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Journal articles on the topic 'Portrait of the artist as a young man'

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Published: 4 June 2021

Last updated: 31 July 2024

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1

Tarasenko, O. "Image of the Family and People in the Artwork of Roman Petruck." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 27 (February 27, 2019): 227–34. http://dx.doi.org/10.33838/naoma.27.2018.227-234.

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Heroes of portraits of Roman Petruk are open-world creative people – his teachers, parents, of the same age – young artists, actors in whose faces the reality of the Spirit is manifested, the movement of life. The article analyzes Petruk's portraits of his teacher, an outstanding Ukrainian artist and teacher, Nikolai Andreevich Storozhenko and teachers of NAOMA. The ritual value of a portrait is shown, which provides the connection of the worlds - temporary and eternal. The symbolic content of portraits, the value of the conditional background in character characteristics is studied. The relat

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2

Lowe-Evans, Mary. "Joyce's Portrait of the Artist as a Young Man." Explicator 48, no. 4 (July 1990): 275–77. http://dx.doi.org/10.1080/00144940.1990.9934028.

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3

Kearney, Anthony. "Joyce's a Portrait of the Artist as a Young Man." Explicator 56, no. 1 (January 1997): 33–36. http://dx.doi.org/10.1080/00144949709595246.

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4

Gilliam, D. M. E., and R. W. McConchie. "Joyce’s a Portrait of the Artist as a Young Man." Explicator 44, no. 3 (April 1986): 43–46. http://dx.doi.org/10.1080/00144940.1986.11483936.

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5

Cervo, Nathan. "Joyce’s a Portrait of the Artist as a Young Man." Explicator 49, no. 2 (January 1991): 114–16. http://dx.doi.org/10.1080/00144940.1991.11484029.

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6

Mathews, Carolyn L. "Joyce's a Portrait of the Artist as a Young Man." Explicator 50, no. 1 (October 1991): 38–40. http://dx.doi.org/10.1080/00144940.1991.9938706.

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7

Aoyama, Tomoko. "Seinen: Ogai's portrait of a young man as an artist." Japanese Studies 14, no. 3 (December 1994): 66–77. http://dx.doi.org/10.1080/10371399408727589.

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8

Stanca, Nicoleta. "“From Baby Tackoo To Sunny Jim”: Joyce’s “A Portrait of the Artist as a Young Man” As Fictional Biography." Linguaculture 2, no. 1 (June 30, 2011): 37–44. http://dx.doi.org/10.47743/lincu-2011-2-1-254.

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The reader must not identify Stephen Dedalus in A Portrait of the Artist as a Young Man with James Joyce in every respect. For instance, Stephen is represented at Clongowes as a timid boy, conscious of his smallness and weakness. Conversely, young Joyce was keen on hurdling and cricket, won cups in sports competitions and earned the nickname “Sunny Jim” due to his cheerful disposition. This paper will trace autobiographical elements in the novel with the purpose to prove that they are meant not as mere recordings of particular autobiographical experiences but as instances of universality. Henc

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9

Belyaev, Vasily, and Nina Makarova. "Portrait of Kirill Razumovsky by Pompeo Girolamo Batoni." Ideas and Ideals 14, no. 2-2 (June 27, 2022): 338–49. http://dx.doi.org/10.17212/2075-0862-2022-14.2.2-338-349.

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The article analyzes the portrait of Count Kirill Grigoryevich Razumovsky, painted in Rome in 1766 by the famous artist Pompeo Girolamo Batoni. The portrait has features characteristic of portraits of travelers making the Grand Tour of Europe. In the second half of the 18th century, these were usually young aristocrats completing their education. Young people studied at the best universities; acquired extensive communication experience during their stay in major European centers; improved their skills in horseback riding, dancing and swordsmanship in famous academies, and also acquired knowled

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10

Jones, Robert S. P. "Language, Form and Emotion in James Joyce’s Portrait of an Artist as a Young Man: A Literary Analysis." Advances in Language and Literary Studies 8, no. 5 (November 2, 2017): 158. http://dx.doi.org/10.7575/aiac.alls.v.8n.5p.158.

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James Joyce’s Portrait of the Artist as a Young Man has fascinated readers for more than a century and there are layers of psychological meaning to be found throughout the novel. The novel is the perfect vehicle to discuss the relationship between form language and emotion as Joyce deliberately manipulated the emotional response of the reader through innovations in form and language, departing dramatically from previous literary traditions. This paper attempts to take a fresh look at the novel from a psychological perspective and seeks to examine underlying conditioning processes at work in th

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11

Guimarães, Dinara G. Machado. "Cerzimento literário de James Joyce - Psicanálise e literatura." Eutomia 1, no. 21 (November 20, 2018): 269. http://dx.doi.org/10.19134/eutomia-v1i21p269-279.

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O “Cerzimento Literário de James Joyce - Psicanálise e Literatura”, a partir do “Retrato do Artista quando Jovem” (A portrait of the artist as young man) que se inscreve na origem de tudo o que vai acontecer de Ulisses até o Finnegans Wake, onde “James Joyce acaba por se fazer um nome como autor-artífice do significante que o representa por sua obra.

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12

Gordon, Andrew. "THX 1138 Portrait of the Artist as an Angry Young Man." Film International 3, no. 3 (May 2005): 12–21. http://dx.doi.org/10.1386/fiin.3.3.12.

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13

Sunil, Madhurantika. "Application of Rasa Theory in James Joyce’s a Portrait of the Artist as a Young Man." International Journal of Trend in Scientific Research and Development Volume-3, Issue-1 (December 31, 2018): 438–41. http://dx.doi.org/10.31142/ijtsrd18998.

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14

Watt, Stephen. "The Antimodernism of Joyce's Portrait of the Artist as a Young Man." MFS Modern Fiction Studies 40, no. 4 (1994): 891–94. http://dx.doi.org/10.1353/mfs.1994.0041.

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15

Nelson, E. Charles. "WILLIAM HENRY HARVEY A PORTRAIT OF THE ARTIST AS A YOUNG MAN." Curtis's Botanical Magazine 13, no. 1 (February 1996): 36–41. http://dx.doi.org/10.1111/j.1467-8748.1996.tb00535.x.

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16

Baradaran Jamili, Leila, and Razie Arshadi. "Semiology of Culture in James Joyce’s A Portrait of the Artist as a Young Man." Advances in Language and Literary Studies 9, no. 4 (August 31, 2018): 51. http://dx.doi.org/10.7575/aiac.alls.v.9n.4p.51.

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This study sheds new light on the role of city whether real or fictional in modern novel as one of the signs of man’s cultural fate. For the same reason, city is not a mere physical place, but a spatial concept. Not only has city become inseparable from man’s personal and national destiny but also one’s life continues to unfold on city’s streets. James Joyce’s (1882-1941) A Portrait of the Artist as a Young Man (A Portrait, 2000) deals with Joyce’s home, Dublin. Joyce aims to universalize and simultaneously eternalize his home through his art. Accordingly, the reader of his text is to decipher

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17

Bădulescu, Dana. "Autobiography as Fiction in “A Portrait of the Artist as a Young Man”." Linguaculture 2, no. 1 (June 30, 2011): 29–36. http://dx.doi.org/10.47743/lincu-2011-2-1-253.

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This paper looks into the artful way in which James Joyce fictionalizes his autobiography in his Künstlerroman A Portrait of the Artist as a Young Man. Joyce projects his essentially artistic self onto the fictional character Stephen Dedalus, the namesake of the classical ‘cunning’ ‘artificer.’ In his turn, Stephen dreams of becoming Joyce and writing Ulysses. Thus, Joyce’s personal history and Dublin’s geography lose their recognizable ‘reality’ in a blueprint of the artist’s mind that charts a Dublin and a self-reshaped by his imagination.

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18

Laffan, William, and Shirley Kelly. "Portraits by the Artist as a Young Man." Books Ireland, no. 261 (2003): 227. http://dx.doi.org/10.2307/20632598.

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19

Nganshi, Amungwa Veronica, and John Nkemngong Nkengasong. "Religious Consciousness in Joseph Conrad’s Heart of Darkness and James Joyce’s A Portrait of the Artist as a Young Man." Journal of Humanities and Social Sciences Studies 2, no. 6 (November 30, 2020): 151–62. http://dx.doi.org/10.32996/jhsss.2020.2.6.17.

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The paper examines religious consciousness in the modernist novels of Joseph Conrad’s 1902 Heart of Darkness and James Joyce’s 1916 A Portrait of the Artist as a Young Man with the objective of illustrating that though these writers apparently rejected the Catholic faith, they were still spiritually conscious and were thus able to detect and question religious values that were repressive. This consciousness is enriched by autobiographical elements prompted by the nihilism of the early twentieth century. Although Heart of Darkness is a colonial novel and A Portrait of the Artist as a Young Man

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20

GÜNEŞ, Ali. "Crisis of Identity in a Portrait of the Artist As a Young Man." Doğuş Üniversitesi Dergisi 2, no. 3 (July 27, 2002): 37–49. http://dx.doi.org/10.31671/dogus.2019.336.

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21

Galindo, Caetano Waldrigues. "Distance by Degrees: Translating A Portrait of the Artist as a Young Man." ABEI Journal 18 (November 17, 2016): 97. http://dx.doi.org/10.37389/abei.v18i0.3523.

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22

Tseng, Li-ling. ""Being and Difference in A Portrait of the Artist as a Young Man "." James Joyce Journal 25, no. 2 (December 31, 2019): 37–54. http://dx.doi.org/10.46258/jjj.2019.25-2.37.

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23

Brockman, William S. ""A Portrait of the Artist as a Young Man" in the Public Domain." Papers of the Bibliographical Society of America 98, no. 2 (June 2004): 191–207. http://dx.doi.org/10.1086/pbsa.98.2.24295781.

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24

Tropp, Sandra. "Mathematics and Heresy in A Portrait of the Artist as a Young Man." James Joyce Quarterly 54, no. 3-4 (2017): 315–34. http://dx.doi.org/10.1353/jjq.2017.0005.

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25

Gurra, Hyreme, Fatmire Isaku, and Bjonda Xhumkar. "THE ERA OF MODERNISM AND JAMES JOYCE’S “A PORTRAIT OF THE ARTIST AS A YOUNG MAN”." ANGLISTICUM. Journal of the Association-Institute for English Language and American Studies 12, no. 8 (August 4, 2023): 42. http://dx.doi.org/10.58885/ijllis.v12i8.42hg.

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<p><span>This research paper is going to elaborate the elements of Modernism as one of the most distinguished and important period of Literature. The key elements of this Era will be highlighted threw James Joyce’s Portrait. Modernism surely made a new approach to English Literature with a completely new writing style, motifs, aspects, symbols, and access to scenes,using new elements that will encourage and influence future writers. In “A Portrait of the Artist as a Young Man’’, is portrayed the innovative use of stream of consciousness, a technique throughout which is described th

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26

Hall, Jason David. "Stephen's Telescopic Imagination: Geography, Astronomy, and Spatial Analytics in A Portrait of the Artist as a Young Man." James Joyce Quarterly 60, no. 3 (March 2023): 339–55. http://dx.doi.org/10.1353/jjq.2023.a905373.

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ABSTRACT: This essay considers possible sources for Stephen's list of coordinates in A Portrait of the Artist as a Young Man , suggesting that an intertext with the work of English astronomer Sir Joseph Norman Lockyer (1836-1920) provides not only a credible template but also a mode of imaginative "telescoping" that enables Stephen to develop imaginative "flight" as a complement to empirical, terrestrial observation and experience.

