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Journal articles on the topic 'Popular music Indonesia History and criticism'

Author: Grafiati

Published: 10 December 2022

Last updated: 31 July 2025

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1

Meilinda, Nurly, Caesar Giovanni, Nunik Triana, and Syanaz Lutfina. "Resistensi Musisi Independen terhadap Komodifikasi dan Industrialisasi Musik di Indonesia." Jurnal Komunikasi 16, no. 1 (2021): 77–88. http://dx.doi.org/10.20885/komunikasi.vol16.iss1.art6.

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This paper will review the development of the music industry in Indonesia by holding Theodor Adorno's criticism of the culture industry, especially the music industry. This paper tries to analyse whether Adorno's criticism of the popular music is still relevant to describe the current condition of the Indonesian music industry and explain how the existing political and economic conditions affected it. This paper began with explanatory approach which explained the development of the Indonesian music industry. Data collected from the articles in mass and online media, we also conduct an intervie

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Desler, Anne. "History without royalty? Queen and the strata of the popular music canon." Popular Music 32, no. 3 (2013): 385–405. http://dx.doi.org/10.1017/s0261143013000287.

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AbstractAlthough canon formation has been discussed in popular music studies for over a decade, the notion of what constitutes ‘the popular music canon’ is still vague. However, considering that many scholars resent canon formation due to the negative effects canons have exerted on other academic fields, analysis of canon formation processes in popular music studies seems desirable: awareness of these processes can be a valuable tool for scholars’ assessment of how their academic choices contribute to canon formation. Based on an examination of the reception history of Queen in the popular mai

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Tukova, Iryna, Valentina Redya, and Iryna Kokhanyk. "Ukrainian Music Criticism of the 2010s: General Situation, Problems, Directions of Development (Based on the Examples From Contemporary Art Music Scene)." Studia Universitatis Babeş-Bolyai Musica 67, no. 2 (2022): 129–43. http://dx.doi.org/10.24193/subbmusica.2022.2.07.

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"The paper focuses on the 2010s in the history of Ukrainian music criticism. The materials on contemporary art music were chosen to support the authors’ reflections and conclusions. Selection of the time, period and material for the research are conditioned both with the specific social situation of Ukraine and with the recent developments in its music scene. The paper characterizes the main media, most popular critical genres, and methods of critical coverage. It is highlighted that the problems of Ukrainian music criticism during the 2010s were linked to the post-Soviet past and, in general,

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Aryo, Aryo Sanjaya. "The Stereotype with Jazz Music from slavery Music to Elitist Music (1959-1988)." PERIODE: Jurnal Sejarah dan Pendidikan Sejarah 5, no. 2 (2023): 93–110. https://doi.org/10.21009/periode.052.2.

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Abstract: This study aims to describe the development of Jazz music in Indonesia and the existence of Jazz music in Indonesia from 1959 to 1988. The research method used is historical research method whose steps consist of gathering sources (heuristics), source criticism (verification), interpretation (interpretation), and writing (historiography). In the first stage the writer collects primary sources in the form of newspapers, magazines and historical actors, as well as secondary sources such as books and journals. After the data is collected, it is then verified externally and internally. N

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Rakhman, Akhmad Syaekhu. "Pertumbuhan Musik Metal di Indonesia Akhir 1980-an." HEURISTIK: Jurnal Pendidikan Sejarah 2, no. 1 (2022): 18–28. http://dx.doi.org/10.31258/hjps.2.1.18-28.

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Research on the growth of metal music in Indonesia in the late 1980s aims to identify the background for the emergence of metal music in Indonesia and to see the enthusiasm of young people for metal music and bring metal music to the Indonesian culture. On the other hand, the method used in this research is a historical research method with 4 stages, namely heuristics, source criticism, interpretation, and historiography. The result of this research is the history of the emergence of metal music in Indonesia, the enthusiasm of young people towards metal music began to emerge in the 1980s. The

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Hughes, Stephen Putnam. "Music in the Age of Mechanical Reproduction: Drama, Gramophone, and the Beginnings of Tamil Cinema." Journal of Asian Studies 66, no. 1 (2007): 3–34. http://dx.doi.org/10.1017/s0021911807000034.

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During the first half of the twentieth century, new mass media practices radically altered traditional cultural forms and performance in a complex encounter that incited much debate, criticism, and celebration the world over. This essay examines how the new sound media of gramophone and sound cinema took up the live performance genres of Tamil drama. Professor Hughes argues that south Indian music recording companies and their products prefigured, mediated, and transcended the musical relationship between stage drama and Tamil cinema. The music recording industry not only transformed Tamil dra

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Lofton, Kathryn. "Dylan Goes Electric." Journal of Popular Music Studies 33, no. 2 (2021): 31–50. http://dx.doi.org/10.1525/jpms.2021.33.2.31.

