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Journal articles on the topic 'Popular music – social aspects – california'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Handayani, Diah. "Political Identity, Popular Culture, and Ideological Coercion: The Discourses of Feminist Movement in the Report of Ummi Magazine." Jurnal Pemberdayaan Masyarakat: Media Pemikiran dan Dakwah Pembangunan 5, no. 1 (2021): 185–210. http://dx.doi.org/10.14421/jpm.2021.051-08.

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This research examines the rise of Islamic populism in Indonesia and understands it as an instrument to clear a new pathway for populism movement into popular culture. Ummi magazine is one of the religious media used to be political vehicles of stablishing constituencies, especially for the Tarbiyah movement in the Soeharto era to the current tendency to popularize the Tarbiyah identity as a new lifestyle. Historically, The Tarbiyah movement in Indonesia is a social and political movement among Indonesian Muslimah students, especially activists in the Suharto period. Muslim middle class entrep

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Junko, Kitagawa. "Some aspects of Japanese popular music." Popular Music 10, no. 3 (1991): 305–15. http://dx.doi.org/10.1017/s0261143000004669.

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In 1959, the Conlon report, a presentation of United States government policies in relation to Asian cultures, stated the following about Japanese culture (in a section titled ‘Social change’):Developments within and among the various Japanese social classes suggest the dynamic, changing quality of modern Japan … No area of Japan, moreover, is beyond the range of the national publications, radio, and even TV. New ideas can be quickly and thoroughly disseminated; it is in this sense that Japanese culture can become more standardised even as it is changing. Many of the changes look in the direct

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Yasiuk, Tamara. "Ritualism in Ethnic and Popular Culture: Social and Historical Aspects." Folk art and ethnology, no. 4 (December 30, 2022): 89–94. http://dx.doi.org/10.15407/nte2022.04.089.

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The symbiosis of popular and ethnic culture from the point of view of ritualism is considered in the article. The regularities of spread of various influences of ritualism on modern Ukrainian popular culture are pointed out. The system-functional method is used in the work to analyze the balance of ritualism in modern popular music. The peculiarities of its implementation are followed. The purpose of the article is to consider the symbiosis of popular and ethnic culture from the point of view of ritualism, to analyze the stylization of musical archaism in modern variety art, which is the origi

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FAIRCHILD, CHARLES. "The medium and materials of popular music: ‘Hound Dog’, turntablism and muzak as situated musical practices." Popular Music 27, no. 1 (2007): 99–116. http://dx.doi.org/10.1017/s0261143008001499.

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AbstractPopular music studies has rarely exhibited the kinds of disciplinary coherence found in closely related disciplines mostly due to the field’s adoption and adaptation of methodological and theoretical innovations from a variety of disciplines, notably sociology, cultural studies, anthropology, media studies and musicology. However, many commentators continue to seek disciplinary coherence without making any critical aesthetic distinctions between the medium and materials of popular music. Distinctions and interrelationships between the literal or material aspects of popular music and th

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Powell, Bryan. "Community music interventions, popular music education and eudaimonia." International Journal of Community Music 00, no. 00 (2021): 1–23. http://dx.doi.org/10.1386/ijcm_00031_1.

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The fields of community music and popular music education have expanded rapidly over the past few decades. While there are many similarities between these two fields, there are aspects that set these two areas of practice apart. This article seeks to explore the intersections of community music interventions and popular music education to explain how they are similar and in which ways they are unique. This discussion centres on examinations of facilitation, ownership of music, training and certification, inclusivity, life-long music making, amateur engagement, informal learning and non-formal

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Junior, Jeder. "Música popular massiva e gêneros musicais: produção e consumo da canção na mídia." Comunicação Mídia e Consumo 3, no. 7 (2008): 31–47. http://dx.doi.org/10.18568/cmc.v3i7.69.

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Este artigo parte do pressuposto de que a análise midiática da música popular massiva é uma contribuição importante para a compreensão do papel que as canções ocupam na cultura e comunicação contemporâneas. Nesse sentido, acredita-se que as dimensões plásticas e materiais da música massiva, como a performance, a voz, o corpo e o ritmo, estão diretamente ligadas às definições de canção popular massiva e gêneros musicais, bem como às estratégias de produção de sentido desses formatos. Desse modo, a canção é considerada ponto de partida para a abordagem dos aspectos sociais e culturais inscritos

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Zmudzińska, Kamila, and Roman Matykowski. "Spatial and social aspects of the impact of Pol’and’Rock Festival and Jarocin Festival in Poland." Journal of Geography, Politics and Society 13, no. 2 (2023): 46–66. http://dx.doi.org/10.26881/jpgs.2023.2.05.

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Among the popular music festivals operating in Poland in the last forty years, two of them played a special role, especially for their young recipients of amplified music. The first of them was the Rock Festival in Jarocin (it had different names) functioning in the years 1980–1994, so still in the period of communist authorities. Reactivated in 2005, it recently operates under the name Jarocin Festival and uses the legend of the event from the 1980s. In the new socio-political conditions, the second important event, the Pol’and’Rock Festival (called Woodstock Station in 1995–2017), began to f

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Temperley, David. "Syncopation in rock: a perceptual perspective." Popular Music 18, no. 1 (1999): 19–40. http://dx.doi.org/10.1017/s0261143000008710.

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While study of the social and cultural aspects of popular music has been flourishing for some time, it is only in the last few years that serious efforts have been made to analyse the music itself: what Allan Moore has called ‘the primary text’ (1993, p. 1). These efforts include general studies of styles and genres (Moore, 1993; Bowman, 1995); studies of specific aspects of popular styles such as harmony and improvisation (Winkler 1978; Moore 1992, 1995; Walser 1992), as well as more intensive analyses of individual songs (Tagg 1982; Hawkins 1992). In this paper I will investigate syncopation

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Alvarenga, Claudia Helena Azevedo, and Tarso Bonilha Mazzotti. "Samba as Representation of Brazilianness in the Popular Songs Rhetoric." Per Musi, no. 39 (September 12, 2019): 1–12. http://dx.doi.org/10.35699/2317-6377.2019.15152.

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This article aims to examine the hegemonic representations of what is said “to be Brazilian”. It proposes the rhetorical analysis of the lyrics of a couple of Brazilian popular songs in order to present the psychosocial aspects that bring to light the representations of social identity. The statement of identity and symbolic bonds through musicality exposes the desirable of the groups who share their value. The construct of social identity linked to nationality is a belief reinforced by social practices which relies on the metaphor that defines Music as the “people’s soul”.

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Anantia, Alviana Aslama, Yolanda Masnita, and Kurniawati Kurniawati. "Effectiveness of Digital Music Platforms’ Social Media Interaction on Advertising Trust Using Cognitive Aspects." Manajemen dan Bisnis 22, no. 1 (2023): 1. http://dx.doi.org/10.24123/jmb.v22i1.624.

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The COVID-19 pandemic-related economic crisis made many firms to switch their advertising strategy to digital media, with social media being one of the most popular choices due to its lower cost. As a business with rapid growth and being the most popular form of entertainment among internet users, digital music platforms is no exception. Regarding the current phenomenon, it is unknown at this time whether social media marketing is one of the numerous crucial variables causing this service's expansion. Therefore, this research seek to reveal the impact of social media interaction towards advert

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Spanu, Michael. "Sacred Languages of Pop: Rooted Practices in Globalized and Digital French Popular Music." Open Cultural Studies 3, no. 1 (2019): 195–206. http://dx.doi.org/10.1515/culture-2019-0018.

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Abstract Nowadays, popular music artists from a wide range of cultures perform in English alongside other local languages. This phenomenon questions the coexistence of different languages within local music practices. In this article, I argue that we cannot fully understand this issue without addressing the sacred dimension of language in popular music, which entails two aspects: 1) the transitory experience of an ideal that challenges intelligibility, and 2) the entanglement with social norms and institutions. Further to which, I compare Latin hegemony during the Middle Ages and the contempor

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Park, Sun-Min. "A Study on the Aspects of Accepting Popular Music in Regard to Social Media." JOURNAL OF GLOBAL CULTURAL CONTENTS 36 (October 31, 2018): 69–83. http://dx.doi.org/10.32611/jgcc.2018.10.36.69.

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Kostiuk, Ekaterina B. "Musical culture of the post-industrial society: on the problem of analyzing basic definitions." Vestnik of Saint Petersburg State University of Culture, no. 2 (47) (2021): 45–50. http://dx.doi.org/10.30725/2619-0303-2021-2-45-50.

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The article deals with the problem of definitions and boundaries of concepts widely used in modern postindustrial culture, scientific and public discourse: «mass», «popular», «academic», «classical», «elite» music. Mass music has several features that are largely determined by the specifics of the socio-cultural and technical development of society in the post-industrial era. However, the loosely applied term «popular» in relation to this direction of music is inaccurate, since not only the works of mass music become well-known, but also classical, academic. In the conditions of post-industria

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Thomson, Raymond A. "Dance bands and dance halls in Greenock, 1945–55." Popular Music 8, no. 2 (1989): 143–55. http://dx.doi.org/10.1017/s0261143000003330.

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The Americanisation of British popular culture has been the subject of intensive study and debate. Most of this, however, has had a national focus. It is the purpose of this article to examine aspects of a popular culture at a local level in order to discover the extent to which people were, or felt themselves to be, dominated by America. The history of popular culture is the history of the little people, how they passed their time and recreated themselves. Discoveries made here should cast illumination on the more global claims made by social historians.

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Born, Georgina. "For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn." Journal of the Royal Musical Association 135, no. 2 (2010): 205–43. http://dx.doi.org/10.1080/02690403.2010.506265.

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What would contemporary music scholarship look like if it was no longer imprinted with the disciplinary assumptions, boundaries and divisions inherited from the last century? This article proposes that a generative model for future music studies would take the form of a relational musicology. The model is drawn from the author's work; but signs of an incipient relational musicology are found scattered across recent research in musicology, ethnomusicology, and jazz and popular music studies. In support of such a development, the article calls for a reconfiguration of the boundaries between the

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Baďurová, Barbora. "Philosophical Poetry in Metal Music (with Focus on Bands From Central Slovakia)." Studia Polensia 10, no. 1 (2022): 23–42. http://dx.doi.org/10.32728/studpol/2021.10.01.02.

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Metal music is a quite popular subculture in Slovakia. Although heavy metal music simply noise for some, it is not so shallow and there are deeper meanings. There have been many metal bands that have addressed social concerns, as well as ethical and philosophical questions. Metal music uses various metaphors and other tropes to express philosophical ideas; not only in lyrics, but also in its use of melody. The focus here will be on several influential contemporary metal bands from Central Slovakia, and the philosophical and ethical aspects of their metal poetry.

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Baďurová, Barbora. "Philosophical Poetry in Metal Music (with Focus on Bands From Central Slovakia)." Studia Polensia 10, no. 1 (2022): 23–42. http://dx.doi.org/10.32728/studpol/2021.10.01.02.

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Metal music is a quite popular subculture in Slovakia. Although heavy metal music simply noise for some, it is not so shallow and there are deeper meanings. There have been many metal bands that have addressed social concerns, as well as ethical and philosophical questions. Metal music uses various metaphors and other tropes to express philosophical ideas; not only in lyrics, but also in its use of melody. The focus here will be on several influential contemporary metal bands from Central Slovakia, and the philosophical and ethical aspects of their metal poetry.

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Bechtold, Toni A., Lorenz Kilchenmann, Ben Curry, and Maria A. G. Witek. "Understanding the Relationship Between Catchiness and Groove." Music Perception: An Interdisciplinary Journal 40, no. 5 (2023): 353–72. http://dx.doi.org/10.1525/mp.2023.40.5.353.

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Groove and catchiness are central properties of popular music that frequently appear together. Yet, a possible relationship has neither been postulated nor examined. In music psychology, groove is commonly understood as a pleasurable urge to move. Catchiness is often tied to the memorability of music, but it is less researched, and definitions are elusive. In this study, we conducted stimuli-guided expert interviews with popular music creators to unveil their understandings of groove and catchiness based on their experiential, practical, and artistic knowledge. These insights allowed us to exp

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Kocaj, Agata, and Izabela Krasińska. "Musical education from the perspective "Musical news" (1925-1926)." Edukacja Muzyczna 15 (2020): 363–77. http://dx.doi.org/10.16926/em.2020.15.20.

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In Poland, over a hundred music magazines appeared in the interwar period. They were divided into several categories: subject and methodological, social and cultural music press, music and li- turgical magazines, regional music periodicals, as well as musicological and popular science mag- azines. The final group includes the subject of this article, “Wiadomości Muzyczne” (1925–1926), edited by the music collector and journalist Edward Wrocki. The article is the first attempt at a monograph elaboration of this periodical, both in terms of the formal and publishing aspects and its content. How

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Tiantini, Wendy Belinda, Johny Alfian Khusyairi, Nadya Afdholy, and Yulia Mega Puspita. "Jamet Stereotyping in Jedag-Jedug Music: An Analysis of Jedag-Jedug Music Stereotype." Jurnal Seni Musik 12, no. 2 (2023): 198–209. http://dx.doi.org/10.15294/jsm.v12i2.75278.

