Relevant bibliographies by topics / Portrait of la Fornarina (Raphael)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Portrait of la Fornarina (Raphael)'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Portrait of la Fornarina (Raphael).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Portrait of la Fornarina (Raphael)"

1

Espinel, Carlos Hugo. "The portrait of breast cancer and Raphael's La Fornarina." Lancet 360, no. 9350 (2002): 2061–63. http://dx.doi.org/10.1016/s0140-6736(02)11997-0.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

McVaugh, Robert E. "Turner and Rome, Raphael and the Fornarina." Studies in Romanticism 26, no. 3 (1987): 365. http://dx.doi.org/10.2307/25600666.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Walek, Janusz. "The Czartoryski "Portrait of a Youth" by Raphael." Artibus et Historiae 12, no. 24 (1991): 201. http://dx.doi.org/10.2307/1483421.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Craven, Jennifer. "Ut pictura poesis: a new reading of Raphael's portrait ofLa Fornarinaas a Petrarchan allegory of painting, fame and desire." Word & Image 10, no. 4 (1994): 371–94. http://dx.doi.org/10.1080/02666286.1994.10435523.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Kospolova, N. E. "Inversion of image of Raphael's sublime women." Voprosy kul'turologii (Issues of Cultural Studies), no. 7 (July 1, 2020): 33–41. http://dx.doi.org/10.33920/nik-01-2007-05.

Full text
Abstract:
The main idea of research is proof of productivity applications for interdisciplinary research on fine art material. Synthesis of comparative analysis, evolutionary analysis, psychological analysis, theological and anthropological reconstruction personification helps predict nonstandard conclusions concerning allegations of territorial integrity also referred to as omnisexuality image Madonnas by Raphael. Work belies the established views and controversial version ofthe art of the past on the canonicity of iconographic images of Raphael and nominated as exemplars of transcendental creativity a
APA, Harvard, Vancouver, ISO, and other styles
6

de Campos, Deivis, Danielle Coutinho Rodrigues, and Luciano Buso. "A conjunctival papilloma in Raffaello Sanzio da Urbino (1483–1520)?" European Journal of Ophthalmology 32, no. 2 (2021): NP146—NP147. http://dx.doi.org/10.1177/11206721211055969.

Full text
Abstract:
The specialized literature has described that Raffaello Sanzio da Urbino (1483–1520), universally known as Raphael, is among the greatest artists of the Renaissance. Additionally, it is also described that there are still many controversies regarding Raphael’s health when he died in 1520. In this context, due to the 500th anniversary of his death, it would be timely to bring up some pieces of information that haven't been presented in the literature so far, regarding the health of this famous artist Therefore, we have decided to present in this description a self-portrait of Raphael from 1519,
APA, Harvard, Vancouver, ISO, and other styles
7

Lucco, Mauro. "A New Portrait by Raphael and Its Historical Context." Artibus et Historiae 21, no. 41 (2000): 49. http://dx.doi.org/10.2307/1483635.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

MacCannell, Daniel. "King Henry IX, or cardinal called York? Henry Benedict Stuart and the reality of kingship." Innes Review 58, no. 2 (2007): 196–209. http://dx.doi.org/10.3366/e0020157x07000066.

Full text
Abstract:
A picture belonging to the National Portrait Gallery, London, attributed as of 1958 to Pompeo Batoni,1 is now listed as ‘Unknown Cardinal, formerly known as Henry Benedict Maria Clement Stuart, Cardinal York, [by the] circle of Anton Raphael Mengs’ ( Fig. 1 ).2 It is not the identity of the artist that poses the central question of this article, but of the sitter – in this, and in a very different painting: the Scottish National Portrait Gallery's Prince Charles Edward Stuart, by Maurice Quentin de La Tour ( Fig. 2 ).3
APA, Harvard, Vancouver, ISO, and other styles
9

Mancel, François. "Raphaël Hythlodée et l’utopique Cité des Anges." Moreana 49 (Number 187-, no. 1-2 (2012): 183–205. http://dx.doi.org/10.3366/more.2012.49.1-2.10.

Full text
Abstract:
This article wishes to elucidate two capital mysteries of Thomas More’s Utopia, which have remained unsolved nearly five hundred years after its publication: who hides behind the fictional portrait of Raphael Hythloday? And can we discover a plausible model of the island of Utopia somewhere on earth, in Thomas More’s time? This study shows that the never really abandoned thesis of recognizing Erasmus in Hythloday, is today reinforced by new suggestions, even if Erasmus is to share the embodiment of Hythloday with a Portuguese adventurer-writer. Besides, and although Thomas More asserts that Ra
APA, Harvard, Vancouver, ISO, and other styles
10

Barnes, Bernadine, David Alan Brown, Jane Van Nimmen, and Giorgio Vasari. "Raphael and the Beautiful Banker: The Story of the Bindo Altoviti Portrait." Sixteenth Century Journal 37, no. 4 (2006): 1230. http://dx.doi.org/10.2307/20478231.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Portrait of la Fornarina (Raphael)"

1

Rakovsky, Daniel. "Les deux côtés du visage : dissymétrie et construction du portrait à la Renaissance." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040197.