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Within the study of rock music, religion appears as a racial marker or a biographical attribute. The concept of religion, and its co-produced opposite, the secular, needs critical analysis in popular music studies. To inaugurate this work this article returns to the moment in singer-songwriter Bob Dylan’s career that is most unmarked by religion, namely his appearance with an electric guitar at the 1965 Newport Folk Festival. Dylan’s going electric became, through subsequent years of narrative attention, a secularizing event. “Secularizing event” is a phrase coined to capture how certain epoch

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Fee-Alexandra, Haase. "Songs about the Reality of 'Globalization' as Political Discourse: Irony and Critique of 'Globalization' and the Concept of 'World' in the Lyrical Tradition of the English Western Popular Music of the Late 20thand early 21st Centuries." Speech and Context 1-2015, no. 7 (2017): 44–62. https://doi.org/10.5281/zenodo.495117.

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Globalization has developed into one of the most interdisciplinary topics in the fields of culture, politics, and economics since the late 20th century. This article is interested in its terminology and reflections in the arts in the case of the lyrics of contemporary U.S. American and British English popular music. Even though the term ‘globalization’ was coined in the late 20th century and is associated with the idea of a universal economic, social, and cultural process in the world, conceptual elements of ‘globalization’ can be found in human history before the term was coined. The arts con

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Wallach, Jeremy, and Esther Clinton. "History, Modernity, and Music Genre in Indonesia: Popular Music Genres in the Dutch East Indies and Following Independence." Asian Music 44, no. 2 (2013): 3–23. http://dx.doi.org/10.1353/amu.2013.0020.

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Keppy, Peter. "Southeast Asia in the age of jazz: Locating popular culture in the colonial Philippines and Indonesia." Journal of Southeast Asian Studies 44, no. 3 (2013): 444–64. http://dx.doi.org/10.1017/s0022463413000350.

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Referencing insights from Cultural Studies and taking a jazz-age perspective, this essay aims to historicise and ‘locate the popular’ in colonial Indonesia and the Philippines. A new cultural era dawned in the 1920s urban hubs of Southeast Asia, associated with the creation of novel forms of vernacular literature, theatre, music and their consumption via the print press, gramophone, radio broadcasting and cinema. By investigating the complex relationship between the elusive phenomena of modernity, cosmopolitanism and nationalism as articulated by two pioneering artists active in commercial mus

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Firdaus, Veby Sabrina. "ACARA PERAGAAN BUSANA "TRUCE: THE TRUE ELUCIDATION OF CYBERBULLYING"." Commed : Jurnal Komunikasi dan Media 3, no. 1 (2019): 79. http://dx.doi.org/10.33884/commed.v3i1.609.

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Internet is one of the newest medias that has been commonly used by the public. One of the problems which has been happening very often lately is the misuse of the internet mostly done by teenagers in Indonesia on social media, where social media is often used as a tool of cyberbullying. This fact is the main reason why the creators made an event that is also a campaign to spread awareness and invitation to not do cyberbullying with the social media influencers and teenagers as our main target audience. The event was a fashion show mixed with theatre acting and hip hop music. The main theme sh

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Mitchell, Gillian A. M. "‘Mod Movement in Quality Street Clothes’: British Popular Music and Pantomime, 1955–75." New Theatre Quarterly 33, no. 3 (2017): 254–76. http://dx.doi.org/10.1017/s0266464x17000306.

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From the late 1950s onwards, young rock ‘n’ roll musicians and popular singers were introduced into commercial Christmas pantomime productions. While this practice, which constituted an extension of their involvement in the broader sphere of variety theatre, has been previously noted, it is seldom accorded much sustained attention. In this article Gillian Mitchell explores the impact which such performers made upon pantomime, while observing the ways in which involvement in pantomime productions affected their careers and aspirations. ‘Pop stars’ brought much-needed revenue to struggling theat

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Irgi Rechansyah Gani and Kiki Zakiah Darmawan. "Perkembangan Musik Pop Indonesia." Bandung Conference Series: Journalism 3, no. 2 (2023): 153–58. http://dx.doi.org/10.29313/bcsj.v3i2.8486.

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Abstract. The phenomenon of reciting old Indonesian popular music from the 60-90s era is increasingly circulating everywhere, social media timelines, cafes, and many other unique mediums are widely listened to by Gen Z who incidentally were not born or even experienced the era that music first appeared. However, one thing that is missing from the phenomenon of the glittering Indonesian pop music today is the ongoing debate about what pop music really is, what underlies it's success. This study examines audience reception as readers of the book "From Ngak Ngik Ngok to Dheg Dheg Plas" to explore

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Devine, Kyle. "Imperfect sound forever: loudness wars, listening formations and the history of sound reproduction." Popular Music 32, no. 2 (2013): 159–76. http://dx.doi.org/10.1017/s0261143013000032.