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Several music genres have stereotypes from the society, especially music that comes from low culture. One of the types of music that is stereotyped is jedag-jedug music, a music that is identical with fast beats and specific video editing. This type of music is widely known due to the influence of the TikTok application, which is a social media platform that offers audio-visual content. Jedag-Jedug music is often stereotyped as jamet music and also considered as tacky or alay. This research aims to find out how jamet stereotypes in Jedag-Jedug music can change and become a popular trend on soc

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Ho, Wai-chung. "The political meaning of Hong Kong popular music: a review of sociopolitical relations between Hong Kong and the People's Republic of China since the 1980s." Popular Music 19, no. 3 (2000): 341–53. http://dx.doi.org/10.1017/s0261143000000209.

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IntroductionThe aim of this paper is to analyse shifting themes in the meanings of Hong Kong popular songs relating to ideological and political changes in Hong Kong since the 1989 Tiananmen Square incident (TSI). In particular, the paper examines the relationship between Hong Kong and the People's Republic of China (PRC) concerning the transmission of Hong Kong popular music, and argues that Chinese, Hong Kong and Taiwanese popular musics articulate fluctuating political meanings. Attention will be focused predominantly on the lyrics, but some aspects of the music are also invoked. After high

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Parvin Banu, S., SP Veena, and G. Surya. "Representation of the Self and the Surrounding: An Ethnomusicological Analysis of the Songs of Singer Arivu." Shanlax International Journal of Arts, Science and Humanities 12, S3-Apr (2025): 97–100. https://doi.org/10.34293/sijash.v12is3-apr.9064.

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Music has always been the nuanced form of human emotions and expressions. Musicology deals with the nature and origin of sounds closely interlinked with natural surroundings. Ethnomusicology is an interdisciplinary approach that links the social and historical factors of the musical rendition. It is the observation of cultural aspects reflected through music by analysis, observation and immersive approaches. Ethnomusicology draws its tenets majorly from anthropology and comparative musicology. This area dominantly focuses on non western music and gradually incorporates scientific methods to de

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Rasolofondraosolo, Zafimahaleo, and Ulrike H. Meinhof. "Popular Malagasy music and the construction of cultural identities." AILA Review 16 (July 8, 2003): 127–48. http://dx.doi.org/10.1075/aila.16.12ras.

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This paper explores the construction of cultural identities through contemporary music from Madagascar, in particular the songs by Dama — singer-song-writer of the eponymous group of musicians- the Mahaleo. Specific focus is on the role that the discourses of and about popular Malagasy music play for the identity constructions of Malagasy people in Madagascar and abroad. Discussions about contemporary African music on the media and in the cultural studies literature, and the record industry’s own appropriation and commercialization of such music as generic ‘world music — tend to neglect the ly

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GRASSE, JONATHON. "Conflation and conflict in Brazilian popular music: forty years between ‘filming’ bossa nova in Orfeu Negro and rap in Orfeu." Popular Music 23, no. 3 (2004): 291–310. http://dx.doi.org/10.1017/s0261143004000182.

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Popular music plays important roles in two related films portraying Brazilian slum life. Based on a 1953 play by Vinícius de Morais, Marcel Camus's 1959 film Orfeu Negro, and a 1999 feature by Brazilian director Carlos Diegues titled Orfeu, augment traditional samba styles with bossa nova and rap, respectively. Interpreting musical style as allegorical texts within fictive landscapes, this paper examines conflation and conflict among musical meanings, Brazilian social histories, and discursive identities marking the twentieth century. Broad aspects of Brazilian political and socio-cultural dev

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Bennett, Andy, and Catherine Strong. "Popular Music Heritage, Grass-Roots Activism and Web 2.0: The Case of the ‘Save the Palace’ Campaign." Cultural Sociology 12, no. 3 (2018): 368–83. http://dx.doi.org/10.1177/1749975518762569.

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Although the study of popular music heritage is rapidly becoming an established aspect of academic research, little attention has been focused on attempts made by groups of music fans to preserve aspects of their local popular music heritage when these are seen to come under threat. This article examines the ‘Save the Palace’ campaign in Melbourne, Australia, and argues that it provides an important illustration of the tenacity of local music fans when faced with the closure of an important venue, and their capacity to organise themselves into a cohesive campaign through social media technolog

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Novianty, Restu Dinda, and Nunuk Endah Srimulyani. "K-Pop as a Popular Culture Influencing Indonesian Student’s Lifestyle." Cultural Narratives 1, no. 3 (2024): 156–66. https://doi.org/10.59066/cn.v1i3.615.

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This research examines the impact of the Korean Wave (K-Pop) on the lifestyle of Indonesian students, with a focus on the aspects of music, drama, and Korean pop culture trends from some existing research. South Korea, through its wave, has created a cultural phenomenon that not only encompasses entertainment but also influences various aspects of student life. The study identifies that the influence of K-Pop extends beyond music, penetrating into students' clothing styles, daily language usage, and even consumptive behavior. Students, as an active group following the developments in Korean po

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Pruitt, Cenate. "“Boys ‘Round Here”: Masculine Life-Course Narratives in Contemporary Country Music." Social Sciences 8, no. 6 (2019): 176. http://dx.doi.org/10.3390/socsci8060176.

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Country music remains one of the most popular genres in U.S. American society but is historically under-researched compared to rock, rap and other styles. This article extends the social science literature on the genre by examining themes of masculine identity in popular country hits of the current century. A content analysis of 35 top country hits from the last 15 years of the Billboard charts reveals three key masculine archetypes: the lover, the family man and particularly the country boy, which is the dominant masculine image within the last few years of the genre. Together, the three crea

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Stępień, Patryk. "Kultura popularna i tożsamość – obraz Śląska w tekstach polskiego rapu." Studia Edukacyjne, no. 73 (January 20, 2025): 133–48. https://doi.org/10.14746/se.2024.73.7.

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Rap is one of the most popular music types in Poland. The content of the songs includes various descriptions of social life, the world of values, and cultural patterns presented from the perspective of the artists, who in their works usually describe what they experience. These bottom-up narratives become a source of inspiration for listeners, especially young people. This article contains content analysis results of rap lyrics and music videos concerning regional aspects in the Silesia district. The identified contexts and worldview elements can provide a basis for educators’ discussions with

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Hadi, Sumasno. "Estetika Lagu Banjar Populer: Suatu Representasi Kultural, Pengalaman Eksistensial, dan Nilai Sosial Masyarakat Banjar." KAMBOTI: Jurnal Sosial dan Humaniora 1, no. 2 (2021): 106–13. http://dx.doi.org/10.51135/kambotivol1issue2page106-113.

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The philosophical aspects of art (aesthetics) explored in this study refer to the popular Banjar songs (with a sample of 14 song titles). Therefore, the vision of discussing the aesthetics of the popular Banjar song is appropriate to expose, extract, and uplift its ontological, epistemological, and axiological values. This study is a qualitative-descriptive type of research with aesthetic study approach (wetland environmental aesthetics), with the object of popular Banjar songs. From this design, the data analysis method uses two approaches, namely: music analysis and art philosophy analysis (

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Malm, Tobias. "The ambivalence of becoming a small business: Learning processes within an aspiring rock band." Popular Music 39, no. 3-4 (2020): 585–99. http://dx.doi.org/10.1017/s0261143020000471.

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The process of becoming a rock musician strongly relates to the organisational form of the band (Bennett 1980; Green 2002; Behr 2010). At all levels of ambition and success, membership of a band provides the musician with a natural entry point for performing to an audience and forging a potential career (Smith 2013a). The ‘micro-organisational’ (Bennett 2001) development of a band, therefore, is an important career prerequisite for rock musicians (Behr 2015). However, the social and practical challenges of musicianship seem to be continuously underemphasised within the field of popular music s

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Neuenfeldt, Karl, and Steve Mullins. "‘The Saving Grace of Social Culture’: Early Popular Music and Performance Culture on Thursday Island, Torres Strait, Queensland." Queensland Review 8, no. 2 (2001): 1–20. http://dx.doi.org/10.1017/s1321816600006796.

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This article explores the dissemination of globalised popular culture forms into the “white culture” of colonial Thursday Island (henceforth TI), the administrative centre of Torres Strait in northern Queensland. The analysis draws on a variety of media sources from approximately 1881 to 1906. It is grounded in an historical understanding of Torres Strait as a place of cultural convergence and also a society affected profoundly by the transnational flows and connections of popular culture forms, such as music, used in part to popularise British Imperialism (MacKenzie, 1992). Both “high” and “l

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Ben Mna, Ilias. "Between the Bogside and boy bands: Pop music and place-based identities in Derry Girls." Journal of European Popular Culture 14, no. 2 (2023): 109–24. http://dx.doi.org/10.1386/jepc_00058_1.

