Log in

Relevant bibliographies by topics / Portuguese musical heritage

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Portuguese musical heritage'

Author: Grafiati

Published: 4 September 2021

Last updated: 29 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Portuguese musical heritage.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Portuguese musical heritage"

1

Pires, Isabel, Filipa Magalhães, and Andreia Nogueira. "Preservation and technological obsolescence: Portuguese contemporary musical heritage in perspective." Journal of New Music Research 47, no. 4 (2018): 355–64. http://dx.doi.org/10.1080/09298215.2018.1486433.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

La Barre, Jorge de. "Sampling Lisbon." Journal of Popular Music Studies 31, no. 1 (2019): 109–30. http://dx.doi.org/10.1525/jpms.2019.311010.

Full text

Abstract:

Beside Portugal’s iconic fado genre, recognized as Intangible Cultural Heritage by UNESCO in 2011, music scenes in Lisbon have diversified throughout the 2000s along with the affirmation of Portugal’s capital city on the stage of global attractiveness. This paper examines some music scenes in Lisbon in the late 2000s and early 2010s—especially hip-hop and Angolan kuduro played by the Luso-Angolan bands Buraka Som Sistema, and Batida, based in Lisbon. It discusses the ways in which the sampling technique has allowed for diverse forms of musical cosmopolitanism, performing connections with Afric

APA, Harvard, Vancouver, ISO, and other styles

3

Zandra, Rully Aprilia, and Rustopo Rustopo. "Politik dan Situasi Sosial dalam Sejarah Keroncong di Indonesia." Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni 15, no. 1 (2020): 6–11. http://dx.doi.org/10.33153/dewaruci.v15i1.2804.

Full text

Abstract:

Keroncong merupakan musik, instrumen musik, dan genre yang diklaim sebagai warisan budaya indonesia. Keroncong sebagai warisan budaya tentunya memiliki sejarah yang panjang.sejarah yang panjang juga tidak akan luput dari pasang surut dan perkembangan. Pasang surut dan perkembangan umumnya dipengaruhi politik dan situasi sosial. Untuk memetakan sejarah keroncong di Indonesia yang diwarnai politik dan situasi sosial, data dikumpulkan melalui dokumentasi, telaah pustaka, dan wawancara. Data valid dikonfirmasi dan dipaparkan secara kronologis berdasar periodesasinya. Hasil penelitian ini menunjukk

APA, Harvard, Vancouver, ISO, and other styles

4

Kabitski, M. E. "The Lisbon fado and its study in the context of the history of Portugal." Cuadernos Iberoamericanos 11, no. 1 (2023): 99–112. http://dx.doi.org/10.46272/2409-3416-2023-11-1-99-112.

Full text

Abstract:

Fado, sometimes called Portuguese urban romance, is a cultural phenomenon whose meaning goes far beyond this definition and generally beyond the framework of musical culture at all. It has become an important part of the traditional culture of Portugal, an iconic element of the image of the country, having gone through several phases of evolution in its relatively short (slightly less than two centuries) history. Having arisen and being at the initial stage an element of the folklore of the urban lower classes of Lisbon, fado later underwent cultural appropriation by the aristocracy and the bo

APA, Harvard, Vancouver, ISO, and other styles

5

Shumilina, Olga. "OPERA "CREONT" BY DMYTR BORTNIANSKY: FROM PORTUGAL TO UKRAINE." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 2(63) (June 26, 2024): 37–54. http://dx.doi.org/10.31318/2414-052x.2(63).2024.310283.

Full text

Abstract:

The article examines the creative activity of the outstanding Ukrainian artist Dmytro Bortnyanskyi as an opera composer. The focus is on the operas of his Italian creative period (1768 - 1779) - Creont (1776, Venice), Alcides (1778, Venice) and Quintus Fabius (1779, Modena). The happy modern stage fate of the opera "Alkid" is indicated, its score was published in Kyiv in 1985. The found manuscript of the score by Dmytro Bortnyansky's first opera "Creont" provides new opportunities for studying the artist's work, this score was considered to be lost for a long time; after establishing the locat

APA, Harvard, Vancouver, ISO, and other styles

6

Fonseca, André, and Micaela Sousa. "INCLUSION OF TRADITIONAL AZOREAN SONGS IN MUSICAL LEARNING - INFORMAL PRACTICES IN VIOLIN TEACHING." New Trends in Qualitative Research 20, no. 2 (2024): e971. http://dx.doi.org/10.36367/ntqr.20.2.2024.e971.

Full text

Abstract:

Portuguese Traditional Music is often overlooked in formal teaching at music schools in Portugal. Furthermore, there has been little research into its use in the classroom and the informal learning practices associated with it. Thus, an Educational Project was developed and implemented in 2021/2022, at the Regional Conservatory of Ponta Delgada (CRPD), involving 7 violin students aged between 9 and 14 years and focused on learning songs from the Traditional Music of the Azores. These songs were prepared in class using informal learning practices – auditory learning and analysis, the use of rec

APA, Harvard, Vancouver, ISO, and other styles

7

Roda, Jessica, and Stephanie Tara Schwartz. "Home beyond Borders and the Sound of Al-Andalus. Jewishness in Arabic; the Odyssey of Samy Elmaghribi." Religions 11, no. 11 (2020): 609. http://dx.doi.org/10.3390/rel11110609.

Full text

Abstract:

In their conversation about music, Edward Said and Daniel Barenboim discuss a process of seeking home in music and literature. For Moroccan-Jewish superstar Samy Elmaghribi (Solomon Amzallag), who migrated to France and Israel and then settled for most of his life in Montreal, Canada, the reference to Al-Andalus through the sound of the nouba became his home. Beginning his career in his native country of Morocco as a singer and composer of modern Moroccan music, in Montreal, Samy Elmaghribi became the cantor in the Spanish and Portuguese Synagogue, the oldest Jewish congregation in Canada. Bas

APA, Harvard, Vancouver, ISO, and other styles

8

Cortez, Alcina. "Reflections on the challenges of exhibiting popular music at the beginning of the 21st century through a case study of ‘A Magia do Vinil’." Popular Music 36, no. 3 (2017): 370–92. http://dx.doi.org/10.1017/s0261143017000332.

Full text

Abstract:

AbstractThis paper sets out to reflect on the implications of the heritagisation of popular music by museums. ‘Heritage’ is not something that holds intrinsic value but rather represents a social construction that produces difference by adding value to specific objects within particular social dynamics. This means that heritagisation processes operant in museums prove highly susceptible to ideological distortion and hence require scrutiny. Studying the case of the Portuguese exhibitionA Magia do Vinil, a Música que Mudou a Sociedade, I analyse two specific domains: the concepts and the narrati

APA, Harvard, Vancouver, ISO, and other styles

9

Cherednychenko, O. V. "Concert genres for piano and orchestra in the works of Sergei Bortkiewicz." Aspects of Historical Musicology 15, no. 15 (2019): 138–57. http://dx.doi.org/10.34064/khnum2-15.07.

Full text

Abstract:

Background. The last two decades testify to the fact that the music of the Ukrainian composer S. Bortkiewicz (1877–1952) has become popular in various countries not only in Europe, but also around the world, giving birth to a so-called multilingual “Bortkiewicziana”. It would be already enough to mention the works published in German, English, Bulgarian, Dutch, Italian, Portuguese, Polish, Russian, Ukrainian and Japanese. The literature and multi-genre musical heritage left by the composer provides vast opportunities for researchers. However, many creativity aspects of the “last romanticist”,

APA, Harvard, Vancouver, ISO, and other styles

10

Sardo, Susana. "Adeus and Aloha: The Portuguese Heritage of Hawai'i. 2002. Anthology of Pacific Music, #17. PAN Records 2101. Recorded by Ad and Lucia Linkels. Annotated by Ad Linkels. 19 pages of notes in English. 2 colour, 7 B/W photographs. 8-item bibliography. 1 compact disc, 38 tracks (76:58). Recorded in Hawai'i, Rapanui, continental Portugal, Madeira, and the Azores, between 1989 and 2002." Yearbook for Traditional Music 36 (2004): 204–5. http://dx.doi.org/10.1017/s0740155800020774.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Portuguese musical heritage"

1

Prates, Margarida da Cunha e. Melo de Sousa. "O espólio do compositor António Fragoso (1897-1918): análise do fundo musical e transcrição de sete manuscritos inéditos para piano." Master's thesis, 2014. http://hdl.handle.net/10316/27564.

Full text

Abstract:

Dissertação de Mestrado em Estudos Artísticos, na área de especialização em Estudos Musicais, apresentada à Faculdade de Letras da Universidade de Coimbra.<br>António Fragoso é um nome incontornável na História da Música portuguesa. O reportório musical por si escrito agradou, desde logo, aos seus pares. Algumas das suas obras tiveram a honra de ser incluídas nos programas oficiais do Conservatório Nacional de Música ainda durante a sua vida, tendo sido tocadas desde então por sucessivas gerações de estudantes e músicos profissionais. Apesar da estima e da consideração que os músicos nutrem p

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Portuguese musical heritage"

1

Cunha, Carlos A., and Rhonda Cunha. Culture and Customs of Portugal. ABC-CLIO, LLC, 2010. http://dx.doi.org/10.5040/9798400635687.

Full text

Abstract:

This descriptive analysis of contemporary Portuguese culture from a historical perspective covers topics ranging from art, cuisine, and music to government, politics, and religion. Portugal is evolving quickly as an integrated part of modern Europe. What was until the mid-1970s an old-world society, where 80 percent of the economy was controlled by an oligarchy of eight elite families, is now increasingly a model of an advanced European state. Portugal now ranks highly among the countries of the world in level of globalization and quality of life; it even boasts one of the best-developed renew

APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Portuguese musical heritage"

1

Souza, Jusamara. "Music, Everyday Life, and Music Education." In Sociological Thinking in Music Education. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197600962.003.0004.

Full text

Abstract:

This chapter is about the musical diversity in the community of Salvador do Sul, Brazil, and its relationship with music education. Souza investigates music in everyday life in this fascinating locale by exploring the relationship between the musical practices in the family and Catholic Church. She brings this rich musical community to life for the reader through music and stories via an engaging documentary film in Portuguese that accompanies the chapter. Using Bozon’s method of field analysis and Montereiro’s concept of music sociography, Souza focuses on the processes and values surrounding

APA, Harvard, Vancouver, ISO, and other styles

2

Bento, Alexandre. "Os instrumentos musicais e a música do al-Andalus português: um contributo da arqueomusicologia." In Incipit 12. XV Workshop de Estudos Medievais. Faculdade de Letras da Universidade do Porto, 2024. http://dx.doi.org/10.21747/978-989-9193-14-7/inc12/a7.

Full text

Abstract:

Research in the field of music and its instruments in the Middle Ages has been based on written and iconographic sources originating from sculpture or representations in various manuscripts. These sources, however, only emerge with sufficient integrity from the 13th-14th centuries. Although, archaeology has progressively been providing us with more data, greater quantity, and rigor in sources. Nevertheless, the musical instruments recovered in these contexts have only occasionally been identified and thoroughly studied. Indeed, concerning the periods up to the 13th century, it has only been in

APA, Harvard, Vancouver, ISO, and other styles

3

"2 Singing of Love and Life: The Musical Heritage of California’s Spanish, Portuguese Azoreans, and Basques." In California Gold. University of California Press, 2024. http://dx.doi.org/10.1525/9780520391321-006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Ribeiro, Jorge Castro, and Rui Marques. "It's all by ear." In Património Cultural Imaterial: 20 anos da Convenção para a Salvaguarda do PCI, edited by Ana Carvalho, Marcus Dores, Natália Albino Pires, Sónia Bombico, and Sónia Moreira Cabeça. Publicações do CIDEHUS, 2025. https://doi.org/10.4000/1441d.

Full text

Abstract:

Popular balls, masses and processions are some of the social and ritual occasions animated by a sort of musical groups, locally called tunas, in the Portuguese mountains of Marão and Alvão. This kind of small orchestras, formed by village musicians that in most cases play “by ear”, is an old tradition in the region that now is being documented to apply for its register within the national list of Intangible Cultural Heritage. Once numerous, the active tunas are presently limited to five, and they face a strong decline in its activities, and the aging of its stakeholders, due to rural exodus, e

APA, Harvard, Vancouver, ISO, and other styles

5

Bernardino, Paulo. "Oboés." In Cantata de Natal “O Pássaro Azul”. Imprensa da Universidade de Coimbra, 2023. http://dx.doi.org/10.14195/978-989-26-2460-0_4.

Full text

Abstract:

The Christmas Cantata O Pássaro Azu - composed on poems by António Arnaut (1936-2018) taken from O Pássaro Azul - Contos e Poemas de Natal published in 1998 by Coimbra Editora - is a choral-symphonic work of great dimensions, both in its number and its duration (ca. 1:30). In its instrumentation, besides the usual instruments of the orchestra, we also find the Guitarra de Coimbra, soul of our Coimbra song, metaphor of our portugality. With the support of the Guarantee Cultur programme, the time has come to give wing to the blue bird of A. Arnaut, in homage not only to all the artists who suffe

APA, Harvard, Vancouver, ISO, and other styles

6

Bernardino, Paulo. "Trompas em Fá." In Cantata de Natal “O Pássaro Azul”. Imprensa da Universidade de Coimbra, 2023. http://dx.doi.org/10.14195/978-989-26-2460-0_13.

