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Journal articles on the topic 'Portuguese Historical poetry'

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1

Garmes, Helder. "A poesia nas histórias da literatura goesa de língua portuguesa." Navegações 9, no. 2 (2017): 136. http://dx.doi.org/10.15448/1983-4276.2016.2.23843.

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A ex-colônia portuguesa de Goa, na Índia, teve uma significativa e hoje pouco conhecida produção poética em língua portuguesa. Ainda que parcamente estudada, mereceu a atenção de alguns historiadores e críticos. O presente artigo realiza um percurso por esses textos históricos e críticos que procuraram traçar um panorama da poesia goesa de língua portuguesa. Pretende-se reunir neste trabalho as poucas tentativas de se narrar essa história e, assim, sistematizar a historiografia acerca dessa poesia e chegar a delinear um panteão mais preciso desses poetas nos séculos XIX e XX. Busca-se também a
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2

Frias, Joana Matos. "O olhar responsável e a ética da comunicabilidade na poesia portuguesa pós-modernista." Revista do Centro de Estudos Portugueses 34, no. 52 (2014): 135. http://dx.doi.org/10.17851/2359-0076.34.52.135-162.

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<p>Reconstituição histórico-crítica dos principais aspectos humanistas e interventivos da poesia e da poética de Ruy Cinatti e dos poetas reunidos em torno dos Cadernos de Poesia. O ensaio pretende identificar e reflectir sobre os processos testemunhais da poesia portuguesa dos anos 40-50 do século XX, a partir da leitura de textos programáticos dos autores mais decisivos da época.</p> <p>Historical-critical reconstitution of the main aspects humanist and interventional of poetry and the poetic of Ruy Cinatti and others poets gathered around Cadernos de Poesia. The essay inte
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3

Silveira, Jorge Fernandes Da. "Poesia 61 um acontecimento na história da poesia do século XX em Portugal." Cadernos de Linguística e Teoria da Literatura 6, no. 12 (2016): 121. http://dx.doi.org/10.17851/0101-3548.6.12.121-143.

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Resumo: Leitura das principais publicações do Modernismo Português no campo da criação e da reflexão poéticas para que, através de uma perspectiva histórica, se avalie com justeza o lugar de Poesia 61 na lírica contemporânea.Abstract: This essay is concerned with the principal publications of the creation and reflexion of modern Portuguese poetry from a historical perspective. It's objective is to show the importance and established place of Poesia 61 in the contemporary Portuguese poetry.
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4

Kalewska, Anna. "António Feijó i Leopold Staff – poetyckie wizje Orientu na tle polsko-portugalskich relacji literackich i kulturalnych (od parnasizmu do palimpsestu)." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 21 (December 23, 2021): 167–200. http://dx.doi.org/10.24917/20811853.21.10.

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The article aims to discuss the Chinese culture inspirations in Polish and Portuguese modernist poetry. In the context of Polish-Portuguese literary relationships, late Romantic, Symbolic, Parnassianism-related and Oriental tendencies are presented in the works of a Portuguese poet Antón Feijó (1859–1917), with references to a selected aspect of Leopold Staff’s works (1878–1957). A historical-literary analysis is accompanied by literary and cultural comparative studies. Within the comparative method of presenting the Parnassian palimpsests, as 'The Chinese Lyric Book' ('Cancioneiro Chinês', 18
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5

Sanyal, Sovon. "Trailing the Growth from Nativism to Africanity in Lusophone African Poetry." Lingua Cultura 4, no. 2 (2010): 117. http://dx.doi.org/10.21512/lc.v4i2.357.

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Article explored the development of African poetry, that is from nativism to be Africanity, in Lusophone African poetries. The study used library research by analysing the impact of printing press, public education, and freedom of expression emergences toward literary activities in Portuguese colonies in Africa. In this regard ethnological and historical studies on the colonies had an important role to play for the later development of nationalism among the colonised African peoples. Article’s discussion concerned with describing proper literary activities in Portuguese began in the Lusophone
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6

Cirne, Matthews Carvalho Rocha. "Intertextualidade e transgressão na poesia experimental portuguesa / Intertextuality and Transgression in the Experimental Portuguese Poetry." Revista do Centro de Estudos Portugueses 40, no. 63 (2020): 89. http://dx.doi.org/10.17851/2359-0076.40.63.89-106.

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Resumo: A poesia experimental encontra-se constantemente vinculada às obras ensaísticas dos autores que integraram o movimento, em suas diversas fases. Este artigo tem por objetivo compreender a poética de E. M. de Melo e Castro através dos seus ensaios. O ponto de partida será o livro Literatura portuguesa de invenção (1984), do qual serão destacados alguns pontos de interesse, que são a transgressão e a intertextualidade. Buscaremos ainda traçar as fronteiras existentes entre o poema e o ensaio, bem como a relação de ambos com os movimentos de vanguarda e o mecanismo inventivo denominado poe
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7

Frias, Joana Matos. "Ao terror do outro respondemos com pedradas cegas: notas sobre o desconforto na poesia portuguesa contemporânea." Revista do Centro de Estudos Portugueses 34, no. 51 (2014): 25. http://dx.doi.org/10.17851/2359-0076.34.51.25-45.

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<p>Com base numa perspectivação histórico-literária de alguns dos problemas mais prementes da criação poética, em particular os mais directamente relacionados com a responsabilidade ético-cívica do artista, este estudo leva a cabo uma reflexão crítica sobre o discurso poético português contemporâneo. Equacionam-se algumas questões específicas desse discurso, a partir da obra poética de autores como Manuel de Freitas e José Miguel Silva, sobrelevando os dispositivos enunciativos e textuais que marcadamente caracterizam a expressão da poesia portuguesa actual.</p> <p>Based on a
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8

Danylych, V. S. "The formation of national functions of literature of medieval Iberian Romania." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no. 36 (2019): 50–64. http://dx.doi.org/10.17721/2663-6530.2019.36.04.

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The article focuses on the development of national literature in the process of historical evolution of society and its language, historical relations with other cultures which have some influence on the general literary activity in Medieval Iberian Romania. It was singled out the dominating role of epics as the main genre in the majority of occidental and oriental literatures, which confirms the importance of moral and political meaning of military honor which grew to the scale of the ideal of the epoch. It was stated the significant role of borrowed genres, plots, topics, motives from the po
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9

Bergamo, Edvaldo, and Ana Clara Magalhães de Medeiros. "Lixboa revisitada ou o império retornado: a mito-poética da Mensagem (e uma saudade lusíada) n’As naus de Lobo Antunes." Navegações 10, no. 2 (2018): 121. http://dx.doi.org/10.15448/1983-4276.2017.2.23860.

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A experiência histórica portuguesa pós-1974 propiciou a difusão de romances de notável arrojo ético-estético. As naus (1988), de António Lobo Antunes, é prosa que remete à tradição literária enformadora da cultura lusa, em que Os Lusíadas, de Camões, e a Mensagem, de Pessoa, são pilares para o estabelecimento de um grande diálogo mito-poético. Aliando mito e poesia, como propõe o teórico Northrop Frye, à noção de saudade, como traço português inerente (conforme Eduardo Lourenço e Teixeira de Pascoaes), este artigo propõe um estudo comparado do romance de Lobo Antunes especialmente à Mensagem (
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10

VELYCHKO, M., and O. BRATEL. "The role of Andaluzian poetry in the formation and development of the lyrics of the Provencal troubadours." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 26 (2020): 45–48. http://dx.doi.org/10.17721/1728-242x.2020.26.45-48.

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In the review article the theories of the Arabic origin of West European chivalrous poetry were analyzed. The article deals with the problem of the direct interaction between Arabic and European literary traditions, in particular, the probability of the impact of the Arab-Spanish strophic poetry on Provencal troubadour's lyrics and the possibility of the influence of Andalusian poetry on Spanish and Provencal. So that it is established that al-Andalus was a multilingual society in which the Andalusi Romance dialects were spoken and written alongside Arabic. In Europe, and from scholars working
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11

Espino Relucé, Gonzalo. "Oral poetry of the Andes and Amazonia." Cuadernos Iberoamericanos, no. 4 (December 28, 2018): 26–37. http://dx.doi.org/10.46272/2409-3416-2018-4-26-37.