Full text
Abstract:
Tout visage est structuré selon un ordre symétrique. La thèse explore les conséquences de cette spécificité formelle du visage sur la construction du portrait dans le contexte spécifique de la Renaissance. Elle débute par une remise en cause de l’approche neuropsychologique qui fait de la dissymétrie et de la partition du visage dans le portrait la simple expression d’un donné physionomique. À travers une réflexion autour de la symétrie et de la dissymétrie dans l’ordre de la représentation, notre recherche rend compte de l’intérêt de ces catégories esthétiques pour la compréhension des enjeux
APA, Harvard, Vancouver, ISO, and other styles
2

Scott-Brown, Sophie. "The histories of Raphael Samuel : a portrait of a people's historian." Phd thesis, 2015. http://hdl.handle.net/1885/151045.

Full text
Abstract:
Most historians become known for advancing a particular historical argument or for pioneering a distinctive methodology. The British historian Raphael Samuel (1934-1996) is remarkable, however, for the way he practised history. Samuel was the moving force behind a movement, the History Workshop, which took its initial stance on the democratisation of history making, becoming synonymous with vivid histories of working-class life and culture. Later, Samuel became a founding editor of a periodical, the History Workshop Journal (1976-). He was best known as a public intellectual, being a prominent
APA, Harvard, Vancouver, ISO, and other styles
3

Marsova, Liubov. "Přátelské portréty v italském renesančním malířství." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-369962.

Full text
Abstract:
(in English): Represented dissertation dedicated to the issue of male portraits of friends in Italian renaissance painting. Despite of existence of some publications focused on the specific aspects of male portraiture, this area has not been yet given sufficient research interest. In the introductory clause is presented theoretical outline of the male friendship concept of male friendship in the culture of the Italian Renaissance and also some key aspects of the portrait genre. The work is divided into chapters by topic: for example, "Portrait and Antique", "Portrait and Remembrance", "Portrai
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Portrait of la Fornarina (Raphael)"

1

Lorenza, Mochi Onori, and Galleria nazionale d'arte antica (Italy), eds. Raffaello: La Fornarina. De Luca, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Lorenza, Mochi Onori, ed. La Fornarina di Raffaello. Skira, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Lorenza, Mochi Onori, Fondazione arte e civiltà (Milan, Italy)., and Musei di Porta Romana (Milan, Italy)., eds. La Fornarina di Raffaello. Skira, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Wolf, Norbert. Hans Holbein the Younger, 1497/98-1543: The German Raphael. Taschen, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Brown, David Alan. Raphael and the beautiful banker: The story of the Bindo Altoviti portrait. Yale University Press, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

1937-, Van Nimmen Jane, and Raphael 1483-1520, eds. Raphael and the beautiful banker: The story of the Bindo Altoviti portrait. Yale University Press, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Claudio, Falcucci, ed. The Portrait of Baldassare Castiglione & the Madonna dell'Impannata Northwick: Two studies on Raphael. Peter Lang, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Uffizi, Galleria degli, and Palazzo Pitti, eds. I nipoti del re di Spagna: Anton Raphael Mengs a Palazzo Pitti. Sillabe, 2017.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Judith, Rosenthal, and Williams Karen. Raffael und das Porträt Julius' II: Das Bild eines Renaissance-Papstes = Raphael and the portrait of Julius II : image of a Renaissance pope. Michael Imhof Verlag, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Patrizia, Nitti, Restellini Marc, Strinati Claudio M, and Musée national du Luxembourg (France), eds. Raffaello: Grazia e bellezza. Skira, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Portrait of la Fornarina (Raphael)"

1

"Portrait: Morris Raphael Cohen." In American Philosophical Association Centennial Series. Philosophy Documentation Center, 2013. http://dx.doi.org/10.5840/apapa2013756.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Mac Carthy, Ita. "Grace and Favour." In The Grace of the Italian Renaissance. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691175485.003.0004.

Full text
Abstract:
This chapter shows that the life of Renaissance grace begins in earnest with Baldassare Castiglione's Libro del cortegiano (Book of the Courtier, 1516) and Raphael's portrait of Castiglione (1514–1516). It does so because preoccupations with grace and its multiple senses are central to both the book of manners and the painting, so much so that Castiglione came to be known as the great theorist of grace while Raphael was identified as its painter. Both have been referred to in countless studies from the sixteenth century to today as the embodiments of Renaissance grace. In addition, the network
APA, Harvard, Vancouver, ISO, and other styles
3

Philo, John-Mark. "Shakespeare’s Macbeth and Livy’s Legendary Rome." In An Ocean Untouched and Untried. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857983.003.0006.

Full text
Abstract:
Chapter 5 explores the influence exerted by Livy on Shakespeare’s Macbeth. Livy’s account of the early, legendary Rome makes itself felt in Macbeth in two distinct but complementary ways. When Hector Boece wrote his national history of Scotland, the Scotorum Historia (1527), he turned to Livy to fill the historical blanks in Scotland’s past. The Macbeth episode was no exception, and Boece modelled his Maccabeus closely on Livy’s Tarquin the Proud. Raphael Holinshed (c.1525–80?), relying on Boece’s Scotorum Historia, as well as its Scots translation by John Bellenden, for his Historie of Scotla
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Portrait of la Fornarina (Raphael)' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography