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Journal articles on the topic 'Popular practices and cultures'

Author: Grafiati

Published: 7 July 2024

Last updated: 31 July 2025

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1

Gray, Herman, and Richard Gruneau. "Popular Cultures and Political Practices." Contemporary Sociology 19, no. 1 (1990): 74. http://dx.doi.org/10.2307/2073471.

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Morgan, William J. "Popular Cultures and Political Practices." Journal of the Philosophy of Sport 17, no. 1 (1990): 51–63. http://dx.doi.org/10.1080/00948705.1990.9714478.

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Santos, Elisabeth Cavalcante dos, Ítalo Henrique de Freitas Ramos da Silva, Pâmela Karolina Dias, and Wilson Mike Morais. "Saberes e Práticas Organizativas das Culturas Populares na cidade de Caruaru, Pernambuco, Brasil." Organizações & Sociedade 28, no. 98 (2021): 475–94. http://dx.doi.org/10.1590/1984-92302021v28n9801pt.

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Abstract This paper examines the embodied practical knowledge (know-how) that make up the organizational practices of popular cultures in the northeast Brazilian municipality of Caruaru, located in the microzone of Agreste in the state of Pernambuco. We held informal and semi-structured interviews with fifteen masters and artists from Caruaru, linked to eleven different popular culture segments, and performed non-participant observation in workshops, meetings, and forums. Our discussion reflects on the ancestries, affections between family members, masters and apprentices, explicit rules, conf

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Santos, Elisabeth Cavalcante dos, Ítalo Henrique de Freitas Ramos da Silva, Pâmela Karolina Dias, and Wilson Mike Morais. "Knowledge and Organizational Practices of Popular Cultures in the Municipality of Caruaru, Pernambuco, Brazil." Organizações & Sociedade 28, no. 98 (2021): 475–94. http://dx.doi.org/10.1590/1984-92302021v28n9801en.

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Abstract This paper examines the embodied practical knowledge (know-how) that make up the organizational practices of popular cultures in the northeast Brazilian municipality of Caruaru, located in the microzone of Agreste in the state of Pernambuco. We held informal and semi-structured interviews with fifteen masters and artists from Caruaru, linked to eleven different popular culture segments, and performed non-participant observation in workshops, meetings, and forums. Our discussion reflects on the ancestries, affections between family members, masters and apprentices, explicit rules, conf

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Spanu, Michael. "Sacred Languages of Pop: Rooted Practices in Globalized and Digital French Popular Music." Open Cultural Studies 3, no. 1 (2019): 195–206. http://dx.doi.org/10.1515/culture-2019-0018.

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Abstract Nowadays, popular music artists from a wide range of cultures perform in English alongside other local languages. This phenomenon questions the coexistence of different languages within local music practices. In this article, I argue that we cannot fully understand this issue without addressing the sacred dimension of language in popular music, which entails two aspects: 1) the transitory experience of an ideal that challenges intelligibility, and 2) the entanglement with social norms and institutions. Further to which, I compare Latin hegemony during the Middle Ages and the contempor

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Asiyanbi, Adeniyi. "Exploring Yoruba Fire Cultures through Proverbs." Proverbium 40 (July 16, 2023): 25–46. http://dx.doi.org/10.29162/pv.40.1.358.

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This article argues that Yoruba proverbs are an essential source of popular wisdom on socio-environmental practices accessible through creative reconstruction and interpretation of their historical contexts. Learning from the everyday knowledge and accumulated wisdom of ordinary people holds significant promise at a time of unprecedented socio-environmental crisis and widespread calls for transformative change across scales. Drawing on the collection of Yoruba proverbs by Oyekan Owomoyela, broader Yoruba oral literature, Yoruba popular culture and a cross-disciplinary selection of academic lit

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Niknafs, Nasim. "Engaging with Popular Music from a Cultural Standpoint: A Concept-Oriented Framework." Music Educators Journal 106, no. 1 (2019): 25–30. http://dx.doi.org/10.1177/0027432119855693.