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AbstractThe purpose of this paper is to provide some historical perspective on the so-called loudness war. Critics of the loudness war maintain that the average volume level of popular music recordings has increased dramatically since the proliferation of digital technology in the 1980s, and that this increase has had detrimental effects on sound quality and the listening experience. My point is not to weigh in on this debate, but to suggest that the issue of loudness in sound recording and playback can be traced back much earlier than the 1980s. In fact, loudness has been a source of pleasure

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Archer, Rory. "Assessing Turbofolk Controversies: Popular Music between the Nation and the Balkans." Southeastern Europe 36, no. 2 (2012): 178–207. http://dx.doi.org/10.1163/187633312x642103.

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This article explores controversies provoked by the Serbian pop-folk musical style “turbofolk” which emerged in the 1990s. Turbofolk has been accused of being a lever of the Milošević regime – an inherently nationalist cultural phenomenon which developed due to the specific socio-political conditions of Serbia in the 1990s. In addition to criticism of turbofolk on the basis of nationalism and war-mongering, it is commonly claimed to be “trash,” “banal,” “pornographic,” “(semi-)rural,” “oriental” and “Balkan.” In order to better understand the socio-political dimensions of this phenomenon, I co

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Smethurst, James. "“Git Way Inside Us, Keep Us Strong”: Sterling Brown, Black Power, and Black Arts." Langston Hughes Review 30, no. 1 (2024): 28–36. https://doi.org/10.5325/langhughrevi.30.1.0028.

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ABSTRACT This article considers the lasting impact of Sterling Brown’s poetry, criticism, and pedagogy on the culturally influenced politics and politics-infused expressive culture of the Black Power, Black Arts, and Black Studies movements. To a large degree what Brown bequeathed to Black Arts and Black Power was a way of thinking about Black cultural memory and a tradition of Black popular struggle in the sense of the struggle of a people for self-determination as expressed by the Black folk in art and culture. Brown’s work as a poet, critic, and teacher also left a lasting imprint on the Bl

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Walton, Benjamin. ""Quelque peu thééââtral": The Operatic Coronation of Charles X." 19th-Century Music 26, no. 1 (2002): 3–22. http://dx.doi.org/10.1525/ncm.2002.26.1.3.

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The intersection of politics and spectacle has a long tradition in French history, from Louis XIV's Versailles to the streets of revolutionary Paris. As a result, Chateaubriand's criticism of the coronation of Charles X in May 1825 as theatrical may at first seem unremarkable. His description of the occasion as a dramatic performance rather than a real event, however, deserves closer examination. In line with Chateaubriand, this article suggests that the anachronistic final Bourbon coronation can best be understood, at the most literal level, as an opera, with music, resplendent costumes, dash

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Domanovska, Maryna. "Byzantine Studies in Ukrainian scholars’ dissertations, 2012–2023 (non-historical sciences)." V. N. Karazin Kharkiv National University Bulletin "History of Ukraine. Ukrainian Studies: Historical and Philosophical Sciences", no. 36 (June 29, 2023): 55–67. https://doi.org/10.26565/2227-6505-2023-36-06.

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The article reviews the dissertations on Byzantine studies, which have been defended in Ukraine over 2012–2023 in non-historical specializations (Aesthetics, Musicology, Theory and History of Culture, Pedagogy, Fine Arts, Religious Studies). Byzantine studies in Ukraine recently have started to develop in institutional centers, among which are the National University ‘Kyiv-Mohyla Academy,’ M. P. Drahomanov National Pedagogical University, M. V. Lysenko Lviv National Academy of Music (where a school of research in the history of Byzantine music has taken shape under the leadership of Yuri Yasin

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McDonald, David A. "Junction 48." Journal of Popular Music Studies 32, no. 1 (2020): 26–43. http://dx.doi.org/10.1525/jpms.2020.32.1.26.

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In the fall of 2012 Palestinian hip-hop group DAM released a provocative music video titled, “If I Could Go Back in Time,” focusing on so-called “honor crimes.” Despite widespread support for their previous work, “If I Could Go Back in Time” drew considerable criticism for de-contextualizing, romanticizing, and by extension disempowering Palestinian women. Through a critical analysis of this music video as well as the ensuing debate surrounding its interpretation and reception, this article argues that the critical interventions made by politically engaged hip-hop artists, such as DAM, offer a

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Vasic, Aleksandar. "The beginnings of Serbian music historiography: Serbian music periodicals between the world wars." Muzikologija, no. 12 (2012): 143–64. http://dx.doi.org/10.2298/muz120227007v.

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The transition of the 19th into the 20th century in Serbian music history was a period of music criticism, journalism and essay writing. At that time, Serbian musicology had not yet been developed as an academic discipline. After WWI there were many more academic writings on this subject; therefore, the interwar period represents the beginning of Serbian music historiography. This paper analyses Serbian interwar music magazines as source material for the history of Serbian musicology. The following music magazines were published in Belgrade at the time: Muzicki glasnik (Music Herald, 1922), Mu

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Dordzro, John-Doe. "BRASS BAND MUSIC IN GHANA: THE INDIGENISATION OF EUROPEAN MILITARY MUSIC." African Music: Journal of the International Library of African Music 11, no. 2 (2020): 141–63. http://dx.doi.org/10.21504/amj.v11i2.2318.

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Local brass bands have become an indispensable factor in weddings, processions, rituals of birth or death, at Christmas and New Year festivities in many parts of the globe. Remains of European brass bands are widely distributed throughout Africa, India, Indonesia, Latin America, and the Caribbean. )ese bands are of both military and missionary origin. They are an important component of the nineteenth and early twentieth-century colonial expressive culture. Despite their uniqueness and widespread presence across the world, brass bands have received limited attention in Ghana. )is paper aims to

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Rohmawati, Yulia, Rafida Mumtaz, Iftifaroh Azzah, and Johny Alfian Khusyairi. "Kidung Koplo as a Media for Preserving Javanese Language for the Millennial Generation of Javanese Diaspora in South Sumatera." MOZAIK HUMANIORA 23, no. 2 (2023): 292–305. http://dx.doi.org/10.20473/mozaik.v23i2.33273.

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This article aims to examine the use of Javanese dangdut koplo music and Kidung Koplo podcast as alternative media for preserving Javanese language among the millennial generation of Javanese diaspora in South Sumatra. Javanese dangdut koplo is very popular among the millennial generation throughout Indonesia. On the other hand, podcast is also considered as a very high popularity trend among the millennial generation. Hence, the use of Javanese dangdut koplo music and podcasts is assumed to be a potential alternative media in preserving Javanese language. To pursue the aim of this article, a

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Fauziah, Fauziah, Murtarsiah Murtarsiah, Vrio Andris, Rosalita Rosalita, and Widahayati Widahayati. "Tanjidor Your History Now: The Cultural Condition of Tanjidor in the Eyes of Generation Z." Jurnal Indonesia Sosial Sains 4, no. 03 (2023): 209–18. http://dx.doi.org/10.59141/jiss.v4i03.794.

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Tanjidor is a type of entertainment art of the Betawi tribal orchestra that uses western musical instruments, especially wind instruments. Tanjidor was originally developed from a colonial environment. this art entered Indonesia in the 18th century through trade routes which at that time were played to accompany or parade brides. This art is played to enliven various events such as weddings, circumcisions and birthday events of the Jakarta city government.The method used in this study is qualitative with a descriptive method. The subjects of this study are the owners of tanjidor cultural studi

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Tambunan, Elia, and Samuel Kelvin Ruslim. "Gerakan Keberagamaan Baru: Mitosis dan Reflikasi Pantekosta Amerika ke Indonesia." Jurnal Ilmiah Religiosity Entity Humanity (JIREH) 3, no. 2 (2021): 146–67. http://dx.doi.org/10.37364/jireh.v3i2.67.

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It is a historical problem if the Pantecostal Church in Indonesia is generalized as a direct result of the Azusa Street global Pentecostal movement. The academic argument of this paper explains, that church, (where W.H. Offiler and W.W. Patterson are the pioneers from American stream even for other Pentecostals today), has its own wordview and is popular in the American Pacific Northwest, it cannot be generalized. Through literature study research using qualitative source criticism techniques, and by prioritizing primary sources, and using socio-religious movement theory, the answer to why, an

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Nery, Robert. "The Hero Takes a Walk: Two excerpts from a memoir on growing up in the Philippines in the sixties." Thesis Eleven 145, no. 1 (2018): 120–33. http://dx.doi.org/10.1177/0725513618766441.

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The Hero Takes a Walk is a philosophical memoir of a Philippine childhood and teenage years in the sixties and the first few years of the seventies. Two chapter extracts are presented here: the first on Beatlemania and what it meant to Filipinos, a cosmopolitanism they desired and sought to practice; the second, on the reception of Marxism in the Maoist version promulgated under the influence of Jose Maria Sison. The first raises its central question while telling the story of the Beatles’ visit in 1966, when they were chased out of the country, an account drawing on neglected local reports. T

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Hanifah, Muna Roidatul. "PERJUANGAN MENCARI RUANG: Jedoran, Media Islamisasi, Dan Peminggiran Kesenian Islam Tulungagung 1970-1982." Al-Isnad: Journal of Islamic Civilization History and Humanities 2, no. 1 (2022): 49–64. http://dx.doi.org/10.22515/isnad.v2i1.4906.

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This study is a concrete effort to trace the dynamics of Jedoran Tulungagung 1970-1982. Thistemporal term became the starting point for the paradigm shift of the Tulungagung people in interpretingIslamic art. The emergence of the 'Popular' prayer reduced the public's interest in Jedoran as anacculturative (Islamic and Javanese) shalawat art which has contributed to the history of Islamizationin Tulungagung. The study used historical research methodologies, namely: heuristics, source criticism,interpretation, and historiography. The results of this study indicate that there is one major narrati

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Suryaningsih, Iin. "Puisi Arab Bersajak karya Zaini-Solo; Kajian Pedagogi Islam-Modern dalam Manuskrip Nusantara." Buletin Al-Turas 24, no. 2 (2018): 363–78. http://dx.doi.org/10.15408/bat.v24i2.8748.

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The presence of various modern pedagogical currents carried by the psychologists and observers of Western education, has made a new mapping in the study of modern education in Indonesia. Indeed the study has been popular since the early 20th century AD with a very specific theme evidenced by one of the manuscripts entitled Mir'ātu Afkār al-Rijāl Nadzm Ta'līm al-Muta'līm by a scholar from Solo-Indonesia. This study proves that the content of Modern Pedagogy study by a scholar in Indonesia looks very specific and holistic. The method used is a method of philology that includes textual criticism

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Raeburn, Susan D. "The Ring of Fire: Shame, Fame, and Rock 'n' Roll." Medical Problems of Performing Artists 22, no. 1 (2007): 3–9. http://dx.doi.org/10.21091/mppa.2007.1002.

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A healthy sense of shame is a source of personal power—it acknowledges that to be human is to be limited, provides humility, connects one with his or her core dependency needs, and allows people to ask for help when necessary. Toxic shame, on the other hand, becomes a core identity of worthlessness and a motivator of self-destructive and addictive behavior. Toxic shame is the byproduct of insecure attachments and shame-based family rules and systems and is transferred across generations unconsciously and procedurally via criticism, rejection, invalidation, verbal or physical abuse, and other f

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Tyskewicz, Matti Jo. "“So Let Me Introduce to You:” A Cluster Analysis of the Sgt. Pepper Lonely Hearts Club Band Album Cover." Pennsylvania Communication Annual 74, no. 2 (2018): 23–52. http://dx.doi.org/10.5840/pcaa20187424.

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The Beatles' Sgt. Pepper's Lonely Hearts Club Band is noted as one of the most influential and groundbreaking albums of all-time. However, much of literature focuses the study of its influ-ence on merely the music, instead of the album as an entire art-work. The Sgt. Pepper album cover is a vibrant and lively collage that embodies a very different tune to the popular "Fab Four." At an unsettling time in history and the band's career, the Beatles decided to end their world tour performances and become only a studio-recording band through introducing the fictional Sgt. Pep-per's Band. The purpos

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Nulhasanah, Lisan, and Hakiman. "Celebrating the victory and purification: halal-bihalal tradition in the Mangkunegaran Palace 1945-1978." SHAHIH: Journal of Islamicate Multidisciplinary 8, no. 1 (2023): 34–45. http://dx.doi.org/10.22515/shahih.v8i1.7214.

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This study aims to analyze the history of halal-bihalal gathering held in the Mangkunegaran Palace. The tradition was carried out distinctively during the Mangkunegara VIII era in 1945-1978. The period marked the shift from the Colonial era to the Independent era of Indonesia, resulting in the dynamics of procession and aim of halal-bihalal. The culture-historical approach was employed to determine the specific pattern of phenomenon and to understand the morphology of culture. The stages of historical method, namely heuristics, criticism, historiography, and interpretation, were done. The resu

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Manuwald, Gesine. "Nero and Octavia in Baroque Opera: Their Fate in Monteverdi's Poppea and Keiser's Octavia." Ramus 34, no. 2 (2005): 152–66. http://dx.doi.org/10.1017/s0048671x00000990.

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The imperial history playOctavia, transmitted among the corpus of Senecan drama, has suffered from uncertainty about its date, author, literary genre and intended audience as regards its appreciation in modern criticism. Although the majority of scholars will agree nowadays that the play was not written by Seneca himself, there is still a certain degree of disagreement about its literary genre and date. Anyway, such scholarly quibbles seem not to have affected poets and composers in the early modern era: they recognised the high dramatic potential of the story of Nero and his love relationship

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Gmys, Marcin. "Archeologia partytury. O przywracaniu autorskiej wersji Legendy Bałtyku Feliksa Nowowiejskiego." Copernicus. De Musica 1, no. 1 (2022): 27–37. http://dx.doi.org/10.15804/cdm.2022.1.03.

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The article presents a complex history of the opera The Legend of the Baltic to a libretto of Waleria Szalay-Groele which enjoyed great popularity already during Feliks Nowowiejski’s lifetime. The author argues that subsequent versions of the opera, made by the composer since its successful world premiere in Poznań in 1924, were, at least partially, a result of unfavorable criticism, not devoid of nationalistic traits, expressed or inspired by a respected ethnomusicologist Łucjan Kamieński, his adversary from the time of Berlin studies under Max Bruch. On the other hand, the new edition of the

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Hakim, Faturrahman, and Yuli Astuti. "Analyzing Indonesian Football Sentiment Towards PSSI Performance Using Support Vector Machines." Journal of Intelligent Software Systems 3, no. 1 (2024): 26. http://dx.doi.org/10.26798/jiss.v3i1.1330.

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Football is a popular and widely engaged sport in Indonesia, attracting individuals across various age groups, including teenagers, adults, and children. The Indonesian Football Association (PSSI), established on April 19, 1930, originally named the All-Indonesian Football Association, is the governing body responsible for managing and overseeing football activities in the country. Despite its long history, PSSI has faced significant criticism for its perceived lack of professionalism in handling and managing Indonesian football. This discontent was notably amplified in the wake of the cancell

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Mariana, Ria, and Umi Hartati. "PERKEMBANGAN MAJALAH FIKIRAN RA’JAT PADA MASA PERGERAKAN NASIONAL TAHUN 1932-1933." SWARNADWIPA 4, no. 3 (2022): 121. http://dx.doi.org/10.24127/sd.v4i3.1982.

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The purpose of this study was to determine the background and objectives of the publication of the magazine Fikiran Ra'jat 1932-1933, knowing the contents of the Fikiran Ra'jat magazine 1932-1933, knowing the influence of the existence of Fikiran Ra'jat magazine on the Indonesian people during the national movement in the year. 1932-1933, and knowing the end of the publication of the magazine Fikiran Ra'jat in 1932-1933. Methods In this study, researchers used historical methods with heuristic data collection techniques through several stages, namely collection of sources, conducting source cr

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Latf Rahmatulloh, M. Sultan, and Durotul Ngazizah. "Tafsir Salafi Online di Indonesia; al-Walā’ wa al-Barā’ sebagai Landasan Pergerakan Salafi Jihadis." Journal of Islamic Civilization 3, no. 2 (2022): 160–73. http://dx.doi.org/10.33086/jic.v3i2.2650.

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This article aims to explain how the development of salafi’s exegesis from the classical era to the contemporary era which is currently starting to enter online media spaces such as Youtube. In particular, the author wants to reveal how the change in the concept of al-walā' wa al-barā' which is the basic religious foundation has turned into a basis for carrying out a political-jihad movement by the salafi group, while in answering this question the author uses a historical criticism approach, namely tracing how history the emergence of the salafi then the history of the development of interpre

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Shchukina, J. "“Radianskyi teatr (Soviet Theatre)” as the main theatrical and analytical periodical at the turn of the 1930s." Culture of Ukraine, no. 89 (June 20, 2025): 41–52. https://doi.org/10.31516/2410-5325.089.04.

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The relevance of the research. As evidenced by numerous academic works and topics of international research-to-practice conferences, the study of art criticism is one of the promising areas of art history. Unlike, for example, the history of music criticism, the segment of theatre analytics in Ukraine has not been sufficiently studied: there are no monographs and manuals on this topic, which determines the relevance of this study. The purpose of the article is to clarify the specifics of coverage of theatrical life in “Radianskyi teatr (Soviet Theatre)” (1929–1931); to outline the range of top

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Suodenjoki, Sami. "Vapaan Venäjän sävelet jakolinjojen uurtajina." Idäntutkimus 29, no. 4 (2023): 26–45. http://dx.doi.org/10.33345/idantutkimus.113981.

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Artikkeli tarkastelee marssilaulun Vapaa Venäjä leviämistä, esityskonteksteja ja poliittisia merkityksiä 1920-luvulta toisen maailmansodan jälkeisiin vuosiin. Marssi levisi nopeasti Neuvosto-Venäjän, Suomen ja Pohjois-Amerikan välillä ja herätti eri poliittisissa ryhmissä hyvin erilaisia tunteita. Suomessa Vapaasta Venäjästä kehittyi yhtäältä kommunistisen työväestön protestin väline ja toisaalta sosiaalidemokraattien ja oikeistolaisten ärtymyksen kohde. Äänilevyjen välityksellä kappale kuitenkin murtautui ulos puhtaasti ideologisista tulkintakehyksistä ja kiinnittyi osaksi uuden suomalaisen p

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Tychinina, Alyona. "Hryhoriy Skovoroda’s Idea of Related Work in the Poetry of the Modernist Association “Muzaget”." Pitannâ lìteraturoznavstva, no. 106 (December 30, 2022): 25–40. http://dx.doi.org/10.31861/pytlit2022.106.025.

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Hryhoriy Skovoroda’s idea of the immanent existence (1722–1794) about related work in Ukrainian modernists poetry, in particular representatives of the artistic group “Muzaget” (1919) is considered as the main methodological prism that conceptualize related work of Panna, outlined with the support of V. Gorsky, L. Ushkalov, and D. Chyzhevsky. The article describes the history of creation and specifics of Kyiv post-revolutionary group of symbolists “Muzaget” activities. The literary and artistic almanac with a similar name was analyzed, where each member of the collective presented his “related

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Beng, Tan Sooi. "Malaysia - Reflections of Change: Sociopolitical Commentary and Criticism in Malaysian Popular Music since 1950. By Craig A. Lockard. Published as a special issue of the journal Crossroads vol. 6, no. 1 (1991). Pp. 106. Notes, Index." Journal of Southeast Asian Studies 24, no. 1 (1993): 187–88. http://dx.doi.org/10.1017/s0022463400001739.

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David, Bettina. "Indonesia. Dangdut stories: A social and musical history of Indonesia's most popular music. By Andrew N. Weintraub. Oxford, New York: Oxford University Press, 2010. Pp. 258. Plates, Figures, Musical Notations, Bibliography, Index." Journal of Southeast Asian Studies 44, no. 2 (2013): 363–65. http://dx.doi.org/10.1017/s0022463413000209.

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Miksic, John N. "Music of Indonesia. Edited by Philip Yampolsky. Volume 1: “Songs Before Dawn: Gandrung Banyuwangi”, Volume 2: “Indonesian Popular Music: Kroncong, Dangdut, & Langgam Jawa”, Volume 3: “Music from the Outskirts of Jakarta: Gambang Kromong”, Volume 4: “Music of Nias & North Sumatra: Hoho, Gendang Karo, Gondang Toba”. Washington, D.C.: Smithsonian/Folkways, 1990–1991. 4 Compact Discs with Liner Notes. Bibliography." Journal of Southeast Asian Studies 28, no. 1 (1997): 209–10. http://dx.doi.org/10.1017/s0022463400015435.

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Adelaar, K. Alexander, James T. Collins, K. Alexander Adelaar, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 154, no. 4 (1998): 638–86. http://dx.doi.org/10.1163/22134379-90003888.

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- K. Alexander Adelaar, James T. Collins, Bibliografi dialek Melayu di pulau Sumatera. Kuala Lumpur: Dewan Bahasa dan Pustaka (Kementerian Pendidikan Malaysia), 1995, xliii + 201 pp. [Siri Monograf Bibliografi Sejarah Bahasa Melayu.] - K. Alexander Adelaar, James T. Collins, Bibliografi dialek Melayu di pulau Jawa, Bali dan Sri Lanka. Kuala Lumpur: Dewan Bahasa dan Pustaka (Kementerian Pendidikan Malaysia), 1995, xxxvii + 213 pp. [Siri Monograf Bibliografi Sejarah Bahasa Melayu.] - K. Alexander Adelaar, James T. Collins, Bibliografi dialek Melayu di Indonesia Timur. Kuala Lumpur: Dewan Bahasa

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Kalashnikova, Olga L. "“SOMEONE ELSE”: THE GENRE PARADIGM OF DETECTIVES BY GUILLAUME MUSSO." Alfred Nobel University Journal of Philology 2, no. 28 (2024): 58–75. https://doi.org/10.32342/3041-217x-2024-2-28-4.

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The article explores the genre paradigm of the novels by Guillaume Musso, the most popular author of unique detective novels in today’s France, which have already been translated into more than forty languages but have not yet been studied by literary criticism. The dissimilarity from the traditional genre content and canons of detective prose in its various modifications makes Guillaume Musso “someone else” (quelqu’un d’autre), results in his marginalization by literary scholars, whose name is included in the annals of canonical detective literature but is not represented in modern encycloped

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Batsak, K. Yu. "Italian opera stars of the Kharkiv stage: the 80s of the 19th – early 20th centuries." Aspects of Historical Musicology 18, no. 18 (2019): 89–119. http://dx.doi.org/10.34064/khnum2-18.06.

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Introduction. The Italian opera in Kharkiv has a long history tradition. Its beginnings date back to the 1850s, when the city became a part of the tour routes of Odesa Italian opera troupes under F. Berger’s, V. Sermattei’s direction (1850s – early 1860s), those of Taganrog – under V. Sermattei’s, Corsi’s and Co (second half of 1860s – 1876). These little provincial troupes with unequal by quality the stuff of singers, with a little choir, usually without their own orchestra, within their possibilities, introduced the popular Italian opera repertoire to the Kharkiv audience. Technical and tech

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Ahmad, Asy Syams Elya. "KRITIK SEJARAH BATIK SIDOARJO." Gorga : Jurnal Seni Rupa 10, no. 1 (2021): 137. http://dx.doi.org/10.24114/gr.v10i1.24626.

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The popular historical narrative of the batik Sidoarjo needs to be reexamined based on historical methodology so that there is no historical bias based only on oral stories of the general public. Many studies are trapped in an inaccurate understanding of local historicity. As a result, these various studies have failed to fit batik Sidoarjo into its full context, instead it has become a kind of narrative standardization on its characteristics and history. This study aims to criticize the historical construction that has been popular in relation to the basic understanding of batik Sidoarjo and

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Kuntoro, Hadiyan Yusuf. "GLITCH ART SEBAGAI REFLEKSI MEMORI MANUSIA YANG RAPUH: SEBUAH PENCIPTAAN KARYA SENI." Gorga : Jurnal Seni Rupa 13, no. 01 (2024): 223. http://dx.doi.org/10.24114/gr.v13i01.52291.

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AbstractIn the era that has entered the digital revolution, academic publication articles on the creation of digital-based fine art are still not widely found compared to the creation of conventional fine art. One area of the digital art creation that has a limited number of academic publication articles is the creation of glitch art. In this article, the creation of glitch art is presented along with the explanation of the definition of glitch art, the methods of creation, the technical embodiment, and the concrete artworks. The creation method follows the nine stages of creation: preparation

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Newton, Elizabeth. "Criticism as punctuation in the riot grrrl backlash." Punk & Post-Punk, January 20, 2023. http://dx.doi.org/10.1386/punk_00179_1.

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This article argues that music criticism from the early 1990s was central to media backlash against feminism in this period. As Daphne A. Brooks has noted, music criticism remains widely untheorized, despite being so entangled with the sustainability of popular music. In this article, I give focused attention to a small body of critical writing, exploring the relationship between recordings and the reviews that describe and evaluate the music. I present a reading of backlash against the riot grrrl band Bratmobile from 1993 to 1994, including reviews from the zines Cake, Snipe Hunt, trust kill

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Serazio, Michael, Roger Caruth, Cecilia Dones, Alice E. Marwick, and Edward Timke. "Author Meets Critics: The Authenticity Industries: Keeping It "Real" in Media, Culture, and Politics." Advertising & Society Quarterly 24, no. 4 (2023). http://dx.doi.org/10.1353/asr.2023.a916296.

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Abstract: A group of scholars from diverse backgrounds meet with Michael Serazio to discuss his book The Authenticity Industries: Keeping It "Real" in Media, Culture, and Politics (Stanford University Press, 2023). Combining philosophy, history, sociology, political economy, cultural criticism, and popular culture, the book unpacks the concept of authenticity as it manifests in various mediated contexts, including reality television, social media, pop music, corporate communication, influencer marketing, electoral campaigns, and politics. In addition to sharing how he researched his book, Sera

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Stewart, Jon. "Oh Blessed Holy Caffeine Tree: Coffee in Popular Music." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.462.

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Introduction This paper offers a survey of familiar popular music performers and songwriters who reference coffee in their work. It examines three areas of discourse: the psychoactive effects of caffeine, coffee and courtship rituals, and the politics of coffee consumption. I claim that coffee carries a cultural and musicological significance comparable to that of the chemical stimulants and consumer goods more readily associated with popular music. Songs about coffee may not be as potent as those featuring drugs and alcohol (Primack; Schapiro), or as common as those referencing commodities li

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Ji Tae, Chung, Faruk Faruk, and Oki Rahadianto Sutopo. "The Dominance of Gamelan in South Korea in a Discursive Perspective." KnE Social Sciences, August 15, 2023. http://dx.doi.org/10.18502/kss.v8i15.13904.

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This article provides a genealogical investigation through a postcolonial perspective about gamelan discourses in South Korea. Gamelan is known as a traditional orchestra representative of Indonesia, especially in academic circles. Whereas Indonesian culture is still not well known in South Korea, Indonesian traditional instruments are not limited to gamelan. There are also a great many other traditional instruments on each island and among different ethnic groups in the nation. How and why has gamelan come to be seen as such a representative Indonesian musical instrument within South Korea? K

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