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Dissertations / Theses on the topic 'Portrait of the artist as a young man'

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Published: 4 June 2021

Last updated: 31 July 2024

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1

Heinimann, David. "A portrait of the young man as a failed artist /." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66151.

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2

Mendonça, Júnior Jorge Witt de. "O tempo do artista em A portrait of the artist as a young man." PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS DA LINGUAGEM, 2018. https://repositorio.ufrn.br/jspui/handle/123456789/25094.

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Submitted by Automação e Estatística (sst@bczm.ufrn.br) on 2018-05-02T22:29:08Z No. of bitstreams: 1 JorgeWittDeMendoncaJunior_DISSERT.pdf: 4599695 bytes, checksum: 6df4b7337f620e00be20ae22cdb06536 (MD5)<br>Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2018-05-04T22:24:08Z (GMT) No. of bitstreams: 1 JorgeWittDeMendoncaJunior_DISSERT.pdf: 4599695 bytes, checksum: 6df4b7337f620e00be20ae22cdb06536 (MD5)<br>Made available in DSpace on 2018-05-04T22:24:08Z (GMT). No. of bitstreams: 1 JorgeWittDeMendoncaJunior_DISSERT.pdf: 4599695 bytes, checksum: 6d

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3

Sewerin, Mikael. "The Deconstruction of Maturity in Joyce's Portrait of the Artist as a Young Man." Thesis, Stockholms universitet, Engelska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-113427.

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This thesis examines the use of irony in Joyce’s Portrait, claiming that it has the effect of deconstructing common notions of maturity that are engrained within the Bildungsroman tradition, and that this was Joyce’s intention. In Portrait, irony plays the role of psychological reality, undercutting Stephen’s unrealistic expectation to see his life follow a traditional path of teleological progression. This essay proceeds by looking at the novel’s symbolic, thematic and literary cues, as well as through an analysis of its structure, and Stephen’s psychological and behavioral tendencies through

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4

Gan, Wanghui. "A Portrait of the Artist as an Angry Young Man: Masculinities and the Male Artist in Twentieth-Century British Literature." Thesis, Université d'Ottawa / University of Ottawa, 2020. http://hdl.handle.net/10393/41098.

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Influenced by post-Lacanian psychoanalytic feminist theory and Judith Butler’s theories of gender performativity, this project examines three fictional brooding male writers from three separate periods of twentieth-century Ireland and Britain and their performances of authenticity, authority, and exceptionalism as artist figures. By tracing a sociohistorical arc and conducting close literary analyses, this project argues that the myth of white male artistic genius is derived from the power and privilege of a cult of individuality that can be used to excuse and justify harmful behaviour and tha

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5

Sagrista, César. "James Joyce’s attitude towards religion in “A Portrait of the Artist as a Young Man”." Tesis, Universidad de Chile, 2005. http://www.repositorio.uchile.cl/handle/2250/110205.

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Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Inglesa.<br>This essay will deal with an aspect that cannot be ignored nor go unnoticed when we read A Portrait of the Artist as a Young Man; Joyce's interest in the theme of religion, or the importance of religion in the development of the artist as a young man, according to Joyce.

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6

Figueroa, Lienqueo Tamara Valentina. "A portrait of the subject as a young artist: James Joyce and modernism." Tesis, Universidad de Chile, 2010. http://repositorio.uchile.cl/handle/2250/109942.

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7

Natali, Ilaria. "The Ur-portrait : Stephen Hero ed il processo di creazione artistica in A portrait of the artist as a young man /." Firenze : Firenze University Press, 2008. http://digital.casalini.it/9788884539083.

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8

Monteiro, Flavia Rodrigues. "A portrait of the hero as a young man: Stephen Dedalus and the mythogenesis of the artist." Universidade Federal de Minas Gerais, 2011. http://hdl.handle.net/1843/ECAP-8FDLTC.

