Log in

Relevant bibliographies by topics / Popular music studies / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Popular music studies.

Dissertations / Theses on the topic 'Popular music studies'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 March 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Popular music studies.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Man, Oi-kuen Ivy. "Cantonese popular song in Hong Kong in the 1970s : an examination of musical content and social context in selected case studies /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20566013.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Harvey, Sandi K. "The analysis of Okinawan popular music and identity in relation to other studies of southeast Asian popular music." Thesis, Wichita State University, 2010. http://hdl.handle.net/10057/3720.

Full text

Abstract:

This research attempts to use the creation of popular music in Okinawa as a symbolic resource to reveal attributes related to the making of identity. Popular music in non-Western societies is a useful unit of analysis that can explain how people respond to cultural change and can tell us much about cultural values. The origin of identity studies is both historical and political by nature. However, socio-cultural functions can further expand our understanding of both cultural and political resistance. Popular music as identity is not static and is always in flux. Identity addresses the ongoing

APA, Harvard, Vancouver, ISO, and other styles

3

Camara, Samba. "Recording Postcolonial Nationhood: Islam and Popular Music in Senegal." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1510780384221502.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Brocken, Michael. "The British folk revival : an analysis of folk/popular dichotomies from a popular music studies perspective." Thesis, University of Liverpool, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266140.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Hesmondhalgh, David. "Independent record companies and democratisation in the popular music industry." Thesis, Online version, 1996. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.243541.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Yuan, Xiaorong. "Chinese Minority Popular Music: A Case Study of Shanren, a Contemporary Popular Band." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461073565.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Ha, Jarryn. "My Song is My Power: Postcolonial South Korean Popular Music." Case Western Reserve University School of Graduate Studies / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=case1522941303946503.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Gervin, Kelly J. "Music and Environmentalism in Twenty-First Century American Popular Culture." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1494162797534902.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Liu, Menghan. "Rephrasing Mainstream And Alternatives: An Ideological Analysis Of The Birth Of Chinese Indie Music." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1351367197.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Johnson, Eric David. "Crossover narratives: intersections of race, genre and authenticity in unpopular popular music." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/2904.

Full text

Abstract:

This thesis analyzes the construction of racialized notions of authenticity within American popular musical genres across the span of the 20th Century, but especially from a crucial period between the years 1938 and 1965. In these pages I argue that the discursive construction of genres is a narrative act, one intended to provide symbolic resolution to real and felt dilemmas in people's lives. My first chapter focuses on the singer, Nat "King" Cole, arguing that the retrospective construction of the rock and roll genre as

APA, Harvard, Vancouver, ISO, and other styles

11

Curran, Kieran. "Cynic sensibility in British popular literature and culture, 1950 to 1987." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/9494.

Full text

Abstract:

In my thesis, I focus on delineating 'The Cynic Sensibility' in British Popular Literature and Culture (1950-1987). Focusing primarily on literature and music (and, to a lesser extent, cinema/television), this works seeks to write a cultural history through analysing cultural texts. The sensibility has three key characteristics: I) it is a Bohemian sensibility; ii) it is apolitical, in that it does not endorse any political alternative to the status quo at any given time, and iii) it is popular, and exists across traditional high/low cultural lines. Connected to this last point is a tendency t

APA, Harvard, Vancouver, ISO, and other styles

12

Smith, Erin Sweeney. "Popular Music and the New Woman in the Progressive Era, 1895-1916." Case Western Reserve University School of Graduate Studies / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=case1459782310.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Man, Oi-kuen Ivy. "Cantonese popular song in Hong Kong in the 1970s: an examination of musical content and social context inselected case studies." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31221476.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Boateng, Samuel. "POPULAR MUSIC IN GHANA: WOMEN AND THE CHANGING PERSPECTIVES ON GENDER AND SEXUALITY." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1466179979.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Longoria, Edna A. "Carlos Chavez, Gabriela Ortiz, and Edna A. Longoria| Evolving methods of incorporating indigenous and popular Mexican music." Thesis, California State University, Long Beach, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1571461.

Full text

Abstract:

<p> This paper examines the evolving methods of incorporating indigenous and popular Mexican music since the Nationalistic period in México. This project report also shows how the integration of Mexican folk music in Mexican composers' works has changed throughout the years. This paper analyzes the compositions <i>Sinfonía india</i> written by Carlos Chávez and <i>¡Únicamente la verdad!</i> written by Gabriela Ortíz. This paper also analyzes "<i>Tezcatlipoca, </i> A Sacrifice Dance," a chamber orchestra work by myself, a Mexican-American student comp

APA, Harvard, Vancouver, ISO, and other styles

16

Lee, Wonseok. "Diversity of K-Pop: A Focus on Race, Language, and Musical Genre." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1526067307402648.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Young, Michael A. "Cultural performances of German national identity| Popular music, body culture, and the 2006 FIFA World Cup." Thesis, Indiana University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1535413.