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The last two decades in the North America have seen a resurgence of scholarly and practitioner activities advocating for integrating more popular music in music classrooms both through repertoire and pedagogy. However, the emphasis has been on Western-oriented popular music practices, neglecting those of other cultures, even though there is a major increase in population diversity occurring in the United States and Canada. This article examines the concept-oriented framework, through which, instead of exploring popular music geographically, one can engage with the wider concept of popular musi

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Hueyuen, Choong. "An Evolutionary Narrative of Popular Music Learning Cultures: A Case Study of the United Kingdom." Malaysian Journal of Music 11, no. 1 (2022): 126–44. http://dx.doi.org/10.37134/mjm.vol11.1.8.2022.

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For a very long time, popular music learning cultures had been characterised as informal and aural traditions. However, literature on the ways popular musicians learnt have documented increasing instances of popular musicians engaging with formal and non-aural modes of learning as time went by. Using the United Kingdom (UK) as a case study, the aim of this article is to establish an evolutionary narrative of how popular musicians learn. It begins with a chronological review of literature that examined the learning experiences of popular musicians between the 1970s and 2010s, and then discusses

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Campos, Ricardo. "Portuguese Popular Culture: Practices, Discourses and Representations." Folklore 123, no. 1 (2012): 110–11. http://dx.doi.org/10.1080/0015587x.2012.643633.

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Ng, Hoon Hong. "Enabling Popular Music Teaching in the Secondary Classroom – Singapore Teachers' Perspectives." British Journal of Music Education 35, no. 3 (2018): 301–19. http://dx.doi.org/10.1017/s0265051717000274.

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The pervasiveness of popular music and its associated practices in current youth cultures brings into question the relevance and effectiveness of more traditional music pedagogies, and propels a search for a more current and engaging music pedagogy informed by popular music practices. With this as the basis, this study seeks to explore factors that may enable the success and effectiveness of popular music programmes in public schools through the lenses of three Singapore secondary school teachers as they conducted their popular music lessons over seven to ten weeks. In the process, the study a

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Andres, Salirick. "Investigating Linguistic Sexismin Popular Ilokano Songs." Mabini Review 14, no. 1 (2024): 123–40. https://doi.org/10.70922/19fgvd88.

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This study investigates linguistic sexism within the lyrics of ten popular Ilokano songs using Sarah Mills’ feminist stylistics framework. Analysis focused on both word-level and discourse-level elements, exploring how gender roles and biases are embedded in song lyrics. Despite the pervasive presence of gendered language in many cultures, this research reveals that the selected Ilokano songs largely employ gender-neutral language and portray both male and female characters without obvious bias. The absence of gendered generic words and balanced descriptions of characters challenge traditional

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Priyatna, Endang Suryana. "IDEOLOGI DAN POPULAR CULTURE." Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya 3, no. 1 (2012): 70–81. http://dx.doi.org/10.33558/makna.v3i1.778.

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During New Order Regime (Orba) in Indonesia, Pancasila was conceptualized and internalized as the state and national ideology. However, the regime turned it into a state control ideology, legitimizing repressive act conducted by the state. Nowadays, in the period of post new order regime, the calls to return to the reconceptualization and reinternalization of Pancasila seem to be very immanent. At least, that is what can be inferred and interpreted from the speech given by four national leaders during the commemoration of the birth of Pancasila in 1 June 2011. This essay tries to analyze how t

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Kleden, Paul Budi. "Salib Yesus – Penderitaan Maria Devosi Maria dalam Ibadat Jalan Salib Versi Solor-Lamaholot." Jurnal Ledalero 10, no. 2 (2018): 161. http://dx.doi.org/10.31385/jl.v10i2.134.161-188.

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Devotion to Mary is one of the most popular religious practices among Catholics, and can be considered one of the oldest forms of popular religiosity. Marian devotions emerged spontaneously as a mixture of elements from local cultures and the Christian faith. However, such practices can become problematic when they overstress certain aspects of human experience together with the role of Mary. This article discusses a text of "The Way of the Cross" which was composed in a dialect of the Lamaholot language as used on the isle of Solor, East Flores.  Kata-kata kunci: devosi, jalan sal

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Cavanagh, Richard P. "Book Reviews : Richard Gruneau (ed.): Popular Cultures and Political Practices, Toronto: Garamond Press, 1988." International Review for the Sociology of Sport 25, no. 3 (1990): 248–49. http://dx.doi.org/10.1177/101269029002500307.

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Zhang, Haiping, Xingxing Zhou, and Yi Huang. "Analysis of Spatial Interaction between Different Food Cultures in South and North China: Practices from People’s Daily Life." ISPRS International Journal of Geo-Information 9, no. 2 (2020): 68. http://dx.doi.org/10.3390/ijgi9020068.

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An important component of research in cultural geography involves the exploration and analysis of the laws of regional cultural differences. This topic has considerable significance in the discovery of distinctive cultures, protection of regional cultures, and in-depth understanding of cultural differences. In recent years, with the “spatial turn” of sociology, scholars have focused increasing attention to implicit spatial information in social media data, as well as the social phenomena and laws they reflect. Grasping sociocultural phenomena and their spatial distribution characteristics thro

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Maina, Sammy T. "What Next for the ‘Text’? Popular Culture and Literature Today." Journal of Linguistics, Literary and Communication Studies 3, no. 1 (2024): 10–20. http://dx.doi.org/10.58721/jllcs.v3i1.509.

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Literary studies have evolved over the past few decades to include popular culture fields as text. Proponents of this inclusion argue that songs, memes, tweets, local dialects, and slogans say as much about people and cultures as traditional texts – perhaps even more. The opinion is that, by over-relying on traditional text for literary fodder, scholars shut themselves off from current and relevant information about the rapidly evolving literary and cultural landscape. The disregard for popular culture also turns away a younger audience that seems to prefer a more informal approach to art and

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AYDIN, ÜNAL Duygu. "Formation and Transitions of Consumption Culture: A Study Within a Veiled Youth Population." International Journal of Contemporary Economics and Administrative Sciences 13, no. 2 (2023): 628–53. https://doi.org/10.5281/zenodo.10475858.

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In This article answered how the existing consumption practices are shaped among the newly formed consumers. In this direction, veiled youths, who are a large consumer group in Turkey, were selected as a sample. The face-to-face interviews with young people were conducted, and semiotic analysis of the Instagram accounts that interviewers were influenced were analysed. As results revealed, consumption trends of this group, which is growing both as market and consumer size, can be gathered under four headings. These are the interpretation of popular cultures through consumption, transforming con

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Bennett, Andy, and Jodie Taylor. "Popular music and the aesthetics of ageing." Popular Music 31, no. 2 (2012): 231–43. http://dx.doi.org/10.1017/s0261143012000013.

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AbstractThe cultural turn in sociology and related fields of study has brought with it new understandings of the various ways social identities are formed. In a post-structural landscape, social identities must increasingly be regarded as reflexively derived ‘performative assemblages’ that incorporate elements of the local vernacular and global popular cultures. Building on the above reinterpretation of social identity, this paper takes as its central premise the notion that, in addition to its well-mapped cultural importance for youth, popular music retains a critical currency for the ageing

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Mbatia, Benjamin Kinyanjui, and Wendo Nabea. "Photographic Frames in the Westgate Mall Terror Attack Coverage." Journal of Linguistics, Literary and Communication Studies 3, no. 1 (2024): 21–32. http://dx.doi.org/10.58721/jllcs.v3i1.547.

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Literary studies have evolved over the past few decades to include popular culture fields as text. Proponents of this inclusion argue that songs, memes, tweets, local dialects, and slogans say as much about people and cultures as traditional texts – perhaps even more. The opinion is that, by over-relying on traditional text for literary fodder, scholars shut themselves off from current and relevant information about the rapidly evolving literary and cultural landscape. The disregard for popular culture also turns away a younger audience that seems to prefer a more informal approach to art and

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20

Pertierra, Raul. "The Cultures of a Globalized World." Plaridel 16, no. 1 (2019): 1–24. http://dx.doi.org/10.52518/2020.16.1-01pertra.

