Relevant bibliographies by topics / Portrait photography – Australia

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Academic literature on the topic 'Portrait photography – Australia'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Portrait photography – Australia"

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LOWRIE, CLAIRE. "‘What a Picture Can Do’: Contests of colonial mastery in photographs of Asian ‘houseboys’ from Southeast Asia and Northern Australia, 1880s–1920s." Modern Asian Studies 52, no. 4 (April 23, 2018): 1279–315. http://dx.doi.org/10.1017/s0026749x16000871.

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AbstractThe archives of colonial Southeast Asia and northern Australia contain hundreds of photographs of masterly white colonizers and their seemingly devoted Asian ‘houseboys’. This article analyses this rich photographic archive, drawing on examples from the Netherlands Indies, Singapore, Hong Kong, the Philippines, and the Northern Territory of Australia. It explores how photographs of ‘houseboys’ worked as a ‘visual culture’ of empire that was intended to illustrate and immortalize white colonial power, but that also expressed anxieties about colonial projects. As well as a tool for under
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Moran, Leslie J. "Judging pictures: a case study of portraits of the Chief Justices, Supreme Court of New South Wales." International Journal of Law in Context 5, no. 3 (September 2009): 295–314. http://dx.doi.org/10.1017/s1744552309990139.

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This essay is about portraits: judicial portraits. It offers a case study of the interface between law and visual culture. Its object of enquiry is a collection of pictures (painted and photographic), depicting the sixteen Chief Justices of the Supreme Court of New South Wales, Australia, from 1824 to the present day. The original paintings hang in the Banco Court, Sydney. The photographs and digital copies of all the images are on the Court’s website. Beginning with a brief review of socio-legal scholarship on the judiciary, the essay explores existing work on the visual image of the judge. I
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Turnbull, Gemma-Rose. "Navigating Socially Engaged Documentary Photographic Practices." Nordicom Review 36, s1 (July 7, 2020): 79–95. http://dx.doi.org/10.1515/nor-2015-0031.

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AbstractAs Documentary Photographers increasingly introduce the collaborative and participatory methodologies common to socially engaged art practices into their projects (particularly those that are activist in nature, seeking to catalyse social change agendas and policies through image making and sharing), there is an increased tension between the process of production and the photographic representation that is created. Over the course of the last five years I have utilised these methodologies of co-authorship. This article contextualizes this kind of transdisciplinary work, and examines th
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Antoniades, Hera, and Clive M. J. Warren. "The portrayal of Australian women in property publications." Property Management 36, no. 1 (February 19, 2018): 119–29. http://dx.doi.org/10.1108/pm-10-2017-0058.

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Purpose The purpose of this paper is to undertake an analysis of the visual portrayal of women published in a professional journal within the built environment and to establish whether or not there is gender stereotyping through these published images. Design/methodology/approach A prominent property professional industry journal was selected for the research analysis. This journal was selected because of the national coverage within Australia and high prominence within the property industry. The analysis focused on a total of 166 pictures in the 2015 issues. The coding identified the publicat
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Yao, Xiaofang, and Paul Gruba. "A layered investigation of Chinese in the linguistic landscape." Australian Review of Applied Linguistics 43, no. 3 (March 19, 2020): 302–36. http://dx.doi.org/10.1075/aral.18049.yao.

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Abstract Increased attention to urban diversity as a site of study has fostered the recent development of linguistic landscape studies. To date, however, much of the research in this area has concerned the use and spread of English to the exclusion of other global languages. In a case study situated in Box Hill, a large suburb of Melbourne, we adopted a layered approach to investigate the role of Chinese language in Australia. Our data set consisted of hundreds of photographs of street signage in one square block area of the shopping district. Results of our analyses show that signage portrays
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Kinsey, Fiona. "Reading Photographic Portraits of Australian Women Cyclists in the 1890s: From Costume and Cycle Choices to Constructions of Feminine Identity." International Journal of the History of Sport 28, no. 8-9 (May 2011): 1121–37. http://dx.doi.org/10.1080/09523367.2011.567767.

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Alu, Giorgia. "Uncanny Exposures: Mobility, Repetition and Desire in Front of a Camera." Cultural Studies Review 19, no. 2 (August 27, 2013). http://dx.doi.org/10.5130/csr.v19i2.3236.

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In this article I discuss some of the uncanny characteristics of photographic portraits by turning attention to photographs representing Italian migrants in Australia. These are images of mobility through time and space. These photographs also reduced spatial distance, transporting migrants’ own desires and unknown faraway lives into the imagination of the viewers at home. The migrant’s desire is for both a new life (as it will be mostly discussed here) and for familiar affects. It is also—in Lacanian terms—a desire from the Other: the desire to be the object of the Other’s desire, emotions an
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Costello, Moya. "Reading the Senses: Writing about Food and Wine." M/C Journal 16, no. 3 (June 22, 2013). http://dx.doi.org/10.5204/mcj.651.

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"verbiage very thinly sliced and plated up real nice" (Barrett 1)IntroductionMany of us share in an obsessive collecting of cookbooks and recipes. Torn or cut from newspapers and magazines, recipes sit swelling scrapbooks with bloated, unfilled desire. They’re non-hybrid seeds, peas under the mattress, an endless cycle of reproduction. Desire and narrative are folded into each other in our drive, as humans, to create meaning. But what holds us to narrative is good writing. And what can also drive desire is image—literal as well as metaphorical—the visceral pleasure of the gaze, or looking and
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Hyndman, David. "Postcolonial Representation of Aboriginal Australian Culture." M/C Journal 3, no. 2 (May 1, 2000). http://dx.doi.org/10.5204/mcj.1836.

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Representation of Aboriginality in National Geographic In trafficking images of cultural difference, National Geographic has an unrivalled worldwide reach to over 37 million people per issue. Over the past 25 years, 48 photographs of Aboriginal Australians have appeared in 11 articles in the magazine. This article first examines how the magazine has exoticised, naturalised and sexualised Aboriginal Australians. By deploying the standard evolutionary model, National Geographic typically represents Aboriginal Australians as Black savages relegated to the Stone Age. In the remote outback "Arnhem
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Drummond, Rozalind, Jondi Keane, and Patrick West. "Zones of Practice: Embodiment and Creative Arts Research." M/C Journal 15, no. 4 (August 14, 2012). http://dx.doi.org/10.5204/mcj.528.

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Introduction This article presents the trans-disciplinary encounters with and perspectives on embodiment of three creative-arts practitioners within the Deakin University research project Flows & Catchments. The project explores how creative arts participate in community and the possibility of well-being. We discuss our preparations for creative work exhibited at the 2012 Lake Bolac Eel Festival in regional Western Victoria, Australia. This festival provided a fertile time-place-space context through which to meet with one regional community and engage with scales of geological and histori
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Dissertations / Theses on the topic "Portrait photography – Australia"

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Fiveash, Tina Dale Media Arts College of Fine Arts UNSW. "The enigma of appearances: photography of the third dimension." 2007. http://handle.unsw.edu.au/1959.4/44259.

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The Enigma of Appearances is an examination into the medium of three-dimensional photography, with particular focus on the technique of stereoscopy. Invented in the mid-Victorian era, stereoscopy was an attempt to simulate natural three-dimensional perception via a combination of optics, neurology, and a pair of dissimilar images. Whilst successful in producing a powerful illusion of spatial depth and tangibility, the illusion produced by stereoscopy is anything but ??natural??, when compared to three-dimensional perception observed with the naked eye. Rather, stereoscopic photography creates
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Books on the topic "Portrait photography – Australia"

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(Australia), National Portrait Gallery. Mirror with a memory: Photographic portraiture in Australia. Parkes, Canberra, A.C.T: National Portrait Gallery, 2000.

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Art Gallery of New South Wales, ed. Half light: Portraits from black Australia. Sydney, NSW: Art Gallery of New South Wales, 2008.

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Faigan, Julian. Uncommon Australians: Towards an Australian portrait gallery. Sydney, N.S.W., Australia: Art Exhibitions Australia, 1992.

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Lawrence, Michel. Framed: Photographs of Australian artists. South Yarra, Vic: Hardie Grant Books, 1998.

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Frank, Moorhouse, and White Jill, eds. Dupain's Australians. Neutral Bay, N.S.W: Chapter & Verse, 2003.

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Weight, Greg. Australian artists: Portraits. Neutral Bay, N.S.W: Chapter & Verse, 2004.

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Stafford, Sue. Women with wings: Portraits of Australian women pilots. Sydney: Powerhouse Publishing, 2002.

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John, Ogden. Australienation: Portrait of a bi-cultural country. Avalon Beach, N.S.W: Cyclops Press, 1999.

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Shadows in the dust: A contemporary portrait of Aboriginal station life. Glebe, New South Wales, Australia: Wild Pony Pty Ltd, 1997.

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John, Ogden. Australienation: Two decades in the life after the dreaming. Victoria: Art School Press, 1991.

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