Relevant bibliographies by topics / Popular music Indonesia History and criticism

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Academic literature on the topic 'Popular music Indonesia History and criticism'

Author: Grafiati
Published: 10 December 2022
Last updated: 31 July 2025

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Journal articles on the topic "Popular music Indonesia History and criticism"

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Meilinda, Nurly, Caesar Giovanni, Nunik Triana, and Syanaz Lutfina. "Resistensi Musisi Independen terhadap Komodifikasi dan Industrialisasi Musik di Indonesia." Jurnal Komunikasi 16, no. 1 (2021): 77–88. http://dx.doi.org/10.20885/komunikasi.vol16.iss1.art6.

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This paper will review the development of the music industry in Indonesia by holding Theodor Adorno's criticism of the culture industry, especially the music industry. This paper tries to analyse whether Adorno's criticism of the popular music is still relevant to describe the current condition of the Indonesian music industry and explain how the existing political and economic conditions affected it. This paper began with explanatory approach which explained the development of the Indonesian music industry. Data collected from the articles in mass and online media, we also conduct an intervie
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Desler, Anne. "History without royalty? Queen and the strata of the popular music canon." Popular Music 32, no. 3 (2013): 385–405. http://dx.doi.org/10.1017/s0261143013000287.

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AbstractAlthough canon formation has been discussed in popular music studies for over a decade, the notion of what constitutes ‘the popular music canon’ is still vague. However, considering that many scholars resent canon formation due to the negative effects canons have exerted on other academic fields, analysis of canon formation processes in popular music studies seems desirable: awareness of these processes can be a valuable tool for scholars’ assessment of how their academic choices contribute to canon formation. Based on an examination of the reception history of Queen in the popular mai
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Tukova, Iryna, Valentina Redya, and Iryna Kokhanyk. "Ukrainian Music Criticism of the 2010s: General Situation, Problems, Directions of Development (Based on the Examples From Contemporary Art Music Scene)." Studia Universitatis Babeş-Bolyai Musica 67, no. 2 (2022): 129–43. http://dx.doi.org/10.24193/subbmusica.2022.2.07.

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"The paper focuses on the 2010s in the history of Ukrainian music criticism. The materials on contemporary art music were chosen to support the authors’ reflections and conclusions. Selection of the time, period and material for the research are conditioned both with the specific social situation of Ukraine and with the recent developments in its music scene. The paper characterizes the main media, most popular critical genres, and methods of critical coverage. It is highlighted that the problems of Ukrainian music criticism during the 2010s were linked to the post-Soviet past and, in general,
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Aryo, Aryo Sanjaya. "The Stereotype with Jazz Music from slavery Music to Elitist Music (1959-1988)." PERIODE: Jurnal Sejarah dan Pendidikan Sejarah 5, no. 2 (2023): 93–110. https://doi.org/10.21009/periode.052.2.

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Abstract: This study aims to describe the development of Jazz music in Indonesia and the existence of Jazz music in Indonesia from 1959 to 1988. The research method used is historical research method whose steps consist of gathering sources (heuristics), source criticism (verification), interpretation (interpretation), and writing (historiography). In the first stage the writer collects primary sources in the form of newspapers, magazines and historical actors, as well as secondary sources such as books and journals. After the data is collected, it is then verified externally and internally. N
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Rakhman, Akhmad Syaekhu. "Pertumbuhan Musik Metal di Indonesia Akhir 1980-an." HEURISTIK: Jurnal Pendidikan Sejarah 2, no. 1 (2022): 18–28. http://dx.doi.org/10.31258/hjps.2.1.18-28.

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Research on the growth of metal music in Indonesia in the late 1980s aims to identify the background for the emergence of metal music in Indonesia and to see the enthusiasm of young people for metal music and bring metal music to the Indonesian culture. On the other hand, the method used in this research is a historical research method with 4 stages, namely heuristics, source criticism, interpretation, and historiography. The result of this research is the history of the emergence of metal music in Indonesia, the enthusiasm of young people towards metal music began to emerge in the 1980s. The
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Hughes, Stephen Putnam. "Music in the Age of Mechanical Reproduction: Drama, Gramophone, and the Beginnings of Tamil Cinema." Journal of Asian Studies 66, no. 1 (2007): 3–34. http://dx.doi.org/10.1017/s0021911807000034.

