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Books on the topic 'Portrait of la Fornarina (Raphael)'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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1

Lorenza, Mochi Onori, and Galleria nazionale d'arte antica (Italy), eds. Raffaello: La Fornarina. De Luca, 2000.

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2

Lorenza, Mochi Onori, ed. La Fornarina di Raffaello. Skira, 2002.

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3

Lorenza, Mochi Onori, Fondazione arte e civiltà (Milan, Italy)., and Musei di Porta Romana (Milan, Italy)., eds. La Fornarina di Raffaello. Skira, 2002.

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4

Wolf, Norbert. Hans Holbein the Younger, 1497/98-1543: The German Raphael. Taschen, 2004.

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5

Brown, David Alan. Raphael and the beautiful banker: The story of the Bindo Altoviti portrait. Yale University Press, 2005.

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6

1937-, Van Nimmen Jane, and Raphael 1483-1520, eds. Raphael and the beautiful banker: The story of the Bindo Altoviti portrait. Yale University Press, 2005.

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7

Claudio, Falcucci, ed. The Portrait of Baldassare Castiglione & the Madonna dell'Impannata Northwick: Two studies on Raphael. Peter Lang, 2011.

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8

Uffizi, Galleria degli, and Palazzo Pitti, eds. I nipoti del re di Spagna: Anton Raphael Mengs a Palazzo Pitti. Sillabe, 2017.

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9

Judith, Rosenthal, and Williams Karen. Raffael und das Porträt Julius' II: Das Bild eines Renaissance-Papstes = Raphael and the portrait of Julius II : image of a Renaissance pope. Michael Imhof Verlag, 2013.

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10

Patrizia, Nitti, Restellini Marc, Strinati Claudio M, and Musée national du Luxembourg (France), eds. Raffaello: Grazia e bellezza. Skira, 2001.

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11

Claudio, Strinati, Restellini Marc, and Nitti Patrizia, eds. Raffaello: Grazia e bellezza. Skira, 2001.

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12

Anna, Coliva, and Galleria Borghese, eds. Raffaello: Da Firenze a Roma. Skira, 2006.

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13

Sylvie, Béguin, and Garofalo Cristiana, eds. Raffaello: Catalogo completo dei dipinti. Octavo, 2002.

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14

(Contributor), Musee Luxembourg Staff, ed. Raphael: Grace And Beauty. Skira, 2001.

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15

Important old master & British pictures: Raphael, Portrait of Lorenzo de' Medici. 2007.

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16

Hurll Estelle M (Estelle May). Raphael; a Collection of Fifteen Pictures and a Portrait of the Painter. Creative Media Partners, LLC, 2023.

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17

Estelle M. (Estelle May) 1863 Hurll. Raphael: A Collection of Fifteen Pictures and a Portrait of the Painter. Creative Media Partners, LLC, 2021.

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18

Estelle M. (Estelle May) Hurll. Raphael a Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation. tredition Verlag, 2012.

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19

Ex-Soviets in Israel: From Personal Narratives to a Group Portrait (Raphael Patai Series in Jewish Folklore and Anthropology) (Raphael Patai Series in Jewish Folklore and Anthropology). Wayne State Univ Pr, 2007.

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20

Webb, Daniel. Inquiry into the Beauties of Painting. Thoemmes Continuum, 1998. http://dx.doi.org/10.5040/9781350276307.

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Daniel Webb (1719?-98) was an Irish writer, critic and theorist, born in Limerick and studied at Oxford. He was the author of three seminal treatises on aesthetics: An Inquiry into the Beauties of Painting (1760), Remarks on the Beauties of Poetry (1762), and Observations on the Correspondence Between Poetry and Music(1769). Reflecting a trend in theoretical discourses of the period, An Inquiry into the Beauties of Painting (1760) is arranged as a dialogue, set out as case ‘A’ and ‘B’. Topics range from ‘Our Capacity to Judge of Painting’ and ‘The Antiquity and Usefulness of Painting’ to ‘Of D
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21

Balzac, Honoré de, and Patrick Coleman. The Wild Ass's Skin. Translated by Helen Constantine. Oxford University Press, 2012. http://dx.doi.org/10.1093/owc/9780199579501.001.0001.

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‘Who possesses me will possess all things, But his life will belong to me. . .’ Raphael de Valentin, a young aristocrat, has lost all his money in the gaming parlours of the Palais Royal in Paris, and contemplates ending his life by throwing himself into the Seine. He is distracted by the bizarre array of objects in a chaotic antique shop, among them a strange animal skin, a piece of shagreen with magical properties. It will grant its possessor his every wish, but each time a wish is bestowed the skin shrinks, hastening its owner's death. Around this fantastic premise Balzac weaves a compellin
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