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After centuries under British domination, Ireland experienced a strong demand for the restoration and consolidation of its own political and cultural identity in late nineteenth and early twentieth century. James Joyce tried to fulfill the Irish need for identity (re)construction and blended mythology and realism in his works and, by doing so, he made an attempt to provide self-awareness to his people. This thesis investigates in what sense the journey of formation of an artist, developed in A Portrait of the Artist as a Young Man, metaphorically parallels the journey of the classic hero in or

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9

Meints, Renata Del Rio. "The fallen artist :: the influence of John Milton's "Paradise Lost" on James Joyce's "A portrait of the artist as a young man"." Universidade Federal de Minas Gerais, 2009. http://hdl.handle.net/1843/ECAP-7PYHB9.

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This thesis is a study of the influence exerted by John Milton's Paradise Lost on James Joyce's A Portrait of the Artist as a Young Man. Its main character, Stephen Dedalus, narrates some remarkable passages of his life, through his childhood and young age, and his passage from a state of innocence to his first sinful experiences, being the first taken by the hands of a woman. This work focuses on Stephen's sins and repentance, his unwillingness to serve, his non serviam, and the whole course of his sins, in which I claim to have been influenced by Milton's characters in Paradise Lost, Adam, E

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10

Brown, James S. "Joyce's Doctrine of Denial: Families and Forgetting in Dubliners, A Portrait of the Artist as a Young Man, and Ulysses." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392900185.

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11

Brown, James Stewart. "Joyce's doctrine of denial: Families and forgetting in Dubliners, a Portrait of the artist as a young man and Ulysses /." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487847309053153.

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12

Corrêa, Alan Noronha. "How to build and irish artist : Joyce's first portraits of Dublin." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/61716.

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James Joyce é um dos escritores mais famosos do século 20, sendo sua obra muito comentada por leitores e acadêmicos, especialmente devido ao alto nível de complexidade de Ulisses e Finnegans Wake, os romances da fase madura. O foco da presente dissertação, todavia, são os primeiros livros de Joyce que, apesar de serem mais acessíveis ao público em geral, também contêm toda a elaboração linguística e simbólica que caracteriza o autor. Trato especificamente do volume de contos Dublinenses e do romance Um Retrato do Artista Quando Jovem, utilizando para análise deste o suporte oferecido pelo outr

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13

McGregor, Jamie Alexander. "Nothung up my sleeve : the Wagnerian impulses in James Joyce's Ulysses and A portrait of the artist as a young man." Master's thesis, University of Cape Town, 1999. http://hdl.handle.net/11427/22127.

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Bibliography : pages 245-249.<br>The Introduction isolates the particular focus of the dissertation - viz. the importance of the Wagnerian themes and allusions in James Joyce's Ulysses and A Portrait of the Artist as a Young Man, considering existing studies of the same subject, as well as elucidating the structure and argument of the dissertation as a whole. In Chapters 111-V, the argument focuses on particular themes and characters in the operas that appear to influence Joyce, whether in terms of direct reference or oblique allusion. The focus of each of these three chapters is, respectively

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14

Belluc, Sylvain. "Signe, nature, signature : parcours étymologiques dans l’œuvre de James Joyce – Dubliners, A Portrait of the Artist as a Young Man et Ulysses." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030105.

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L’écriture joycienne se distingue par la conscience aiguë dont elle témoigne de l’histoire des mots. Cette tendance est le produit de l’émergence de la grammaire comparée et de la sémantique historique au XIXe siècle, disciplines qui avaient bouleversé le concept d’étymologie et légitimé, en apparence, la prise en compte du passé de la langue dans son emploi. Pourtant, quand Joyce écrit, cette approche est irrémédiablement dépassée, et ses nombreuses contradictions critiquées. Aussi les œuvres de l’écrivain, loin de constituer un reflet fidèle et stable du discours sur l’étymologie du siècle o

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15

Evans, Adam Christopher <1984&gt. ""A Portrait of the Artist as a Young Man" Through the Lens of Marx and Jameson by way of Lacan and Žižek." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/20020.

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There are numerous ways to approach the analysis of James Joyce’s first novel, A Portrait of the Artist as a Young Man, and many of the 20th and 21st centuries’ intellectual greats have used this novel as a means to build upon their own cultural theories. Indeed, Joyce’s body of work could be described as uncategorizable, able to be at one and the same time Modernist, Structuralist, Postmodernist, Poststructuralist, and a whole plethora of other designations that scholars have classified it as. What this Master’s thesis will set out to do is not to prove something new or create a unique way of

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16

Koizumi, Symphorosa Sophia Yoko. "Mimetic devices of style in the earlier fiction of James Joyce : 'Dubliners', 'Stephen Hero', 'A Portrait of the Artist as a Young Man'." Thesis, Queen Mary, University of London, 2009. http://qmro.qmul.ac.uk/xmlui/handle/123456789/28084.

