Relevant bibliographies by topics / Popular songs Arrangements for piano solo Collections

Contents

  1. Journal articles
  2. Books
  3. Book chapters

Academic literature on the topic 'Popular songs Arrangements for piano solo Collections'

Author: Grafiati
Published: 27 July 2024
Last updated: 28 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Popular songs Arrangements for piano solo Collections.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Popular songs Arrangements for piano solo Collections"

1

Zhou, Daping. "The Theoretical Background for the Chinese Composers Piano Music Genre Peculiarities Research." Aspects of Historical Musicology 14, no. 14 (2018): 180–206. http://dx.doi.org/10.34064/khnum2-14.13.

Full text
Abstract:
Introduction. The given paper is devoted to questions, which make up the dissertation research section upon the genre semantics of the Chinese composers’ solo piano creations. The general theoretic background for the vast amount of the musical artifacts studying is specified in the current section. Theoretical background. In his studying of the Chinese composers’ piano creative work the author follows the research trend, originated by G. Schneerson, Lui Ji, Wei Tinge, Liu Fuan, Zhang Xiaohu, Zhang Qian and others. In particular, the current research is based upon the works by Bu Li, Bian Meng,
APA, Harvard, Vancouver, ISO, and other styles
2

Lytvyshchenko, O. V. "O. I. Nazarenko as a coryphaeus of the Kharkiv accordion school: formation of the authorial style." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (2020): 43–56. http://dx.doi.org/10.34064/khnum1-56.03.

Full text
Abstract:
Problem statement. The pedagogical activity of the Merited Artist of Ukraine, Professor O. I. Nazarenko is more than fifty years old. The maestro’s name will become history of the Department of Folk Instruments of Kharkiv I. P. Kotliarevskyi National University of Arts. It is impossible to disregard O. Nazarenko’s creative achievements and multifaceted activity, first, because his enormous contribution to the development of the academic accordion in Kharkiv and his authority reaches far beyond Kharkiv and Ukraine. Well-known modern accordionists and orchestral ensembles perform the composer’s
APA, Harvard, Vancouver, ISO, and other styles
3

Li, Xiaoyan. "Beethoven’s Early art songs “Die Ehre Gottes Aus Der Natur” Musical Form and Religious Sentiment." European Journal for Philosophy of Religion, September 9, 2022. http://dx.doi.org/10.24204/ejpr.2021.3835.

Full text
Abstract:
This study will help you examine the classical music knowledge of school pupils and faculty. We analyzed the musical form and religious mood in this article. Christian Furchitegot Gelato, a German pastor, poet, and hymn writer, composed the poem "God's Glory from Nature." In 1757, it was initially published in Gellert's collection of odes and songs. The words were published as part of a collection of songs in 1803. They are best known for their solo vocal and piano setting by Ludwig van Beethoven ("Die Himmelrühmen der Ewigen Ehre," beginning with Op. 48, No. 4), and for which they are best re
APA, Harvard, Vancouver, ISO, and other styles
4

Grudule, Māra. "Dažu vācu muzikālo tradīciju pārnese latviešu kultūrtelpā 18. gadsimta II pusē." Geography and Migration of Knowledge, no. 41 (2020). http://dx.doi.org/10.35539/ltnc.2020.0041.m.g.0003.

Full text
Abstract:
The article gives insight into a specific component of the work of Baltic enlightener Gotthard Friedrich Stender (1714–1796) that has heretofore been almost unexplored — the transfer of German musical traditions to the Latvian cultural space. Even though there are no sources that claim that Stender was a composer himself, and none of his books contain musical notation, the texts that had been translated by Stender and published in the collections “Jaunas ziņģes” (New popular songs, 1774) and “Ziņģu lustes” (The Joy of singing, 1785, 1789) were meant for singing and, possibly, also for solo-sin
APA, Harvard, Vancouver, ISO, and other styles
5

Gibson, Chris. "On the Overland Trail: Sheet Music, Masculinity and Travelling ‘Country’." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.82.

Full text
Abstract:
Introduction One of the ways in which ‘country’ is made to work discursively is in ‘country music’ – defining a genre and sensibility in music production, marketing and consumption. This article seeks to excavate one small niche in the historical geography of country music to explore exactly how discursive antecedents emerged, and crucially, how images associated with ‘country’ surfaced and travelled internationally via one of the new ‘global’ media of the first half of the twentieth century – sheet music. My central arguments are twofold: first, that alongside aural qualities and lyrical cont
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Popular songs Arrangements for piano solo Collections"

1

Varios. 101 Pop Hits for Buskers. Music Sales Ltd, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Rejino, Mona, and Adèle. Adele - Popular Songs Series: 8 Beautiful Arrangements for Intermediate Piano Solo. Leonard Corporation, Hal, 2016.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Rejino, Mona, and Adèle. Adele - Popular Songs Series: 8 Beautiful Arrangements for Intermediate Piano Solo. Leonard Corporation, Hal, 2016.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Rejino, Mona, and Adele. Adele - Popular Songs Series: 8 Great Arrangements for Intermediate Piano Solo. Leonard Corporation, Hal, 2016.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Watts, Jennifer, and Hal Leonard Corp Staff. Top Piano Ballads - Popular Songs Series: 8 Great Arrangements for Intermediate Piano Solo. Leonard Corporation, Hal, 2016.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Rose, Earl, and Hal Leonard Corp Staff. Popular Songs for Piano Solo - 14 Stylish Arrangements: Intermediate to Advanced Level. Leonard Corporation, Hal, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Rejino, Mona, and Hal Leonard Corp Staff. Movie Blockbusters - Popular Songs Series: 8 Great Arrangements for Intermediate Piano Solo. Leonard Corporation, Hal, 2018.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

James Bastien: Popular Christmas Songs (Solo Collections, Primer Level). 2nd ed. Neil A Kjos Music Company, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

I Can Play That! Children's Songs Easy. Wise Publications, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

100 SFX love songs. Wise Publications, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Popular songs Arrangements for piano solo Collections"

1

Clark, Walter Aaron. "Veni, Vidi, Vici(1889-1893)." In Isaac Albéniz. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198163695.003.0004.

Full text
Abstract:
Abstract Albeniz appeared in a concert on 7 March 1889 at the Teatro de la Comedia in Madrid with the orchestra of the Sociedad de Conciertos conducted by Tomas Breton. The programme included his Suite caracteristica for orchestra, made up of arrangements of three piano works: the Scherzo from his Sonata No. 1, ‘En la Alhambra’ (‘inspired by Arab legends’), and ‘Rapsodia cubana’ (‘an exact transcription of the rhythm and melodic design of Cuban songs’).1 Albeniz also performed his Piano Concerto No. 1, or Concierto fantastico. Despite its title, the work is conservative and straight forward in nature. The lengthy Allegro first movement is in sonata form with a principal theme in A minor and a secondary theme in E major. Much of the melodic inspiration, in addition to the tonality, seems indebted to Schu mann. The second movement supposedly expresses ‘the vagueness of a dream’ (‘la vaguedad de un ensueiio’), and it is probably this ‘fantasy‘ element that inspired the concerto’s title. It is divided into two sections: the Andante‘s principal theme is clearly derived from the opening theme of the Allegro, while the second section, marked ‘presto’, is a scherzo in the style of Mendelssohn. The final movement, Allegro, is dominated by the piano and is once again based on themes related to those of the first move ment. Albeniz‘s Escenas sinfonicas catalanas (‘Symphonic Catalan scenes’) also appeared on the programme. This work depicts a country fiesta in the mountains of Catalonia and consists of four sections. The first is in sonata form and includes a third theme of a popular character that recurs as a leitmotif in the third and fourth sections of the work. The ‘Idilio’ (‘Idyll’) paints a picture of two lovers. The ‘Serenata‘ features a quartet of strings with violin solo. The final movement presents two separate themes of a popular character, and the work concludes with reminiscences of the leitmotif and the
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography