Log in

Relevant bibliographies by topics / Populisme au cinéma / Journal articles

To see the other types of publications on this topic, follow the link: Populisme au cinéma.

Journal articles on the topic 'Populisme au cinéma'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 35 journal articles for your research on the topic 'Populisme au cinéma.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Marshall, Bill. "Le choc des remakes. Questions urbaines dans Louis 19, le roi des ondes et EdTV." Globe 5, no. 1 (2011): 65–74. http://dx.doi.org/10.7202/1000665ar.

Full text

Abstract:

L’auteur compare ici deux films mettant en scène un choc des cultures : Louis 19 et son remake américain, EdTV. D’une part, il propose une réflexion sur le traitement de la modernité et de l’urbanité montréalaises dans le cinéma québécois et, d’autre part, s’applique à démontrer comment populisme et réalité audiovisuelle sont déclinées dans chacun des deux films suivant les particularismes de la culture dont ils sont issus.

APA, Harvard, Vancouver, ISO, and other styles

2

Coy, Jean-Louis. "Cinéma : populaire ou populiste ?" Humanisme N° 317, no. 4 (2017): 43–47. http://dx.doi.org/10.3917/huma.317.0043.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Fantoni, Gianluca, Marco Paoli, and Armando Rotondi. "Representations of ‘Italian populism’ in film." Modern Italy 27, no. 1 (2022): 49–60. http://dx.doi.org/10.1017/mit.2021.64.

Full text

Abstract:

AbstractThe aim of this article is to illustrate some key points that will hopefully encourage further reflection on the cinematic representations and meanings of populism in both an Italian and international context. Firstly, we attempt a definition of populism as applied to cinema, drawing on both political science and the literature on film history. Secondly, we turn to film critics and directors, discussing the views some of them hold on populism and film in relation to the Italian cinema of recent years. Thirdly, we discuss how the star system provides a useful point of convergence for ou

APA, Harvard, Vancouver, ISO, and other styles

4

Warren, Paul. "Imitation et récupération d'Eisenstein." Analyses 20, no. 3 (2005): 27–49. http://dx.doi.org/10.7202/500813ar.

Full text

Abstract:

L'approche révolutionnnaire d'Eisenstein a influencé le cinéma commercial occidental: des créateurs de formes comme Hitchcock, De Palma, Coppola et Godard l'ont imitée, et le cinéaste populiste américain Frank Capra l'a reprise et transformée.

APA, Harvard, Vancouver, ISO, and other styles

5

Bittinger, Nathalie. "Poussières d’Amérique à l’écran." Esprit Juillet-Août, no. 7 (2024): 103–9. http://dx.doi.org/10.3917/espri.2407.0103.

Full text

Abstract:

Le cinéma américain est aussi divisé que le pays entre les films qui donnent une meilleure visibilité aux marges, comme Nomadland de Chloé Zhao, et ceux qui alimentent la défiance populiste envers le système, comme les derniers films de Clint Eastwood.

APA, Harvard, Vancouver, ISO, and other styles

6

Cody, Francis. "Millennial Turbulence: The Networking of Tamil Media Politics." Television & New Media 21, no. 4 (2019): 392–406. http://dx.doi.org/10.1177/1527476419869128.

Full text

Abstract:

With the arrival of the satellite television news channel Puthiya Thalaimurai (New Generation) in 2011 and the contemporaneous proliferation of smartphone-enabled social media, a democratic politics long dominated by the world of popular cinema has found it difficult to reproduce itself in the southern Indian state of Tamil Nadu. Focusing on digitally targeted caste violence and mass protests in the name of the Tamil nation, this article argues that the networked publicity of satellite television and new media have layered themselves over existing infrastructures of mass-mediated populism. Man

APA, Harvard, Vancouver, ISO, and other styles

7

Lafuente, Pablo. "For a Populist Cinema: On Hito Steyerl's November and Lovely Andrea." Afterall: A Journal of Art, Context and Enquiry 19 (October 2008): 64–70. http://dx.doi.org/10.1086/aft.19.20711714.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Leggott, James. "Come to Daddy? Claiming Chris Cunningham for British Art Cinema." Journal of British Cinema and Television 13, no. 2 (2016): 243–61. http://dx.doi.org/10.3366/jbctv.2016.0311.