Full text

Abstract:

<p> This thesis explores the intersection of nationalism, popular music, and sport as they collided with German identity politics and discourses of twentieth-century history. I contextualize public performances of German national identity during the 2006 World Cup within the broader historical context of national identity construction through music and sport in the last two hundred. I contextualize Germans' public performance of national pride and hospitality during the World Cup as the latest in a long line of cultural performances of German identity that have shaped and been shaped by histor

APA, Harvard, Vancouver, ISO, and other styles

18

Hopkins, Evan James. "Arranging the Music of Radiohead for Classical Guitar Quartet." Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/26357.

Full text

Abstract:

For over two decades the music of Radiohead has delighted and intrigued listeners around the world. Their music is fascinating precisely for the ways in which it confounds our expectations, carefully treading the line between established norms and the unpredictable. Music that achieves this is deemed to be ‘salient’. Brad Osborn identifies four domains in which Radiohead reliably elicit salience in the listener: form, rhythm, timbre and harmony. Building on Osborn’s pioneering work into the analysis of Radiohead’s music, I developed ten arrangements of songs by Radiohead that sought to maintai

APA, Harvard, Vancouver, ISO, and other styles

19

Jiang, Xinxin. "Whose Voice?: A Critical Analysis of Identity, Media, and Popular Music in The Voice of China." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1530233479992508.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Mcdowell, Michael A. "Heavy South: Identity, Performance, and Heavy Music in the Southern Metal Scene." Scholar Commons, 2016. http://scholarcommons.usf.edu/etd/6319.

Full text

Abstract:

The Southern Metal scene depends heavily on the performance of a Southern Identity. While considerable research has been done on other musical genres and scenes from the American South (country music, blues, gospel music), less attention has been given to the extreme metal scene of Southern Metal. Using scholarship of Nadine Hubbs, Philip Auslander, Jefferey C. Alexander, and Keith Kahn Harris, among others, I analyze two films, Slow Southern Steel (2010) and NOLA: Life, Death, and Heavy Blues from the Bayou (2014), and one song, Down’s “Eyes of the South” as cultural productions of this South

APA, Harvard, Vancouver, ISO, and other styles

21

Burchfield, Rebekah Lynn. "Pressed between the Pages of My Mind: Tangibility, Performance, and Technology in Archival Popular Music Research." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277073992.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Young, Sade Marie. "SOUTHERN-PLAYALISTIC-HIPHOP-SPACESHIP-MUSIC." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1305583004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

McKenna, Libby. "Audience interpretations of the representation of women in music videos by women artists." [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001670.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

au, m. jennings@murdoch edu, and Mark Jennings. "Realms: A Phenomenological, Socio-Cultural and Theological-Religious Studies exploration of Musical Space." Murdoch University, 2009. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20100421.135501.

Full text

Abstract:

This thesis sets out to explore the ways people use and interpret experience of music, the divine and interaction with other people within discrete musical spaces. This exploration takes place in two sites: a Pentecostal church in suburban Perth, Western Australia, and the West Coast Blues & Roots festival, a well known music festival held annually in Fremantle, Western Australia. I have nominated these two sites as realms because they are spaces set up for the performance and experience of music. My primary questions about these sites relate to how people interact with music, each other a

APA, Harvard, Vancouver, ISO, and other styles

25

Rogers, Katherine Linn. "The Sounds of "Pac-Man Fever": Intersections of Video Game Culture and Popular Music in America." Case Western Reserve University School of Graduate Studies / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=case1559848783170242.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Silvio, Carl. "The institutional production of literary value studies of African-American popular music lyrics and the avant-garde /." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=2061.

Full text

Abstract:

Thesis (Ph. D.)--West Virginia University, 2001.<br>Title from document title page. Document formatted into pages; contains iii, 310 p. Includes abstract. Includes bibliographical references (p. 301-310).

APA, Harvard, Vancouver, ISO, and other styles

27

McPeake, Zoe. "Our Bodies Aren't Wonderlands : Disenchanting the MIS(sing)Representation of Women in Popular Music." Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/38093.

Full text

Abstract:

Through an intersectional feminist lens using Critical Discourse Analysis, this thesis investigates the representations of four prominent women, their embodiments and their sexualities in the lyrics of their songs.

APA, Harvard, Vancouver, ISO, and other styles

28

Chen, Szu-Wei. "The music industry and popular song in 1930s and 1940s Shanghai : a historical and stylistic analysis." Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/202.

Full text

Abstract:

In 1930s and 1940s Shanghai, musicians and artists from different cultures and varied backgrounds joined and made the golden age of Shanghai popular song which suggests the beginnings of Chinese popular music in modern times. However, Shanghai popular song has long been neglected in most works about the modern history of Chinese music and remains an unexplored area in Shanghai studies. This study aims to reconstruct a historical view of the Shanghai popular music industry and make a stylistic analysis of its musical products. The research is undertaken at two levels: first, understanding the o

APA, Harvard, Vancouver, ISO, and other styles

29

Bernhagen, Lindsay M. "Sounding Subjectivity: Music, Gender, and Intimacy." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1365258753.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

MacDonald, Weeks Kelly C. "Parrotheads, Cheeseburgers, and Paradise: Adult Music Fandom and Fan Practices." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1339789103.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Corbett, Stacy Shayne. "Using popular song lyrics to teach character and peace education." CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3246.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Vermorel, Fred. "Biography & identity, celebrity & fanhood : researching intersections of avant-garde and popular culture." Thesis, Kingston University, 2011. http://eprints.kingston.ac.uk/22495/.

Full text

Abstract:

This PhD by publication critically reviews the background, context, and reception of work published from 1978-2008. The work surveyed, comprises popular music biography, texts on art school influenced bohemia and counterculture, and on celebrity and fan culture. The social and cultural context of the work is mapped and methodological and stylistic issues addressed. The origins of the punk aesthetic through the Sex Pistols is charted. The turn in celebrity studies towards a "fan culture" based approach is demonstrated by the publication of 'Starlust' in 1985. Subsequent work on "fan culture" is

APA, Harvard, Vancouver, ISO, and other styles

33

McCluskey, John M. "Music as Narrative in American College Football." UKnowledge, 2016. http://uknowledge.uky.edu/music_etds/57.

Full text

Abstract:

American college football features an enormous amount of music woven into the fabric of the event, with selections accompanying approximately two-thirds of a game’s plays. Musical selections are controlled by a number of forces, including audio and video technicians, university marketing departments, financial sponsors, and wind bands. These blend together in a complex design that offers audible and visual stimulation to the audience during the game’s pauses. The music chosen for performance in these moments frequently communicates meaning beyond entertainment value. Selections reinforce the g

APA, Harvard, Vancouver, ISO, and other styles

34

Gómez, Sobrino Isabel. "Poesia hecha cancion: adaptaciones musicales de textos poeticos en España desde 1960 hasta el 2010." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367937390.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Boone, William. "The Beautiful Struggle: an Analysis of Hip Hop Icons, Archetypes, and Aesthetics." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/21145.

Full text

Abstract:

African American Studies<br>Ph.D.<br>Hip hop reached its thirty-fifth year of existence in 2008. Hip hop has indeed evolved into a global phenomenon. This dissertation is grounded in Afro-modern, Afrocentric and African-centered theory and utilizes textual and content analysis. This dissertation offers a panoramic view of pre-hip hop era and hip hop era icons, iconology, archetypes and aesthetics and teases out their influence on hip hop aesthetics. I identify specific figures, movements and events within the context of African American and American folk and popular culture traditions and link

APA, Harvard, Vancouver, ISO, and other styles

36

Davidson, Adam. "Performing "Hurt" : Aging, Disability, and Popular Music as Mediated Product and Lived-Experience in Johnny Cash's Final Recordings." Scholar Commons, 2018. http://scholarcommons.usf.edu/etd/7139.

Full text

Abstract:

Sitting at a rarely examined intersection between aging, disability, and popular culture, this project explores how the aging body becomes the disabled body in the context of popular music. In what follows, I trouble the distinction between bodies and mediation, between lived-experience and cultural product, and I argue that the voice of the aging artist engages with his lived-experience even as he performs socially-constructed conceptions of aging and disability. I read Johnny Cash’s 2002 cover of Trent Reznor’s “Hurt” on American IV: The Man Comes Around as a performance of the singer’s age

APA, Harvard, Vancouver, ISO, and other styles

37

Perry, Robyn Paige. ""Ersatz as the Day is Long": Japanese Popular Music, the Struggle for Authenticity, and Cold War Orientalism." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1617205969493365.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Ward, Megan. "When Love Cries: Popular 1980's Love Songs Examined Through Intimate Partner Violence." University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1396889008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Arthurs, Thomas. "Secret gardeners : an ethnography of improvised music in Berlin (2012-13)." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/20457.

Full text

Abstract:

This thesis addresses the aesthetics, ideologies and practicalities of contemporary European Improvised Music-making - this term referring to the tradition that emerged from 1960s American jazz and free jazz, and that remains, arguably, one of today's most misunderstood and under-represented musical genres. Using a multidisciplinary approach drawing on Grounded Theory, Ethnography and Social Network Analysis, and bounded by Berlin's cosmopolitan local scene of 2012-13, I define Improvised Music as a field of differing-yet-interconnected practices, and show how musicians and listeners conceived

APA, Harvard, Vancouver, ISO, and other styles

40

Zheng, Yu. ""The Screaming Successor": Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1479453595002855.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Truelsen, Kris R. "“The Great Speckled Bird”- Early Country Music and the Popularization of Non-Secular Song." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2547.

