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1

Kivinen, Kati. Thank you for the music: How music moves us. Helsinki, Finland: Museum of Contemporary Art Kiasma, 2012.

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2

Lanier, Jaron. Truth, technology, and the visual/virtual world. Cleveland: Cleveland Public Library, 2006.

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3

Deborah, Cherry, ed. Art : history : visual : culture. Malden, MA: Blackwell Pub., 2005.

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4

Cornelia, Lund, and Lund Holger 1967-, eds. Audio visual: On visual music and related media. Stuttgart: Arnoldsche Art Publishers, 2009.

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5

Principles of music and visual arts. Lanham, MD: University Press of America, 1986.

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6

Department of Education and Science. Arts education: Visual art. Dublin: Stationery Office, 2000.

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7

Walker, John A. Cross overs: Art into pop/ pop into art. London: Methuen, 1987.

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8

Albert, Walker John. Cross-Overs: Art into Pop, Pop into Art. London: Comedia/Methuen, 1987.

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9

Walker, John A. Cross-overs: Art into pop = pop into art. London: Comedia, 1987.

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10

Conway, Garry. Copyright, a practical guide for visual & media artists. Toronto: Canadian Artists' Representation Ontario, 1997.

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11

1948-, Lock Graham, and Murray David, eds. The hearing eye: Jazz & blues influences in African American visual art. New York: Oxford University Press, 2009.

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12

The music of painting: Music, modernism and the visual arts from the Romantics to John Cage. London: Phaidon, 2010.

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13

Tunesmith: Inside the art of songwriting. New York: Hyperion, 1998.

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14

Mazaar, Bazaar: Design and visual culture in Pakistan. Karachi: Oxford University Press, 2009.

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15

Oland, Pamela Phillips. The art of writing great lyrics. New York: Allworth Press, 2001.

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16

Oland, Pamela Phillips. The art of writing great lyrics. New York: Allworth Press, 2001.

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17

1962-, Mirzoeff Nicholas, ed. The visual culture reader. London: Routledge, 1998.

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18

Vergo, Peter. The music of painting: Music, modernism and the visual arts from the Romantics to John Cage. London: Phaidon, 2012.

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19

Farber, Leora. Imaging ourselves: Visual identities in representation. Johannesburg: University of Johannesburg, Faculty of Art Design and Architecture, 2009.

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20

Contemporary art culture. 2nd ed. Dubuque: Kendall Hunt Pub Co, 2009.

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21

Inwazja dźwięku: Muzyka i sztuki wizualne = Invasion of sound : music and the visual arts. Warszawa: Zachęta Narodowa Galeria Sztuki, 2009.

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22

Morgan, David. Exhibiting the visual culture of American religions. Valparaiso, Ind: Brauer Museum of Art, Valparaiso University, 2000.

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23

Meaning in the visual arts. London: Penguin, 1993.

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24

1947-, Mayo Sandra Marie, ed. Introduction to fine arts: Dance, music, theatre, and visual art. 2nd ed. Needham Heights, MA: Ginn Press, 1991.

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25

Sütterlin, Christa. Art as behaviour: An ethological approach to visual and verbal art, music and architecture. Oldenburg: BIS-Verlag der Carl von Ossietzky Universität, 2014.

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26

Garoian, Charles R. Spectacle pedagogy: Art, politics, and visual culture. Albany, N.Y: State University of New York Press, 2008.

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27

Gibson, David. Art of Mixing: A Visual Guide to Recording, Engineering, Production. Rowman & Littlefield Publishers, Incorporated, 2012.

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28

Gibson, David. Art of Mixing: A Visual Guide to Recording, Engineering, and Production. Taylor & Francis Group, 2019.

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29

Gibson, David. Art of Mixing: A Visual Guide to Recording, Engineering, and Production. Taylor & Francis Group, 2019.

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30

Gibson, David. Art of Mixing: A Visual Guide to Recording, Engineering, and Production. Taylor & Francis Group, 2019.

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31

Gibson, David. Art of Mixing: A Visual Guide to Recording, Engineering, and Production. Taylor & Francis Group, 2018.

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32

Truth, technology, and the visual/virtual world. Cleveland, Ohio: Cleveland Public Library, 2006.

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33

Gibson, David. The Art of Mixing: A Visual Guide to Recording, Engineering, and Production. Routledge, 2018.

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34

Reggae Soundsystem Original Reggae Album Cover Art A Visual History Of Jamaican Music From Mento To Dancehall. Soul Jazz Books, 2012.

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35

Marsh, Clive. Salvation in Art and Music. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198811015.003.0004.

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This chapter engages with two well-known works of art: the Isenheim altarpiece and Handel’s Messiah. It considers both the content and the reception and use of the two works, as examples of high art, but also as artistic products which have, respectively, become the focus of tourism and popular classical music. The way in which each purveys an understanding of Christian redemption is examined both for Christian believers and for Western citizens more broadly. At the heart of the exposition is the way that the artistic forms of the two works –as visual art and music—themselves contribute to the understanding of salvation presented and received.
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36

(Editor), Kerry Brougher, and Judith Zilczer (Editor), eds. Visual Music: 1905-2005. Thames & Hudson, 2005.

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37

Audio visual: On visual music and related media. Stuttgart: Arnoldsche Art Publishers, 2009.

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38

Pop Art and Popular Music. Taylor & Francis Group, 2018.

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39

Popular Pleasures: An Introduction to the Aesthetics of Popular Visual Culture. Bloomsbury Publishing Plc, 2021.

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40

Duncum, Paul. Popular Pleasures: An Introduction to the Aesthetics of Popular Visual Culture. Bloomsbury Publishing Plc, 2021.

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41

Wiseman, Ari, and Judith Zilczer. Visual Music: Synaesthesia in Art and Music Since 1900. Thames & Hudson, 2005.

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42

Brian Eno: Visual music. 2013.

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43

Scoates, Christopher. Brian Eno: Visual Music. Chronicle Books, 2019.

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44

Ascott, Roy, Steve Dietz, Christopher Scoates, Brian Dillon, and Brian Eno. Brian Eno: Visual Music. Chronicle Books LLC, 2013.

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45

Pepper, Art. Art Pepper Collection. Hal Leonard Corporation, 1996.

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46

Leonard, Anne, and Tim Shephard. Routledge Companion to Music and Visual Culture. Taylor & Francis Group, 2013.

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47

Leonard, Anne, and Tim Shephard. Routledge Companion to Music and Visual Culture. Taylor & Francis Group, 2013.

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48

Shipton, Alyn. Art of Jazz: A Visual History. Charlesbridge Publishing, Incorporated, 2020.

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49

Adel, Daniel. Hyperabstraction: The New Art of Visual Harmonics. Adel, Daniel, 2022.

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50

Sound And The Visual Arts. Dis Voir, 1993.

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