Full text

Abstract:

Twenty years after he came to prominence via a series of provocative, ground-breaking music videos, Chris Cunningham remains a troubling, elusive figure within British visual culture. His output – which includes short films, advertisements, art gallery commissions, installations, music production and a touring multi-screen live performance – is relatively slim, and his seemingly slow work rate (and tendency to leave projects uncompleted or unreleased) has been a frustration for fans and commentators, particularly those who hoped he would channel his interests and talents into a full-length ‘fe

APA, Harvard, Vancouver, ISO, and other styles

9

Baracco, Alberto. "Narratives of Mediterranean migrants in Italian cinema: The camera angle and close-up in Terraferma and Fuocoammare." Journal of Italian Cinema & Media Studies 12, no. 1 (2024): 25–40. http://dx.doi.org/10.1386/jicms_00237_1.

Full text

Abstract:

Over the last two decades, Italian cinema has turned its gaze towards the Mediterranean Sea to dismantle the narratives constructed by populist political parties and mainstream European media, which have emphasized the rhetoric of border protection, security and legality through the systematic depersonalization of migrants. Film counter-narratives to this have been effectively developed, and cinema has responded to the materiality and fixity of migrants’ bodies by composing stories in which these migrants recover their sociopolitical agency. This article provides a close analysis of the charac

APA, Harvard, Vancouver, ISO, and other styles

10

Galpin, Shelley Anne. "Harry Potter and the Hidden Heritage Films: Genre Hybridity and the Power of the Past in the Harry Potter Film Cycle." Journal of British Cinema and Television 13, no. 3 (2016): 430–49. http://dx.doi.org/10.3366/jbctv.2016.0328.

Full text

Abstract:

The heritage film is generally considered to be a less commercial form of film-making, one which eschews populism for ‘quality’. This article seeks to question the distinctions drawn between the heritage film and more commercial film franchises by examining the links between the conventions of heritage cinema and the Harry Potter films. Bringing together scholarship on the heritage film, the Harry Potter series and film genre, the article considers these productions in the light of their themes, with the political or class-centred aspects of the narrative examined in relation both to the visua

APA, Harvard, Vancouver, ISO, and other styles

11

Fang, Karen. "Cinema Censorship and Media Citizenship in the Hong Kong Film Ten Years." Surveillance & Society 16, no. 2 (2018): 142–57. http://dx.doi.org/10.24908/ss.v16i2.6826.

Full text

Abstract:

Cinema censorship is a relatively unexplored topic in the discipline of surveillance studies. While movies are frequent references throughout the scholarship, such citations tend to be limited to plot and imagery and overlook the ways in which the medium can be subject to state intervention or other forms of censorship and self-censorship. This essay uses the case of the 2015 Hong Kong independent film Ten Years to explore how cinema deserves to be considered alongside other media and communications whose vulnerability to institutional control and monitoring are already widely documented by su

APA, Harvard, Vancouver, ISO, and other styles

12

Sheppard, Samantha N. "I Love Cinema: Black Film and Speculative Practice in the Era of Online Crowdfunding." Film Quarterly 71, no. 2 (2017): 25–31. http://dx.doi.org/10.1525/fq.2017.71.2.25.

Full text

Abstract:

On November 8, 2013, filmmaker Leslie Harris announced a new feature-length project on Kickstarter, the popular online crowdfunding platform for creative projects. Lauded a decade earlier for her provocative coming-of-age film Just Another Girl on the I.R.T. (1992), which took the Special Jury Prize at Sundance in 1993, this “Sundance-Miramax era” independent filmmaker had resurfaced in the “Kickstarter-YouTube era.” At the end of the fundraising period, Harris's I Love Cinema campaign had raised only $4,074 from fifty-eight potential backers, falling quite short of her $35,000 target. The fai

APA, Harvard, Vancouver, ISO, and other styles

13

Gerrard, Steven. "The Great British Music Hall: Its Importance to British Culture and ‘The Trivial’." Culture Unbound 5, no. 4 (2013): 487–514. http://dx.doi.org/10.3384/cu.2000.1525.135487.

Full text

Abstract:

By 1960, Britain’s once-thriving Music Hall industry was virtually dead. Theatres with their faded notions of Empire gave way to Cinema and the threat of Television. Where thousands once linked arms singing popular songs, watch acrobatics, see feats of strength, and listen to risqué jokes, now the echoes of those acts lay as whispers amongst the stalls’ threadbare seats. The Halls flourished in the 19th Century, but had their origins in the taverns of the 16th and 17th Centuries. Minstrels plied their trade egged on by drunken crowds. As time passed, the notoriety of the Music Hall acts

APA, Harvard, Vancouver, ISO, and other styles

14

Hudson, Hugh D. "Terror in Soviet Architecture: The Murder of Mikhail Okhitovich." Slavic Review 51, no. 3 (1992): 448–67. http://dx.doi.org/10.2307/2500054.

