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Books on the topic 'Popular music – Political aspects – Zimbabwe'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Nationalists, cosmopolitans, and popular music in Zimbabwe. Chicago: University of Chicago Press, 2000.

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2

Pratt, Ray. Rhythm and resistance: The political uses of American popular music. Washington: Smithsonian Institution Press, 1994.

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3

Acting in concert: Music, community, and political action. New Brunswick, N.J: Rutgers University Press, 1998.

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4

Rhythm and resistance: Explorations in the political uses of popular music. New York: Praeger, 1990.

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5

Cloonan, Martin. Popular music and the state in the UK: Culture, trade or industry? Aldershot, Hampshire, England: Ashgate, 2007.

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6

John, Street. Rebel rock: The politics of popular music. Oxford: Blackwell, 1986.

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7

Rebel rock: The politics of popular music. Oxford, OX, UK: Blackwell, 1986.

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8

Pratt, Ray. Rhythm and resistance: The political uses of American popularmusic. Washington, [D.C.]: Smithsonian Institution Press, 1994.

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9

"Rock on": Women, ageing and popular music. Burlington, VT: Ashgate, 2012.

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10

roi, André Port le. Schlager lügen nicht: Deutscher Schlager und Politik in ihrer Zeit. Essen: Klartext, 1998.

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11

Wolfgang, Dietrich. Samba Samba: Eine politikwissenschaftliche Untersuchung zur fernen Erotik Lateinamerikas im Schlager des zwanzigsten Jahrhunderts. Strasshof: 4/4 Verlag, 2002.

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12

Dannenberg, Georg, and Lutz Kohlschmidt. Music power: Trost und Trug von Hitparaden. Leipzig: Urania-Verlag, 1985.

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13

Dangerous crossroads: Popular music, postmodernism, and the poetics of place. London: Verso, 1994.

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14

Morelli, Rita C. L. Arrogantes, anônimos, subversivos: Interpretando o acordo e a discórdia na tradição autoral brasileira. Campinas, SP, Brasil: Mercado de Letras, 2000.

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15

Berselli, Edmondo. Canzoni: Storie dell'Italia leggera. Bologna: Il Mulino, 1999.

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16

Lebrun, Barbara. Protest music in France: Production, identity and performance. Burlington, VT: Ashgate, 2008.

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17

Rumba rules: The politics of dance music in Mobutu's Zaire. Durham: Duke University Press, 2008.

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18

Viñas, Carles. Música i skinheads a Catalunya: El so de la política. [Barcelona]: Diputació de Barcelona, Area de Cultura, 2001.

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19

Eu não sou cachorro, não: Música popular cafona e ditadura militar. Rio de Janeiro: Editora Record, 2002.

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20

Lahusen, Christian. The rhetoric of moral protest: Publiccampaigns, celebrity endorsement, and political mobilization. Berlin: W. de Gruyter, 1996.

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21

Byström, Mikael, Nikolas Glover, Johan Bergman, Therése Andersson, Bo Persson, and Magnus Ullén. Sign o' the times: Introduktion till populärmusik som historia. Lund: Studentlitteratur, 2011.

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22

Sztuka i polityka: Muzyka popularna. Toruń: Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, 2012.

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23

Büsser, Martin. Wie klingt die Neue Mitte?: Rechte und reaktionäre Tendenzen in der Popmusik. Mainz: Ventil, 2001.

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24

Lahusen, Christian. The rhetoric of moral protest: Public campaigns, celebrity endorsement, and political mobilization. Berlin: W. de Gruyter, 1996.

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25

Weinzierl, Rupert. Fight the power!: Eine Geheimgeschichte der Popkultur und die Formierung neuer Substreams. Wien: Passagen, 2000.

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26

Musik und kulturelle Identität: Aktuelle Perspektiven. Hamburg: Kovac, 2012.

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27

Thomas, Phleps, ed. Heimatlose Klänge ?: Regionale Musiklandschaften -heute-. Karben: Coda, 2002.

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28

Agit-Pop: Schwarze Musik und weisse Hörer : Texte zu Rassismus und Nationalismus, HipHop und Raggamuffin. 2nd ed. Berlin: Edition ID-Archiv, 1993.

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29

Borges, Márcio. Os sonhos não envelhecem: Histórias do Clube da Esquina. São Paulo, SP, Brasil: Geração Editorial, 1996.

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30

The defence of tradition in Brazilian popular music: Politics, culture, and the creation of música popular Brasileira. Aldershot, Hants, England: Ashgate, 2008.

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31

Kritische Lieder und Politrock in Österreich: Eine analytische Studie. Frankfurt am Main: P. Lang, 1994.

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32

Pop/music + medien/kunst: Der musikalisierte Alltag der digital culture. Osnabrück: Electronic Publishing, 2009.

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33

A modernidade em construção: Políticas públicas e produção de música popular em Curitiba, 1971 a 1983. São Paulo: Annablume, 2009.

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34

Larry, Portis, ed. Dictionnaire des chansons politiques et engagées. Paris: Scali, 2008.

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35

Best, Curwen. Barbadian popular music and the politics of Caribbean culture. Rochester, VT: Schenkman Books, 1998.

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36

Delmas, Yves. Protest song: La chanson contestataire dans l'Amérique des sixties. Paris: Textuel, 2005.

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37

When the music's over: The story of political pop. London: Faber and Faber, 1990.

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38

Janssen, David A. Apocalypse jukebox: The end of the world in American popular music. Brooklyn, NY: Soft Skull Press, 2008.

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39

Wolff, Karsten. Trommeln und Teutonen: Afrikanische Musik auf dem deutschen Pop-Musikmarkt. Karben: Coda, 1996.

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40

Guerra, Pedro. Desmontando el cinismo. Madrid: Aguilar, 2004.

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41

Born to be wild, oder, Die 68er und die Musik. Leipzig: Militzke, 2008.

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42

Dispatches from the culture wars: How the left lost teen spirit. New York: Miramax, 2003.

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43

Essays in popular struggle. Oguta: Zim Pan African Publishers, 1986.

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44

Soeda, Azenbō. A life adrift: Soeda Azembo, popular song and modern mass culture in Japan. New York: Routledge, 2009.

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45

Peña, Manuel H. The Mexican American orquesta: Music, culture, and the dialectic of conflict. Austin: University of Texas Press, 1999.

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46

Do teatro militante à música engajada: A experiência do CPC da UNE (1958-1964). São Paulo, SP, Brasil: Editora Fundação Perseu Abramo, 2007.

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47

Garcia, Miliandre. Do teatro militante á música engajada: A experiência do CPC da UNE (1958-1964). [São Paulo]: Editora Fundação Perseu Abramo, 2007.

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48

Proud to be an Okie: Cultural politics, country music, and migration to Southern California. Berkeley, CA: University of California Press, 2007.

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49

Seguindo a canção: Engajamento político e indústria cultural na MPB, 1959-1969. São Paulo, SP, Brasil: Annablume, 2001.

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50

How the left lost teen spirit-- (and how they're getting it back). New York: RDV Books, 2005.

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