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27

Shuhaib, Mahdi. "Foreshadowing Overuse." Al-Adab Journal, no. 149 (June 15, 2024): 1–18. http://dx.doi.org/10.31973/vhx0xd55.

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As a descriptive study, this article examines the significance of stylistic analysis in observing fiction, focusing on the use of foreshadowing. The author investigates the potential overuse of foreshadowing in selected modern cultural novels and analyses its impact on the plot and the suspense of the readers. The study examines the use of foreshadowing to deconstruct the difficulty novelists face in crafting immaculate works. It concludes that foreshadowing is an integral part of any literary work, regardless of its type or genre, and that it cannot be restricted to particular words. Furtherm

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28

LYNCH, AUDRY L. "Robert Cathcart Gives a Portrait of the Artist John Steinbeck as a Young Man." Steinbeck Review 8, no. 1 (2011): 79–83. http://dx.doi.org/10.2307/41561793.

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29

LYNCH, AUDRY L. "Robert Cathcart Gives a Portrait of the Artist John Steinbeck as a Young Man." Steinbeck Review 8, no. 1 (2011): 79–83. http://dx.doi.org/10.5325/steinbeckreview.8.1.0079.

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30

Reynaerts, Jenny, and Stella Versluis-van Dongen. "A Portrait of the Artist as a Young Man: Edgar Degas Inspired by Rembrandt." Rijksmuseum Bulletin 59, no. 2 (June 15, 2011): 102–33. http://dx.doi.org/10.52476/trb.11608.

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31

Reali, Florencia. "Emotion metaphors in James Joyce’s A Portrait of the artist as a young man." Journal of Literary Semantics 49, no. 1 (April 26, 2020): 41–60. http://dx.doi.org/10.1515/jls-2020-2016.

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AbstractCognitive stylistics provides a framework for analysis of conceptual metaphors in literature, as a way to approach fictional characters’ mind styles. Here, cognitive linguistic tools are applied to characterize the metaphorical expressions of emotion in James Joyce’s A portrait of the artist as a young man. A number of conceptual metaphors were identified in relation to anger, lust, shame, pride, fear, happiness and sadness, among others. Creative uses of language came to light, both by means of novel conceptual mappings and original linguistic realizations of more conventional metapho

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32

Adesola Mafe, Diana. "A Portrait of the (Tortured) Artist as a Young (Coloured) Man: Reading Arthur Nortje." Safundi 9, no. 4 (October 2008): 427–55. http://dx.doi.org/10.1080/17533170802349556.

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33

LYNCH, AUDRY L. "Robert Cathcart Gives a Portrait of the Artist John Steinbeck as a Young Man." Steinbeck Review 8, no. 1 (March 2011): 79–83. http://dx.doi.org/10.1111/j.1754-6087.2011.01142.x.

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34

Crispi, Luca. "Stephen Dedalus from A Portrait of the Artist as a Young Man to Ulysses." James Joyce Quarterly 57, no. 1-2 (2019): 67–79. http://dx.doi.org/10.1353/jjq.2019.0103.

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35

Boron, Oleksandr. "Sepia Portrait of Lukian Aleksieiev by Shevchenko (“Portrait of an Unknown Man with Guitar”): Revision of Ascription." Слово і Час, no. 11 (November 15, 2019): 27–40. http://dx.doi.org/10.33608/0236-1477.2019.11.27-40.