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The British teen sitcom Derry Girls has been noted for its unique spatial and historical setting: the Northern Irish city of Derry in the 1990s. These coordinates furnish a number of intersecting transition narratives in which place-based identities are negotiated against the backdrop of the ‘Troubles’ in Northern Ireland as well as neo-liberal globalization and European integration. The role of pop music is of vital importance in narrating and structuring the teenaged protagonists’ identity formation processes. Through a recognizable mix of commercially successful pop, Eurodance and hip hop s

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Laxman, Majhi. "The Rāmalīḷā Tradition of Odisha". Partners Universal International Innovation Journal (PUIIJ) 01, № 02 (2023): 90–96. https://doi.org/10.5281/zenodo.7855586.

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Rāmalīḷā a popular form of traditional theatre in the state of Odisha. It provides a detailed analysis of the historical evolution of Rāmalīḷā and its unique features that distinguish it from other forms of theatre. The paper also delves into the various aspects of Rāmalīḷā, including its music, dance, and elaborate stage design. The research paper focuses on the theatrical tradition of Rāmalīḷā in the Indian state of Odisha. It explores the history and evolution of this popular form of traditional theatre, and its unique features and characteristics that set it apart from other forms of theat

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Holt, Fabian. "Rock Clubs and Gentrification in New York City: The Case of the Bowery Presents." IASPM Journal 4, no. 1 (2013): 21–41. http://dx.doi.org/10.5429/584.

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This article offers a new analytical perspective on the relation between rock clubs and gentrification to illuminate broader changes in urbanism and cultural production in New York City. Although gentrification is central to understanding how the urban condition has changed since the 1960s, the long-term implications for popular music and its evolution within new urban populations and cultural industries have received relatively little scholarly attention. Gentrification has often been dismissed as an outside threat to music scenes. This article, in contrast, argues that gentrification needs t

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Lavengood, Megan. "What Makes It Sound ’80s?" Journal of Popular Music Studies 31, no. 3 (2019): 73–94. http://dx.doi.org/10.1525/jpms.2019.313009.

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Popular music of the 1980s is remembered today as having a “sound” that is somehow unified and generalizable. The ’80s sound is tied to the electric piano preset of the Yamaha DX7 synthesizer. Not only was this preset (E. PIANO 1) astonishingly prevalent—heard in up to 61% of #1 hits on the pop, country, and R&B Billboard charts in 1986—but the timbre of E. PIANO 1 also encapsulates two crucial aspects of a distinctly ’80s sound in microcosm: one, technological associations with digital FM synthesis and the Yamaha DX7 as a groundbreaking ’80s synthesizer; and two, cultural positioning in a

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Parham, John. "Stranded Out of Place: Environmental Alienation in Australian Punk." Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ) 1 (October 24, 2011): 9–17. http://dx.doi.org/10.60162/swamphen.1.10584.

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Working within ‘environmental justice ecocriticism’, this paper explores and compares British and Australian punk and new wave arguing that the environment comprises one way in which a socially disadvantaged urban poor register an experience of injustice and alienation. The paper connects cultural studies of place/environment in popular music with ecocritical arguments that stress the centrality of place to identity and the importance of sound, oral cultures and music towards conveying that sense of place. Engaging with debates about ‘authenticity’, a concept being substantially re-appraised i

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Broess, Erik. "“A Much More Valuable Signature”: Gender, Factory Labor, and the Mythology of Builder-Signed Amplifiers from Fender's “Tweed” Era, 1948–60." Journal of the Society for American Music 17, no. 4 (2023): 315–36. http://dx.doi.org/10.1017/s1752196323000299.

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AbstractAmplifiers from Fender's so-called Tweed era (1948–60) are among the most valuable instruments in all popular music. Inside most Fender Tweed amplifiers is a piece of masking tape bearing the signature of the worker who hand-wired the amplifier's circuit. Today, collectors have elevated several of Fender's previously unknown Latina employees into legendary figures with near cultlike followings. In the absence of biographical information about these women, however, the contemporary discourse about them is often highly romanticized. In this article, I present novel historical information

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Drozda, Jacek. "Grime jako muzyka i etnografia kryzysu." Kultura Popularna 3, no. 53 (2018): 31–40. http://dx.doi.org/10.5604/01.3001.0010.8264.

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This article provides the reader with an overview of selected aspects of cultural significance of grime music and related phenomena. This musical genre creates an explicit background of contemporary social relations existing in multicultural, popular neighbourhoods of British cities. Grime’s relations with the media and the political surrounding partly resemble some features of the 1990’s “cultural boom”. However, grime and its network of relations live in the times of crisis. The overview of grime’s attributes presented hereinafter is an introduction to a wider study, currently in the process

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Mochocka, Aleksandra. "The Resurrectionist duetu Pet Shop Boys: transgresje i queerowe spojrzenie w przeszłość." Przegląd Kulturoznawczy, no. 3 (57) (October 2023): 336–55. http://dx.doi.org/10.4467/20843860pk.23.024.18582.

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The article is concerned with the transgressive dimension of the Pet Shop Boys’ works. As follows, the artists are situated in the cultural context that helps to understand their approach to popular music, with a focus on potentially transgressive aspects such as hybridisation, authenticity, maturity/adulthood, irony, androgyny, masculinity, and gayness. The case study to be presented here is The Resurrectionist, a song inspired by historical facts. Two possible readings of the song are suggested here; both tackle upon existing social norms, revealing their true nature and provoking the audien

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Junior, Valdemar Valente. "O popular e o erudito: a música nos contos de Machado de Assis." Scriptorium 4, no. 2 (2019): 174. http://dx.doi.org/10.15448/2526-8848.2018.2.32183.

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Este artigo tem por objetivo identificar elementos referentes à criação musical do século XIX na obra de Machado de Assis. Para esse fim, escolhemos os contos “O machete”, “Um homem célebre” e “Cantiga de esponsais”, que abordam a presença da música a partir de leituras distintas que têm em comum o aprofundamento de conflitos, em vista da música como elemento subjetivo capaz de mover as paixões interiores e instigar os instintos humanos. Além disso, esses três contos cumprem com extrema correção o papel de determinar os espaços referentes à música em suas vertentes popular e erudita, corporifi

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Riana and Syukur Kholil. "Persepsi Penggemar Drama Korea Terhadap Budaya Korea: Studi Kasus Komunitas X @Kdrama_Menfess." Jurnal Noken: Ilmu-Ilmu Sosial 10, no. 1 (2024): 115–25. https://doi.org/10.33506/jn.v10i1.3352.

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K-pop or Hallyu is the Korean wave, which is a feverish phenomenon ranging from music, drama, fashion, food and anything related to Korea. The entry of Korean culture into Indonesia is growing rapidly through drama series and K-pop music. Social media is very familiar among the public, social media also has a fundamental function, namely cultural transmission. Korean Popular culture is one of the results of cultural transmission which is now loved by many people. This study aims to determine the perceptions of Korean drama fans towards Korean culture through analysis of interview data with mem

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Zhuk, Sergei I. "Popular Culture, Identity, and Soviet Youth in Dniepropetrovsk, 1959–84." Carl Beck Papers in Russian and East European Studies, no. 1906 (January 1, 2008): 72. http://dx.doi.org/10.5195/cbp.2008.143.

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This paper explores the connections between cultural consumption, ideology, and identity formation in one particular city of the Soviet Ukraine during the Brezhnev era before perestroika. This industrial city, Dniepropetrovsk, was closed to foreigner visits by the KGB in 1959 because it became the location for one of the biggest missile factories in the Soviet Union. Given its closed, sheltered existence, Dniepropetrovsk became a unique Soviet social and cultural laboratory in which various patterns of late socialism collided with the new Western cultural infl uences. Using archival documents,

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Panduwati, Lulu, and Evert H Hilman. "Analysis of Word Formation in ‘Made You Look’ Song Lyrics by Meghan Trainor." INTERACTION: Jurnal Pendidikan Bahasa 12, no. 1 (2025): 237–46. https://doi.org/10.36232/interactionjournal.v12i1.1654.

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This study examines word formation trends in contemporary popular music through an analysis of Meghan Trainor’s song “Made You Look.” The aim is to explore how linguistic creativity in pop lyrics contributes to emotional expression and social interaction. Utilizing a qualitative approach, specifically discourse analysis, the research investigates how word formation processes shape cultural identity and audience engagement. The study relies on theories from Levitin (2006), Lieber (2009), and Yule (2010) to understand the cognitive, morphological, and structural aspects of language in music. Fin

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Dahal, Bishnu Prasad. "Nepalese Nation, Nationalism and Identities in Patriotic Songs." International Journal of Learning and Development 10, no. 4 (2020): 77. http://dx.doi.org/10.5296/ijld.v10i4.18135.

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The main purpose of this study is to investigate the different aspects of Nepalese patriotic songs. Here, lyrics of patriotic songs are reviewed and their contents are analyzed. This study is focused on how these patriotic songs assist to promote Nepalese nationalism, national beauties, national identities and national unity. It is the representative expression of all national songs and patriotic songs all over the country. Music in the form of the national songs and patriotic songs were and remain essential components of national identity and national unity. These songs are popular and accept

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Kumar, V. Saravana. "A Novel Classical Music Recommendation System Using User Facial Expression." International Journal for Research in Applied Science and Engineering Technology 11, no. 5 (2023): 5374–79. http://dx.doi.org/10.22214/ijraset.2023.52832.

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Abstract: In today's world, feelings play an important part in many aspects of life. The spectrum of human feelings, whether or not those sensations are verbalised, serves as the foundation for emotions. A diverse range of emotional expressions can be used to convey a person's sense of individuality. It is possible to infer a person's state of mind simply by observing their facial expressions. This project aims to determine people's feelings based on images of them and then match those feelings with suitable musical selections. The majority of today's most popular music discovery tools make us

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Abramo, Joseph Michael. "Who’s aloud* to have fun? On covers and identity crossing1." Journal of Popular Music Education 6, no. 3 (2022): 329–48. http://dx.doi.org/10.1386/jpme_00095_1.

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Music educators regularly employ covers – or the performance of a version of a song previously performed or recorded by an artist – to learn and teach popular music. While covers might be an effective strategy towards music learning, issues of social justice become present when these covers cross genre and identity boundaries. How are educators and musicians to approach covers that enact these ethically perilous terrains? In this action-research and autoethnography-inspired study, I look at my cover of the song ‘Girls Just Want to Have Fun’ (), performed by Cyndi Lauper in 1983. I explore the

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TOURNÈS, LUDOVIC. "The Landscape of Sound in the Nineteenth and Twentieth Centuries." Contemporary European History 13, no. 4 (2004): 493–504. http://dx.doi.org/10.1017/s0960777304001912.

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Alain Corbin, Les cloches de la terre. Paysage sonore et culture sensible dans les campagnes au XIXe siècle (Paris: Flammarion, 1994), 359 pp., €8.69 (pb), ISBN 2080814532.Glenn Watkins, Proof through the Night. Music and the Great War (Berkeley, Los Angeles and London: University of California Press, 2003), 598 pp., $49.95 (hb), ISBN 0520231589.Jeffrey Jackson, Making Jazz French. Music and Modern Life in Interwar Paris (Durham, NC, and London: Duke University Press, 2003), 266 pp., $21.95 (pb), ISBN 0822331373.Bernard Gendron, Between Montmartre and the Mudd Club. Popular Music and the Avant

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Yap, Kah Yee, and Raheem Mafas. "Predicting Music Popularity Using Spotify and YouTube Features." Indian Journal of Science and Technology 15, no. 36 (2022): 1786–99. https://doi.org/10.17485/IJST/v15i36.2332.

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Abstract <strong>Objectives:</strong> To examine whether the integration of Social Media features from YouTube videos and Spotify audio features can effectively predict music popularity. <strong>Methods:</strong> A dataset is constructed by collecting newly released tracks from May to August 2021. Audio features are acquired from Spotify while social media features are obtained from the official videos on YouTube. Music popularity is defined using five metrics derived from the Spotify Top 200 daily chart performance to measure diverse aspects of the songs’ success (Length,

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Valencialaw, Natasya, and Lusia Savitri Setyo Utami. "K-Pop dan Perilaku Konsumtif Menonton Konser." Koneksi 7, no. 1 (2023): 112–19. http://dx.doi.org/10.24912/kn.v7i1.21301.

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South Korean popular culture or K-Pop has managed to become the center of attention throughout the world, including Indonesia. Indonesia is a target for the South Korean entertainment industry market due to the large number of existing K-Pop fans. It is the intervention of the existence of communication and the mass media as a bridge connecting all information about popular culture. Popular culture also brings K-Pop along with other activities, namely music concerts. The existence of this background can lead to a consumptive behavior. The purpose of this study is to describe the process of dev

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Pilkevych, Andrii. "Contemporary Popular Culture Through the Lens of Historical and Philosophical Vision." Ethnic History of European Nations, no. 70 (2023): 117–21. http://dx.doi.org/10.17721/2518-1270.2023.70.13.

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The article provides an analysis of contemporary popular culture and its influence on society. Focusing on current trends and aspects of popular culture, the article explores key factors that shape this culture and define its place in the modern world. Contemporary popular culture has gained recognition as a social phenomenon, exerting significant impact on various aspects of society. Its influence is manifested in the creation and dissemination of cultural artifacts that actively engage with societal stereotypes, values, and perspectives. These artifacts can stimulate discussions, alter consc

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