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Contemporary world culture contributes significantly to the crisis of modernity. The global condition has engendered a variety of cultures, each adjusting to its particular condition. Instead of culture being an expression of values, perspectives, and practices within a territory, contemporary culture acts more like a free-floating signifier loosely connected to its material base. Each expression of culture develops according to its own internal logic: high culture vs. popular culture; culture of virtuality & virtual culture; and local, national, and globalized cultures. Each expression of

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21

Gade, Solveig. "Encounters, Relations, Popular Culture and Representation." Peripeti 19, SI (2023): 54–59. http://dx.doi.org/10.7146/peri.v19isi.137738.

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22

Rodkin, Pavel. "POPULAR CULTURE AND QUIRKY CRITICISM." Herald of Culturology, no. 3 (2022): 41–54. http://dx.doi.org/10.31249/hoc/2022.03.03.

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The article deals with quirkiness in popular culture, design and architecture, acting simultaneously as an apology and criticism (quirky-criticism) of normative cultural and communicative practices. As a theoretical approximation to the phenomenon of quirkiness and operationalization of a quirky form, its criteria are distinguished within the framework of the specific structure of a quirky message as the language of modern communication.

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23

Coladonato, Valerio, Dom Holdaway, and Arianna Vietina. "Popular European Cinema in the Platform Era: Circulation Cultures on YouTube." Cinéma & Cie. Film and Media Studies Journal 23, no. 41 (2024): 115–36. http://dx.doi.org/10.54103/2036-461x/21011.

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Over the last two decades, the platformization of viewing practices has transformed patterns of circulation, multiplying the possibilities for engagement with cinema: not only new viewing spaces themselves but also vast amounts of readily accessible related content (trailers, publicity, clips, etc.). The aim of this essay is to consider how these changes have impacted the potential for popular European cinema—which has historically strayed little from each national domestic market—to travel abroad and outside of “traditional” contexts of consumption. We shed some light on this question by exam

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Sultana, Shaila, and Sender Dovchin. "Popular Culture in Transglossic Language Practices of Young Adults." International Multilingual Research Journal 11, no. 2 (2016): 67–85. http://dx.doi.org/10.1080/19313152.2016.1208633.

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Guilbault, Jocelyne. "Interpreting world music: a challenge in theory and practice." Popular Music 16, no. 1 (1997): 31–44. http://dx.doi.org/10.1017/s0261143000000684.

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This article focuses on the issue of meanings in ‘world music’ practices. The main questions addressed are how such musical cultures take on meanings, and what meanings are constructed by such cultures. As Deborah Pacini has indicated, the term ‘world music’ in this case does not refer to a musical genre. It is used, rather, ‘[as] a marketing term describing the products of musical cross-fertilisation between the north – the US and Western Europe – and south – primarily Africa and the Caribbean Basin, which began appearing on the popular music landscape in the early 1980s’ (1993, p. 48). From

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Gramit, David. "What Does a City Sound Like? The Musical Dynamics of a Colonial Settler City." Nineteenth-Century Music Review 11, no. 2 (2014): 273–90. http://dx.doi.org/10.1017/s147940981400038x.

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A study of public musical life in Edmonton, Alberta from the 1897 Diamond Jubilee of Queen Victoria through the beginning of World War I provides a case study in the development of new urban musical cultures during the settlement of western North America. The contrast between the Jubilee celebration and Alberta's inauguration as a province in 1905 reveals growing ambition to demonstrate a capacity for the serious music that could be viewed as a marker of civic achievement, and the absence in 1905 of First Nations dancers and drummers, who had taken part in the 1897 event, provides a reminder o

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Morozov, Arseniy A. "Modern Tourist Practices of the Northern and Arctic Territories." Arctic and North, no. 57 (December 10, 2024): 155–67. https://doi.org/10.37482/issn2221-2698.2024.57.155.

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The ideas of northern and Arctic tourism are relevant in the modern world. Currently, northern tourism is becoming more and more popular among people with medium and high incomes in different countries, including Russia, and the trend of its development is positive. The purpose of this study is to show the relevance of tourism development in the northern and Arctic territories, to identify current trends and the need of people for the development of such tourism. The Arctic is becoming an increasingly popular tourist destination. The increased interest in tourism in the Arctic has led to the c

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Zhou, Zhonghao. "Cross-cultural Training and Second Language Learning." Asian Education Studies 2, no. 3 (2017): 1. http://dx.doi.org/10.20849/aes.v2i3.176.

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Culture and language are inseparable, and cultures as groups adopt particular practices and norms of behavior. Culture teaching is a long and complex process concerning something more than language use itself. The two popular theories influencing practice today are the Constructivist and the Creative Constructionist approaches, and the technique for conveying cultural awareness is cultural assimilator, which has been designed for specific cultures around the world. Cross-cultural training can be used to promote cultural awareness, that is, sensitize people to the influence of culture on people

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YOROVA, STEFANA. "Identification Narratives, Local Stories, and Virtual Communication." Martor. The Museum of the Romanian Peasant Anthropology Review 27 (November 15, 2022): 133–38. http://dx.doi.org/10.57225/martor.2022.27.10.

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In this article the author summarizes some conclusions drawn following her field research on narration and identity. Language itself is approached language itself as a guardian of ideas, structuring society, using humor as an integrative barrier. It is introduced the term identification narrative as crucial for understanding the self in the context of the community. The author briefly describes the cases of a popular local story that changed local oral practices and of a less popular local story that preserved local oral practices. She analyzes the natural transformations of local stories comp

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Rahim, Abdul, and Halimatuzzahro. "Commodification Practices in the Begawe Sasak’s Lombok Tradition." KARSA: Journal of Social and Islamic Culture 29, no. 1 (2021): 179–98. http://dx.doi.org/10.19105/karsa.v29i1.4455.

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The begawe tradition, which has become the popular culture of Sasaknese, has begun shifted by the consumption of mass cultures, such as catering services, the use of tools or begawe needs, starting to be replaced by industrial products for rent or sale. The forms of commodification in the begawe tradition, especially in begibung (eating together) and betulung (helping each other), two things that become the ‘aura’ of begawe. This difference can be seen from the shifting values, from the principle of kinship to individualism; of various equipment that is transformed and then commercialized. The

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Božilović, Nikola, and Miloš Tasić. "Anticipation of postmodern artistic practices in popular culture: The Beatles." Socioloski pregled 53, no. 2 (2019): 488–513. http://dx.doi.org/10.5937/socpreg53-22141.

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Frawley, Jodi. "Kissing fish: Rex Hunt, popular culture, sustainability and fishing practices." Journal of Australian Studies 39, no. 3 (2015): 307–25. http://dx.doi.org/10.1080/14443058.2015.1052834.

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O'DRISCOLL, SALLY. "Reading through Desire: Interpretive Practices for Eighteenth-Century Popular Culture." Journal for Eighteenth-Century Studies 29, no. 2 (2006): 237–51. http://dx.doi.org/10.1111/j.1754-0208.2006.tb00645.x.

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Sarie, Fatma, Murthada Murthada, and Jusatria Jusatria. "Bibliometric Analysis of Eco-Friendly Practices in Contemporary Popular Culture." West Science Social and Humanities Studies 1, no. 04 (2023): 189–200. http://dx.doi.org/10.58812/wsshs.v1i04.273.

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This study undertakes a thorough bibliometric examination of environmentally conscious behaviors in modern popular culture. By applying sophisticated bibliometric techniques and citation analysis, the research reveals important publication patterns, prolific writers, recurring themes, and seminal works in the multidisciplinary domain. The findings show a consistent increase in scholarly output, with significant peaks occurring in tandem with major world events and cultural movements. The discourse's interdisciplinary nature is emphasized by prolific writers and cooperative networks, while them

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SAPTAWURYANDARI, NURWENI, ROHIM, and ASEP SUPRIADI. "STRENTHENING THE NATION’S CULTURAL IDENTITY THROUGH POPULAR LITERATURE." Quantum Journal of Social Sciences and Humanities 5, no. 3 (2024): 36–47. https://doi.org/10.55197/qjssh.v5i3.366.

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Globalization that sweeps the world is feared to erode the identity and culture of the nation. It is suspected that globalization also causes popular culture to break through mass media, both digital, print, and written, even though popular culture tends to be hedonistic, pragmatic, and consumptive. Therefore, this study aims to uncover how literary works can anticipate popular culture. The method used is descriptive qualitative studies and literature studies juxtaposed with Sapardi Djoko Damono's theory of literary sociology and Storey's view that cultural texts not only reflect the reality o

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Homan, Shane, and Chris Gibson. "Popular Music: Networks, Industries and Spaces." Media International Australia 123, no. 1 (2007): 61–64. http://dx.doi.org/10.1177/1329878x0712300107.

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There has been much recent media coverage and public speculation about change in the music industries. This issue of MIA examines the shifting technological, production and consumption contexts of local popular music. Australian music practices have reflected global changes in corporate structures, methods of distribution and what it means to construct and maintain a music ‘career’. How traditional music-making and consumption practices work with or against emerging media technologies, and what this means for older understandings of music creativity, is a key focus.

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Mira, Maria Celeste, and Vera Lúcia Cardim de Cerqueira. "Os intelectuais e a “Cultura Popular” em São Paulo: do folclore às políticas culturais." Revista Pós Ciências Sociais 16, no. 31 (2019): 89. http://dx.doi.org/10.18764/2236-9473.v16n31p89-105.

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Desde a sua origem, a noção de “cultura popular” está vinculada ao trabalho de intelectuais. Foram eles que criaram o conceito no século XIX para abranger o conjunto de práticas populares de caráter oral e tradicional, as quais supunham ameaçadas pelo avanço da civilização capitalista. O artigo procura discutir a relação entre intelectuais e cultura popular na atualidade, tendo como foco a cidade de São Paulo. Para tanto, recupera a trajetória fundamental de Mário de Andrade e os seus estudos de Folclore; a de Rossini Tavares de Lima, integrante do Movimento Folclórico Brasileiro; de seu discí

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KODRIĆ-ZAIMOVIĆ, Lejla. "„SMALL CULTURES“ AND „SMALL LANGUAGES“ IN THE ENVIRONMENT OF SOCIAL MEDIA AND PARTICIPATORY CULTURE." Lingua Montenegrina 28, no. 2 (2021): 147–59. https://doi.org/10.46584/lm.v28i2.873.

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Trends of overcoming traditional oppositions „high culture“ / „low culture“, „big culture“ / „small culture“ and the significant expansion of the scope of concept of culture in the direction within which culture means forms of everyday life but also the so-called „popular culture“ have been a way of seeing culture in the recent decades. This is especially intensified with UNES-CO's commitment to overcoming the Eurocentric concept of culture in the direction of its broader, global understanding and relativization in the relation of dominant vs. subordinate cultural groups and forms. In accordan

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DOHERTY, CAITLÍN RÓISÍN. "‘Transporting thought’: cultures of balloon flight in Britain, 1784–1785." British Journal for the History of Science 50, no. 2 (2017): 229–47. http://dx.doi.org/10.1017/s0007087417000280.

