Journal articles: 'Popular journalism'

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Fürsich, Elfriede. "LIFESTYLE JOURNALISM AS POPULAR JOURNALISM." Journalism Practice 6, no. 1 (February 2012): 12–25. http://dx.doi.org/10.1080/17512786.2011.622894.

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Ireri, Kioko. "Exploring Journalism and Mass Communication Training in Kenya: A National Survey." Journalism & Mass Communication Educator 73, no. 3 (July 26, 2017): 293–307. http://dx.doi.org/10.1177/1077695817720678.

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Conducted in 2012 to 2013, the current national survey of Kenyan journalists ( N = 504) examines major characteristics of journalism and mass communication training in Kenya. Findings show that training in journalism or mass communication is a prerequisite to practice as a journalist in Kenya. While 45% of journalists were trained at the level of associate degree, 91% said they need to get further training. Kenya Institute of Mass Communication is the most popular institution of journalism and mass communication. Moreover, 65% of respondents perceive the quality of journalism training as good—Though in contrast to this favorable evaluation, local colleges face a litany of serious problems.

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Pulkhritudova, Elizaveta. "Popular Fiction as Journalism." Journal of Communication 41, no. 2 (June 1, 1991): 92–101. http://dx.doi.org/10.1111/j.1460-2466.1991.tb02311.x.

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Rixon, Paul. "Popular newspaper discourse." Journal of Historical Pragmatics 15, no. 2 (July 21, 2014): 314–30. http://dx.doi.org/10.1075/jhp.15.2.08rix.

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Journalistic discourse, the world over, has developed over time, reflecting changes in the news industry and the wider society. Likewise television criticism, a specific form of journalism, has also had to evolve over time. Initially, as television critics sought recognition and respectability in the quality newspapers, they developed a form of writing similar to the way other forms of culture and art were reviewed. However, as journalists began to develop more popular ways of writing, and with the spread of soft news throughout newspapers and into new magazine supplements, television critics also found themselves having to follow suit. This was such that by the 1970s a number of critics had moved away from trying to mimic other forms of reviewing or criticism to creating their own, more popular form of discourse. In this article I will explore some of the ways the language of critics changed between the 1950s and the 1980s, and how these developments were similar or different to the wider changes in journalism happening at this time.

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Li, Zhurun. "Popular journalism with Chinese characteristics." International Journal of Cultural Studies 1, no. 3 (December 1998): 307–28. http://dx.doi.org/10.1177/136787799800100301.

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Shree, Ms Garima. "The Cinematic Depiction of Media’s Social Responsibility: An Analysis of Journalism Films." Indian Journal of Mass Communication and Journalism 1, no. 4 (June 30, 2022): 4–6. http://dx.doi.org/10.54105/ijmcj.d1017.061422.

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Journalism has been portrayed on the silver screen many times. Over the years, filmmakers have been attracted by the role of the journalist, and the news industry has been represented in a variety of ways in Indian cinema. This study examines how the concept and theory of ‘social responsibility of the media’ has been depicted in journalism films. In this context, it is imperative to understand that the professional practice of journalism in the past shows that the press has the responsibility to act in the public interest. Whether it is the role of the press in India’s freedom movement or the investigative function of the press in unearthing corruption and crime, the media has social duties and obligations towards society. Journalism and the media are often called the watchdogs of Indian democracy, and hence, it cannot be denied that society has some positive expectations from the media. These expectations go beyond journalism's obvious normative role(s). This paper will examine how the media’s social responsibility has been depicted in cinema. The researcher will do a thematic analysis of journalism films that portray the social responsibility of journalism. Research on popular culture portrayals is important because such portrayals cultivate popular perceptions as well as myths about journalism. Film theory suggests that films are a reflection of real-life (to some extent), and therefore, films play an important role in documenting the contemporary trends in journalism. This study is based on the theory of ‘film analysis’ to understand the relevance of cinematic representations of social responsibility in journalism.

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Mano, Winston. "POPULAR MUSIC AS JOURNALISM IN ZIMBABWE." Journalism Studies 8, no. 1 (February 2007): 61–78. http://dx.doi.org/10.1080/14616700601056858.

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Meech, Peter. "Book Review: Journalism and Popular Culture." Media, Culture & Society 16, no. 2 (April 1994): 362–64. http://dx.doi.org/10.1177/016344379401600213.

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Prokofeva, Natalia A. "Phatic meanings of key words in popular science journalism." Neophilology, no. 23 (2020): 591–98. http://dx.doi.org/10.20310/2587-6953-2020-6-23-591-598.