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The major characteristics of Joyce's stylistic achievement in the organic unity of contents and expressions are, firstlyp the 'style* is not intended to reveal the author but the whatness, of his characters and subjects described and secondly Joyce's 'style' contains in itself particular meanings beyond the limits of the semantic and lexical contents of words. These features are more specifically defined as his use of the language for mimetic purposes to revealp suggest and represent consciousness (sometimes even unconscious and subconscious) mood, emotion mental patterns thought processes phy

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17

Cotter, Cynthia Ann. "Buffoons and bullies: James Joyce's priests in "Stephen Hero" and "A Portrait of the Artist as a Young Man", a study of revision." CSUSB ScholarWorks, 1991. https://scholarworks.lib.csusb.edu/etd-project/731.

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18

Aguiar, Junior Eraldo Jose de. "A Study of characterization and representation in James Joyce's a portrait of the artist as a young man and John barth's lost, in the funhouse." reponame:Repositório Institucional da UFSC, 1995. https://repositorio.ufsc.br/xmlui/handle/123456789/157900.

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Dissetação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão<br>Made available in DSpace on 2016-01-08T19:24:59Z (GMT). No. of bitstreams: 1 102138.pdf: 1568574 bytes, checksum: 740d03ac8acba46173b5e19b0704ac0b (MD5) Previous issue date: 1995<br>Análise da caracterização e da representação do artista nos romances A Portrait of the Artist as a Young Man de James Joyce e Lost in the Funhouse de John Barth. A análise destes romances quanto às diferenças existentes no modo de representação do artista, faz com que eles possam ser lidos, respectivamente, como r

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19

Sadjadi, Seyed Bakhtiar. "Investigating the subject's identity : the critical treatment of the Lacanian-Althusserian dialectic and subjectivity formation in James Joyce's 'A Portrait of the Artist as a Young Man'." Thesis, University of Exeter, 2010. http://hdl.handle.net/10036/112123.

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Critically examining the Lacanian and Althusserian theories of the subject, this thesis explored the theoretical problems and methodological premises of a converged version of both theories. The central argument the present thesis seeks to demonstrate is that the Lacanian-Althusserian dialectic provides a more comprehensive and effective account of the process of the subject formation than a purely psychoanalytical or structuralist Marxist analysis of the term. After a critical study of the way the subject is positioned between language and ideology in contemporary critical theory the thesis p

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20

Morillot, Caroline. "États cliniques, états mystiques : vers une grammaire de la réceptivité dans Dubliners, A Portrait of the Artist as a Young Man et Stephen Hero de James Joyce." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2012. http://tel.archives-ouvertes.fr/tel-00870012.

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Ce travail s'intéresse aux états dont les personnages joyciens font l'expérience. Il vise à rendre compte des fluctuations de présence au monde par le repérage et l'analyse de tout un éventail d'états cliniques, mystiques et cognitifs dans les premières œuvres de James Joyce : Dubliners, A Portrait of the Artist as a Young Man, et Stephen Hero.Si nous replaçons la notion d'état dans le contexte historique des textes de Joyce à travers l'influence combinée de Walter Pater, William James et Friedrich Nietzsche, nous l'utilisons également dans une acception très contemporaine en nous appuyant sur

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21

Brändström, Camilla. ""Gender and Genre" : A Feminist Exploration of the Bildungsroman in A Portrait of the Artist As a Young Man and Martha Quest." Thesis, Högskolan i Gävle, Institutionen för humaniora och samhällsvetenskap, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-6525.

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The predominant focus on the male protagonist in the Bildungsroman genre has provoked feminist critics to offer a re-definition of the genre, claiming that the female protagonist's development differs in significant ways from the traditionally expected course of development (i.e. male). A feminist comparison between A Portrait of the Artist As a Young Man and Martha Quest found, unexpectedly, that the female protagonist follows the traditional Bildungsroman trajectory in several respects, whereas the male protagonist deviates from it. A Portrait emphasizes the themes of childhood, formal educa

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22

Silva, Lemarchand Francisco. "Synesthetic Traits in the Perception of Language in Stephen Dedalus considered as an avatar of James Joyce." Tesis, Universidad de Chile, 2005. http://www.repositorio.uchile.cl/handle/2250/110287.

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Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Inglesa.<br>The general objective of this work is to analyze the work of James Joyce, specifically, the analysis of A Portrait of the Artist as a Young Man.

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23

Gordon, Anna Margaretha. "A Reassessment of James Joyce's Female Characters." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2705.pdf.

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24

Holberg, Maria. "Man föds inte till man, man blir det : En undersökning av maskuliniteten i James Joyce A Portait of the Artist as a Young Man." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-137941.

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The purpose of this essayis to find out how masculinity, based in Raewyn Connells theoriesabout hegemonic,subordinated, complicitand marginalized masculinities,is constructed in James Joyce’s A Portrait of the Artist as a Young Man. Stephen Dedalus, Joyce’s alter ego, is the main object for the analysis.It becomesclear that there aretwomaintypes of hegemonic masculinity, one very strict and disciplined among the priests in the Jesuitschools Stephen attends to, and one of a more intellectualkind at the University.The strong influence from the Catholic church in Ireland is however noticeable in

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25

Hubier, Sébastien. "Les anamorphoses d'Orphée : Structures, écritures et lecture littéraire du récit des quêtes de l'écrivain : G. D'Annunzio, A. Gide, J. Joyce, T. Mann, R.-M.Rilke." Reims, 2000. http://www.theses.fr/2000REIML001.

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Par une analyse précise de l'Enfant de volupté, des Faux-monnayeurs, des Cahiers et des Poésies d'Andre Walter, du Portrait de l'artiste en jeune homme, d'Ulysse, de Tonio Kröger, de la Mort à Venise et des Carnets de Malte Laurids Brigge, nous avons tente de démontrer que le roman des quêtes de l'écrivain comme personnage pouvait être considéré comme un genre à part entière. Pour ce faire, nous avons étudié les modes de représentation de l'écrivain dans la littérature européenne, de la fin du XIXème siècle à la deuxième décennie du XXème représentation qui motive l'insertion, au sein du roman

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Guth, Gwendolyn Ann. "Interplay in the "Emily" trilogy of L. M. Montgomery: A Canadian portrait of the artist as a young woman." Thesis, University of Ottawa (Canada), 1991. http://hdl.handle.net/10393/7488.

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27

Ismaili, Gezim. "The image of the artist as a young man in the first three novels of D.H. Lawrence." Thesis, Durham University, 1997. http://etheses.dur.ac.uk/1221/.

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Scholars agree that from the first D. H. Lawrence showed considerable interest in portraits of the artist, but do not see the theme as being pivotal in his oeuvre, particularly during the 1906-1913 period. The main reason for this has been the tendency to read Lawrence's early work largely as an attempt to turn his life into art, thus ignoring somehow that he was highlighting the theme of the identity of the artist. Part One (Chapter Two) in this study traces Lawrence's early tensions, troubles, concerns, dilemmas, interests and ambitions to show how they forecast his imminent attention to the

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28

Yip, Andrew. "A portrait of the nation as a young man : the genesis of Gallipoli : mythologies in Australian and Turkish art." Phd thesis, Department of Art History and Film Studies, 2010. http://hdl.handle.net/2123/7779.

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29

Ozias, Joseph Eugene. "Joseph Heller and the Errors of Comedy: From Heller's Catch-22 to Portrait of an Artist, as an Old Man." Ohio Dominican University Honors Theses / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=oduhonors1512648671501957.

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30

Kojima, Motohiro. "Solving James Joyce's Conundrums : A Study of the Polysemic Words in Dubliners, A Portorait of the Artist as a Young Man, and Ulysses." 京都大学 (Kyoto University), 2009. http://hdl.handle.net/2433/124178.

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31

Bacon, Edwin Bruce. "Confronting eternity : strange (im)mortalities, and states of undying in popular fiction." Thesis, University of Canterbury. English, 2014. http://hdl.handle.net/10092/9680.