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The paper refutes an ascription accepted in the current Complete Collection of Shevchenko’s Works for the sepia drawing that was formerly known as a “Portrait of an Unknown Man with Guitar”. It was supposed to be a portrait of Lukian Aleksieiev dated 1856–1857. The paper’s author points out that the age of the portrayed man (25–30 years old) does not correspond to L. Aleksieiev’s age at the time (16–18 years old). The inscription ‘Raim’, which H. Palamarchuk treats as not made by the artist himself, is considered undoubtedly as Shevchenko’s plot forming component of the work. The portrayed man

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36

MYSLINA, JU N. "CREATIVE ESCAPISM AFTER CHILDREN'S PERCEPTION OF VIOLENCE BY THE HEROES OF THE NOVELS "A PORTRAIT OF THE ARTIST AS A YOUNG MAN" BY J. JOYCE AND "MAIDENHAIR" BY M. SHISHKIN." Scientific Notes of Orel State University 100, no. 3 (September 26, 2023): 92–98. http://dx.doi.org/10.33979/1998-2720-2023-100-3-92-98.

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The article is aimed to study creative escapism after the experienced and reflected violence in the children’s mind of the heroes of the novels by J. Joyce «A Portrait of the Artist as a Young Man» and M. Shishkin «Maidenhair». I prove that both writers present the child’s mind as integral and self-reflective, capable of analytical conclusions. The adult worldview of the characters formed after the early abuse does not allow them to streamline their personal and social roles. Heroes question this situation through the violence early experience and through their personal obsession with passions

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37

Creasy, Matthew. "Contingency, Irony … Textuality: A Portrait of the Artist as a Young Man and Textual Criticism." Modernist Cultures 15, no. 1 (February 2020): 48–68. http://dx.doi.org/10.3366/mod.2020.0279.

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This essay explores the representation of contingency within A Portrait of the Artist as a Young Man in relation to the textual history of James Joyce's novel. There is a fundamental split in this word between haphazard, chance forms of contingency and contingency as determining circumstances. First, I map these conflicting meanings on to Joyce's presentation of Stephen Dedalus and his drive towards artistic autonomy; then I use this tension to explore the textual condition of Joyce's novel, which seems, paradoxically, to demand a hyper-correct text in order to convey the vulnerability of prin

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38

Azizmohammadi, Fatemeh, and Sepide Kamarzade. "Study of "Stephen Dedalus ", the main protagonist of A Portrait of the Artist as a Young Man." Advances in Language and Literary Studies 5, no. 2 (April 28, 2014): 162–65. http://dx.doi.org/10.7575/aiac.alls.v.5n.2p.162.

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39

Amerian, Majid, Moussa Ahmadian, and Leyli Jorfi. "Shifts of Time in James Joyce’s A Portrait of the Artist as a Young Man: A Narratological Perspective." Theory and Practice in Language Studies 6, no. 5 (May 17, 2016): 1033. http://dx.doi.org/10.17507/tpls.0605.18.

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One of the main issues in narratology is the concept of time. The centrality of time is echoed in Ricouer’s (1984) debates when he says narratives are one of the many ways by which time can be actualized. The present study is to investigate the concept of time as well as the shifts of time in A Portrait of the Artist as a Young Man (A Portrait) in the light of Genette’s (1980) model. Being a modern novel, A Portrait travels through the experiences of its narrator utilizing the stream of consciousness technique. Time takes the reader back and forth immersing him/her in the narrator’s experience

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40

Astier, Colette. "Mythe et roman du poète dans A portrait of the artist as a young man." Littératures 33, no. 1 (1995): 125–38. http://dx.doi.org/10.3406/litts.1995.1701.

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41

Aayushi Sangharshee. "Construction of Ireland in James Joyce’s A Portrait of the Artist as a Young Man." Creative Launcher 5, no. 1 (April 30, 2020): 13–15. http://dx.doi.org/10.53032/tcl.2020.5.1.03.

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Written with Ireland as the setting of the novel, The Portrait of an Artist as a Young Man, brings forth different aspects of the power dynamics that characterised the twentieth century Ireland. It was the ‘age of the empire’ and the different European powers were busy colonising more and more territories. The status of Ireland as both the coloniser as well as the colonised, by the British, is what makes the case of Ireland unique whenever it comes to discussing the ideas of nationalism and colonialism. Joyce in his novel puts forward the unique Irish experience through the life of his protago

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42

Bucur Tincu, Bianca Maria. "A PORTRAIT OF THE ARTIST AS A YOUNG MAN - AN INQUIRY INTO THE CHARACTER’S EVOLUTION." Incursions into the imaginary 14, no. 1 (August 20, 2023): 53–70. http://dx.doi.org/10.29302/inimag.2023.14.3.

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James Joyce, a prominent figure in the modernist literary movement, created the character Stephen Dedalus and revealed an example of how consciousness functions when one searches for direction in life. The chaotic nature of human consciousness is revealed through literary devices and techniques that prove the lifelikeness of the character and the way fiction represents not only the reality of a specific time but the reality of the multitude of meanings present within the content of fictional writing, namely literature. The aim of this paper is to investigate the evolution of the main character

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43

Lain, Norbert F. "The Meaning of a Word in A Portrait of the Artist as a Young Man." James Joyce Quarterly 61, no. 1-2 (September 2023): 127–30. http://dx.doi.org/10.1353/jjq.2023.a927921.

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44

Leahy, Frank. "On the Distinctions Between Spoken and Written Language in A Portrait of the Artist as a Young Man." James Joyce Quarterly 60, no. 4 (June 2023): 453–76. http://dx.doi.org/10.1353/jjq.2023.a914616.

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Abstract: Figures as diverse as Samuel Beckett and Marshall McLuhan have lauded Joyce for his unusual awareness of the distinct conventions and characteristics of language as it occurs in different forms (primarily spoken and written). Such commentary usually focuses on Ulysses and Finnegans Wake . While more formally restrained than Joyce’s two greatest works, A Portrait of the Artist as a Young Man shows Joyce forging the philosophy and aesthetic which consciously treats language in these different forms, implicitly (through, for example, the strategies he develops to represent sound) and ex

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45

Fernández, José Francisco. "More than an Artist in the Making: Samuel Beckett’s “Assumption” Revisited." Anglia 137, no. 3 (September 13, 2019): 434–48. http://dx.doi.org/10.1515/ang-2019-0038.

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Abstract Samuel Beckett’s first published short story, “Assumption” (1929), is usually described as an apprentice work, “a piece of marginally interesting juvenilia” (Pattie 2000: 52), a beginner’s attempt toward a modernist short story in which the influence of James Joyce is clear. Indeed, it has been claimed that Joyce’s A Portrait of the Artist as a Young Man is the model underlying Beckett’s early foray into creative fiction. The current paper seeks to reassess the established critical appreciation of “Assumption”, that of being a parody of Joyce’s novel by a playful disciple; instead, I

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46

Kumar, Manish, and Monjita Rabha. "A Comparative Study of the Depiction of Hell in Paradise Lost and A Portrait of the Artist as a Young Man." International Journal of Research Publication and Reviews 5, no. 2 (February 2024): 1370–71. http://dx.doi.org/10.55248/gengpi.5.0224.0441.

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47

McAteer, Michael. "W. B. Yeat’s Presence in James Joyce’s "A Portrait of the Artist as a Young Man"." Belgrade English Language and Literature Studies 7 (2015): 11–31. http://dx.doi.org/10.18485/bells.2015.7.1.

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48

Amaral, Vitor Alevato do. "The Paratexts of the Brazilian Translations of A Portrait of the Artist as a Young Man." ABEI Journal 18 (November 17, 2016): 109. http://dx.doi.org/10.37389/abei.v18i0.3524.

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49

Dohun Kim. "Translation of Form Style Markers: Focusing on A Portrait of the Artist as a Young Man." English21 27, no. 1 (March 2014): 69–91. http://dx.doi.org/10.35771/engdoi.2014.27.1.004.

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50

박윤기. "The Aesthetic Theory of James Joyce in A Portrait of the Artist as a Young man." Studies in English Language & Literature 34, no. 2 (April 2008): 41–61. http://dx.doi.org/10.21559/aellk.2008.34.2.003.

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