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The purpose of the research is to demonstrate the functioning of key words in the texts of popular science journalism. Modern media text is created not only to inform, but to attract the reader. This enlarges the role of contact-building means, for example – the address to the epoch key words. We consider the peculiarities of phatic meanings in popular science journalism, dedicated to the historic themes. The research contains the analysis of phatic meanings in two randomly chosen issues of historic magazines. The result of the analysis is the selection of two groups of key words, which make the journalistic text contain additional phatic meanings. The first group of words is the current key words, allowing relating the publication, containing the address to a historical event or a historical person, to the actual reality. This lexical group allows the journalist to make the publication politically critical and topical and also to evaluate the current political situation through the historical parallel. Such word usage allows including ironic subtext in the historical journalism. The second group of words is the key words of a single publication; they allow completely characterizing an event or a person, being in the center of a journalist’s attention. These are the words, which relate to the acute for the Russian culture value meanings. They stay aside with the complete semantics and characterize the speech subject, the journalist’s relation to it, but they do not relate the theme to the current political situation.

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Litke, Marianna V. "Popular Science Journalism: Quality Criteria, Creative Techniques." Voprosy zhurnalistiki, no. 9 (June 1, 2021): 80–95. http://dx.doi.org/10.17223/26188422/9/5.

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Ehrlich, Matthew C. "Thinking Critically about Journalism through Popular Culture." Journalism & Mass Communication Educator 50, no. 4 (December 1995): 35–41. http://dx.doi.org/10.1177/107769589505000404.

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McGregor, Craig. "Review Essay — Journalism: Print, Politics and Popular Culture." Media International Australia 99, no. 1 (May 2001): 71–76. http://dx.doi.org/10.1177/1329878x0109900111.

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Craig McGregor reviews Ann Curthoys' and Julianne Schultz's edited collection, Journalism: Print, Politics and Popular Culture, and reflects more broadly on the role of ideas in journalism and on his own career as a public intellectual.

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Cryle, Denis. "Journalism and Regional Identity: The Colonial Writings of George E. Loyau." Queensland Review 3, no. 1 (April 1996): 1–9. http://dx.doi.org/10.1017/s1321816600000623.

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This discussion of George Loyau's prolific literary output will examine journalism in the wider context of literary production and raise questions about the role of journalists as entertainers as well as social and political commentators. Journalism remained Loyau's working profession for four decades (1860–1898). Yet it is easily overlooked because of his significant contribution to early Australian poetry and history. Loyau's verse and fiction were widely disseminated in the colonial press of the 1860s and 1870s, a time when he wrote for metropolitan and regional papers in all the mainland colonies except Western Australia. Regional Queensland, however, was the starting point and final location for a remarkable career which combined periods of public prominence with harrowing personal adversity. Indeed, the distinctive irony of Loyau's career is that adversity was never more acute than in those periods when his reputation as a poet and historian was being made. By contrast, regional journalism provided Loyau with the material means and social support he lacked in the large colonial centres. A recurring theme for the larger study of colonial journalists is the question of mobility. While metropolitan and political reporting were mostly highly prized by ambitious young journalists, Loyau's career confirms the role of regional networks in journalism and the existence of a class of readers who continued to crave popular fiction and entertainment as weekly staples. Although such journalism remained at odds with the political culture of the Fourth Estate, Loyau's literary persona proved both durable and complex, combining a deepseated sense of cultural inferiority with the celebration of the ephemeral through the practices of popular journalism.

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Nuriddinova, Madinabonu. "Classification Of Genres In Multimedia Journalism." American Journal of Social Science and Education Innovations 02, no. 11 (November 23, 2020): 112–18. http://dx.doi.org/10.37547/tajssei/volume02issue11-19.

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Тhe article focuses on multimedia issues that are gaining popularity in journalism. It also includes analysis of increasingly popular multimedia articles online, classification of multimedia genres, and transformation issues. Online format of data journalism, journalistic skills, classification online data materials are also covered in it. The virtual network genres are covered with a basis of extensive examples.

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Hulsen, Al. "Browsing the Pacific." Pacific Journalism Review : Te Koakoa 6, no. 1 (January 1, 2000): 78–85. http://dx.doi.org/10.24135/pjr.v6i1.676.

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A popular wide-ranging Pacific Internet report covers the region. However, it is just one element of a larger journalism project that includes advanced, on-the-job training for Pacific Island journalists; and internships for US journalists wanting to learn more about the region.

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Kyrylova, Oksana. "Science and popular science journalism: difficulties of definition and media typology." Synopsis: Text Context Media 27, no. 3 (2021): 141–48. http://dx.doi.org/10.28925/2311-259x.2021.3.3.

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This article is relevant because there is a need for scientific differentiation of two related categories of modern communication: science journalism and popular science journalism. There is no stable approach to this problem in the Ukrainian discourse, and the current normative documents force the editorial offices to determine the type of activity not according to the specifics of the media, but according to the list available, for example, in GOST. The object of the research were world and Ukrainian media specialized in scientific topics: “Cosmos”, “Popular Science”, “Discover”, “Scientific American”, “Kunsht”, “Spilne”, “Svitohliad”, “Vselennaya, prostranstvo, vremya”, “Science Ukraine”, “Alpha Centauri”, “Nauka i tekhnika”, “Kraina znan”, “Vichnyi mandrivnyk”, “Lokalna istoriia”, “Istoriia. Novyi pohliad”, “Malovidoma istoriia: daleke i blyzke”. At the same time, we analyzed digital practices (web resources), as well as traditional paper media (magazines). The subject of study is the peculiarities of the definition of scientific and popular science journalism and the complexity of the typology of the corresponding media. The main research method was comparative analysis, which, supported by discourse analysis, made it possible, firstly, to compare the existing scientific views on the categories of “scientific journalism” and “popular science journalism” and highlight the main features of each. Secondly, using these methods, an analysis of the world’s leading resources specializing in science journalism was carried out and parallels with this type of Ukrainian media were made. The result of the study is the typological differentiation of modern Ukrainian media resources. The study was based on the hypothesis that the characteristics of the audience and the functional specificity of the resource are decisive factors in terms of differentiation of the media as science and popular science. According to it, those media that are oriented towards advanced users, focus on the latest achievements of science and technology and restrained use online opportunities, almost without resorting to methods of edutainment and sciencetainment, we attribute to the channels of science journalism. The media that combine directions for the mass user, focus on the educational component and different popular pseudo-scientific topics with prolonged potential relevance, we refer to popular science journalism. Taking into audience and functional factors we include following projects of science journalism: “Kunsht”, “Spilne”, “Svitohliad”, “Vselennaya, prostranstvo, vremya”, “Science Ukraine”, “Alpha Centauri”, “Nauka i tekhnika”, “Kraina znan”. “Vichnyi mandrivnyk”, “Lokalna istoriia”, “Istoriia. Novyi pohliad”, “Malovidoma istoriia: daleke i blyzke” we refer to popular science journalism.

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Mislán, Cristina. "The imperial ‘we’: Racial justice, nationhood, and global war in Claudia Jones’ Weekly Review editorials, 1938–1943." Journalism 18, no. 10 (August 18, 2016): 1415–30. http://dx.doi.org/10.1177/1464884916664109.

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During World War II, Black journalists sought to shape United States’ domestic and international policies to fight Jim Crowism and fascism. This article demonstrates how Claudia Jones, a Trinidadian-born journalist, placed ‘superexploited’ voices at the center of a conversation about nationhood, race, and war politics. Employing a historical and thematic analysis of Jones’ editorials in the Young Communist League’s Weekly Review from 1938 to 1943, the author highlights three themes. This analysis demonstrates how Jones promoted US intervention in World War II by linking Jim Crowism to fascism and promoting military service and transnational solidarity. In centering ‘superexploited’ voices, Jones employed an imperial ‘we’ discourse that intersected racial justice with the Communist Party of the USA’s Popular Front platform. Her journalism complicates historical narratives about alternative journalism, illustrating how voices like Jones at times contributed to the growth of US global power, even while they critiqued its policies.

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Matheson, Donald. "IN SEARCH OF POPULAR JOURNALISM IN NEW ZEALAND." Journalism Studies 8, no. 1 (February 2007): 28–41. http://dx.doi.org/10.1080/14616700601056817.

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Bell, Philip. "Review: Tabloid Television: Popular Journalism and ‘Other News’." Media International Australia 94, no. 1 (February 2000): 198–99. http://dx.doi.org/10.1177/1329878x0009400127.

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Djerf-Pierre, Monika, Mia Lindgren, and Mikayla Alexis Budinski. "The Role of Journalism on YouTube: Audience Engagement with ‘Superbug’ Reporting." Media and Communication 7, no. 1 (March 21, 2019): 235–47. http://dx.doi.org/10.17645/mac.v7i1.1758.

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Journalism has gradually become ‘normalized into social media’, and most journalists use social media platforms to publish their work (Bruns, 2018). YouTube is an influential social media platform, reaching over a billion users worldwide. Its extensive reach attracts professional and amateur video producers who turn to YouTube to inform, entertain and engage global publics. Focusing on YouTube, this study explores the place for journalism within this media ecology. This study uses a mixed-method approach to examine forms of audience engagement to YouTube videos about antimicrobial resistance (AMR), or so called “superbugs”, caused by overuse and misuse of antibiotics. The analysis focuses on the most viewed YouTube videos about AMR between 2016 and 2018, and compares engagement themes expressed in comments to journalistic videos with popular science videos. The most viewed videos about AMR on YouTube are professionally produced educational popular science videos. The qualitative analysis of 3,049 comments identifies seven main forms of high-level engagement, including expressions of emotions, blame and calls for action. This study shows that journalism plays an important role on YouTube by generating audience discussions about social and political accountability. Our findings demonstrate that journalism videos were associated with propositions for political, economic and social/lifestyle actions, while popular science videos were associated with medicines, scientific or pseudo-scientific, and medical practice changes.

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Park, Chang Sup. "Citizen news podcasts and engaging journalism: The formation of a counter-public sphere in South Korea." Pacific Journalism Review 23, no. 1 (July 21, 2017): 245. http://dx.doi.org/10.24135/pjr.v23i1.49.

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This study examines what roles citizen news podcasts of South Korea play, based on two unique concepts—carnivalism and engaging journalism. To this end, the current study content analysed the content of 11 citizen news podcasts that are most popular in this country and conducted interviews with 10 professional journalists. The findings reveal that through the use of comedic techniques such as humour, parody, and satire, the discourse of citizen podcasts transgresses existing social and cultural hierarchies and subverts a range of authoritative discourses by mainstream media. The analysis also finds that the discourse in citizen news podcasts takes on the nature of engaging journalism, which motivates ordinary individuals who are left largely disillusioned from mainstream journalism to engage in elite-challenging political action. Professional journalists admitted that citizen news podcasts provide an opportunity to re-evaluate the journalism norms and practices of South Korea.

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Miroshnichenko, Andrey. "AI to Bypass Creativity. Will Robots Replace Journalists? (The Answer Is “Yes”)." Information 9, no. 7 (July 23, 2018): 183. http://dx.doi.org/10.3390/info9070183.

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This paper explores a practical application of a weak, or narrow, artificial intelligence (AI) in the news media. Journalism is a creative human practice. This, according to widespread opinion, makes it harder for robots to replicate. However, writing algorithms are already widely used in the news media to produce articles and thereby replace human journalists. In 2016, Wordsmith, one of the two most powerful news-writing algorithms, wrote and published 1.5 billion news stories. This number is comparable to or may even exceed work written and published by human journalists. Robo-journalists’ skills and competencies are constantly growing. Research has shown that readers sometimes cannot differentiate between news written by robots or by humans; more importantly, readers often make little of such distinctions. Considering this, these forms of AI can be seen as having already passed a kind of Turing test as applied to journalism. The paper provides a review of the current state of robo-journalism; analyses popular arguments about “robots’ incapability” to prevail over humans in creative practices; and offers a foresight of the possible further development of robo-journalism and its collision with organic forms of journalism.

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Bjørnsen, Gunn, Jan Fredrik Hovden, and Rune Ottosen. "The Norwegian journalism education landscape." Žurnalistikos Tyrimai 2 (January 1, 2009): 123–37. http://dx.doi.org/10.15388/zt/jr.2009.2.77.

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Journalism is one of the most popular study programmes in Norway. There are several pathways into the Norwegian news industry for young people seeking a career in journalism, but it is increasingly common for aspiring journalists to start off with a journalism education. In this article the landscapeof Norwegian journalism education is presented, including a closer look at the content of the studies, the connection to the industry and the students of journalism themselves. The description of the students is based on a dataset from a series of questionnaires administered between 2000 and 2004 to three complete cohorts of Norwegian journalism students at Oslo University College and Volda University College, the largest and oldest J-schools in Norway. Norwegian journalism education can be described as working quite well as measured by both the students’ success in the job market and their expressed satisfaction with their studies. The fact that the application rate for several years has been among the very highest compared with other university programmes also validates this point. Keywords: Norway, journalism education, relation between industry and j-schools. p>

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Romanova, M. D. "The History of Popularization of Science in France." MGIMO Review of International Relations, no. 2(41) (April 28, 2015): 276–82. http://dx.doi.org/10.24833/2071-8160-2015-2-41-276-282.

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The article discusses the process of popularization of science in France in terms of bilateral cooperation between scientists and the media. Mediator in the relationship of the two parties is a science journalist. The long history of interaction between researchers and journalists in France can serve as a theoretical model applicable to the Russian media system. Science journalist, acting primarily as a popularizer of science, is intended to bring to the uninitiated reader scientific facts in an accessible form. In this connection, still the question remains about the specialized education of science journalists: whether he should specialize in a particular field or possess the basics of writing and be able to transpose the complex scientific language. French popular science magazines are not only popular among scientists themselves who are willing to cooperate with publishers and participate in the preparation of the editions, but also among readers. Relations between science journalists and scientists should be considered at the theoretical and practical levels. The paper analyzes in detail the first level, which includes the history of the emergence of scientific journalism in France since the first edition of the scientificjournal in Europe, as well as peculiarities of the educational system in this field. A special role in shaping ideas about the role of science journalists belongs to the Association of Science Journalists of informational press, organization, which is actively involved in the development of trust between scientists and journalists.

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Wang, Haiyan, Colin Sparks, and Huang Yu. "Popular journalism in China: A study of China Youth Daily." Journalism 19, no. 9-10 (February 13, 2017): 1203–19. http://dx.doi.org/10.1177/1464884917691987.

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It is commonly stated that the press in China can be divided into two main categories, the party-oriented official press and the market-oriented commercial press. This article examines an official paper, China Youth Daily, which is a central organ of the Communist Youth League of China. The findings of a content analysis demonstrate that this title differs significantly from other central official titles, like People’s Daily, but also from commercial papers, like Southern Metropolis Daily. While China Youth Daily’s journalism is close to the official pole in the amount of propaganda-related material it covers, it also has a greater emphasis on watchdog journalism than does People’s Daily. It places a much greater emphasis on infotainment than do either of the official and commercial poles. It is more likely to use journalistic techniques like sensationalism and the revelation of personal details than are the other titles analysed. These findings lead to the conclusion that the bi-polar characterization of the Chinese press requires modification. At least one prominent national title is best described as ‘popular official’ media. One of the main features of this kind of journalism is that it presents the party and business elite in a human light and thus constitutes a renewal of the repertoire of hegemonic devices at the party’s disposal. What is certainly the case is that the frequent claim that there is a contradiction between popular journalism responding to audience tastes and official journalism constrained by the propaganda needs of the party is mistaken.

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Tandoc, Edson C., and Joy Jenkins. "Out of bounds? How Gawker’s outing a married man fits into the boundaries of journalism." New Media & Society 20, no. 2 (August 25, 2016): 581–98. http://dx.doi.org/10.1177/1461444816665381.

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Gawker ignited a controversy when it published an article about a married Conde Nast executive who allegedly sought the services of a gay escort. The popular blog eventually removed the article following condemnation from readers and other journalists. Guided by the frameworks of boundary work and field theory, this study analyzed 65 news articles and 2203 online comments and found that journalists and audiences problematized Gawker’s identity as a journalistic organization and evaluated the article based on traditional standards of newsworthiness, audiences asserted their role in journalism’s larger interpretive community, and that the larger interpretive community assessed the article based on the ethics of outing. Investigating the discourse generated by this critical incident is important because it identifies where journalists and readers draw the boundaries of legitimate journalism, specifies the place of ethics in boundary discourse, and informs journalistic practice about the phenomenon of outing in the news.

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Glogger, Isabella, and Lukas P. Otto. "Journalistic Views on Hard and Soft News: Cross-Validating a Popular Concept in a Factorial Survey." Journalism & Mass Communication Quarterly 96, no. 3 (January 2, 2019): 811–29. http://dx.doi.org/10.1177/1077699018815890.

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Despite the popularity of the concept of hard and soft news, researchers regularly criticize the vague definitions and inconsistent conceptualizations. Following claims for standardization of concept in journalism research, this article aims to cross-validate the most recent understanding of the concept. We conducted a factorial survey with newspaper journalists to probe the question as to which of the theoretically assumed dimensions of the concept are referred to by journalists to distinguish hard from soft news. We find the dimensions “topic,” “relevance,” “framing,” and “opinion” to exert influence on journalists’ understanding of the concept.

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Švábenický, Jan. "Italian Thrilling Spectacle Between Aesthetics, Enthusiasm and Nostalgia." Slovenske divadlo /The Slovak Theatre 66, no. 1 (March 1, 2018): 67–78. http://dx.doi.org/10.2478/sd-2018-0005.

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Abstract This study focuses on the reflection of popular genres from Italian cinema during the 1960’s to 1980’s in Czecho(Slovakian) film and non film press during the years 1990 to 2000. The subject for analysis will only be comprehensive and compact texts that deal with concrete popular genres or with the productions of filmmakers that represent various models of a thrilling spectacle. We will mention only one example from Czech and Slovak translations, because this study deals purely with original published Czech and Slovak texts. This study aims to emphasize the themes chosen by Czech and Slovak film publicists, critics, and journalists in relation to popular Italian genres and in what way they developed interpretative thinking and historical, socio-cultural and industrial context of various models of a thrilling spectacle. Part of our study examines the point of view of film journalism in Czecho(Slovak) periodical press, in the sense of a historical document about period thinking on popular genres of Italian cinema, it will also take into account the enthusiastic and nostalgic approach taken by some of the authors that became a parallel line to the aesthetic interpretation of the films. The study will also touch on social, cultural and medial transformations after the year 1989 which led in Czecho(Slovak) film journalism to a greater critical interest in Italian popular genres. The text will be divided into two parts. The first part will deal only with the Italian western that belonged to the most often reflected and analyzed categories of spectacular spectacle. The second part will point to other lines of thrilling spectacle in Italian popular cinema and to some filmmakers whose work was repeatedly reflected in film journalism.

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Molek-Kozakowska, Katarzyna. "Framing disease, ageing and death in popular science journalism." Brno studies in English, no. 1 (2016): [49]—69. http://dx.doi.org/10.5817/bse2016-1-3.

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Kaplan, Richard. "The Economics of Popular Journalism in the Gilded Age." Journalism History 21, no. 2 (July 1995): 65–78. http://dx.doi.org/10.1080/00947679.1995.12062411.

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Abisheva, V. T. "Development popular science journalism in the era of globalization." Bulletin of the Karaganda University Philology series 1, no. 101 (March 30, 2021): 90–95. http://dx.doi.org/10.31489/2021ph1/90-95.

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Molek-Kozakowska, Katarzyna. "Stylistic analysis of headlines in science journalism: A case study of New Scientist." Public Understanding of Science 26, no. 8 (March 29, 2016): 894–907. http://dx.doi.org/10.1177/0963662516637321.

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This article explores science journalism in the context of the media competition for readers’ attention. It offers a qualitative stylistic perspective on how popular journalism colonizes science communication. It examines a sample of 400 headlines collected over the period of 15 months from the ranking of five ‘most-read’ articles on the website of the international magazine New Scientist. Dominant lexical properties of the sample are first identified through frequency and keyness survey and then analysed qualitatively from the perspective of the stylistic projection of newsworthiness. The analysis illustrates various degrees of stylistic ‘hybridity’ in online popularization of scientific research. Stylistic patterns that celebrate, domesticate or personalize science coverage (characteristic of popular journalism) are intertwined with devices that foreground tentativeness, precision and informativeness (characteristic of science communication). The article reflects on the implications of including various proportions of academic and popular styles in science journalism.

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Beyi, Wendgoudi Appolinaire. "Visibility profession: managing the position, communication or the public?" SocioEconomic Challenges 6, no. 4 (2022): 116–28. http://dx.doi.org/10.21272/sec.6(4).116-128.2022.

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Technical mutations offer possibilities of interactions in new models or contracts of trust with the new conjuncture of crises of trust in mediations. With these changes, the question of the identity of journalism and the management of the journalist arises with the model of communication or the relationship with the public in the management of information. The meaning of information takes its meaning in the extent that communication and the current context of journalism destroys its function and its place in the public space. The debate comes into place on the postulates of the meaning of practices and presupposed evolutions of management in the institution of journalism inevitably linked to the new profile of the public who are familiar with the technical seals. Taking this context of position, employment, uses and practices into account, we have grasped the meaning of the new management of the contingencies of journalism with technological seals: the management reversed on media institutions. In the search for answers to the various questions of the study, it clearly appears that the social dynamic creates a direct link between the journalist and the public. At the level of the media with strong popular support and interaction on the platforms, the reason for the link may be the availability of the journalist or their obvious access, while at the level of the highly institutionalized media, the processes alienate the journalists and their public, erase them even in their representations. Beyond all this, there are characteristic features of mediation: humanization of the journalist-public relationship. And it recreates the perspective of the functions of language in the relation of information processes in social environments and the transformation of these information processes into communication processes in order to guarantee the human, less artificial nature of the environment of interactions. The identity crisis of the journalist, his post and his public constitute contingencies and crises of transformation that the management of media institutions and the approach to managing relations with the public must take into account. It is fundamentally the reading of the characteristic features of the new function of communication of the journalist that the spaces of arrangement of the relationship are located.

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Bro, Peter. "Constructive journalism: Proponents, precedents, and principles." Journalism 20, no. 4 (May 11, 2018): 504–19. http://dx.doi.org/10.1177/1464884918770523.

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Constructive journalism has become a popular term in recent years, and has been the basis of a number of seminars, conferences, courses at journalism schools, fellowship programs, and research projects. This article traces the origins of constructive journalism by describing and discussing the proponents, precedents, and principles of the movement. The article shows that constructive journalism is no new term and that its inherent principles share similarities with other well-known movements in the history of journalism. These include action journalism that was popular on both sides of the Atlantic at the turn of last century and public journalism that flourished at the turn of this century. Common for most of these movement are, however, their lack of conceptual clarity. The differences and similarities between constructive journalism, past movements, and more classical conceptions of journalism are analyzed through the framework of the Journalistic Compass that delineates four classical roles within journalism. The article concludes by describing the opportunities–and difficulties – that this recent movement faces as still more persons and organizations lay claim to practicing constructive journalism and it discusses how the proponents might learn from former movements that have gained popularity for a period but whose importance has since diminished.

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Ohm, Britta. "Contesting Interpretational Authority: Democracy and Fascism in the Indian ‘Empowered Public’." Media International Australia 152, no. 1 (August 2014): 119–32. http://dx.doi.org/10.1177/1329878x1415200113.

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Drawing on long-term ethnographic fieldwork in India's television landscape, this article works with two terms – ‘interpretational authority’ and ‘star-anchor’ – so as to elucidate the ambivalence of empowerment in what Arvind Rajagopal has called her postcolonial ‘split public’. I understand interpretational authority, in the ambiguous context of the ‘democratic nation-state’, as professional journalism's filtering function of both direct democracy and popular majoritarianism. Along four genealogical variants of empowerment, I relate democratisation and anti-elitism in and through evolving Indian news television to Walter Benjamin's deliberations on the aesthetics of fascist communication, and argue that, in a swiftly ‘entertainmentised’ TV journalism, interpretational authority was rendered somewhat dysfunctional before it could actually establish itself both in vernacular and English-language channels. The ‘star-anchor’, in order to still reach a public, becomes the embodiment of ultimately compromised interpretational authority and a reified, socio-economic hierarchisation in a TV journalism that competes with the immediacy of popular power.

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Wagemans, Andrea, Tamara Witschge, and Frank Harbers. "Impact as driving force of journalistic and social change." Journalism 20, no. 4 (May 3, 2018): 552–67. http://dx.doi.org/10.1177/1464884918770538.

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In this article, we explore how entrepreneurial journalists from a wide variety of national contexts present ‘impact’ as one of the aims in their work. By exploring the variety, incongruences, and strategic considerations in the discourse on impact of those at the forefront of journalistic innovation, we provide a much-needed empirical account of the changing conceptualisation of what journalism is and what it is for. Our data show how impact becomes an ideologically as well as strategically driven endeavour as the entrepreneurs try to carve out their niche and position themselves both in relation to traditional counterparts and other startups. Ultimately, we provide empirical insight into a number of tensions that remain underlying in the discourse on constructive journalism, an increasingly popular conceptualisation that refers to a future-oriented, solution-driven, active form of journalism. We show how our interviewees marry different, commonly-deemed incompatible practices and values, thus challenging binary distinctions at the heart of conceptualisations of journalism, also perpetuated in the discourse on constructive journalism. As pioneers in the field, startups can be argued to inspire journalistic as well as social innovation, and furthermore push for a more inclusive understanding of the divergent conceptualisations and practices that together make up the amalgam that we call ‘journalism’.

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Davies, Glenn A. "Education and Journalism in Nineteenth Century Charters Towers." Queensland Review 3, no. 1 (April 1996): 10–14. http://dx.doi.org/10.1017/s1321816600000635.

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The colonial editor enjoyed a privileged position in nineteenth century Queensland, and through the newspaper editorial provided a regular social and political commentary. An analysis of the character and influences of an editor provides valuable insights into the forces that shaped the community and, at times, the colony. In the second half of the nineteenth century a popular vocation for many men with at least a passing education was journalism. Their creative spirits were to find an outlet in the plethora of provincial papers. In this whirlwind of journals, papers, and issues, it was Thadeus O'Kane of Charters Towers who stood head and shoulders above his scribbler peers. O'Kane was to be an inspiration to his colonial colleagues as a provincial catalyst for polemical discussions on the many popular political and social treatises and ideas of the late nineteenth century.

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Minke, Kim. "Peter Dahlgren og Colin Sparks (red.): Journalism and Popular Culture." MedieKultur: Journal of media and communication research 10, no. 22 (September 2, 1994): 3. http://dx.doi.org/10.7146/mediekultur.v10i22.1021.

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Lobodenko, Lidia K., and Elena V. Davletshina. "Development of Popular Science Journalism in the Cross-Media Context." RUDN Journal of Studies in Literature and Journalism 26, no. 2 (December 15, 2021): 262–75. http://dx.doi.org/10.22363/2312-9220-2021-26-2-262-275.

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The development of information and communication technologies and the digitalization of the media space create new opportunities for the popularization of scientific knowledge. There is an objective need to study popular science journalism as an activity that develops a multimedia network format and various media content distribution channels. The work is aimed at analyzing the features of the development of popular science journalism on the Internet in the context of cross-media. The study employed general scientific methods (analysis and synthesis), a method of studying documents with elements of content analysis, a comparative method that includes a comparison of different types of content, as well as data from social network and messenger analytics services. The authors studied media channels and ways to promote media content, its ideological, thematic, and structural characteristics, the features of its transformation on high citation index ratings scientific-oriented platforms Nplus1.ru and Naked-science.ru. As a result of the conducted research, it was discovered that the audience involved in the studied online media is carried out through a differentiated cross-media presence, the use of rewriting, and reposting processes. Particular attention was focused on the comparative analysis of the media content of official websites, accounts in the social network VKontakte, and Telegram messenger.

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Meijer, Irene Costera. "The Public Quality of Popular Journalism: developing a normative framework." Journalism Studies 2, no. 2 (January 2001): 189–205. http://dx.doi.org/10.1080/14616700120042079.

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Ukka, Ibrahim T. I. "THE ROLE OF THE MEDIA IN A DEMOCRATIC COUNTRY." International Journal of Applied Research in Social Sciences 1, no. 6 (June 21, 2020): 228–36. http://dx.doi.org/10.51594/ijarss.v1i6.73.

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The media is the fourth pillar of democracy after the executive, the legislature and the judiciary. Media as control over the three pillars and underpin their performance with checks and balances. to be able to perform its role should be upheld the freedom of the press in conveying public information in an honest and balanced manner. besides that also to uphold this fourth pillar, the media must also be free from capitalism and politics. Media that does not merely support the interests of the owners of capital and perpetuates political power without considering the interests of the larger society. the possibility of freedom of the press institution that is captured by the interests of capitalism and politics, encourages the spirit of citizen journalism. the term citizen journalism to explain the processing and presentation of news by citizens rather than professional journalists. journalism activities undertaken by citizens as a manifestation of aspirations and the delivery of popular opinion is the background that citizen journalism as part of the press is a means to achieve a democracy.

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Harris, Tobias. "Blather, Razzle and Dada: Contextualizing Brian O'Nolan's Early Journalism." Modernist Cultures 14, no. 2 (May 2019): 151–71. http://dx.doi.org/10.3366/mod.2019.0248.

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This essay develops recent critical discussions of Brian O'Nolan's short-lived comic periodical, Blather, by further contextualizing the magazine amidst the popular and avant-garde print culture of its period. First, I undertake a detailed comparison of Blather with the English comic periodical Razzle, revealing the features which are lifted directly from this model and exploring the significance of Razzle's use of metaleptic humour for O'Nolan's work more widely. Subsequently, I place Blather in the context of the publications and activities of the Berlin Dadaists and specifically their magazine Der Dada. I propose three characteristics it shares with Blather: what I term the ‘extended identity trope’; the subversion of popular culture with photomontage techniques; and an engagement with the creative possibilities of advertising. In conclusion, I propose that these contexts shed light on the cohabitation of modernist experimentation and a popular orientation which characterises Blather and O'Nolan's wider literary project.

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Harrington, Stephen. "Top Gear, top journalism: Three lessons for political journalists from the world's most popular TV show." Continuum 24, no. 6 (December 2010): 933–42. http://dx.doi.org/10.1080/10304312.2010.510594.

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Le Masurier, Megan. "Desiring the (Popular Feminist) Reader: Letters to CLEO during the Second Wave." Media International Australia 131, no. 1 (May 2009): 106–16. http://dx.doi.org/10.1177/1329878x0913100112.

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The second wave of feminism in Australia became a popular reality for ordinary women through many forms of media, and especially through the new women's magazine Cleo. The reader letters published in Cleo throughout the 1970s provide rich, if productively problematic, evidence for the media historian's desire to interpret the meanings readers can make from magazines. In this case, the desire is to understand how younger, ordinary (non-activist) Australian women made sense of the immense challenge of feminism. Through letters written in response to Cleo's feminist journalism (and journalism about feminism), it is clear that a popular feminism was being experienced in the period of the second wave.

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Nerents, Dar’ya V., and Aleksandra N. Skvortsova. "THE USING FEATURES OF THE SCIENCETAINMENT METHOD IN POPULAR SCIENCE JOURNALISM (ON THE EXAMPLES OF THE PROGRAMS OF THE TV CHANNEL “SCIENCE”)." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 10 (2021): 69–76. http://dx.doi.org/10.28995/2686-7249-2021-10-69-76.

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The article is devoted to identifying the using features of the sciencetainment method in Russian popular science TV programs. Currently, the method is actively used on television to attract the attention of viewers and implement several functions of journalism at once – the enlightenment and recreational ones. The study presents the characteristics of sciencetainment as a method of television journalism, describes causes for such a content to be in demand, identifies signs of the presence of sciencetainment in popular science TV projects, defines the advantages and disadvantages of using that method.

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De Villiers, Coenie. "Cabaret as new journalism." Communicare: Journal for Communication Studies in Africa 11, no. 2 (November 7, 2022): 21–31. http://dx.doi.org/10.36615/jcsa.v11i2.1977.

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In this paper the author attempts to extrapolate Bouwer's argument (Bouwer:1990) of cabanet as alternative discourse even further, and seeks to construct an exploratory argument that a measure of cabaret texts may be sufficiently journalistic In style and structure to be con sidered so-called New Journalism. The author seeks a common ground between cabaret and New Journalism by defining and tracing the his torical development of both phe nomena. Signs of Intertextuality are Identified and certain stylistic and structural elements of New Journal Ism are then operationalised In an exploratory and cursory Intertextual reading of selected South African cabaret texts. The paper does not postulate a rigid theoretical framework, but alms to stimulate further discourse and re search on the proposed Intertextual reading between cabaret and New Journalism. (This paper was read at a one-day seminar entitled Communications In teractions In Popular Culture at the Rand Afrikaans University on Au gust 14, 1992.)

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Steenveld, Lynette, and Larry Strelitz. "Trash or popular journalism? The case of South Africa’s Daily Sun." Journalism: Theory, Practice & Criticism 11, no. 5 (October 2010): 531–47. http://dx.doi.org/10.1177/1464884910373534.

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Deuze, Mark. "Popular journalism and professional ideology: tabloid reporters and editors speak out." Media, Culture & Society 27, no. 6 (November 2005): 861–82. http://dx.doi.org/10.1177/0163443705057674.

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Chibnik, Michael. "Popular Journalism and Artistic Styles in Three Oaxacan Wood-Carving Communities." Human Organization 58, no. 2 (June 1999): 182–89. http://dx.doi.org/10.17730/humo.58.2.c8p122052n228855.

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Artz, Kerstin, and Holger Wormer. "What recipients ask for: An analysis of ‘user question generated’ science coverage." Journalism 12, no. 7 (September 8, 2011): 871–88. http://dx.doi.org/10.1177/1464884911412826.

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This article analyses the potential of ‘user question generated content’ related to science coverage with the aim of rethinking editorial selection in science journalism. The analysis builds partly on a previous paper which proposed a modified theory of news values for science journalism. The present article is based on a differentiated content analysis of 6528 user-generated questions 1 to science editors in three German media (print, radio and television) with different target groups with respect to age, educational background and gender. A total of 3530 questions could be assigned to different scientific categories. Comparing the most popular categories with the most popular topics found in classical content analyses of science coverage, some important differences were found. In the conclusion, the potential of such audience-oriented surveys for the further development of science journalism in the digital age is discussed.

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Journal articles on the topic 'Popular journalism'

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