Relevant bibliographies by topics / Porträtt

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Porträtt'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Porträtt.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Porträtt"

1

Stendahl, Brita, and Birgitta Trotzig. "Porträtt: Ur tidshistorien." World Literature Today 68, no. 4 (1994): 839. http://dx.doi.org/10.2307/40150740.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Murto, Lasse, and Jorma Niemelä. "Porträtt av den Finske Spelaren." Nordisk Alkoholtisdkrift (Nordic Alcohol Studies) 11, no. 4 (August 1994): 213–21. http://dx.doi.org/10.1177/145507259401100412.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Danielsson, Arne. "Kristinas Alexanderfixering, återspeglad i hennes porträtt." Konsthistorisk Tidskrift/Journal of Art History 61, no. 1-2 (January 1992): 45–57. http://dx.doi.org/10.1080/00233609208604306.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Qvarnström, Ludwig. "Historiska porträtt som kunskapskälla: samlingar, arkiv och konsthistorieskrivning." Konsthistorisk tidskrift/Journal of Art History 87, no. 1 (July 19, 2017): 60–63. http://dx.doi.org/10.1080/00233609.2017.1351487.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Reuterswärd, Patrik. "Två fullödiga verk av Nils Jakob Blommér:Angsälvoroch ett makalöst porträtt." Konsthistorisk Tidskrift/Journal of Art History 65, no. 4 (January 1996): 207–16. http://dx.doi.org/10.1080/00233609608604414.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Cvetnić, Sanja. "Dva portreta Beatrice Frankapan (?): rod i red." Radovi Instituta za povijest umjetnosti, no. 42 (January 2019): 85–94. http://dx.doi.org/10.31664/ripu.2018.42.06.

Full text
Abstract:
Članak obrađuje dva portreta na kojima je vjerojatno prikazana Beatrica Frankapan (Modruš ?, oko 1480. – ? 1510.) s ordenom Labudova reda (njem. Schwanenorden). Prema literaturi, berlinski portret nalazio se u zbirci njemačkoga Krunskoga princa (Fridrik III. Pruski), a nakon 1918. godine otuđen je i s vremenom zaboravljen. Drugi je portret nazvan ‘admontski’ prema benediktinskom samostanu u Admontu, ali arhivske provjere pokazuju da ne potječe iz njega. Bio je na pohrani u Joanneumu u Grazu od prije 1903. do 1935. godine, a od tada je u zbirci Thyssen-Bornemisza, prvo u Castagnoli kraj Lugana, a sada u Madridu. Pripisan je neznanome njemačkom slikaru, djelatnome u Ansbachu, odakle je rodom drugi suprug Beatrice Frankapan, Juraj Brandenbuški iz kuće Hohenzollern i gdje je središte južnoga ogranka viteškoga Labudova reda. U 18. stoljeću ženski lik na tom portretu protumačen je kao sv. Ema Krška (njem. Hl. Hemma von Gurk). Bio je predloškom za brojne kopije u Štajerskoj, Koruškoj i Kranjskoj (slikarske, kiparske i grafičke), među kojima su dva grafička prikaza sačuvana i u Grafičkoj zbirci Hrvatskoga državnoga arhiva u Zagrebu. U austrijskoj literaturi takvi prikazi sv. Eme Krške, nastali kao kopije ‘admontskoga’, odnosno madridskoga portreta, za koji je moguće pretpostaviti da prikazuje Beatricu Frankapan, zovu se Frangepani-Typus. Causa occasionalis za madridski portret mogla je biti udaja za Jurja Brandenburškoga 1509. godine, što određuje dataciju slike Portret Beatrice Frankapan (?).
APA, Harvard, Vancouver, ISO, and other styles
7

Nowiński, Janusz. "Opat Lądu Jan Zapolski, inicjator barokowej przebudowy, wystroju i wyposażenia kościoła Najświętszej Maryi Panny i św. Mikołaja w Lądzie, i jego portret." Artifex Novus, no. 4 (March 9, 2021): 68–85. http://dx.doi.org/10.21697/an.7926.