Full text

Abstract:

Throughout the 1920s and into the years of Stalinism, progressive architects in the Soviet Union sought to construct new forms of housing and settlement that would offer the best of modern technology and whose design would include provisioning of services that would allow all citizens, especially women, to partake in creative work. Schools, dining facilities, laundries, parks, cinemas, clubs and housing in a choice of styles formed the core of these architectural dreams. In the tradition of the Populists, modernist architects initially saw themselves as teachers but some came to appreciate the

APA, Harvard, Vancouver, ISO, and other styles

15

PROCK, STEPHAN. "Strange Voices: Subjectivity and Gender in Forbidden Planet’s Soundscape of Tomorrow." Journal of the Society for American Music 8, no. 3 (2014): 371–400. http://dx.doi.org/10.1017/s1752196314000248.

Full text

Abstract:

AbstractAs the first Hollywood film to employ an all-electronic score, Forbidden Planet (1956) helped cement the association of science-fiction films with electronically produced sounds and music. While sounds lacking real-world referents were crucial for representing sonically the nature of fantastic objects and beings, Louis and Bebe Barron's soundscape also had to serve the more conventional musical demands of narrative cinema where music sets mood and atmosphere and creates the illusion of character subjectivity. This double function of their “electronic tonalities,” however, engendered a

APA, Harvard, Vancouver, ISO, and other styles

16

Smudja, Gordana. "Western Myth." AVANCA | CINEMA, no. 14 (January 5, 2024): 330–34. http://dx.doi.org/10.37390/avancacinema.2023.a512.

Full text

Abstract:

Necessary feedback in understanding the phenomenon of westerns is certainly the social background that is closely related to the myth of westerns from its beginnings until the decline of westerns in the seventies. America, as we see it in westerns, is a picture of a mass exodus of people who wanted more, often those for whom the old homeland had become cramped and insufficient. It is in this environment that we see the heroes of the Western empowered in the desire for individualization. In the USA, the western used to be a large part of the entire production, and its popularity was transferred

APA, Harvard, Vancouver, ISO, and other styles

17

Kravets, Igor. "The institution of citizens’ assemblies, Cabildo Abierto and deliberative participation in modern states." Sravnitel noe konstitucionnoe obozrenie 34, no. 1 (2025): 37–61. https://doi.org/10.21128/1812-7126-2025-1-37-61.

Full text

Abstract:

The article discusses the conceptual foundations and practice of incorporation of deliberative theory and deliberative institutions into the sphere of public law and constitutional law in the process of using various forms of citizens’ participation in making constitutional changes. The author reveals scholarly views on the interaction of the public sphere and constitutional democratic innovations, the international discussion on the nature and significance of democratic innovations, on the one hand, and the relationship between popular sovereignty and populism, their impact on the process of

APA, Harvard, Vancouver, ISO, and other styles

18

VYSOTSKA, Olha. "PECULIARITIES OF THE PROPAGANDA TRANSFORMATION AS AN INSTRUMENT OF INFLUENCE IN THE METAMODERN SOCIETY." Dnipro Academy of Continuing Education Herald. Series: Philosophy, Pedagogy, Vol. 1 No. 1 (2024) (May 30, 2024): 23–31. http://dx.doi.org/10.54891/2786-7013-2024-1-3.

Full text

Abstract:

The article reveals the substantive characteristics of the transformation of propaganda as an instrument of influence, and also shows its both destructive and constructive role in the metamodern society. The importance of considering propaganda in a neutral context is determined, which allows us to describe it as an important form of directed communications aimed at changing public opinion in favor of a specific task or intention. The author reveals the positive function of propaganda as a technique of social unification, strengthening faith and ensuring social harmony. At the same time, its d

APA, Harvard, Vancouver, ISO, and other styles

19

Шлыкова, О. В. "Heuristic Potential of the Cognitive Model of the Sociocultural Process of Symbolizing Success." Nasledie Vekov, no. 4(28) (December 31, 2020): 116–21. http://dx.doi.org/10.36343/sb.2021.28.4.008.