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In the essay I propose to give an account of an ancestral corpus, although new in its outline, since it involves the appearance of the indigenous as a subject of enunciation. I will stop at the abduction of writing as a new process and I propose to focus our attention on the word-voice that is not reduced to the wordletter steed. This does not require alphabetic writing, we find it in various forms and it allows us to express what a culture wants to transmit: I think of the kené [1], expressions of the Shipibo-conibo design or the payllay among the Quechua that explains that they want to commu
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12

Jordão, Aida. "Inês de Castro on Youtube." Interactive Film and Media Journal 1, no. 2 (2021): 66–81. http://dx.doi.org/10.32920/ifmj.v1i2.1500.

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Since the fourteenth century, when Inês de Castro was laid to rest in her magnificent tomb in the Monastery of Alcobaça, artists have told the tragic story of the Galician noblewoman who was assassinated for political reasons and became Queen of Portugal after her death. Inês embodies beauty, love, innocence, and saudade, and figures prominently in the lusophone cultural imaginary. Plays, novels, poetry and feature films offer representations of the Dead Queen that range from tragic and defiant to sentimental and trite. In new media, the moving im- ages that currently vie with iconic figura
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13

Vieira, Nina, and Cristina Brito. "Brazilian manatees (re)discovered: Early modern accounts reflecting the overexploitation of aquatic resources and the emergence of conservation concerns." International Journal of Maritime History 29, no. 3 (2017): 513–28. http://dx.doi.org/10.1177/0843871417713683.

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The relationship between indigenous people and manatees in Brazil dates back to prehistoric times. It has been the subject of interdisciplinary research by specialists in marine environmental history, ethnozoology and anthropology. Manatee species, Thrichechus inunguis and Thrichechus manatus, form part of the local culture and traditions of their distribution regions: subtropical and tropical regions, as well as the entire Amazon basin and its Atlantic range. The estimated number of manatees in Brazil when the Europeans first arrived was in the tens of thousands. But the several uses of this
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14

Aguiar, Rafael Hofmeister de. "UMA MODA PEDE LICENÇA À CORTE E ADENTRA OS SALÕES: O RENASCIMENTO TIRA A POESIA POPULAR IBÉRICA PARA DANÇAR." Revista Prâksis 3 (August 27, 2020): 04. http://dx.doi.org/10.25112/rpr.v3i0.2254.

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ResumoEste trabalho, apesar de não tratar diretamente com materiais orais, procura traçar princípios metodológicos para a documentação e análise da apropriação da lírica popular, de caráter eminentemente oral, nos chamados poetas cultos do Renascimento português. Para isso, a partir dos pressupostos de Frenk (2006a, 2006b, 2006c, 2006d), investigo não só o processo histórico de valorização da lírica popular como, também, algumas técnicas de apropriação dessa lírica pelos poetas cultos. Após isso, volto-me para o mote de origem popular Coifa de beirame/Namorou Joane, desenvolvido tanto por Camõ
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15

Borcem, Rogerio Pereira. "Cornelia Herculana (Um perfil político) por Luís Guimarães Júnior: a outra face das Histórias para Gente Alegre (1870)." Magma, no. 20 (November 18, 2024): 116–27. https://doi.org/10.11606/issn.2448-1769.mag.2024.223848.

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Luís Guimarães Júnior was an important contributor to the national literary scene in the 19th century. The author had great versatility in his produced and published works, mainly inBrazilian newspapers, such as the Diário do Rio de Janeiro between 1869 and 1872. His literary production was recognized nationally and internationally, especially for his work in the field of poetry, however, it is worth highlighting that most of his literary creation is focused on fictional prose linked to entertainment, as we found from checking historical archives at the Hemeroteca Digital Brasileira. There are
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16

Barbosa, Manuel Saldanha, and Renato Abreu Lima. "O Contexto Histórico da Educação Ambiental no Amazonas: uma revisão bibliográfica." Revista de Ensino, Educação e Ciências Humanas 25, no. 2 (2024): 286–93. http://dx.doi.org/10.17921/2447-8733.2024v25n2p286-293.

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A preocupação de cientistas, educadores, filósofos, poetas e observadores quanto ao afastamento do homem em relação a natureza vem de muitos séculos. Nesse sentido, este trabalho objetivou analisar o contexto histórico da Educação Ambiental no Amazonas no período de 2008 á 2021, através de uma revisão bibliográfica traçando os pontos relevantes nesse processo, que contribuíram no fortalecimento da EA nos últimos anos. Para a coleta de dados foram utilizadas as bases de dados SCIELO, Google acadêmico, Google Scholar, Capes e Plataforma Sucupira, não foi limitado idioma na tentativa de obter qua
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17

Шарма Сушіл Кумар. "Why Desist Hyphenated Identities? Reading Syed Amanuddin's Don't Call Me Indo-Anglian." East European Journal of Psycholinguistics 5, no. 2 (2018): 92–107. http://dx.doi.org/10.29038/eejpl.2018.5.2.sha.

