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1

Alethea, Nibley, Nibley Athena, and Skarupa Jennifer, eds. Say I love you. Kodansha America, Incorporated, 2016.

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2

Tanigawa, Niko. No matter how I look at it, it's you guys' fault I'm not popular! Yen Press, 2013.

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3

Elina, Ishikawa, and North Market Street Graphics, eds. Papillon. Del Rey, 2008.

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4

Campi, Alex De. Kat & Mouse. Tokyopop, 2006.

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5

ill, Manfredi Federica, ed. Kat & Mouse. Spotlight, 2009.

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6

Hazuki, Kanae. Say I love you. 2015.

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7

Say I love you. Kodansha Comics, 2014.

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8

translator, Nibley Alethea, Nibley Athena translator, Skarupa Jennifer letterer, Oloye Ajani A. editor, and Balsman Phil illustrator, eds. Say I love you. Kodansha Comics, 2017.

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9

Eensy Weensy Monster. TokyoPop, 2010.

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10

Perper, Timothy, and Martha Cornog, eds. Graphic Novels Beyond the Basics. Libraries Unlimited, 2009. http://dx.doi.org/10.5040/9798400658815.

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This study of the graphic novel and its growth in the library helps librarians utilize and develop this extraordinarily popular format in their library collections. What does the surge of popularity in graphic novels mean for libraries?Graphic Novels Beyond the Basics: Insights and Issues for Librariesgoes deeper into this subject than any other volume previously published, bringing together a distinguished panel of experts to examine questions librarians may encounter as they work to enhance their graphic novel holdings. Graphic Novels Beyond the Basicsbegins by introducing librarians to the
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11

Berns, Fernando Gabriel Pagnoni, Subashish Bhattacharjee, and Ananya Saha, eds. Japanese Horror Culture. Lexington Books, 2021. https://doi.org/10.5040/9781666994605.

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Contemporary Japanese horror is deeply rooted in the folklore of its culture, with fairy tales-like ghost stories embedded deeply into the social, cultural, and religious fabric. Ever since the emergence of the J-horror phenomenon in the late 1990s with the opening and critical success of films such as Hideo Nakata’s The Ring (Ringu, 1998) or Takashi Miike’s Audition (Ôdishon, 1999), Japanese horror has been a staple of both film studies and Western culture. Scholars and fans alike throughout the world have been keen to observe and analyze the popularity and roots of the phenomenon that took t
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12

translator, Shipley Krista, Shipley Karie translator, and Pistillo Bianca letterer, eds. No matter how I look at it, it's you guys' fault I'm not popular! Yen Press, 2017.

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13

No matter how I look at it, it's you guys' fault I'm not popular. Yen Press LLC, 2014.

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14

Manfredi, Federica, and Alex De Campi. Kat & Mouse Volume 2 (Kat and Mouse (Graphic Novels)). TokyoPop, 2007.

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15

Campi, Alex De, and Frederica Manfredi. Kat and Mouse. TOKYOPOP, Incorporated, 2017.

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16

Womack, Kenneth, ed. Books and Beyond. Greenwood, 2008. http://dx.doi.org/10.5040/9798400620447.

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There's a strong interest in reading for pleasure or self-improvement in America, as shown by the popularity ofHarry Potter, and book clubs, including Oprah Winfrey's. Although recent government reports show a decline in recreational reading, the same reports show a strong correlation between interest in reading and academic acheivement. This set provides a snapshot of the current state of popular American literature, including various types and genres. The volume presents alphabetically arranged entries on more than 70 diverse literary categories, such as cyberpunk, fantasy literature, flash
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