Full text

Abstract:

The Christmas Cantata O Pássaro Azu - composed on poems by António Arnaut (1936-2018) taken from O Pássaro Azul - Contos e Poemas de Natal published in 1998 by Coimbra Editora - is a choral-symphonic work of great dimensions, both in its number and its duration (ca. 1:30). In its instrumentation, besides the usual instruments of the orchestra, we also find the Guitarra de Coimbra, soul of our Coimbra song, metaphor of our portugality. With the support of the Guarantee Cultur programme, the time has come to give wing to the blue bird of A. Arnaut, in homage not only to all the artists who suffe

APA, Harvard, Vancouver, ISO, and other styles

7

Bernardino, Paulo. "Trombones." In Cantata de Natal “O Pássaro Azul”. Imprensa da Universidade de Coimbra, 2023. http://dx.doi.org/10.14195/978-989-26-2460-0_2.

Full text

Abstract:

The Christmas Cantata O Pássaro Azu - composed on poems by António Arnaut (1936-2018) taken from O Pássaro Azul - Contos e Poemas de Natal published in 1998 by Coimbra Editora - is a choral-symphonic work of great dimensions, both in its number and its duration (ca. 1:30). In its instrumentation, besides the usual instruments of the orchestra, we also find the Guitarra de Coimbra, soul of our Coimbra song, metaphor of our portugality. With the support of the Guarantee Cultur programme, the time has come to give wing to the blue bird of A. Arnaut, in homage not only to all the artists who suffe

APA, Harvard, Vancouver, ISO, and other styles

8

Bernardino, Paulo. "Tímpanos e Prato Suspenso." In Cantata de Natal “O Pássaro Azul”. Imprensa da Universidade de Coimbra, 2023. http://dx.doi.org/10.14195/978-989-26-2460-0_8.

Full text

Abstract:

The Christmas Cantata O Pássaro Azu - composed on poems by António Arnaut (1936-2018) taken from O Pássaro Azul - Contos e Poemas de Natal published in 1998 by Coimbra Editora - is a choral-symphonic work of great dimensions, both in its number and its duration (ca. 1:30). In its instrumentation, besides the usual instruments of the orchestra, we also find the Guitarra de Coimbra, soul of our Coimbra song, metaphor of our portugality. With the support of the Guarantee Cultur programme, the time has come to give wing to the blue bird of A. Arnaut, in homage not only to all the artists who suffe

APA, Harvard, Vancouver, ISO, and other styles

9

Bernardino, Paulo. "Soprano (Solo)/Coro." In Cantata de Natal “O Pássaro Azul”. Imprensa da Universidade de Coimbra, 2023. http://dx.doi.org/10.14195/978-989-26-2460-0_17.

Full text

Abstract:

The Christmas Cantata O Pássaro Azu - composed on poems by António Arnaut (1936-2018) taken from O Pássaro Azul - Contos e Poemas de Natal published in 1998 by Coimbra Editora - is a choral-symphonic work of great dimensions, both in its number and its duration (ca. 1:30). In its instrumentation, besides the usual instruments of the orchestra, we also find the Guitarra de Coimbra, soul of our Coimbra song, metaphor of our portugality. With the support of the Guarantee Cultur programme, the time has come to give wing to the blue bird of A. Arnaut, in homage not only to all the artists who suffe

APA, Harvard, Vancouver, ISO, and other styles

10

Bernardino, Paulo. "Violino Solo/Violinos I." In Cantata de Natal “O Pássaro Azul”. Imprensa da Universidade de Coimbra, 2023. http://dx.doi.org/10.14195/978-989-26-2460-0_6.

Full text

Abstract:

The Christmas Cantata O Pássaro Azu - composed on poems by António Arnaut (1936-2018) taken from O Pássaro Azul - Contos e Poemas de Natal published in 1998 by Coimbra Editora - is a choral-symphonic work of great dimensions, both in its number and its duration (ca. 1:30). In its instrumentation, besides the usual instruments of the orchestra, we also find the Guitarra de Coimbra, soul of our Coimbra song, metaphor of our portugality. With the support of the Guarantee Cultur programme, the time has come to give wing to the blue bird of A. Arnaut, in homage not only to all the artists who suffe

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Portuguese musical heritage"

1

Kakosimou, Olga. "Singing Fado in Contemporary Lisbon: Questions of Boundedness." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.10-3.

Full text

Abstract:

Understanding the oral tradition of fado, requires a profound engagement with the power of its narrativity and its lyrics (Castelo-Branco 1997; Abu-Lughod 1986). Fado is a poetical world of stories being told (sung) and shared in everyday life between those who understand and mainly possess the fado linguagem. It is a broad corpus of words and utterances, pre-existing melodies and repertoires, meanings, and performances, that creates the aesthetic vocabulary of fado and a strong sense of traditionality and boundedness, often disregarded by the global music scene and industry (Gray 2018). This

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!