Full text
Abstract:
Jan Zapolski (1619–1689) herbu Pobóg w 1643 r. został opatem cysterskiego opactwa w Lądzie; wcześniej był kanonikiem katedry krakowskiej i sekretarzem króla Władysława IV. W 1661 r. kapituła cysterskiej prowincji wybrała go wikariuszem generalnym i komisarzem Polskiej Prowincji Cystersów, pełnił ten urząd przez 28 lat – do śmierci. W styczniu 1651 r. opat Zapolski podpisał z architektem Tomassem Poncinem kontrakt na remont i rozbudowę gotyckiego klasztornego kościoła w Lądzie. Konflikt z niesumiennym architektem i proces sądowy zatrzymały tę inwestycję. W 1679 r. Zapolski zdecydował się wznieść w Lądzie nowy kościół według planów królewskiego architekta Giuseppe Simone Bellottiego. Do 1687 r. zbudowano prezbiterium i transept nowego kościoła. Sklepienia udekorowały stiuki wykonane przez włoskich sztukatorów według projektu Bellotiego, w prezbiterium ustawiono stalle – dzieło warsztatu brata Bartłomieja Adriana. Prawdopodobnie w 1687 r. powstał portret Jana Zapolskiego, na którym opat trzyma plan nowego kościoła w Lądzie. Autorem portretu jest prawdopodobnie cysterski malarz Łukasz Latkowski. Portret ten stał się wzorem dla innych wizerunków: portretu trumiennego Zapolskiego (1689); jego wizerunku w Sali Opackiej klasztoru (1722); portretu opata Mikołaja A. Łukomskiego (1747). Summary: Jan Zapolski (1619–1689) of the Pobóg coat of arms in 1643 became the abbot of the Cistercian abbey in Ląd; previously he was a canon of the Krakow cathedral and secretary of King Władysław IV. In 1661 the Cistercian chapter of the province elected him vicar general and commissars of the Polish Cistercian Province, he held this office for 28 years – until his death. In January 1651 abbot Zapolski signed a contract with the architect Tomasso Poncino for the renovation and expansion of the Gothic monastery church in Ląd. The conflict with the unscrupulous architect and the lawsuit stopped this investment. In 1679 Zapolski decided to build a new church in Ląd according to the plans of the royal architect Giuseppe Simone Bellotti. Until 1687 the presbytery and the transept of the new church were built. The vaults were decorated with stuccoes made by Italian stucco makers according to the design of Bellotti (figs. 3–4); stalls were placed in the presbytery - the work of the workshop of brother Bartholomew Adrian (fig. 5). Probably in 1687 a portrait of Jan Zapolski was created (fig. 2), on which the abbot holds a card with a plan for a new church in Ląd. The author of the portrait is probably the Cistercian painter Łukasz Latkowski. This portrait became a model for other images: the coffin portrait of Zapolski (1689; fig. 8), his image in the Abbey Hall (Sala Opacka) of the monastery (1722; fig. 9); portrait of abbot Mikołaj A. Łukomski (1747; fig. 10).
APA, Harvard, Vancouver, ISO, and other styles
8

Vrhunc, Larisa. "Sisyphean Beauty: A Portrait of Uroš Rojko." Musicological Annual 53, no. 1 (June 23, 2017): 243–48. http://dx.doi.org/10.4312/mz.53.1.243-248.

Full text
Abstract:
Leon Stefanija. Sisyphean Beauty: A Portrait of Uroš Rojko. [Sizifovsko lépo: Portret Uroša Rojka.] (Ljubljana: Znanstvena založba Filozofske fakultete (Razprave FF), 2016. 201 pp. 19,90 €. ISBN: 9789612378653.)
APA, Harvard, Vancouver, ISO, and other styles
9

Murayama, Isamitsu. "Intermediale Wechselwirkung von Text und Bild zur Stilisierung einer idealen Märchenerzählerin." Fabula 60, no. 3-4 (November 1, 2019): 217–43. http://dx.doi.org/10.1515/fabula-2019-0015.

Full text
Abstract:
Zusammenfassung Das Frontispizbildnis der Dorothea Viehmann zu den Kinder- und Hausmärchen untermauert zusammen mit den wissenschaftlichen Texten der Brüder Grimm die Authentizität der mündlichen Märchen als ein kulturelles Gedächtnis. Anhand der drei Fassungen dieses Porträts ist auch eine enge Wechselwirkung zwischen der Grimm’schen Beschreibung der Erzählerin und ihrer Visualisierung durch Ludwig Emil Grimm festzustellen, in das auch physiognomische Betrachtungsweisen, orientalistische Stereotypisierungen und Trauerarbeit mit hineinspielen. Somit konstruieren und stabilisieren die Brüder Grimm eine ideale Erzählerin, und das Porträt selbst wird damit zum kulturellen Gedächtnis.
APA, Harvard, Vancouver, ISO, and other styles
10

Schillings, Pascal. "Roald Amundsen. Ein biographisches Porträt (Roald Amundsen: A biographical portrait)." Polar Geography 35, no. 1 (March 2012): 85–87. http://dx.doi.org/10.1080/1088937x.2011.654359.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Porträtt"

1

Schwan, Minna. "Oscar Wildes porträtt : En receptionsanalys av Oscar Wildes Dorian Grays porträtt i svensk press." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-166785.

Full text
Abstract:
Uppsatsens syfte är att undersöka recensionerna av Oscar Wildes Dorian Grays porträtt i svenska dagstidningar under utgivningsåret av den svenska översättningen (1905). Utöver att dagspressens artiklar analyseras, ges en djupare inblick av Wildes mottagande genom en undersökning av andra artiklar om Wilde år 1905, av arbetarpressens mottagande och Uppsala Universitetsbiblioteks intag av boken. Genom detta ses samtidens attityder till Wilde och hans författarskap.
APA, Harvard, Vancouver, ISO, and other styles
2

Göth, Nilsson Annika. "Konsumtionskulturen : Ett porträtt i tiden." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-403483.

Full text
Abstract:
The purpose of this essay is to examine documentary photographs using art-science methods. The subject of the analyzes is photographer Lauren Greenfield’s project Generation Wealth, which reflects the Western consumer culture of our time. From a social-constructivist perspective, three photographs from this 25-year project are examined. These three photographs follow the theme of money and portray three different occasions that are not related to each other, but which are linked here as three subsequent steps in the theme. With the help of Erwin Panofsky's iconological interpretation model, the photographs are examined to reach a deeper meaning than merely documents about an event or of specific individuals. The iconological interpretation helps to put the photographs in a wider context which makes them symbols of our time. On the basis of the preparatory analyzes, connections are made with art historical works that both visually and contextually becomes keys in the interpretation. The photography of Phoebe 17 years becomes a symbol of the role of young people, especially girls, as objects in a consumer system. Eli Broad Dinner Party symbolizes how money controls the art market while this photograph also play with gender order. The photograph of Florian Homm becomes evidence of the emptiness that comes with the quest to constantly achieve financial success.  The analyzes also discuss the division between documentary photography and art photography with the conclusion that such a division inhibits the photograph's sub-meanings. Such a division becomes a clear sign of social constructions and it’s need to categorize and place them in different fields. The essay discusses photography as a reality portrayal. This is a complex discussion which determines of the context in which the photograph is located. By simultaneously seeking an understanding of photography as a medium and by reading photography as a text, the photographs shows how social constructs are inherited and contribute to standards that keep people trapped in the culture of consumption.
APA, Harvard, Vancouver, ISO, and other styles
3

Nystedt, Magnus. "Samvetsgranna porträtt är alltid en god skola : En ikonologisk tolkning av fyra porträtt målade av Ivan Aguéli." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-445093.

Full text
Abstract:
This thesis concerns four portraits painted in the 1890s by the Swedish artist Ivan Aguéli (1869-1917). Based in hermeneutics and using Erwin Panofsky's model for iconological interpretation, the study tries to answer three questions: What characterizes Aguéli’s portraiture? In what way do the portraits display a certain artistic style? And what similarities can be seen between Aguéli’s portraits and his landscapes. The four paintings analyzed are Flicka i blått - Girl in blue (1890), Ung kvinna - Young woman (1891), Gosse - Boy (1891), and Kvinna med hatt och pälskrage - Woman with hat and fur collar (1890s). Key among the findings of the study are that one of the characteristics of the portraits is that of spirituality, specifically the monotheism Aguéli had picked up from Emanuel Swedenborg. This is present in two of the paintings in the form of shapes symbolising a layered sky. Also the particular way Aguéli painted the eyes of his models points to a spirituality. This also ties the portraits in with Aguéli’s landscapes, several of which has a similarly layered sky. Another characteristic is that of identity, and the study raises the question of whether one portrait could be a self portrait. Finally, in terms of artistic style, several portraits display signs of the symbolism Aguéli encountered in France, as well as an early sign of cubism in his paintings.
APA, Harvard, Vancouver, ISO, and other styles
4

Camarillo, Michelini Liliana. "Från perifert till centralt : undersökning av åtta rörliga porträtt." Thesis, Konstfack, Institutionen för Bildpedagogik (BI), 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-4746.

Full text
Abstract:
Denna undersökning är baserad på min egen serie av åtta rörliga porträtt av ungdomar och hur de uttrycker sig framför kameran i varje porträtt. Syftet med studien är att undersöka vad ungdomarna uttrycker när de står och poserar framför kameran i ett rörligt porträtt (Moving Portrait). Jag ville även få djupare kunskaper i hur resultatet av min egen forskningsprocess kan användas av mig i min profession som mediepedagog och bildlärare. Jag har baserat undersökningen på en etnografiskt inspirerad metod och utifrån olika samtal, inspelningar av ljud och bild gjort en analys som har fokus på hur de olika modellerna uppträdde framför kameran och hur de valde att representera sin identitet under cirka en minuts tid. De teoretiska synsätten utgår från socialkonstruktionismens teorier. Jag ville använda det rörliga porträttet som en fri plats där modellerna kunde använda ett rum där de var kapabla att representera sin identitet. I porträttserien ville jag undersöka sammanhanget som de är tagna i. Detta gjordes genom att vara med i en ganska sluten grupp i Bagarmossen. Själva undersökningen bygger på porträtten där var och ett har sitt eget värde som självstående porträtt men är även en del av en serie. Varje porträtt visar inte bara en modell som står framför kameran utan olika moment som ger också utrymme till att modellen förändrar sitt uttryckssätt över tiden. Resultatet av min studie visar på att kameran är ett användbart medel för att kunna arbeta även i grupper som verkar svårtillgängliga eftersom kameran är ett välbekant objekt för modellerna. Genom att använda rörliga bilder kunde jag även synliggöra hur modellerna uttryckte sin identitet framför kameran. Studien belyser hur deras identitet skapas av den kulturen och tidsperioden de lever i. Eftersom de rörliga porträtten fångar in flera moment kunde jag studera dessa faktorers betydelse i ungdomarnas identitetskonstruktionen.
APA, Harvard, Vancouver, ISO, and other styles
5

Vass, Monika, and Linnéa Olsson. "Känner du igen dig? : Hur intervjupersoner tycker att de framställs i Barometerns porträttintervjuer samt hur deras förtroende för lokaljournalister ser ut." Thesis, Linnéuniversitetet, Institutionen för samhällsvetenskaper, SV, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-10583.

Full text
Abstract:
The purpose of this study was to investigate how the interviewed people feel about being described in portrait interviews and how exactly it matches with their own image of the interview. The main issues were: Do they recognize themselves in the published article? If they don’t, what do they think it depends on? If they had the opportunity to read the article text before publishing, to what extent were they allowed to make changes to the text? Do the interviewees trust the local papers? This report involves a qualitative study on portrait interviews from the local newspaper Barometern. The articles were selected between June and November this year. The criteria for the selection of articles were that it was to deal with a single person and there be one photograph of this person in the article as well. The last criterion was that the text comprise at least 2000 characters. Personal interviews were undertaken with the people who had been portraited. In total 12 persons were interviewed. The study shows that interviewed people were overall pleased with the article and the way they had been presented. About half of the interviewed persons read the article before publishing and most of them were free to make changes to the text, though there were a few that weren´t allowed this opportunity. If there had been some things wrong in the articles most of them were about factual errors. Peoples’ trust in local journalists were greater than in journalists in larger cities, which was assumed, but most of the people had a certain scepticism when it came to trust in media in general.
APA, Harvard, Vancouver, ISO, and other styles
6

Bredberg, Eva. "Dräkt och pose i porträtt : En analys av posens fiktion och dräktens avbildning i tre porträtt föreställande Herman Wrangel (1584 - 1643)." Thesis, Södertörns högskola, Konstvetenskap, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-34494.

Full text
Abstract:
This study is concerned with portraiture as a roleplay and a strategy to communicate the sitter´s identity to affect the viewer. Focusing on the sitter´s pose and the depiction of dress, the study examines three portraits between 1624 and the 1630s, representing Herman Wrangel (1584–1643), Field Marshal and Councilor of the Realm. The analysis is based on the concept, the fiction of the pose, developed by Harry Berger Jr. The idea of Theatricality discussed by Hanneke H Grootenboer´s is also used. The results show that dress, details of dress and the pose which are significant for the identity of the sitter are depicted with emphasis. Therefore, the dress and the pose have a key role in the depiction of the sitter acting his identity. The sitter acts before the artist and in the long run before the beholder. The portrait of the nobleman becomes a monologue for the beholder who can confirm the nobility´s role in society.
Uppsatsen handlar om hur porträttmåleri som ett rollspel och en strategi för förmedling av den avporträtterades identitet till betraktaren. Tre porträtt från perioden 1624–1630, föreställande Herman Wrangel (1584–1643) fältmarskalk och riksråd, har analyserats med fokus på den avporträtterades pose och dräktens avbildning med stöd i begreppet the fiction of the pose, baserat på Harry Berger Jr teori. Vidare används begreppet teatrikalitet, som det diskuteras av Hanneke H Grootenboer. Undersökningen visar att dräkt och dräktdetaljer samt poser som är betydelsefulla, för den avporträtterades identitet, framställs med emfas. Därmed spelar dräkten och posen en viktig roll i den avporträtterades framställan. Den avporträtterade agerar inför konstnären och i förlängningen inför betraktaren. Porträttet av adelsmannen blir en uppvisning, en monolog inför betraktaren som kan bekräfta adelsmannens roll i den sociala hierarkin.
APA, Harvard, Vancouver, ISO, and other styles
7

Ernfridsson, Patrik. "Äldre och teknik: Fyra porträtt som grund för IT-design." Thesis, Linköping University, Department of Computer and Information Science, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-1970.

Full text
Abstract:

I detta arbete undersöks äldre personers förhållande till den teknik de möter i vardagen. Statistik visar att det i åldersgruppen 65–84 år, jämfört med de yngre åldersgrupperna, är betydligt färre personer som har hemdator. Avsikten med studien var att kvalitativt utforska vad som ligger bakom sådana och liknande förhållanden. Omständigheter som kan vara av betydelse vid utveckling av teknik för äldre människor.

