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Relevant bibliographies by topics / Pornographic films

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Journal articles

Academic literature on the topic 'Pornographic films'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Pornographic films"

1

Rochimah, Tri Hastuti Nur, and Fajar Junaedi. "Resepsi Remaja terhadap Pornografi dalam Film Indonesia." Jurnal ASPIKOM 1, no. 4 (2012): 315. http://dx.doi.org/10.24329/aspikom.v1i4.28.

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Soft core pornography became kind of pornographic on Indonesia movies. The rise of pornography led eventually chose enforce state laws Pornography, which is then invited a lot of controversy. Disagreements about pornography makes research on audience reception of the Indonesian film pornographic contents, as well as research on audience reception against pornography on movie of Mafia Insyaf and Rintihan Kuntilanak Perawan. Reception analysis obtained using the following results: the informants tend to be in a negotiating position by stating that the Mafia Insyaf and Rintihan Kuntilanak Perawan

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2

Helm, Katharina. "Women’s Pleasure Online? A Contrasting Analysis of One Japanese Mainstream and One Women’s Pornographic Film from the Internet." Vienna Journal of East Asian Studies 8, no. 1 (2017): 33–64. http://dx.doi.org/10.2478/vjeas-2016-0002.

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Abstract This paper introduces the results of a two-stage analysis of one Japanese mainstream and one women’s pornographic film from the Internet, asking whether any differences between the gender representations of both sexes can be observed, and whether these differences correspond to the films’ Western counterparts. In the first stage, the films are being analysed regarding their correspondence to characteristics of mainstream pornography and, respectively, criteria of women’s pornography, which were developed through Western feminists’ debates. The detailed case studies of the two films th

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3

Franjic, Sinisa. "A Few Words about Pornography." International Journal of Social Science and Economics 2, no. 1 (2022): p7. http://dx.doi.org/10.22158/ijsse.v2n1p7.

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Pornography is an explicit depiction of sexual intercourse. Unlike erotica, pornography does not strive for artistic expression, but in a faithful way seeks to portray sexual intercourse, with the aim of arousing sexual arousal. In most countries, adult films are considered offensive and as such are subject to censorship. Pornographic content in the form of pictures, stories and personal ads, appear on the market in special magazines, which therefore pay sales tax. There are many websites on the Internet with movie porn and related content, which is the most accessible form of pornography toda

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4

Bortacka, Gabriela. "The depiction of men in contemporary pornographic movies." Dziennikarstwo i Media 15 (June 29, 2021): 101–13. http://dx.doi.org/10.19195/2082-8322.15.9.

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This article describes how men are presented in pornographic materials available on one of the most popular thematic websites — PornHub.com. The article contains a disambiguation of the term ‘pornography’, and discusses the reach of the pornographic market, as well as the audience and specifics of PornHub. The main part contains an empirical study of fifteen movie productions divided into three categories: heterosexual, homosexual, and for women. The article presents both the physical description of what is happening in the film and the analysis of the gender roles of the depicted characters.

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5

Kirana, Sukma Ayu Candra, Lela Nurlela, Hidayatus Sya’diah, Dya Sustrami, and Diyan Mutyah. "Peningkatan Kesehatan Remaja Melalui Penyuluhan tentang Bahaya Pornografi di MA Nurul Huda Sedati Sidoarjo." Journal of Community Engagement in Health and Nursing 1, no. 2 (2023): 86–91. http://dx.doi.org/10.30643/jcehn.v1i2.311.

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Pornography can be in the form of films, newspapers, writings, photographs, which result in the onset of sexual desire. Pornographic content is often found on the internet, social media that is becoming a concern for teenage school students who are tired of distance learning. The method used is health education about the dangers of pornography in Class XI MA Nurul Huda Sedati Sidoarjo. The result of this community service namely has increase between mean score pretest (9.91%) and posttest (12.48%). There are differences in the level of knowledge about the dangers of pornography before and afte

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6

Larsson, Mariah. "Drömmen om den goda pornografin. Om sextio- och sjuttiotalsfilmen och gränsen mellan konst och pornografi." Tidskrift för genusvetenskap 28, no. 1-2 (2022): 92–111. http://dx.doi.org/10.55870/tgv.v28i1-2.3913.

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The dream of the good pornography today, draws its argument from a feminist anti-porn analysis that concludes that pornography is an expression of the patriarchal society where women are being obejctified and degraded. However, in the 1960s, there was another dream of the good pornography, one which claimed that the existing pornography was bad from an aesthetic point of view. It had to do with the fact that pornography was forbidden in Sweden until 1971, and one argument for legalization was that porn would then become much better. The article examines the dream of the good pornography, the r

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7

Vučurović, Milica N. "An ethnotaxonomic classification of cultural thought among internet porn users, interpreted in the context of Japanese animated pornography." Issues in Ethnology and Anthropology 11, no. 1 (2016): 193. http://dx.doi.org/10.21301/eap.v11i1.9.

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The simple drawing style of Japanese animated pornography (hentai) and the incomplete messages transmitted through the handling short video clips instead of complete pornographic films or series on the Internet create a space in which users can reinterpret the content themselves and assign it meanings different to those originally intended by anime creators, the subculture or suggested by researchers. Based on the porn categories specific to the hentai genre, and keeping in mind the context and content of complete animated Japanese pornographic films, and the attitudes of their users, I will a

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8

Crespo-Fernández, Eliecer. "Provocative euphemism in pornographic film titles." Journal of Language and Sexuality 12, no. 1 (2023): 46–72. http://dx.doi.org/10.1075/jls.21001.cre.

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Abstract Following a critical discourse-analytic approach, this study explores the role of euphemistic language in a corpus of titles of pornographic films designed for heterosexual male consumption that were nominated and awarded in the different categories of the AVN (Adult Video News) Awards, also known as “Oscars of Porn”, from 2015 to 2020. The analysis demonstrates that provocative euphemism contributes to the discursive representation of gender and sexual stereotypes that fall under a dominant heteronormative discourse in which female characters are represented both as victims of male d

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9

Salsabila, Sifa, and Resti Okta Sari. "Dampak Adiksi Pornografi Terhadap Kehidupan Sosial Remaja." JUDIKA : Jurnal Pendidikan dan Bahasa 1, no. 4 (2023): 149–54. http://dx.doi.org/10.59696/judika.v1i4.27.

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Adolescence is a phase of life that all humans will definitely pass through. This phase is very important because during adolescence a person will search for their own identity. Apart from that, the current condition of teenagers will influence the conditions when teenagers approach adulthood and play an active role in productive life and social life in society. Today's technological developments are very sophisticated and easy to access, one of which is access to pornographic films which are very easily accessed by teenagers which results in addiction to watching pornographic films repeatedly

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10

Hunter, I. Q. "Naughty Realism: The Britishness of British Hardcore R18s." Journal of British Cinema and Television 11, no. 2-3 (2014): 152–71. http://dx.doi.org/10.3366/jbctv.2014.0201.

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This article offers a history of and a context for videos and DVDs rated as R18 in the United Kingdom. These contain hardcore pornographic material (albeit subject to certain restrictions) and are allowed to be sold only in licensed sex shops. As well as explaining changes in legislation and in censorship practices that allowed the sale of hardcore pornography at R18 after 2000, it explores whether British-produced R18s have a distinctive approach, style and ideology, and tentatively suggests that they share a carnivalesque style of ‘naughty realism’ which is similar to that found in British s

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