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When the meritless scrabble for the bauble of deity, they ironically set their human lives at the “pin’s fee” to which Shakespeare’s Hamlet refers. This thesis focuses on these undeserving individuals in premillennial and postmillennial fiction, who seek immortality at the expense of both their humanities, and their natural mortalities. I will analyse an array of popular modern characters, paying particular attention to the precursors of immortal personages. I will inaugurate these analyses with an examination of fan favourite series

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32

Hogan, James Joseph. "Form fits content in A Portrait of the artist as a young man." Thesis, 1995. http://hdl.handle.net/1957/35162.

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In A Portrait of the Artist as a Young Man, James Joyce used the form or structure of his language to connote a meaning which supported the content of the text. The elements of form he used most often were sentence and paragraph structure, punctuation, rhythm, and classical rhetorical schemes. By manipulating these, he gained three benefits: he supplied an emotional appeal to the content, he represented his epistemological beliefs in his language, and he gave elegance to his prose. Background research reveals the influences that led to Joyce using form to support content. They include his Jesu

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Lin, Yu-Yu, and 林毓瑜. "Erasure and Representation: James Joyce's A Portrait of the Artist as a Young Man." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/98532671459340379592.

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碩士<br>國立中山大學<br>外國語文學系<br>86<br>This thesis attempts to discuss the influence of culture upon the individual, and the way the individual tries to get rid of historical and cultural burdens to re-create racial conscience in James Joyce's A Portrait of the Artist as a Young Man. I begin my argument with the temporal setting of Portrait to explore the close relationship between Stephen Dedalus and Mother Ireland, which is responsible for his leaving Ireland with the will to create Irish conscience because Ireland is his wound as well as his womb of art. Then, I discuss the representations of Irel

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Yu-yu, Lin, and 林毓. "Erasure and Representation: James Joyce's A Portrait of the Artist as a Young Man." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/49010218461460415492.

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碩士<br>國立中山大學<br>外國語文學系<br>86<br>This thesis attempts to discuss the influence of culture upon the individual, and the way the individual tries to get rid of historicaland cultural burdens to re-create racial conscience in James Joyce'sA Portrait of the Artist as a Young Man. I begin my argument with thetemporal setting of Portrait to explore the close relationship betweenStephen Dedalus and Mother Ireland, which is responible for his leavingIreland with the will to create Irish conscience because Ireland is his wound as well as his womb of art. Then, I discuss the representationsof Ireland f

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Tsai, Chiajung, and 蔡佳蓉. "Family in James Joyce’s Dubliners and A Portrait of the Artist as a Young Man." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/28567502036709705798.

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碩士<br>國立中正大學<br>外國語文研究所<br>100<br>Conventionally, family is regarded as a haven to people. However, to James Joyce, it is not so great at all. This thesis will argue that family in Joyce’s works is usually an institution that brings the individuals pain or forces them to leave. The oppression and torment ensue from problematic parent-child relationships and religious and political forces upon family. This study focuses on the Irish households in Dubliners and A Portrait of the Artist as a Young Man and explores how Joyce subverts the traditional concept of family. Further, it will also compare

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Silverberg, Rinata. "Joyce's parody of period-bound languages in A portrait of the artist as a young man." 1994. http://hdl.handle.net/1993/18472.

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CHEN, SHU-YI, and 陳淑宜. "A reader-response to the aesthetics of "A portrait of the artist as a young man"." Thesis, 1988. http://ndltd.ncl.edu.tw/handle/84691940688360697312.

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McIntyre, Caitlin Ailish. "Queer animals and agriculture in James Joyce's A portrait of the artist as a young man." 2014. http://hdl.handle.net/1993/24011.

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This thesis will read James Joyce's novel A Portrait of the Artist as a Young Man as a text that is fundamentally concerned with ecological issues, demonstrating awareness of the land beyond and outside of Dublin. Joyce frequently depicts the colonization of Ireland as centered on the control of land in the form of agriculture, which he brings into the political foreground of the novel's characters. I will argue further that this novel is critical of the violent nationalist rhetoric and insurrections of early 1900s Ireland, a movement which perpetuated the agricultural control of land. As an e

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Lin, Tzu-yu, and 林慈郁. "The Straying Stranger: Abjection and Melancholia in A Portrait of the Artist as a Young Man." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/11609432245467855072.

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碩士<br>國立臺灣大學<br>外國語文學系研究所<br>90<br>Abstract To varying degrees and from different perspectives, conventional readings of A Portrait of the Artist as a Young Man ineluctably involve the assessment of its protagonist, Stephen Dedalus. One of the most meticulously studied fictional character, Stephen has been contradictorily interpreted by generations of critics to be, among others, a heroic artist aspiring to create the soul of the Irish race, a priggish young man who can hardly see beyond the tip of his own nose, a misogynist who has yet to make his peace with women, and a thoughtf

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McLaren, Stephen, University of Western Sydney, of Arts Education and Social Sciences College, and School of Humanities. "Framing a portrait of the artist : evolution in design." 2005. http://handle.uws.edu.au:8081/1959.7/30426.

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This research attempts to reframe our understanding of James Joyce’s first novel, A Portrait of the Artist as a Young Man, in the light of Joyce’s theme of the artistic process, and in relation to the evidence of Joyce’s own artistic development. The reframing work is based on three operations: firstly, examining Joyce’s development in the light of related texts: Joyce’s early critical writings and antetextes. We trace Joyce’s intellectual and imaginative growth, both prior to the original “inception” point of Portrait in 1904, and from that time up to the point where, the original draft of th

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McLaren, Stephen. "Framing a portrait of the artist : evolution in design." Thesis, 2005. http://handle.uws.edu.au:8081/1959.7/30426.

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This research attempts to reframe our understanding of James Joyce’s first novel, A Portrait of the Artist as a Young Man, in the light of Joyce’s theme of the artistic process, and in relation to the evidence of Joyce’s own artistic development. The reframing work is based on three operations: firstly, examining Joyce’s development in the light of related texts: Joyce’s early critical writings and antetextes. We trace Joyce’s intellectual and imaginative growth, both prior to the original “inception” point of Portrait in 1904, and from that time up to the point where, the original draft of th

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Lin, Ying-Yung, та 林穎苑. "The Pursuit of a Modern Artist: Modernity, Space, and Fl�繐eur in A Portrait of the Artist as a Young Man". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/10999985786901902243.

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碩士<br>國立清華大學<br>外國語文學系<br>96<br>本論文以現代都市文本中的「現代性」、「空間」和「漫遊者」為主要概念，檢視《一位年輕藝術家的畫像》主角史蒂芬和英國殖民城市都柏林之間的互動關係。「現代性」的意義在於其融合本土都市經驗和當代性，隨著英國殖民而進入愛爾蘭社會的「殖民現代性」，衝擊了愛爾蘭人對自身傳統文化和身份的認同。論文第一章討論喬伊思對「現代性」的概念，強調以懷疑的態度對抗愛爾蘭民族主義者和殖民者的英國文化。喬伊思著重於「殖民現代性」和「現代化」對愛爾蘭的深遠影響，透過現代主義藝術創作的策略，抵制殖民政權的文化壓迫。第二章探討史蒂芬自我認同的探索過程和都柏林的城市空間。英國的都市計劃帶來了都柏林的「殖民現代性」。殖民主義的現代化建設與都柏林市民實際生活的空間經驗不僅相互衝突，也加深都柏林人對家鄉的陌生感。由於史蒂芬兼具藝術家的特質與被殖民者的身份，使他更能洞察都柏林的城市空間，以及在自我身份認同上遭遇的困境。第三章審視史蒂芬在殖民地都柏林的「漫遊經驗」。相對於班雅明的巴黎漫遊者，史蒂芬的漫遊面臨較多的阻礙，但這段漫遊旅程仍象徵史蒂芬在精神上追尋自身主體性的過程。雖然都柏林充斥著殖民政權的壓迫，史蒂芬仍毫無畏懼的為其主體性發聲。

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Shen, Yun Jeng, and 沈昀徵. "Stephen Dedalus’s Self-Alienation and Fantasy in James Joyce’s A Portrait of the Artist as a Young Man." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/25yapr.

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碩士<br>國立中正大學<br>英語教學研究所<br>102<br>James Joyce’s A Portrait of the Artist as a Young Man makes a number of consultations on politics, religion and identity of early-twentieth-century Ireland. It is an autobiographical novel which depicts the childhood and adolescence of the protagonist Stephen Dedalus and his growing process. In this period, it is fulfilled with Stephen’s inner thoughts and interior monologue which reveal Stephen’s self-contradiction toward identity, religion and relation. Stephen demonstrates his way of being by presenting his way of observing and perceiving surroundings as we

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Lin, Yi-Chuang, and 林宜莊. "Breaking Through the Colonial Context: Stephen’s Self Composing Art in A Portrait of the Artist as a Young Man." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/gvkzbj.

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碩士<br>國立成功大學<br>外國語文學系碩博士班<br>92<br>James Joyce’s A Portrait of the Artist as a Young Man, as other works of his, is situated within the historical background of late 19th and early 20th century British-ruled Ireland. Under the British colonization, Stephen, like other Irish elites, is educated with the English value and concepts that disparage his own Irish culture and countrymen. By adopting the British value, he becomes incapable to identify with his Irish father, who has been effeminized by the British colonial power. However, no matter how well he speaks English or how English he has beco

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Weng, Wei-Ming, and 翁偉銘. "Self, the Other and the Semiotic chora in A Portrait of the Artist as a Young Man and Ulysses." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/yuak8p.

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碩士<br>國立臺灣大學<br>外國語文學研究所<br>102<br>Abstract This thesis seeks to explore the semiotic traces in A Portrait of the Artist as a Young Man and Ulysses with the hope to map Joyce''s increasing tendency to embrace the unnamable semiotic, which is foregrounded not so much to threaten as to nourish an artist''s imagination. It is my hope to demonstrate the constant tensions between the Symbolic and the semiotic in Joyce''s texts. To borrow Kristeva''s words, I hope to show that in Joyce''s text "language and its rhythm [are] never one without the

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Huang, Suh-xin, та 黃淑欣. "Self-Identity at The Turn of Century:“Young T?宁less” by Robert Musil and “A Portrait of the Artist as a Young Man” by James Joyce". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/40652717997273108164.

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碩士<br>東吳大學<br>德國文化學系<br>98<br>Austria representative author Robert Musil and Irish famous author James Joyce both wrote literary works with school life background at the beginning of the 20th century. Both writings contain profound descriptions of the psychological problem faced by teenagers in growth – self-identity. These works describe the problems to conquer resulted from inevitable confusions of self-identity under severe social transition: anxiety toward the future, competitions among peers, repressed sex impulse, dissatisfaction and doubts about authority. After passing through several

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Jenkins, Elizabeth Speight. ""faithful Departed": tracing the themes of exile and betrayal through James Joyce's Dubliners, A Portrait of the Artist as a Young Man, and Exiles /." 2008. http://www.lib.ncsu.edu/theses/available/etd-03142008-150110/unrestricted/etd.pdf.

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Yueh-chi, Chang, and 張月琪. "Themes of Art Vocation in Cao Xueqin's The Story of the Stone and James Joyce's A Portrait of the Artist as a Young Man." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/52104803062434825683.

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碩士<br>國立中正大學<br>外國語文研究所<br>89<br>During the past two decades, the comparative approach is frequently used on literary criticisms to help readers comprehend those works that have the same subjects or certain similarities. For example, Christopher Marlowe’s Dr. Faustus might be measured up to Matthew Lewis’s The Monk because of their parallel themes of temptation and corruption. There are also lots of resemblances in Cao Xueqin’s The Story of the Stone and James Joyce’s A Portrait of the Artist as a Young Man, but to put the two works of genius side by side in this dissertation is not just for

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Garcia, Tiago José Sousa. "I am the servant of two masters. Catholicism as a colonial force in James Joyce's A Portrait of the Artist as a Young Man." Master's thesis, 2013. https://repositorio-aberto.up.pt/handle/10216/75772.

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Garcia, Tiago José Sousa. "I am the servant of two masters. Catholicism as a colonial force in James Joyce's A Portrait of the Artist as a Young Man." Dissertação, 2013. https://repositorio-aberto.up.pt/handle/10216/75772.

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