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AbstractThe balloon has long drifted through popular discourse as a symbol of an Enlightenment attitude towards discovery and a Romanticized image of rationality. This article uses two accounts of early British balloon voyages, both published in 1786, and through them attempts to understand the wide range of practices – literary, social, chemical and adventurous – employed by early balloonists in Britain. I argue that the two series of flights recorded by John Jeffries and Vincenzo Lunardi can be read to show two different philosophical ideas of and aspirations for ballooning, each of which is

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JACKSON, IAN. "APPROACHES TO THE HISTORY OF READERS AND READING IN EIGHTEENTH-CENTURY BRITAIN." Historical Journal 47, no. 4 (2004): 1041–54. http://dx.doi.org/10.1017/s0018246x04004091.

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The history of reading can link intellectual and cultural developments with social or political change in the eighteenth century. Historians of the book increasingly argue that an understanding of historical reading practices is essential if we are to understand the impact of texts on individuals and on society as a whole: textual evidence alone is inadequate. Recent work on eighteenth-century readers has used sources including book trade records, correspondence, and diaries to reconstruct the reading lives of individuals and of groups of readers. Such sources reveal the great variety of readi

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Esterhuyse, Petro. "An anthropological perspective on popular culture." Acta Academica: Critical views on society, culture and politics 36, no. 3 (2004): 21–46. https://doi.org/10.38140/aa.v36i3.837.

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In contrast with the view of culture as an autonomous, integrated unit, culture is presented in this paper as a fluid, complex and frequently fragmented process located in social interaction between individuals, acts, thoughts and objects which convey meaning. This concept of culture accommodates a description of popular culture as those cultural practices in which social actors interpret, negotiate, articulate and transform meaning. However, in addition to being a set of subjects belonging to a certain field of study, popular culture is also an arena which practitioners of the interdisciplina

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Dahiya, Divakar, and Poonam Singh Nigam. "Probiotics, Prebiotics, Synbiotics, and Fermented Foods as Potential Biotics in Nutrition Improving Health via Microbiome-Gut-Brain Axis." Fermentation 8, no. 7 (2022): 303. http://dx.doi.org/10.3390/fermentation8070303.

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Biological, social, and psychological practices greatly affect the dietary intake of people; as a result, health-related complexities occur. Functional food and supplements have become popular due to their nutraceutical benefits, which make different choices of fermented food and beverages available to people. This review describes the characteristics of probiotics, prebiotics, post- and paraprobiotics, and their role in nutrition and in the sustainability of health. Currently, several synbiotic supplements have attracted consumers in the nutraceutical market to offer a number of health benefi

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Duggan, Jennifer, and Anne Dahl. "Fan translations of SKAM: Challenging Anglo linguistic and popular cultural hegemony in a transnational fandom." Scandinavian Studies in Language 10, no. 2 (2019): 6–29. http://dx.doi.org/10.7146/sss.v10i2.115610.

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The transnational success of the Norwegian multimedia series SKAM is unique in the Scandinavian context and a prime example of how fans’ translation, communication, and dissemination practices can lead to a series’ international success. In this study, we argue that fan translation of SKAM emphasizes the value of bi-/multilinguality by positioning Norwegian as a resource within a transnational online community, while simultaneously masking the ways in which translation into English normalizes English as the global language of communication and contributes to the Anglo-American dominance of onl

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Vergutz, Nairana Becker, Anelise de Oliveira Rodrigues, Milena Thaís Röhsler, and Sidinei Pithan da Silva. "Educação intercultural e práticas decoloniais na perspectiva da educação do campo." Revista de Educação Popular 24, no. 1 (2025): 310–30. https://doi.org/10.14393/rep-2025-74006.

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This study aims to highlight the importance of Intercultural Education and Decolonial Practices from the perspective of Countryside Education. The methodology is based on a bibliographic review, anchored in a qualitative approach. The theoretical foundation is mainly based on Freire's literature and academic articles on the subject. The results indicate that Popular Education and Countryside Education are essential for contextualized and emancipatory education in rural areas. Furthermore, they show that interculturality and decolonial practices are essential approaches to promoting dialogue be

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Uimonen, Heikki. "Beyond the playlist: commercial radio as music culture." Popular Music 36, no. 2 (2017): 178–95. http://dx.doi.org/10.1017/s0261143017000071.

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AbstractThis article presents the historical transformation of Finnish commercial radio popular music policies from 1985 to 2005 and contemplates the role of terrestrial radio in contemporary digital age. It argues that a sender-centred paradigm of early commercial radio was replaced swiftly by receiver-centred paradigm, which has been applied since the early 1990s. The change of radio music cultures is described in detail by dividing it into three different eras: Block Radio, Format Radio and Media Convergence. The study draws on the research project consisting of case studies analysing the m

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Appert, Catherine M. "LOCATING HIP HOP ORIGINS: POPULAR MUSIC AND TRADITION IN SENEGAL." Africa 86, no. 2 (2016): 237–62. http://dx.doi.org/10.1017/s0001972016000036.

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ABSTRACTThis article complicates internationally circulating origin myths that alternately link hip hop to West African griot traditions or highlight the global resonance of its roots in the US inner city. I argue that such generalizing narratives potentially obscure how complex understandings of traditional cultural production inform local engagements with hip hop in Africa, and advocate instead for ethnographically generated interpretive frameworks that enable alternative, locally grounded analyses of hip hop cultures. In doing so, I examine the particularity of Senegalese invocations of ori

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Perry, Joe. "Nazifying Christmas: Political Culture and Popular Celebration in the Third Reich." Central European History 38, no. 4 (2005): 572–605. http://dx.doi.org/10.1163/156916105775563562.

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Radicalregimes revolutionize their holidays. Like the French Jacobins and the Russian Bolsheviks, who designed festival cultures intended to create revolutionary subjects, National Socialists manipulated popular celebration to build a “racially pure” fascist society. Christmas, long considered the “most German” of German holidays, was a compelling if challenging vehicle for the constitution of National Socialist identity. The remade “people's Christmas” (Volksweihnachten) celebrated the arrival of a savior, embodied in the twinned forms of the Führer and the Son of God, who promised national r

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GİRGİN, Gonca. "On the Marginal Requisites: Overview of Popular Urban Dances in Türkiye." Musicologist 7, no. 1 (2023): 93–123. http://dx.doi.org/10.33906/musicologist.1097843.

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In the sources of dance history in Türkiye, there is no classification that evaluates urban dances, which are mostly mentioned in entertainment contexts, in terms of function, contents and social acceptance and made with this focus. Dance in the history of the Republic has been mostly examined within the framework of identity, representation and ideological patterns, and historical analyses have been considered with this relationship focus. In addition, these subjects are embodied in the national repertory, which is generally accepted as official and thus reflects a dominant traditionalism. In

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Pletneva, Alexandra. "Baby care: practices, texts and cultural conflicts." Przegląd Wschodnioeuropejski 8, no. 1 (2017): 249–69. http://dx.doi.org/10.31648/pw.3617.

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To create the social history of Russia and the history of everyday life, one needs a description of local everyday practices. This article focuses on the everyday practices associated with the birth of a baby and care for it. The author proceeds from the fact that the 18th and 19th centuries in Russia saw the coexistence of two cultures and two household traditions – the culture of the educated classes and the peasant culture. At the level of everyday practices, they made a certain influence on each other. On the one hand, ethnographic materials were used as sources, and on the other hand – po

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Marques, Djankaw Matheus, and Mabia Camargo. "STUDYING QUILOMBOLA PRACTICES OF RESISTANCE ON INSTAGRAM." Trabalhos em Linguística Aplicada 59, no. 3 (2020): 1946–65. http://dx.doi.org/10.1590/010318138795411120201130.

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ABSTRACT This article analyzes how processes of subjectivation are performed on the popular image-based social media Instagram by Djankaw, a black trans resident of a quilombo [a settlement founded by descendants of formerly enslaved African-Brazilians]. Following a Foucauldian analysis of discourse whereby power is seen to be exercised wherever there is resistance, we look at how Djankaw’s processes of subjectivation intersect with race, class, sexuality, and religion, becoming practices of resistance against hegemonic colonial narratives. Djankaw’s performances on the Internet instigate a pr

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