Full text

Abstract:

Perhaps no melody in the country music canon has been as widely recognized and borrowed from as that of the song “The Great Speckled Bird.” This significant song has become resonant and representative of both country music culture and religious culture of the Protestant South. Through this historiographical study, I have traced the influences that helped shape “The Great Speckled Bird” and in so doing have illustrated distinct movements that led to popularizing the non-secular song through commercial country music. The composer’s use of sentimentality, neo- traditionalism, and religious ideas

APA, Harvard, Vancouver, ISO, and other styles

42

Li, Belinda. "Folk Songs and Popular Music in China: An Examination of Min’ge and Its Significance Within Nationalist Frameworks." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/pomona_theses/162.

Full text

Abstract:

This thesis examines the function of music within different theories of nationalism and the appropriation of folk music within the genre of min’ge. Min’ge, a term in Chinese which directly translates to “folk songs”, has generally been defined as oral musical traditions. However, due to the increased politicization of popular music since the 1930s, the nature folk music has fundamentally changed, reflecting its new significance within Chinese nationalism. Through the years, min’ge has become more useful to promoting the goals of the state than representing the musical traditions of the many di

APA, Harvard, Vancouver, ISO, and other styles

43

Ahern, Sean Xavier. "The Clash and Mass Media Messages from The Only Band That Matters." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1340661045.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Campos, Claudio Henrique Altieri de. "Subindo a serra: Banda Mantiqueira." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-07052009-154924/.

Full text

Abstract:

A presente dissertação tem como objetivo estudar o conjunto brasileiro Banda Mantiqueira, sua trajetória histórica e musical, sua produção artística e a elaboração de seu discurso musical, abrangendo o período que se estende do início dos anos 1990 até a atualidade. O primeiro capítulo volta-se para os precursores históricos da Mantiqueira. No capítulo 2, são apresentadas informações memoriais e historiográficas sobre a biografia de alguns de seus integrantes, bem como o surgimento, amadurecimento e consolidação do grupo. O terceiro capítulo propõe um mergulho no material musical produzido pel

APA, Harvard, Vancouver, ISO, and other styles

45

Poteet, Maddison Jade. "Queer in Fandom: A Uses and Gratifications Analysis of the Katy Perry Fan Community on Twitter." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1752359/.

Full text

Abstract:

Online fandom communities exist as a hub of subcultural construction for people across the globe. For queer people, fandom represents a space to safely converge over mutual interests. Previous research has focused on queer fans and popular music fans independently, often taking a pathological approach. This study qualitatively examines queer participants in the Katy Perry fandom through surveys and one-on-one interviews. The theoretical backbone of the study is built around uses and gratifications theory, seeking to understand motivations for fandom participation. The concepts of the heteronor

APA, Harvard, Vancouver, ISO, and other styles

46

Humphrey, Ashley Renee. "Where's the Roda?: Understanding Capoeira Culture in an American Context." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1543574890650575.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Norkey, Alec. "Intersectional Androgyny in Cyberspace: Gender, Commercialization, and Vocality in Female Ryouseiruis' Music Videos." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1462552660.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Schlotterbeck, Jesse Keith. "The popular musical biopic in the post-studio era: four approaches to an overlooked film genre." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/3530.

Full text

Abstract:

The mid-2000s saw a surge in the popularity of musical biopics: films such as Ray (2004) which tell the story of a star musician. While academic studies have addressed biopics treating classical and jazz composers, the popular musical biopic (encompassing blues, folk, pop, country, rap, and rock) is not only the least studied subtype of the musical biopic, but the most profitable and frequently made. I analyze four different aspects of the musical biopic that illustrate its significance: Chapter One addresses the musical biopic in the context of the post-studio era entertainment industry. I st

APA, Harvard, Vancouver, ISO, and other styles

49

Ballico, Christina. "Bury me deep in isolation: A cultural examination of a peripheral music industry and scene." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/682.

Full text

Abstract:

Since 1998, Perth bands have had a strong presence within the Australian music scene. Primarily, each year between 1998 and 2009, songs by indie pop/rock acts from Perth have charted within national broadcaster triple j’s Hottest 100 countdown. Many of the albums from which these songs have been taken have sold in excess of 35,000 copies, and a number of successful and recognised Perth bands have toured with the nation’s largest music festival, the Big Day Out as well as their own high profile national tours. At the same time, Perth’s local indie pop/rock music industry has undergone tremendou

APA, Harvard, Vancouver, ISO, and other styles

50

MacDonald, Mary Kathleen. "Songs of War: A Comparative Analysis of Soviet and American Popular Song During World War II." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555507523305065.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!