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Books on the topic 'Pornography Feminist theory'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Explicit utopias: Rewriting the sexual in women's pornography. State University of New York Press, 2015.

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2

Caputi, Mary. Voluptuous yearnings: A feminist theory of the obscene. Rowman & Littlefield, 1994.

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3

Reconcilable differences: Confronting beauty, pornography, and the future of feminism. University of California Press, 1998.

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4

Sexual solipsism: Philosophical essays on pornography and objectification. Oxford University Press, 2009.

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5

Osborne, Raquel. La construcción sexual de la realidad: Un debate en la sociología contemporánea de la mujer. Ediciones Cátedra, 1993.

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6

Dines, Gail. Pornography: The production and consumption of inequality. Routledge, 1998.

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7

Getting off: Pornography and the end of masculinity. South End Press, 2007.

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8

Drucilla, Cornell, ed. Feminism and pornography. Oxford University Press, 2000.

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9

How to Do Things with Pornography. Harvard University Press, 2015.

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10

Bauer, Nancy. How to Do Things with Pornography. Harvard University Press, 2015.

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11

H, Russell Diana E., ed. Making violence sexy: Feminist views on pornography. Teachers College Press, 1993.

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12

Jessica, Spector, ed. Prostitution and pornography: Philosophical debate about the sex industry. Stanford University Press, 2006.

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13

Why Internet Porn Matters. EUROSPAN, 2013.

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14

Waltman, Max. Pornography. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197598535.001.0001.

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This book assesses American, Canadian, and Swedish legal challenges to the explosive spread of pornography and its contribution to violence against women within their significantly different democratic systems and constructs a political and legal theory for effectively challenging the sex industry under law. The obstacles are exposed as more ideological and political than strictly legal, although they often play out in the legal arena. The pornography industry is documented to exploit vulnerable populations in making its materials. A thorough analytical review of empirical studies that use com
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15

M, Stan Adele, ed. Debating sexual correctness: Pornography, sexual harassment, date rape and the politics of sexual equality. Delta, 1995.

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16

Stan, Adele. Debating Sexual Correctness: Pornography, Sexual Harassment, Date Rape and the Politics of Sexual Equality. Delta, 1995.

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17

Tulloch, John, and Belinda Middleweek. Intimacy and Romance in Film Theory. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0004.

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Chapter 3 explores the critical frame of feminist Lacanian postmodernism, underpinning an understanding of real sex films like Romance as art-house cinema in mutual dialogue with pornography. It argues that this fusion and tension between genres misses significant disparities within art house, and neither offers a robust history nor acknowledges that the Romance narrative focuses on Marie’s negotiation of her own sexuality and embodiment via a picaresque series of female/male encounters in a changed modernity. In its detailed analysis of Romance, the chapter draws on Giddens’s concepts of plas
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18

Dines, Gail. Pornography: The Production and Consumption of Inequality. Routledge, 1997.

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19

Whittier, Nancy. Opposition to Pornography. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190235994.003.0002.

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Chapter 2 shows how antipornography feminists and conservatives were ideologically opposed to each other but briefly engaged with some of the same governmental bodies in the 1980s. The chapter challenges the accepted story that feminists made common cause with conservatives. It defines them as collaborative adversaries, who staked out distinct positions and collaborated covertly, each hoping to use the other to advance their own agenda. Both sides interacted with municipal governments, the federal Attorney General’s Commission on the Status of Pornography (i.e., Meese Commission), and Congress
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20

C, Foster Thomas, Siegel Carol 1952-, and Berry Ellen E, eds. Sex positives?: The cultural politics of dissident sexualities. New York University Press, 1997.

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21

Sex Positives?: Cultural Politics of Dissident Sexualities (Genders , No 25). New York University Press, 1997.

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22

Sex Positives?: Cultural Politics of Dissident Sexualities (Genders). New York University Press, 1997.

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23

Lloyd, Moya. Performativity and Performance. Edited by Lisa Disch and Mary Hawkesworth. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199328581.013.30.

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This chapter explores the concepts of performativity and performance in feminist theory. It begins by examining the idea of gender performativity in the work of Judith Butler, tracing its development from her earliest writings through Gender Trouble and Bodies That Matter, and showing how Butler’s initial argument draws from phenomenology and from performance studies (where acts are understood in theatrical terms). This is followed by a discussion of gender understood ethnomethodologically as a type of routine performance or form of “doing.” The second half of the chapter focuses on linguistic
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24

Mikkola, Mari. Pornography. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190640064.001.0001.

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Everyday and philosophical debates concerning pornography are fraught with many difficult questions. These include: What is pornography? What does pornography do (if anything at all)? Is the consumption of pornography a harmless private matter, or does pornography violate women’s civil rights? What, if anything, should legally be done about pornography? Can there be feminist pornography? Answering these questions is complicated by confusion over the conceptual and political commitments of different anti- and pro-pornography positions, and whether these positions are even in tension with one an
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25

Tarrant, Shira. The Pornography Industry. Oxford University Press, 2016. http://dx.doi.org/10.1093/9780190205119.001.0001.

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We may know pornography when we see it, but the business of pornography is a surprisingly elusive subject. Reliable figures about the industry are difficult to come by and widely disputed, but one matter that is hardly debatable is that pornography is a major and ubiquitous enterprise. Porn allegedly accounts for one-third of all internet traffic currently, though the data about actual consumption is unclear. Reports in recent years have suggested that 70 million individuals visit porn sites every week; that among viewers aged 18-24, women watch more porn than men; and that among middle-aged,
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26

Tarrant, Shira. The Pornography Industry. Oxford University Press, 2016. http://dx.doi.org/10.1093/wentk/9780190205119.001.0001.

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We may know pornography when we see it, but the business of pornography is a surprisingly elusive subject. Reliable figures about the industry are difficult to come by and widely disputed, but one matter that is hardly debatable is that pornography is a major and ubiquitous enterprise. Porn allegedly accounts for one-third of all internet traffic currently, though the data about actual consumption is unclear. Reports in recent years have suggested that 70 million individuals visit porn sites every week; that among viewers aged 18-24, women watch more porn than men; and that among middle-aged,
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27

Whittier, Nancy. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190235994.003.0001.

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The introduction lays out a model of social movement relationships that are neither coalitions nor oppositional, including their form and outcomes. It outlines three types of relationships between feminists and conservatives: collaborative adversarial relationships, narrow neutrality, and ambivalent alliances. It gives an overview of the three case studies (pornography, child sexual abuse, and the Violence Against Women Act, or VAWA). It discusses feminist and conservative engagement with the intersections of gender and race in issues of violence and crime. It discusses mechanisms and paths of
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28

Whittier, Nancy. Frenemies. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190235994.001.0001.

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What happens when activists who usually oppose each other work to advance similar goals? This book re-conceptualizes models of social movements’ relationships with each other and develops a new framework for understanding relationships that are neither coalitions nor countermovements. Rich, empirically grounded case studies of opposition to pornography, child sexual abuse policy, and the Violence Against Women Act show how feminists and conservatives engaged with the issues and with each other, the differences between their approaches, and both their points of overlap and their power struggles
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29

Stallings, L. H. Sexuality as a Site of Memory and the Metaphysical Dilemma of Being a Colored Girl. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039591.003.0006.

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This chapter discusses partying as an alternative model of intimacy, black aesthetics, and art inclusive of nonhuman being. It studies eroticism and representations of sex work through the plays of Lynn Nottage and the films of feminist pornographer Shine Louise Houston as cultural recognitions of sex that is mediated through “demonic grounds.” Nottage and Houston devise fictional plots and women characters that confirm how and why sexuality exists as a site of memory for some black women. Women's bodies and sexualities are their canvases and creative tools. Although the end result may become
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30

Mazer, Sharon. Professional Wrestling. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496826862.001.0001.

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Professional wrestling is one of the most popular performance practices in the United States and around the world, drawing millions of spectators to live events and televised broadcasts. The displays of violence, simulated and actual, may be the obvious appeal, but that is just the beginning. Fans debate performance choices with as much energy as they argue about their favorite wrestlers. The ongoing scenarios and presentations of manly and not so-manly characters—from the flamboyantly feminine to the hypermasculine—simultaneously celebrate and critique, parody and affirm, the American dream a
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