. Apodicticity is the first sign of impressive language on the platform of print or electronic media. Social expression is a combination of creative abilities and linguistic competencies that a journalist realizes in his activity. Creative self-expression is realized in a set of many important factors in the media: the choice of topic, convincing arguments, logical presentation of ideas and deep philological education. Linguistic art, in contrast to painting, music, sculpture, accumulates all visual, auditory, tactile and empathic sensations in a universal sign – the word. The choice of the word for the reproduction of sensory and semantic meanings, its competent use in the appropriate context distinguishes the journalist-intellectual from other participants in forums, round tables, analytical or entertainment programs. Expressive speech in the media is a product of the intellect (ability to think) of all those who write on socio-political or economic topics. In the same plane with him – intelligence (awareness, prudence), the first sign of which (according to Ivan Ogienko) is a good knowledge of the language. Intellectual language is an important means of organizing a journalistic text. It, on the one hand, logically conveys the author’s thoughts, and on the other – encourages the reader to reflect and comprehend what is read. The richness of language is accumulated through continuous self-education and interesting communication. Studies of social expression as an important factor influencing the formation of public consciousness should open up new facets of rational and emotional media broadcasting; to trace physical and psychological reactions to communicative mimicry in the media. Speech mimicry as one of the methods of disguise is increasingly becoming a dangerous factor in manipulating the media. Mimicry is an unprincipled adaptation to the surrounding social conditions; one of the most famous examples of an animal characterized by mimicry (change of protective color and shape) is a chameleon. In a figurative sense, chameleons are called adaptive journalists. Observations show that mimicry in politics is to some extent a kind of game that, like every game, is always conditional and artificial.
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Melnyk, Yuriy. Academic Journal Website Model. KRPOCH, 2018. http://dx.doi.org/10.26697/preprint.melnyk.1.2018.

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Background: The tens of thousands of academic journal websites that are on the Internet today often do not have a clear organizational structure for their website. If most of them are convenient enough for readers (if the journal is open access), then many have problems informing authors about the conditions, the process of submitting and reviewing the manuscript. The Editorial Offices empirically populate the journal's website with content that can change dramatically (both in terms of website design and content) as the journal develops. Aim of Study: To develop a website model for an academic journal that takes into account the basic requirements for the preparation, publication, and archiving of high quality scientific manuscripts. Material and Methods: The academic journal website model is based on a structural-functional approach. The website content consists of text and integrated applications. This model takes into account the basic requirements for the preparation, publication, and archiving of high-quality open access scientific manuscripts, as well as the indexing of journal articles by leading indexing agencies. Results: The academic journal website model is structured with the following menu and submenu elements: 1. HOME: 1.1. Journal information; 1.2. From the editorial office; 1.3. Databases, Indexing; 2. EDITORIAL BOARD: 2.1. Editorial board; 2.2. Reviewers; 2.3. Editing and reviewing process; 3. EDITORIAL POLICIES: 3.1. Editorial policies; 3.2. Plagiarism policy; 3.3. Open access policy; 3.4. The ethics codex of scientific publications; 3.5. Disclaimer; 3.6. License terms; 3.7. Terms of publications (fee); 4. ARCHIV: 4.1. Previous issues; 4.2. Current issue; 4.3. Articles online first; 5. INSTRUCTIONS FOR AUTHORS: 5.1. General recommendations; 5.2. Manuscript templates; 5.3. Supplemental materials; 6. STATISTICS: 6.1. Publications; 6.2. Authors; 6.3. Readers; 7. CONTACTS: 7.1. Contact; 7.2. Subscriptions; 7.3. Search. Conclusions: This academic journal website model was implemented for the International Journal of Science Annals (IJSA). Authors and readers of IJSA noted the advantages of the model proposed by the author, including: a convenient and understandable website interface, the availability of the necessary hyperlinks to the pages of the journal's website and external media (sites of indexed agencies, library archives, etc.), convenient search for information on the website and published in the journal articles (by author, publication, text of the article), availability of integrated applications (online submission of manuscripts, filing appeals against the decision of reviewers and complaints about published articles, viewing the interactive printed version of the journal, etc.), availability of templates (for authors, reviewers), availability of multiple formats for archiving articles (PDF, DOAJ, XML, TXT), the ability to choose the style of citing the article and the website language (English, Ukrainian), etc. Keywords: journal, model, website, academic, indexing
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