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The paper analyses Syed Amanuddin’s “Don’t Call Me Indo-Anglian” from the perspective of a cultural materialist. In an effort to understand Amanuddin’s contempt for the term, the matrix of identity, language and cultural ideology has been explored. The politics of the representation of the self and the other that creates a chasm among human beings has also been discussed. The impact of the British colonialism on the language and psyche of people has been taken into account. This is best visible in the seemingly innocent introduction of English in India as medium of instruction which has subseq
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18

Biasio, Nicola. "Vocalizar a ferida A ‘memória poética’ da comunidade afrodescendente portuguesa." 25 | 2023, no. 25 (December 18, 2023). http://dx.doi.org/10.30687/tol/2499-5975/2023/01/011.

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Taking into consideration the recent emergence of Afrodescendant literature in Portugal and the ongoing literary criticism debate surrounding its delineations, this article engages in an analysis of its poetic production through the concept of ‘poetic memory’. Poetic memory constitutes a politically charged remembrance endeavour, seeking to elucidate the enduring ramifications of the colonial legacy through the act of composing poetry. The poetry collections by Yara Nakahanda Monteiro and raquellima, along with the collaborative project Djidiu – A herança do ouvido, notably awaken the ghosts o
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19

Bordini, Maria Da Glória. "HERBERTO HELDER E A POÉTICA PÓS-MODERNA." Nau Literária 12, no. 1 (2016). http://dx.doi.org/10.22456/1981-4526.75347.

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RESUMO: Por meio da análise do poema IV de Do Mundo, buscam-se depreender os princípios de uma poética pós-moderna em Herberto Helder. A caracterização da pós-modernidade na poesia portuguesa é pautada pelas contribuições de Linda Hutcheon sobre ex-centricidade, e de Fernando J.P. Martinho e de Fernando Pinto do Amaral sobre sua trajetória histórica a partir dos anos 1960.
 PALAVRAS-CHAVE: Herberto Helder; Pós-modernidade; Poética.
 
 ABSTRACT: Analyzing the poem IV in Do Mundo, the principles of a postmodern poetics in Herbert Helder are searched. Linda Hutcheon’s notion of ex-
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20

REIS, Patricia. "Presentation Erich Auerbach and War Literature." Varia Historia 41 (2025). https://doi.org/10.1590/0104-87752025v41e25041.

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ABSTRACT The text is an introduction to the conference “Poesie et guerre” (“Poetry and War”), by Erich Auerbach (1892-1957), likely delivered in 1941 in Turkey. It highlights and seeks to demonstrate the sensitivity with wich Auerbach’s critical reflection was attuned to the transformations of the world around him. With the conciseness typical of this kind of text, the historical relationships between poetry and war are brought to light, emphasizing the uniqueness of contemporary war literature and its inscription into Auerbach’s philological project. The reader will find a transcription of th
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21

Barros, José D’Assunção. "O trovadorismo medieval ibérico e a violência simbólica – séculos XIII e XIV." Estudos Ibero-Americanos 32, no. 2 (2006). http://dx.doi.org/10.15448/1980-864x.2006.2.1355.

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O objetivo deste artigo é discutir a violência simbólica presente nas sociedades medievais ibéricas dos séculos XIII e XIV, examinando a poesia e práticas trovadorescas do período. Dentro do contexto histórico da centralização régia do período medieval, o texto analisa algumas cantigas trovadorescas galego-portuguesas nas quais podem ser vistas as tensões sociais entre trovadores oriundos de diferentes categorias sociais, e também envolvendo trovadores em oposição ao rei. Abstract The subject of this article is to discuss the symbolic violence in the Iberian medieval societies from the XIII an
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22

Vieira, Márcia, Paula Nabais, Rafael Javier Díaz Hidalgo, Maria J. Melo, and Federica Pozzi. "The only surviving Medieval codex of Galician-Portuguese secular poetry: tracing history through luxury pink colors." Heritage Science 11, no. 1 (2023). http://dx.doi.org/10.1186/s40494-023-00863-1.

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AbstractThe Ajuda Songbook is an exceptional illuminated manuscript being the only surviving codex of Galician-Portuguese secular poetry; it was produced in the end of the thirteenth century, beginning of the fourteenth century. The diversity of colors accentuated by the presence of lapis lazuli blue and brazilwood pink, demonstrates the desire to produce a sumptuous manuscript. Pink is, in this context, a luxury color and its identification attests to one of the earliest known occurrences of brazilwood in artworks. Scientific analysis showed, for the light pinks, a different formulation from
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23

Ishii, Hiroshi, Daniel Pillis, Pat Pataranutaporn, et al. "TeleAbsence: A Vision of Past & Afterlife Telepresence." PRESENCE: Virtual and Augmented Reality, December 20, 2024, 1–62. https://doi.org/10.1162/pres_a_00441.

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Abstract This paper presents our vision of TeleAbsence, extending the concept of telepresence to the past and the afterlife to address the vast emotional and temporal distance caused by the memory of loved ones who drifted apart and faded away. Instead of explicit and literal representations of loved ones, TeleAbsence describes poetic encounters with digital and physical traces left by the absence of others. TeleAbsence fosters illusory communications to conjure the feeling of being there with those no longer with us without using synthetic or generative representations and utterances. Our vis
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24

Vasconcelos, Michelle, and Rodrigo Santos de Oliveira. "POESIA – CORPO – LIBERDADE EM MARIA TERESA HORTA." Paralelo 31, January 24, 2021, 184. http://dx.doi.org/10.15210/p31.v1i14.20510.

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Maria Teresa Horta (1937-) é um dos nomes mais importantes da literatura de autoria feminina em Portugal do século XX. A sua produção tem início durante a ditadura salazarista, e se caracterizou por um forte combate ao regime, o que lhe rendeu duras perseguições políticas. Desta maneira, a sua produção do período deve ser analisada com um atento olhar histórico e político, visto que o viés ideológico político perpassa toda a sua produção, principalmente nas publicações entre 1961 e 1977, ano em que publica Mulheres de Abril. Diversas foram as suas formas de se expressar e se manifestar contra
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25

Abdul Jalil, Laila, and Nuralam. "Syair Perahu Karya Hamzah Fansuri Dalam Kaitannya Dengan Budaya Maritim di Singkel." PANALUNGTIK 4, no. 1 (2021). http://dx.doi.org/10.24164/pnk.v4i1.56.

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Hamzah Fansuri lived in the early era of the peak of the Aceh Darussalam kingdom. The Kingdom of Aceh Darussalam at that time visited by many traders from Arab, Parsi, Turkish, Bengal (India), Siamese, Portuguese, and Spain. Hamzah Fansuri is a Sufism scholar who developed Islamic teaching trough his poems. One of his poems is Syair Perahu. Syair Perahu besides containing Sufism also is related to the trade and wealth of Singkel sea. The discovery of foreign ceramics along the Singkel river is one proof of trade in the past. This research use method of manuscript study. The reason for choosing
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26

Chandasiri, Ven Olaganwatte. "An Analysis of the Sri Lankan Buddhist Monk during the British Colonial Period." International Journal of Humanities & Social Studies, October 31, 2022. http://dx.doi.org/10.24940/theijhss/2022/v10/i10/hs2210-024.

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Changes in social institutions became widespread, extensive, and far-reaching since the British occupation of the whole Island. Although previously the country was invaded by the Portuguese and the Dutch, the implementation of the recommendations contained in the Colebrook Commission Report in the 19th century propelled Sri Lanka into a rapid change in its social and economic progress. The establishment of the printing press during the time of British rule can be regarded as a profound social event in the history of Sri Lanka. The introduction of modern technology into the country should be re
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27

Graciete Besse, Maria. "The Counter-Factual Temptation in The Siege of Lisbon by José Saramago: A Poetic Divide." L'Uchronie, no. 11 (April 6, 2022). http://dx.doi.org/10.54563/gfhla.331.

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In the aftermath of 1974 and the victory of democracy in Portugal, a number of Portuguese writers have deconstructed History and the representation of illustrious figures. Irony questions the legitimizing process of History. Amongst these writers, the article focusses on José Saramago who satirizes the past using metafictional elements. He creates new dynamics in Portuguese historical writing by undermining the conventional way so-called heroes are depicted.
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