Full text

Abstract:

Рецензируемая монография посвящена раскрытию эвристического потенциала когнитивной модели процесса символизации успеха. Работа основана на материале, который по большей части имеет отношение к наследию мирового кинематографа (фильмы-лидеры глобального рейтинга кассовых сборов). Обосновывая необходимость исследования, рецензент обращает внимание на бессистемное и одностороннее отношение к феномену успеха в российской научной литературе. Отмечено выявление исследователем взаимосвязи содержания кинофильмов мирового проката и изменения ценности коллективной и индивидуальной деятельности в рамках м

APA, Harvard, Vancouver, ISO, and other styles

20

Yngvesson, Dag. "The Earth is Getting Hotter: Urban Inferno and Outsider Women’s Collectives in Bumi Makin Panas." Plaridel 11, no. 2 (2014): 54–94. http://dx.doi.org/10.52518/2014.11.2-03yngvssn.

Full text

Abstract:

Ali Shahab’s controversial 1973 film Bumi Makin Panas (The Earth is Getting Hotter) paints a scalding portrait of rapid urbanization and capitalization during Indonesia’s early New Order years. Jakarta, the capital city, if not quite hell, is closer to a Marxian state of truth in which ideology – for Marx a pervasive, camera obscura-like “inversion” of the actual state of affairs under capitalism – appears to have suddenly capsized; set in a seething urban reality of open hypocrisy, exploitation, and violence, the film functions as material nightmare to the vapid moralist-humanist dreams produ

APA, Harvard, Vancouver, ISO, and other styles

21

Győri, Zsolt. "Biopics and the Reverse Engineering of Populism in Recent Hungarian Cinema." Studies in Eastern European Cinema, September 17, 2024, 1–20. http://dx.doi.org/10.1080/2040350x.2024.2401599.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Srinivas, SV. "Jayalalithaa, MGR seized mentors' legacies illegitimately." December 13, 2016. https://doi.org/10.5281/zenodo.268663.

Full text

Abstract:

[Published by firstpost.com on 13th December 2016]The obituaries and elegies have been written. The sound bites of gushing praise are now part of YouTube's archive of public memory. The post-Jayalalithaa scenario is unfolding slowly and surely. While DMK and sections within AIADMK wait eagerly for something to go wrong, posters on the wall have already declared that Chinnamma, mother's younger sister as Sasikala Natarajan is known, is the new centre of the party. As one party leader's poster reproduced by The Hindu alerts us, what Sasikala inherits is not just the absence of Jayalithaa and two

APA, Harvard, Vancouver, ISO, and other styles

23

Srinivas, SV. "Politics as Performance: A Social History of the Telugu Cinema." September 1, 2013. https://doi.org/10.5281/zenodo.268659.

Full text

Abstract:

Tracing a fifty-year history of Telugu cinema, as a industry and cultural form, this book shows how film is directly implicated in the rise to prominence of an elite which continues to dominate parts of the country to this day; and, the emergence of a new idiom of mass politics. This book examines in detail the career of Andhra Pradesh's best known film star, Nandamuri Taraka Rama Rao (NTR) to show how Telugu cinema re-defined notions of linguistic identity and community for a non-literate public to create complex and multiple linkages between the consumption of cultural commodities and politi

APA, Harvard, Vancouver, ISO, and other styles

24

Srinivas, SV. "From South India to Trump's election: the happy marriage of stardom and politics." January 5, 2017. https://doi.org/10.5281/zenodo.268660.

Full text

Abstract:

For many in India, Donald Trump's election victory in the United States wasn't surreal as much as an uncanny replay of familiar stories, especially for those accustomed to the saga and careers of south India's filmstar politicians. The issue is fresh in our minds following the recent death of Jayalalithaa Jayaram, the last of the three great actorturnedpoliticians of south India. Jayaram was the chief minister of Tamil Nadu, a state where film personalities have dominated politics since 1967. That was the year former actor Ronald Reagan became the governor of California. Since then, no less

APA, Harvard, Vancouver, ISO, and other styles

25

Laaniste, Mari. "Sõjakaadrite sobitamine isamaa ekraanidele. Sõda taasiseseisvumisjärgses eesti mängufilmis / Reframing War for the Nation-state’s Screens." Methis. Studia humaniora Estonica 12, no. 15 (2017). http://dx.doi.org/10.7592/methis.v12i15.12119.

Full text

Abstract:

Teesid: Artikkel vaatleb kriitiliselt 21. sajandi eesti mängufilmides peegelduvaid katseid rakendada militaartemaatika heroilise rahvusnarratiivi kujundamise ja edasikandmise teenistusse. Vaatluse keskmes on suund, mis koosneb seni kolmest mängufilmist ning ühest telesarjast ja telemängufilmist: „Nimed marmortahvlil“ (2002), „Detsembrikuumus“ (2008), „1944“ (2015) ja „Tuulepealne maa“ (2008, 2013). Teosed moodustavad temaatikalt ja lähenemiselt küllaltki homogeense terviku ning ka retseptsioon on kaldunud neid käsitlema sama riiklikult toetatud propagandadiskursuse osadena. Artikkel tõstab pro

APA, Harvard, Vancouver, ISO, and other styles

26

Burns, Alex. "Select Issues with New Media Theories of Citizen Journalism." M/C Journal 10, no. 6 (2008). http://dx.doi.org/10.5204/mcj.2723.

Full text

Abstract:

   “Journalists have to begin a new type of journalism, sometimes being the guide on the side of the civic conversation as well as the filter and gatekeeper.” (Kolodzy 218) “In many respects, citizen journalism is simply public journalism removed from the journalism profession.” (Barlow 181) 1. Citizen Journalism — The Latest Innovation? New Media theorists such as Dan Gillmor, Henry Jenkins, Jay Rosen and Jeff Howe have recently touted Citizen Journalism (CJ) as the latest innovation in 21st century journalism. “Participatory journalism” and “user-driven journalism” are othe

APA, Harvard, Vancouver, ISO, and other styles

27

Burns, Alex. "Select Issues with New Media Theories of Citizen Journalism." M/C Journal 11, no. 1 (2008). http://dx.doi.org/10.5204/mcj.30.

Full text

Abstract:

“Journalists have to begin a new type of journalism, sometimes being the guide on the side of the civic conversation as well as the filter and gatekeeper.” (Kolodzy 218) “In many respects, citizen journalism is simply public journalism removed from the journalism profession.” (Barlow 181) 1. Citizen Journalism — The Latest Innovation? New Media theorists such as Dan Gillmor, Henry Jenkins, Jay Rosen and Jeff Howe have recently touted Citizen Journalism (CJ) as the latest innovation in 21st century journalism. “Participatory journalism” and “user-driven journalism” are other terms to describe C

APA, Harvard, Vancouver, ISO, and other styles

28

Mathur, Suchitra. "From British “Pride” to Indian “Bride”." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2631.

Full text

Abstract:

   The release in 2004 of Gurinder Chadha’s Bride and Prejudice marked yet another contribution to celluloid’s Austen mania that began in the 1990s and is still going strong. Released almost simultaneously on three different continents (in the UK, US, and India), and in two different languages (English and Hindi), Bride and Prejudice, however, is definitely not another Anglo-American period costume drama. Described by one reviewer as “East meets West”, Chadha’s film “marries a characteristically English saga [Austen’s Pride and Prejudice] with classic Bollywood format “transf

APA, Harvard, Vancouver, ISO, and other styles

29

AA., VV., and Santarelli Daniele. "Quaderni eretici, 9/2 (2021), "INTERMEZZI & STORIA GLOCALE"." January 31, 2022. https://doi.org/10.5281/zenodo.6299766.

Full text

Abstract:

"Quaderni eretici" è una rivista <em>on line</em> ed <em>open access</em>, con periodicità annuale, che costituisce sin dal 2013 parte integrante del progetto <strong>Ereticopedia</strong>. In quanto tale, la rivista condivide il comitato scientifico e il comitato di redazione con il <em>Dizionario di eretici, dissidenti e inquisitori nel mondo mediterraneo</em> (per maggiori dettagli si rinvia alla pagina <strong>Credits</strong> di questo sito). In aggiunta, la rivista dispone di un comitato direzionale autonomo e funzionale cos

APA, Harvard, Vancouver, ISO, and other styles

30

Miletic, Sasa. "Acting Out: "Cage Rage" and the Morning After." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1494.

Full text

Abstract:

Introduction“Cage rage” is one of the most famous Internet memes (Figure 1) which made Nicolas Cage's stylised and sometimes excessive acting style very popular. His outbursts became a subject of many Youtube videos, supercuts (see for instance Hanrahan) and analyses, which turned his rage into a pop-cultural phenomenon. Cage’s outbursts of rage and (over)acting are, according to him (Freeman), inspired by German expressionism as in films like The Cabinet of Dr. Caligari (1920). How should this style of acting and its position within the context of the Hollywood industry today be read in socie

APA, Harvard, Vancouver, ISO, and other styles

31

Nichols, L. Dugan. "Generational Detectives." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3136.

Full text

Abstract:

Introduction This article examines American Conspiracy: The Octopus Murders (2024), a four-part documentary released on Netflix. Directed by Zachary Treitz, the documentary follows young photojournalist Christian Hansen as he tries to solve the mysterious death of Danny Casolaro. In 1991, Casolaro was found deceased in a hotel room while tracking officials in the CIA and former Reagan White House. He had planned to write an explosive book about what he termed “The Octopus”, an octuplet of overlapping conspiracies that transpired in the 1980s. At the time, local officials ruled Casolaro’s death

APA, Harvard, Vancouver, ISO, and other styles

32

Allison, Deborah. "Film/Print." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2633.

Full text

Abstract:

   Introduction Based on the profusion of scholarly and populist analysis of the relationship between books and films one could easily be forgiven for thinking that the exchange between the two media was a decidedly one-way affair. Countless words have been expended upon the subject of literary adaptation, in which the process of transforming stories and novels into cinematic or televisual form has been examined in ways both general and particular. A relationship far less well-documented though is that between popular novels and the films that have spawned them. With the nota

APA, Harvard, Vancouver, ISO, and other styles

33

Conlon, David, Ana Magalhaes, Fernando Sánchez López, et al. "Reviews of Books Legacies of the Past: Memory and Trauma in Mexican Visual and Screen Studies . Edited by Miriam Haddu and Niamh Thornton. Edinburgh: Edinburgh University Press. 2020. 186 pp.ANA M. LÓPEZ, Essays . Edited, and with an Introduction, by Laura Podalsky and Dolores Tierney. Foreword by Ignacio M. Sánchez Prado. Albany: State University of New York Press. 2023. 578 pp. El legado cinematográfico de Bigas Luna . Edición de Santiago Fouz Hernández. Valencia: Tirant Editorial. 2020. 346 pp.PAUL R. MERCHANT, Remaking Home: Domestic Spaces in Argentine and Chilean Film 2005–2015 . Pittsburgh: University of Pittsburgh Press. 2022. 283 pp.MARIA CHIARA D’ARGENIO, Indigenous Plots in Twenty-First Century Latin American Cinema . Cham: Palgrave Macmillan. 2022. xii + 287 pp.RUBÉN PÉREZ HIDALGO, Performing Populism: Visions of Spanish Politics from 15-M to Podemos . Nashville: Vanderbilt University Press. 2023. 259 pp.ADRIAN ANAGNOST, Spatial Orders, Social Forms: Art and the City in Modern Brazil . New Haven: Yale University Press. 2022. 236 pp; 100 illustrations. The Multimedia Works of Contemporary Latin American Women Writers and Artists . Edited by Jane E. Lavery and Sarah E. L. Bowskill. Woodbridge: Tamesis. 2023. 306 pp." Bulletin of Spanish Visual Studies, May 7, 2024, 1–13. http://dx.doi.org/10.1080/24741604.2024.2343193.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

O'Boyle, Neil. "Plucky Little People on Tour: Depictions of Irish Football Fans at Euro 2016." M/C Journal 20, no. 4 (2017). http://dx.doi.org/10.5204/mcj.1246.

Full text

Abstract:

I called your producer on the way here in the car because I was very excited. I found out … I did one of those genetic testing things and I found out that I'm 63 percent Irish … I had no idea. I had no idea! I thought I was Scottish and Welsh. It turns out my parents are just full of shit, I guess. But now I’m Irish and it just makes so much sense! I'm a really good drinker. I love St. Patrick's Day. Potatoes are delicious. I'm looking forward to meeting all my cousins … [to Conan O’Brien] You and I are probably related! … Now I get to say things like, “It’s in me genes! I love that Conan O’Br

APA, Harvard, Vancouver, ISO, and other styles

35

Glitsos, Laura, Steinar Ellingsen, and Mark Deuze. "Nightmare Fuel." M/C Journal 27, no. 6 (2024). http://dx.doi.org/10.5204/mcj.3108.

Full text

Abstract:

Introduction Skibidi Toilet began as an animated YouTube Web series early in 2023 that quickly spiralled into a wildly popular cultural phenomenon sprouting fandoms, wikis, threads, merchandise, and its very own moral panic (McKinnon and Harmon). It has recently grabbed the attention of Hollywood, and there are rumours that it is on its way to TV and a possible film treatment by Michael Bay (Wallenstein and Steiner). The episodes are short, surreal videos featuring bizarre, monstrous characters embroiled in violent clashes—to the non-stop repetition of “skibidi dom dom dom yes yes.” Kids love

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!