Etnografiskt inspirerade fallstudier genomfördes hos fyra ej yrkesverksamma personer i åldrarna 65 till 75 år. Det empiriska arbetet har i huvudsak inneburit observationer tillsammans med deltagarna och halvstrukturerade kvalitativa intervjuer. Momenten har genomförts i deltagarnas hem.

I syfte att göra resultaten lättillgängliga har dessa utformats som porträtt skrivna i jagform. Tanken med porträtten är att de ska kunna användas som idé- och designstöd i samband med utveckling av teknik för personer i situationer som liknar deltagarnas.

Praktiskt, estetiskt, symboliskt, socialt och affektivt bruk har varit utgångspunkter vid analysen som genomförts med porträtten som underlag. Ur analysen framträdde ett antal bruksvärden. Dessa avser de positiva eller negativa värden som bruk av någon teknik innebär för brukaren. Bruksvärden som umgänge, åtnjuta information och nöje, effektivitet och trygghet, avgör brukarens förhållande till tekniken.

Några av slutsatserna i studien är: att trygghet är ett centralt bruksvärde deltagarna upplever i mobiltelefonbruket, att deltagarna har ett mycket begränsat intresse för hemdatorer, att barnen spelar, som anskaffare, påverkare och stöd, en viktig roll för deltagarna vad gäller tekniken i vardagen.

APA, Harvard, Vancouver, ISO, and other styles
8

Tolentino, Felicia. "Porträtt av ett landskap : Vera Friséns gestaltning av naturen i Västerbotten." Doctoral thesis, Umeå University, Department of culture and media studies, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-1622.

Full text
Abstract:

The present dissertation deals with the artistry of the Swedish artist Vera Frisén (1910-1990). The emphasis is being put on her landscape paintings from Västerbotten, in the northern parts of Sweden, but also includes self-portraits from her early years as a painter. Vera Frisén was born in Umeå, but lived more than half her life in Stockholm. During springtime and summer, she did however return to Västerbotten and the vil¬lages of Stöcksjö and Kolksele, where she painted the majority of her landscape paintings.

The study has been given a chronological frame, where the first part sketches out the contexts and environments that came to have an influence on Vera Frisén and her artistic development. Consequently, the thesis starts with a brief biographical presen¬tation, but then moves forward to issues more central to the subject. Important as¬pects are for example her years as a student in the art academy of Otte Sköld in Stockholm during the late 1920’s, and her first separate exhibition at the gallery Färg & Form in 1941. Other issues that are being illuminated in the study are the artistic and cultural conditions in Vera Friséns hometown Umeå. The discussion mainly cen¬ters on issues that took place during the 1930’s and the 1940’s – the time when Vera Frisén established herself as an artist.

The second part of the dissertation includes analyses of Vera Friséns paintings. In the search of concepts that further can explain the more profound existential values in her work, the study also links the themes in her paintings to other painters in the his¬tory of landscape painting. Concepts central for discussion are for example the aes¬tethical and philosophical issue of the sublime, as it is formulated in the discourse of Immanuel Kant during the late 18th century. Thoughts expressed by other artists, writers and philosophers, linked to Vera Friséns own thoughts on the subject, are also valuable instruments in gaining a deeper understanding of her work.

APA, Harvard, Vancouver, ISO, and other styles
9

Fernau, Mia. ""You are born naked and the rest is drag" : fiktiva porträtt." Thesis, Konstfack, Grafisk Design & Illustration, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-4816.

Full text
Abstract:
Hur kan jag motverka genusnormer och stereotypa bilder av manligt och kvinnligt i mina illustrationer? Jag har tecknat fiktiva porträtt av barn som står utanför den normativa bilden av genus och jag har även undersökt femininitet genom att teckna män. I porträtten har jag laborerat med hur små och stora nyanser kan ändra hur vi läser karaktären och bilden
APA, Harvard, Vancouver, ISO, and other styles
10

Emanuelsson, Fredrik. "Igenkänningen av förändrade porträtt : Kan förändring i proportioner hjälpa oss att minnas ansikten?" Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-9775.