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During the first half of the twentieth century, new mass media practices radically altered traditional cultural forms and performance in a complex encounter that incited much debate, criticism, and celebration the world over. This essay examines how the new sound media of gramophone and sound cinema took up the live performance genres of Tamil drama. Professor Hughes argues that south Indian music recording companies and their products prefigured, mediated, and transcended the musical relationship between stage drama and Tamil cinema. The music recording industry not only transformed Tamil dra
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Lofton, Kathryn. "Dylan Goes Electric." Journal of Popular Music Studies 33, no. 2 (2021): 31–50. http://dx.doi.org/10.1525/jpms.2021.33.2.31.

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Within the study of rock music, religion appears as a racial marker or a biographical attribute. The concept of religion, and its co-produced opposite, the secular, needs critical analysis in popular music studies. To inaugurate this work this article returns to the moment in singer-songwriter Bob Dylan’s career that is most unmarked by religion, namely his appearance with an electric guitar at the 1965 Newport Folk Festival. Dylan’s going electric became, through subsequent years of narrative attention, a secularizing event. “Secularizing event” is a phrase coined to capture how certain epoch
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Fee-Alexandra, Haase. "Songs about the Reality of 'Globalization' as Political Discourse: Irony and Critique of 'Globalization' and the Concept of 'World' in the Lyrical Tradition of the English Western Popular Music of the Late 20thand early 21st Centuries." Speech and Context 1-2015, no. 7 (2017): 44–62. https://doi.org/10.5281/zenodo.495117.

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Globalization has developed into one of the most interdisciplinary topics in the fields of culture, politics, and economics since the late 20th century. This article is interested in its terminology and reflections in the arts in the case of the lyrics of contemporary U.S. American and British English popular music. Even though the term ‘globalization’ was coined in the late 20th century and is associated with the idea of a universal economic, social, and cultural process in the world, conceptual elements of ‘globalization’ can be found in human history before the term was coined. The arts con
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Wallach, Jeremy, and Esther Clinton. "History, Modernity, and Music Genre in Indonesia: Popular Music Genres in the Dutch East Indies and Following Independence." Asian Music 44, no. 2 (2013): 3–23. http://dx.doi.org/10.1353/amu.2013.0020.

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Keppy, Peter. "Southeast Asia in the age of jazz: Locating popular culture in the colonial Philippines and Indonesia." Journal of Southeast Asian Studies 44, no. 3 (2013): 444–64. http://dx.doi.org/10.1017/s0022463413000350.

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Referencing insights from Cultural Studies and taking a jazz-age perspective, this essay aims to historicise and ‘locate the popular’ in colonial Indonesia and the Philippines. A new cultural era dawned in the 1920s urban hubs of Southeast Asia, associated with the creation of novel forms of vernacular literature, theatre, music and their consumption via the print press, gramophone, radio broadcasting and cinema. By investigating the complex relationship between the elusive phenomena of modernity, cosmopolitanism and nationalism as articulated by two pioneering artists active in commercial mus
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Dissertations / Theses on the topic "Popular music Indonesia History and criticism"

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Papanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /." London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Lau, Man-chun, and 劉文俊. "A study of Hong Kong popular music industry (1930-2000)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B4389608X.

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Ross, Gordon. "Popular music analysis." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ65051.pdf.

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Linekin, Kim. "The modern popular song as a literary art form." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37216.pdf.

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West, Aaron J. "Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz." Thesis, connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9722.

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Powell, Steven. "Dread rites : an account of Rastafarian music and ritual process in popular culture." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=55647.

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Keightley, Keir. "The history and exegesis of pop : reading "All summer long"." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22458.

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The study of popular music has experienced an astonishing growth in the past two and a half decades; however, the detailed analysis of musical texts has lagged far behind other areas, such as the sociology of the youth audience and analysis of the visual components of music video. This thesis undertakes a survey of recent approaches to popular music at the textual level, before examining the construction of an individual song, the Beach Boys' 1964 recording of "All Summer Long". While many parameters affecting the creation of the cultural significance of the text in question are discussed, ult
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胡又天. "華語流行歌詞的演變= The development of Chinese popular song lyrics (1970-2013) /胡又天". HKBU Institutional Repository, 2016. https://repository.hkbu.edu.hk/etd_oa/343.

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19世紀下半葉，留聲機的發明與唱片產業的崛起，大幅催化了世界各地音樂與文化的交流，隨之而興的流行歌曲也自然成為了無數歷史信息、群體情感與個人記憶的載體；雖或因族群、階級、學派中的各種歧見而初未能得到公正評價，但到多元思想起而與商業邏輯拮抗的1990年代以降，從大眾、文壇到學界，已有愈來愈多人肯認了流行歌曲在文學、音樂與社會等各方面的研究意義與價值，有關華語流行歌曲的研究，亦形成了一個新興的學術領域，本論文即為其中一環。本文緒論首先針對既有論著，提出以「文學、音樂、社會」三面與「知識、技能、情感」三向為之分類，述評其方法成果。其次，採取文學面、技能向的立場，在研究方法上，提出「以作品所預設之目的來評判作品」及「以『合樂』的考量探討辭章、聲韻」的原則，並且說明了華語歌曲所固有的聲韻問題，提出裨益實際創作的研究主張，而不僅將流行歌曲作為某學科議題的資料。正文則以傳統文學「知人閱世」的進路，採詞話形式，在1970-2013年台灣的國語流行歌詞之中，選錄特別流行、創新，或能代表時勢演變之作，介紹其背景、主旨與流傳情形，分析其觀念、技法與影響，以貢獻於當代中文世界「流行詞學」典律的建立，俾讀者從中建起一個大概的演變圖景 = The invention of gramophone records and the rise of music industry in late 19th centur
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Ng, Pong-wai Brenda, and 吳邦瑋. "The development in Hong Kong of commercial popular songs in Cantonese." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31213522.

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CHINCOLI, Veronica. "Black North American and Caribbean music in European metropolises : a transnational perspective of Paris and London music scenes (1920s-1950s)." Doctoral thesis, European University Institute, 2019. http://hdl.handle.net/1814/62230.

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Defence date: 15 April 2019<br>Examining Board: Professor Stéphane Van Damme, European University Institute; Professor Laura Downs, European University Institute; Professor Catherine Tackley, University of Liverpool; Professor Pap Ndiaye, SciencesPo<br>This thesis examines black music circulation in the urban spaces of London and Paris. It shows the complexity of the evolutionary processes of black musical genres, which occurred during the late imperial period (1920s-1950s) within the urban music scenes of two imperial metropolises, and how they played an important role on the entertainmen
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Books on the topic "Popular music Indonesia History and criticism"

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Hardjo, Seno M. Sepuluh tokoh showbiz musik Indonesia. Gramedia Pustaka Utama, 1991.

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Meka, Robby Regenald. Preedicting the trend of Indonesian progressive music idioms from 2005 to 2015. Graduate School, Gadjah Mada University, 2009.

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Wijayadi, Agus Sri. Mendayung di antara tradisi dan modernitas: Sebuah penjelajahan ekspresi budaya terhadap musik keroncong. Hanggar Kreator, 2007.

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H, Soeharto A. Serba-serbi keroncong. [s.n.], 1995.

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Abdurachman. Keroncong Tugu. Dinas Kebudayaan DKI Jakarta, 1992.

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1963-, Hesmondhalgh David, and Negus Keith, eds. Popular music studies. Arnold, 2002.

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Shuker, Roy. Popular Music. Taylor & Francis Inc, 2004.

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Shuker, Roy. Understanding popular music. Routledge, 2002.

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Pasaribu, Amir. Analisis musik Indonesia. Pantja Simpati, 1986.

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Spiller, Henry. Focus: Gamelan music of Indonesia. 2nd ed. Routledge, 2008.

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Book chapters on the topic "Popular music Indonesia History and criticism"

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Adhiyatmaka, Ignatius Aditya, and Lilawati Kurnia. "Community-Based Practices of Archiving Indonesian Popular Music: Redefining the Notion of Indonesia." In Collective Memory, Marginality, and Spatial Politics in Urban Indonesia. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-97-4304-9_9.

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AbstractBetween 2009 and 2016, Indonesia saw the emergence of at least four initiatives working together to collect, archive, and preserve recordings and other materials related to Indonesian popular music: Irama Nusantara, Arsip Jazz Indonesia, Lokananta Project, and Museum Musik Indonesia. In this chapter, we explore how these initiatives preserved Indonesian popular music and how the genre has influenced notions of cultural heritage in Indonesia. The absence of a formal institution for archiving Indonesian popular music emphasizes the importance of community archives in developing and maint
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Gershberg, Nicholas. "When a Titan Arum Blooms During Quarantine." In Transforming Education for Sustainability. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-13536-1_7.

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AbstractIt is rare and marvelous when a botanical conservatory acquires a horticultural specimen of the endangered Titan Arum, the euphemism for the corpse flower, Amorphophallus titanum, native to the rainforests of Sumatra, Indonesia. After years of anticipation and optimism, the first blooming of the specimen in Barnard College’s Arthur Ross Greenhouse occurred in April through June 2020, during a lock-down of the campus not only to the public, but to all students and almost all staff. While attending to the rest of the conservatory, Greenhouse Administrator Nick Gershberg pivoted from the
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Frith, Simon. "Writing about Popular Music." In The Cambridge History of Music Criticism. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.027.

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Wallach, Jeremy. "Reformasi-Era Popular Music Studies." In Sounding Out the State of Indonesian Music, edited by Andrew McGraw and Christopher J. Miller. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501765216.003.0011.

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This chapter reconsiders the history of popular music studies in Indonesia. It shows a novel paradigm for the analysis of post-Reformasi-era popular music studies. Prior analyses, as the chapter suggests, were preoccupied with nationalism, democratization, totalitarianism, and identity, viewing popular music primarily (or only) as a form of political protest or resistance. Post-Reformasi analysis should, as the chapter emphasizes, consider underground music studies and forms of localization in apparently globalized styles. As a response to the dissolution of “area studies” paradigms in anthrop
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"Telling the Truth and Commenting Reality: “Harsh Criticism” in Guinea-Bissau’s Intervention Music." In The Routledge History of Social Protest in Popular Music. Routledge, 2013. http://dx.doi.org/10.4324/9780203124888-33.

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"The Music’s Not All That Matters, After All: British Progressive Rock as Social Criticism." In The Routledge History of Social Protest in Popular Music. Routledge, 2013. http://dx.doi.org/10.4324/9780203124888-18.

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Beisel Hollenbach, Katie. "Fans as Critics and Material Culture Makers." In The Business of Bobbysoxers. Oxford University PressNew York, 2025. http://dx.doi.org/10.1093/oso/9780197659182.003.0005.

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Abstract Chapter 4 examines how teenage girls interacted with popular music within the relative privacy of their fan club communities. Contextualizing this examination in the history of music criticism, it considers the female fans of Frank Sinatra as music critics. Both in commercial fan magazines such as Modern Screen and in Frank Sinatra fan club journals, teenage girls recorded their opinions on cultural topics using many different formats, including traditional review-based music criticism, but also original poetry, essays, and artwork. In Frank Sinatra fan clubs, fans even developed thei
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Bumsted, Allison. "It’s Only Rock ’N’ Roll Journalism." In TeenSet, Teen Fan Magazines, and Rock Journalism. University Press of Mississippi, 2024. https://doi.org/10.14325/mississippi/9781496853264.003.0003.

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Chapter 2 argues that the historical popular music journalism discourse has been monopolized by a dominant rock criticism/journalism narrative, overlooking teen fan magazines and TeenSet. This chapter shows that, throughout the years, without many early challengers, male rock critics have written their own history within popular music journalism, and rock criticism’s seemingly elite status has allowed for the dismissal of other narratives, such as TeenSet’s. Readers have been presented with a dominant narrative of a few men elevating themselves and rock music to a high status. This chapter als
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Bumsted, Allison. "Introduction." In TeenSet, Teen Fan Magazines, and Rock Journalism. University Press of Mississippi, 2024. https://doi.org/10.14325/mississippi/9781496853264.003.0001.

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The introduction establishes the primary arguments of the book regarding the long-overlooked importance of the 1960s teen magazine TeenSet. TeenSet holds a unique place in 1960s American popular culture; however, its gravity has been significantly underappreciated, and its role has been widely misconstrued due to the tendency in both scholarly and journalistic accounts to marginalize all 1960s teen fan magazines. Not only has the magazine gone underappreciated and unrecognized, but the female music journalists that contributed to these magazines have also been marginalized within the history o
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Harold, Claudrena N. "Introduction." In When Sunday Comes. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043574.003.0001.

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The introduction combines autobiographical reflection with cultural criticism to outline the book’s unique contribution to gospel music history. It recounts the major debates that consumed gospel music insiders as the genre assumed a larger place within mainstream popular culture: Were contemporary gospel artists who experimented with the rhythms of R&amp;B and hip-hop more concerned with selling records than saving souls, and if so, was gospel music on the same path of decline as its secular sibling R&amp;B, which some critics insisted had lost its soul? Did acts like Andraé Crouch, the Winan
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