Full text
Abstract:
Det är tydligt att utseende påverkar vilka ansikten människor kommer ihåg och inte. Skulle det gå att öka eller minska igenkännbarheten genom att utföra små ändringar i ansikten mellan de tillfällen en person ser dessa? I denna undersökning har jag analyserat resultat från undersökningar genomförda av 170 personer och och kommit fram till att det är möjligt till en viss grad. Ytterligare extensiv forskning bör visserligen ske innan man kan bekräfta dessa studier, men skulle så bli fallet kan detta potentiellt påverka hur karaktärer i spel och andra medium designas.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Porträtt"

1

Östergren, Klas. Tre porträtt. [Sweden]: Albert Bonniers Förlag, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Skiftande speglar: Essäer & porträtt. Umeå: H:ström-Text & Kultur, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Uppenbarelser: Skriverier och porträtt. Göteborg: Daidalos, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Malmborg, Ingvar von. Scenljus: Porträtt av sex Stockholmsteatrar. Stockholm: Stockholmia Förlag, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Folk jag aldrig mött: Porträtt. Stockholm: Svenska humanistiska förbundet, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Lönnqvist, Bo. Alma Söderhjelm: Ett litteraturantropologiskt porträtt. S.l.]: Svenska folkskolans vänner, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

H.K.H. Victoria: Ett personligt porträtt. Stockholm: Norstedts, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Montan, Ulla. Författare i bild: Porträtt 1981-2014. Lund]: Ellerströms, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Elisabeth, Tarras-Wahlberg, ed. Carl XVI Gustaf: Porträtt i tiden. [Stockholm]: Ekerlid, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Wigh, Leif. Anna Riwkin: Porträtt av en fotograf. Stockholm, Sweden: Moderna museet, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Porträtt"

1

Jäkel-Wurzer, Daniela, and Kerstin Ott. "Porträts." In Töchter im Familienunternehmen, 75–178. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-662-44333-0_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Krügel, Katharina. "Porträts." In Goethe Handbuch, 868–70. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03656-8_78.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Walter, Franz. "Ungleiche Porträts." In Vom Milieu zum Parteienstaat, 13–50. Wiesbaden: VS Verlag für Sozialwissenschaften, 2010. http://dx.doi.org/10.1007/978-3-531-92213-3_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

"Porträt im Porträt." In Verfilmte Autorschaft, 193–204. transcript-Verlag, 2020. http://dx.doi.org/10.14361/9783839450635-013.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

"Porträts." In Martin Luther, edited by Alberto Melloni, 1543–620. Berlin, Boston: De Gruyter, 2017. http://dx.doi.org/10.1515/9783110498745-076.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

"Porträts." In Brigitte Desalm, edited by Rolf Aurich and Wolfgang Jacobsen, 232–98. edition text + kritik im Richard Boorberg Verlag, 2015. http://dx.doi.org/10.5771/9783869169248-232.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

"Porträts." In Hans Siemsen, edited by Rolf Aurich and Wolfgang Jacobsen, 250–71. edition text + kritik im Richard Boorberg Verlag, 2012. http://dx.doi.org/10.5771/9783869169200-250.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

"Porträts." In Geschichte der Venezianischen Malerei. Wien: Böhlau Verlag, 2015. http://dx.doi.org/10.7767/9783205201786-004.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

von Müler, Achatz. "Porträts." In Dante, 195–201. Wallstein Verlag, 2021. http://dx.doi.org/10.5771/9783835347533-195.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

"Porträt:." In Von der Fürsorge in die Soziale Arbeit, 245–76. Verlag Barbara Budrich, 2006. http://dx.doi.org/10.2307/j.ctvkjb2kd.10.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Porträtt"

1

Ohnmacht, Tina. "Family portrait." In ACM SIGGRAPH 2008 computer animation festival. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1400468.1400498.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Brewer, Robin N., Moritz Gellner, and Anne Marie Piper. "Portrait pigeon." In UbiComp '14: The 2014 ACM Conference on Ubiquitous Computing. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2638728.2638793.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Tobreluts, Olga. "Family portrait." In ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.281509.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Redko, Anatoliy Maksimovich. "A Portrait." In International Research-to-practice conference. TSNS Interaktiv Plus, 2020. http://dx.doi.org/10.21661/r-530674.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Trujillo-Pisanty, Diego, Abigail Durrant, Sarah Martindale, Stuart James, and John Collomosse. "Admixed portrait." In DIS '14: Designing Interactive Systems Conference 2014. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2598510.2602962.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Durrant, Abigail C., David S. Kirk, Diego Trujillo-Pisanty, and Sarah Martindale. "Admixed Portrait." In CHI '18: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3173574.3173586.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Legler, Charlcie. "Digital self-portrait." In ACM SIGGRAPH 98 Conference abstracts and applications. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/280953.281424.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Kang, Eddie. "Digital self-portrait." In ACM SIGGRAPH 98 Conference abstracts and applications. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/280953.281477.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

McCartney, Erin. "Digital self-portrait." In ACM SIGGRAPH 98 Conference abstracts and applications. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/280953.284833.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Ning, Ye, and Terence Sim. "Interactive Portrait Art." In 2008 IEEE Workshop on Applications of Computer Vision (WACV). IEEE, 2008. http://dx.doi.org/10.1109/wacv.2008.4543998.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Porträtt"

1

Bailey, Jody, Daniel Babb, Shamir Banks, Tyler Dvorak, Tom Gruis, Xiao Luo, and Rose Phillips. Sustainable Dubuque 2012: Portrait of Poverty Study. University of Iowa, 2012. http://dx.doi.org/10.17077/x66q-kdx9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Kamal, Fariha. A Portrait of U.S. Factoryless Goods Producers. Cambridge, MA: National Bureau of Economic Research, October 2018. http://dx.doi.org/10.3386/w25193.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Watson, Dorothy, Oona Kenny, Frances McGinnity, and Helen Russell. A social portrait of Travellers in Ireland. ESRI, January 2017. http://dx.doi.org/10.26504/rs56.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Benowitz, June. Grace Wick : portrait of a right-wing extremist. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5673.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Mighetto, Lisa, and Heather L. Miller. A Portrait of the Tribal Liaison Program, 1987-2005. Fort Belvoir, VA: Defense Technical Information Center, January 2005. http://dx.doi.org/10.21236/ada635729.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Turner, R. J. W., C. M. Mougeot, C. F. Roots, J. J. Clague, and R. Franklin. Géopanorama de Whitehorse : portrait géologique d'une collectivité du Yukon. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2003. http://dx.doi.org/10.4095/214248.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Johnson, Robert, and Guillermo Noguera. A Portrait of Trade in Value Added over Four Decades. Cambridge, MA: National Bureau of Economic Research, December 2016. http://dx.doi.org/10.3386/w22974.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Timmons, Jeffrey. Theory and Poetry: John Ashbery's "Self-portrait in a Convex Mirror". Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6774.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Baldwin, Richard, and Javier Lopez-Gonzalez. Supply-Chain Trade: A Portrait of Global Patterns and Several Testable Hypotheses. Cambridge, MA: National Bureau of Economic Research, April 2013. http://dx.doi.org/10.3386/w18957.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Abramovsky, Laura. Global engagement in R&D: a portrait of biopharmaceutical patenting firms. Institute for Fiscal Studies, July 2015. http://dx.doi.org/10.1920/wp.ifs.2015.1518.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Porträtt' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography