Log in

Relevant bibliographies by topics / Portuguese songs / Journal articles

To see the other types of publications on this topic, follow the link: Portuguese songs.

Journal articles on the topic 'Portuguese songs'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Portuguese songs.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Budiman, Arif. "PENGARUH BAHASA PORTUGIS DAN MELAYU DALAM TIGA LAGU KERONCONG KREOL TUGU THE INFLUENCE OF PORTUGUESE AND MALAY LANGUAGE IN THREE CREOLE TUGU KERONCONG SONGS." Metahumaniora 10, no. 2 (2020): 239. http://dx.doi.org/10.24198/metahumaniora.v10i2.29063.

Full text

Abstract:

PENGARUH BAHASA PORTUGIS DAN MELAYU DALAM TIGA LAGU KERONCONG KREOL TUGU Arif BudimanProgram Studi Prancis, Fakultas Ilmu Pengetahuan Budaya, Universitas Indonesiae-mail: arif.budiman31@ui.ac.id Abstrak Kreol Tugu adalah Bahasa Kreol Portugis yang sudah punah. Bahasa ini dulunya pernah dituturkan oleh Masyarakat Tugu yang sekarang berdiam di Semper, Jakarta Utara. Walaupun sudah dinyatakan punah, ternyata masih terdapat beberapa lagu dan acara budaya yang masih menggunakan Bahasa Kreol, salah satunya adalah lagu keroncong. Di dalam tulisan ini akan dibahas kosakata Bahasa Portugis dan Melayu y

APA, Harvard, Vancouver, ISO, and other styles

2

Mattos, Ricardo Mendes. "“Dai-me água, quero beber”: as fontes portuguesas dos cantos da cultura popular brasileira." Revista Portuguesa de Humanidades 25, no. 1 (2021): 143–66. http://dx.doi.org/10.17990/rph/2021_25_1_143.

Full text

Abstract:

Still in the nineteenth century, the first studies on the poetry of the traditional songs of Brazil emphasized the legacy of the Portuguese popular songbook, without, however, detailing the dimensions of this influence. This article analyzes the characteristics of Portuguese oral poetry in Brazilian songs, from the comparison of phonographic recordings of traditional songs with several versions of Portuguese popular songs. There is a fundamental presence of the Lusitanian legacy in the following aspects: ritual of traditional songs; musical genres; dances and celebrations; musical instruments;

APA, Harvard, Vancouver, ISO, and other styles

3

Cole, Amanda. "António Fragoso’s Canções do Sol Poente: A Song Cycle of Saudade from the Renascença Portugesa." journal of Singing 78, no. 1 (2021): 29–45. http://dx.doi.org/10.53830/yvty2845.

Full text

Abstract:

Portuguese art song is an underexplored niche in the song recital repertoire. One factor that makes it difficult for singers to make sense of it is the limited information on Portuguese culture. In this discussion of the music of Fragoso and the texts of António Correia de Oliveira in relation to the cycle Canções do Sol Poente (Songs of the Setting Sun), the author provides cultural and historical information with particular reference to the Portuguese concept of saudade, with discussion on how saudade is intertwined with the movements of nationalism, neoromanticism, and saudadismo of the 189

APA, Harvard, Vancouver, ISO, and other styles

4

Neto, Félix, Maria da Conceição Pinto, and Etienne Mullet. "Can music reduce national prejudice? A test of a cross-cultural musical education programme." Psychology of Music 47, no. 5 (2018): 747–56. http://dx.doi.org/10.1177/0305735618774867.

Full text

Abstract:

This study examined the impact of a cross-cultural musical program on young Portuguese adolescents’ national prejudice. Two-hundred and twenty-nine sixth-grade pupils who attended public schools in the area of Lisbon, Portugal, were first presented with two tasks measuring national prejudice: a trait attribution task comprising positive and negative personality traits, and an overall affective evaluation of in-group and out-group people. Half of the pupils were subsequently exposed, at school, to a six-month musical program that included Cape Verdean songs as well as Portuguese songs. The othe

APA, Harvard, Vancouver, ISO, and other styles

5

de Silva Jayasuriya, Shihan. "Indo-Portuguese Songs of Sri Lanka: the Nevill Manuscript." Bulletin of the School of Oriental and African Studies 59, no. 2 (1996): 253–67. http://dx.doi.org/10.1017/s0041977x00031566.

Full text

Abstract:

The Portuguese presence in Sri Lanka dates back to the early sixteenth century and lasted some hundred and fifty years. It gave rise to a Creole language based on Portuguese, Sri Lanka Portuguese Creole (SLPC), which Dalgado (1936) considered to be the most vigorous of the Portuguese Creoles.

APA, Harvard, Vancouver, ISO, and other styles

6

Lima, Pedro Filipe. "Análise de uma tradução da canção “Ya no sé que hacer conmigo”, do grupo uruguaio El Cuarteto De Nos." Somma: Revista Cientifica do Instituto Federal de Educação Ciência e Tecnologia do Piauí 2, no. 1 (2016): 109–18. http://dx.doi.org/10.51361/somma.v2i1.33.

Full text

Abstract:

This essay analyzes how Lawrence Venutti's concept of domestical translation manifests itself on the translation o song called “Ya no sé que hacer conmigo”, from the uruguayan band El cuarteto de nos, made by VespasMandarinas, a Brazilian band. Even though Spanish and Portuguese are very similar languages, it is interesting to point although each songs follow different ways, both have the same goal.

APA, Harvard, Vancouver, ISO, and other styles

7

Ribeiro, Fabio, and Teresa Costa Alves. "Do I Sound Like a Broken Record?" Medijska istraživanja 27, no. 1 (2021): 75–98. http://dx.doi.org/10.22572/mi.27.1.4.

Full text

Abstract:

Radio is all about intimacy and words (Balsebre, 1994). Since radio’s significant shift from verbal to musical content, songs have been able to create a special bond between broadcasters and audiences across the world. Nevertheless, selecting songs is far from being an innocent choice; it is part of a cultural framework (Ala-Fossi, 2005; Gjerdingen &amp; Perrott 2008). Recently, scholars explained radio’s alliances with the music industry and the adaptation to audiences’ preferences (Kaplan, 2013; Uimonen, 2017), thus arguing that the music in radios’ playlists is far from diverse, especia

APA, Harvard, Vancouver, ISO, and other styles

8

Guerra, Paula. "The Song Is Still a ‘Weapon’: The Portuguese Identity in Times of Crises." YOUNG 28, no. 1 (2019): 14–31. http://dx.doi.org/10.1177/1103308819829603.

Full text

Abstract:

This article examines a set of Portuguese songs that ‘sing’ the economic, financial and social crises in Portugal in the post-2008 period. This work underlies a heuristic principle: to demonstrate how artistic manifestations—in this case, the songs in several (sub-)genres of popular music—are themselves a means and an object of social intervention, demarcating a specific, defined space in the acknowledgment and revelation of social problems, and in the contestation, deconstruction and accusation of problems that deal with social reality. We demonstrate that these songs seek to denounce and som

APA, Harvard, Vancouver, ISO, and other styles

9

HUCK, OLIVER. "Songs materialising as music: medieval monophony in song books and music manuscripts." Plainsong and Medieval Music 32, no. 2 (2023): 147–66. http://dx.doi.org/10.1017/s0961137123000037.

Full text

Abstract:

ABSTRACTThis survey of the mise-en-page of manuscripts that include medieval monophonic song focuses on complex multigraphic written artefacts presenting music on staves. Comparing the formatting of thirteenth-century French chansonniers and fifteenth-century collections of monophonic songs (BnF fr. 9346 and BnF fr. 12744), there are obvious differences in the mise-en-page. But when, where and why did the changes in the production of manuscripts and the materialisation of songs take place? This article proposes a distinction between entirely pre-ruled ‘“full” music manuscripts’, ‘music manuscr

APA, Harvard, Vancouver, ISO, and other styles

10

Avelar de Carvalho, Helena. "Astrology and Sarcasm in Three Medieval Portuguese Songs of Mockery." Culture and Cosmos 22, no. 1 (2018): 48–55. http://dx.doi.org/10.46472/cc.0122.0207.

Full text

Abstract:

This article argues that the basic tenets of astrology were not restricted to astrologers but were known to, and understood by, most people. It presents two thirteenth-century Portuguese songs of mockery describing the misfortunes of a self-proclaimed astrologer and the unpleasant, but hilarious, consequences of his poor understanding of astrology. These songs were also very popular in the thirteenth century among all social groups, from the common people to the royal court. For these jokes to be understood, the public had to recognize at least a few technical terms, otherwise the joke would s

APA, Harvard, Vancouver, ISO, and other styles

11

Nepomuceno, André Luis. "Festividade e erotismo nas cantigas de Pero Meogo." Revista do Centro de Estudos Portugueses 27, no. 37 (2007): 41. http://dx.doi.org/10.17851/2359-0076.27.37.41-62.

Full text

Abstract:

<p>O presente artigo pretende analisar a cantiga “Digades filha mha filha velida”, de Pero Meogo (<em>Cancioneiro da Biblioteca Nacional </em>1192 e <em>Cancioneiro da Biblioteca Vaticana </em>797), que faz parte dos cancioneiros dos trovadores galego-portugueses medievais. O poema será analisado em conformidade com as outras cantigas de Pero Meogo, buscando-se os elementos eróticos e sugestivos, e evidenciando as possibilidades teatrais e performáticas nele contidas.</p> <p>The present paper aims at analyzing Pero Meogo’s song “Digades filha mha filha

APA, Harvard, Vancouver, ISO, and other styles

12

Alves, Adriana Celia. "Brazilian songs in a French university: classroom practices from the perspective of literomusical literacy." BELT - Brazilian English Language Teaching Journal 10, no. 1 (2019): 33285. http://dx.doi.org/10.15448/2178-3640.2019.1.33285.

Full text

Abstract:

This study aims to discuss the planning of Portuguese as an additional language course that uses the song as a guiding instrument for the classes. The research involved intermediate level students of a University Diploma of Brazilian Portuguese, a short course offered in the research institution in order to offer a deeper study of Brazilian language and culture for academic and professional purposes. Based on semistructured questionnaires, students’ profiles for learning the Portuguese language in the Brazilian variant, a profile was built to design the lessons. From the perspective of literom

APA, Harvard, Vancouver, ISO, and other styles

13

Festino, Cielo. "Grinding Songs from Goa." Aletria: Revista de Estudos de Literatura 31, no. 1 (2021): 225–46. http://dx.doi.org/10.35699/2317-2096.2021.25541.

Full text

Abstract:

The aim of this paper is to bring an analysis of oviyos, folkloric songs that Indian women from the Hindu community of Goa, former Portuguese colony in India used to sing while working at the grinding stone. These songs, a sample of Goan folklore, were collected by Heta Pandit in the book Grinding Stories. Songs from Goa (2018), based on her field work with singers Subhadra Arjun Gaus, Saraswati, Dutta Sawant and Sarojini Bhiva Gaonkar. The songs, sung in a dialect of Marathi-Konkani, were transcribed into English. These elaborate songs are of psychological and social significance as they prov

APA, Harvard, Vancouver, ISO, and other styles

14

Vieira, Yara Frateschi. "Olhos e coração na lírica galego-portuguesa." Revista do Centro de Estudos Portugueses 29, no. 42 (2009): 11. http://dx.doi.org/10.17851/2359-0076.29.42.11-36.

Full text

Abstract:

<p>O presente artigo trata do papel que as cantigas de amor galegoportuguesas atribuem aos “olhos” e ao “coração”, enquanto fatores importantes no processo de enamoramento. Em primeiro lugar, verifica-se a o sentido e a presença dos motivos associados a ambos os termos nas literaturas que poderiam tê-los transmitido à Península Ibérica e a sua relação com exemplos similares encontrados na lírica galego-portuguesa; em seguida, examinamse três cantigas de amor (Martim Moxa, <em>B </em>891/ <em>V </em>475; D. Dinis, <em>B </em>523/ <em>V </em>

APA, Harvard, Vancouver, ISO, and other styles

15

Guerra, Paula. "SEREIAS DISTÓPICAS. UM ENSAIO SOBRE A RELEVÂNCIA DA DISTOPIA NAS CRIAÇÕES ARTÍSTICAS CONTEMPORÂNEAS PORTUGUESAS / Dystopian mermaids: an essay on the relevance of dystopia in contemporary Portuguese artistic creations." arte e ensaios 26, no. 40 (2020): 393–407. http://dx.doi.org/10.37235/ae.n40.27.

Full text

Abstract:

No seu ensaio intitulado Amanhã chegam as águas (2005), Rui Zink declara que o “mar avança, alagando territórios da Europa, onde já não há países. As decisões são tomadas pela Nova Bruxelas”. Portugal é - no momento da narração - apenas uma estreita “fímbria de terra”. Ora, inspirados por esta incisão distópica, iremos abordar as canções integrantes do álbum cognominado O país a arder lançado em 2019 pela banda Sereias. Ao trabalho que aqui apresentamos esteve subjacente uma finalidade assente num princípio heurístico primordial: o de demonstrar de que forma as manifestações artísticas – neste

APA, Harvard, Vancouver, ISO, and other styles

16

Vaz De Oliveira, Ulisses Tadeu. "Ideological Complexes on Disability in The Iberian Literary Tradition of Galician-Portuguese Songs." Revista de Filología y Lingüística de la Universidad de Costa Rica 46, no. 2 (2020): 63–87. http://dx.doi.org/10.15517/rfl.v46i2.42437.

Full text

Abstract:

Literature has been especially important in the construction of human thought and development. From this perspective, ideology, as a contextual dimension of a higher order, gets into the literary text and, at the same time, becomes shaped by the genius of authors throughout the centuries. Therefore, when we face ideological social dilemmas, such as the emergence, change, perpetuation and consequences of prejudice, stereotyping and discrimination on disability in our society, it is natural to question the role of the literature in the formation of foundational ideological paradigms. This articl

APA, Harvard, Vancouver, ISO, and other styles

17

Avram, Andrei A. "Revisiting the Dutch lexical contribution to Malacca Portuguese creole." Bucharest Working Papers in Linguistics 23, no. 1 (2021): 61–78. http://dx.doi.org/10.31178/bwpl.23.1.3.

Full text

Abstract:

The paper looks at the Dutch-derived loanwords attested in Malacca Portuguese Creole. The sources cover a period ranging from the last decades of the 19th century to the present day and it consists mainly of lexicographical works, but also includes folk songs, proverbs and religious texts The loanwords of Dutch origin identified are first listed, with the proposed etyma. This is followed by a discussion of the following topics: other potential etyma and the possibility of multiple etymologies; the proportion of Dutch loanwords in the lexicon of Malacca Portuguese Creole; the phonological adjus

APA, Harvard, Vancouver, ISO, and other styles

18

Nrenzah, G. Nrenzah. "Invalidating indigenous religious traditions via Christianity: Popular Ghanaian gospel songs/music." Pentecost Journal of Theology and Mission 4 (January 31, 2023): 41–60. http://dx.doi.org/10.62868/pjtm.v4i1.130.

Full text

Abstract:

This paper is about a subtle means deployed by followers of Christianity in delegitimizing Indigenous Religious Traditions (IRTs) in Ghana. It traces the activities of the historical debut of both the fourteenth-century Portuguese entry and the 19th-century missionary activities. It argues that local gospel music lyrics are meant to communicate a message to the listener, and the message is geared almost all the time towards delegitimizing the mainstay IRTs and their contents. The current generation of Christians, even though headed by Africans, are following suit of what happened earlier in th

APA, Harvard, Vancouver, ISO, and other styles

19

Reily, Suzel Ana. "Tom Jobim and the Bossa Nova Era." Popular Music 15, no. 1 (1996): 1–16. http://dx.doi.org/10.1017/s0261143000007935.

Full text

Abstract:

‘The Girl from Ipanema’ – or, in Portuguese, ‘Garota de Ipanema’ – is without doubt the song that turned bossa nova into a household term the world over. It was written by Antônio Carlos Jobim and Vinícius de Moraes one afternoon in 1962, as they sat in the Veloso bar – now renamed ‘Garota de Ipanema’ – on Montenegro Street, where they had watched the young Helô Pinheiro walk past them on her way to Ipanema Beach. The song was first recorded in 1963 by Peri Ribeiro (Odeon) (Machado 1971), and since then over 300 other recordings have appeared on the market, both in Brazil and abroad (Cabral n.

APA, Harvard, Vancouver, ISO, and other styles

20

Bettoni, Melissa, and Janaina Pizolotto. "Sandhi forms in Brazilian Portuguese/English interphonology – focus on listening comprehension." Fórum Linguístico 19, no. 3 (2022): 8111–24. http://dx.doi.org/10.5007/1984-8412.2022.e78964.

Full text

Abstract:

This study aimed at investigating listening comprehension of sandhi forms (assimilation, linking and contraction.) in Brazilian Portuguese/English Interphonology. Fifty-two Brazilian learners of English, aged 15 to 50 years old at a minimum B1 level of English proficiency, answered two listening tasks, one with and another without sandhi forms, and filled up a questionnaire about the frequency they watched movies in English, with and without subtitles, and listened to songs in English paying attention to their lyrics. The data collected were quantitatively and qualitatively analyzed. Results i

APA, Harvard, Vancouver, ISO, and other styles

21

Correia, Paulo Petronílio, and Michael Silva. "While Performance Poem: poetry n. 1 songs Book." Guará 7, no. 1 (2017): 6. http://dx.doi.org/10.18224/gua.v7i1.6207.

Full text

Abstract:

This essay will make an assessment of the poem n° 1 of the book Songs of the Portuguese poet António Botto [1897-1959, Brazil]. To do so, you will notice text constituents to highlight aspects of the homoerostismo of the poem while performance. The work is based on sensations caused from the date the poem to raise hypothesis that the poetic text can introduce at least five moments of performance.Poema Enquanto Performance: a poesia n. 1 do livro CançõesEste ensaio fará uma apreciação do poema nº 1 do livro Canções, do poeta português António Botto [1897-1959, Brasil]. Para tanto, observará asp

APA, Harvard, Vancouver, ISO, and other styles

22

de Oliveira, Ulisses. "Ideology in text: the fenhedor persona in Galician–Portuguese love songs of King D. Dinis." WORD 63, no. 4 (2017): 258–74. http://dx.doi.org/10.1080/00437956.2017.1393187.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Ferreira, P., S. Simões, J. Cerqueira, J. Soares-Fernandes, and Á. Machado. "The Women who Heard Folk Portuguese Music in the Right Ear: A Case of Unilateral Musical Hallucinosis." European Psychiatry 24, S1 (2009): 1. http://dx.doi.org/10.1016/s0924-9338(09)71207-6.

Full text

Abstract:

Introduction:Although probably undereported, musical hallucinosis is very rare and usually bilateral. It refers to auditory complex hallucinations, for which the patient has full insight, and includes melodies, tunes, rhythms and timbres.Clinical case:A 71-year-old women was seen for a history of hearing music in the right ear. She had mild hypertension and auricular fibrillation, being chronically medicated with aspirine, bisoprolol and hydroclorothiazide. Three months previously she started hearing some popular folk Portuguese songs in the right ear. She could identify the lyrics and sing th

APA, Harvard, Vancouver, ISO, and other styles

24

Cascudo, Teresa. "The Musical Salon of the Countess of Proença-a-Velha in Lisbon: A Case of Patronage and Activism at the Turn of the Twentieth Century." Nineteenth-Century Music Review 14, no. 2 (2017): 195–210. http://dx.doi.org/10.1017/s1479409816000070.

Full text

Abstract:

This article seeks to shed light on the musical activities sponsored in Lisbon by women of high society, and specifically on the organization of the concerts produced by the Countess of Proença-a-Velha (1864–1944) in Lisbon at the turn of the ninteenth and the twentieth centuries. Between 1899 and 1903, the Countess held nine musical soirées and matinées at her home, and organized the first season of the Sociedade Artística de Concertos de Canto (Artistic Singing Concerts Society), which she founded. She also composed and premiered about 30 vocal works with piano accompaniment. Although both t

APA, Harvard, Vancouver, ISO, and other styles

25

Urban-Godziek, Grażyna. "Alborada iberyjska. Kobieca pieśń spotkania o świcie, XI–XVII wiek." Wielogłos, no. 3 (48) (2021): 1–30. http://dx.doi.org/10.4467/2084395xwi.21.019.15034.

Full text

Abstract:

Iberian Alborada. The Woman’s Song at the Dawn, 11th-17th Century The aim of the article is to define the genre of alborada, referring to its oldest Iberian forms, Mozarabic and Portuguese, and showing its evolution in the Early Modern Castilian poetry. This study will therefore serve as a basis for delineating the genre, which was present also in other European literatures, i.a. Polish from Renaissance to Romanticism. Iberian songs discussed here display a clear structure established in a long tradition and exploit the theme of lovers meeting at dawn, originating in the folk tradition, and im

APA, Harvard, Vancouver, ISO, and other styles

26

Cook, Harriet. "The Cantigas, the Court, and Bourdieu." Theory Now. Journal of Literature, Critique, and Thought 5, no. 1 (2022): 30–49. http://dx.doi.org/10.30827/tn.v5i1.22810.

Full text

Abstract:

In September 2017, the contemporary Galician poet Chus Pato described trobar in terms of the following synonyms: “Trobar, atopar, xirar, rodear, dar a volta a algo, ir derredor, rodar a palabra, darlle voltas”. Inspired by this, my article studies, from a social angle, why and how medieval troubadours using Galician-Portuguese “located”, “surrounded”, “spun around”, “returned upon”, “circled behind”, “encircled” and “returned” to specific words or conventions within the space of the court. In the first half of my discussion, I explore the “why” by applying Pierre Bourdieu’s theories on linguis

APA, Harvard, Vancouver, ISO, and other styles

27

Silva Aragão, Maria Luiza, Ianne Moreira Vieira, Rafael Domingos Almeida Durand Gomes, et al. "Quality, reliability, and content of YouTube videos in Portuguese language about dental trauma." HSJ 14 (June 20, 2024): e1489. http://dx.doi.org/10.21876/hsjhci.v14.2024.e1489.

Full text

Abstract:

Objective: To evaluate the quality, reliability and content of YouTube videos in Portuguese about dental trauma. Method: An infodemiological study was developed in which the first 60 videos found on YouTube with the terms “dental traumatism”, “dental trauma” and “broken tooth” were analyzed. Repeated videos, longer than one hour, in a language other than Portuguese, not intended for the lay public, resolution of questions, songs, interviews, shorts, and other subjects were excluded. The content of the videos was rated using a 23-point scale that classified them into low, moderate, and high con

APA, Harvard, Vancouver, ISO, and other styles

28

Castelo, Adelina. "Chinese voices in portuguese: call needs for the oral skills learning." Revista Diadorim 22, no. 3 (2020): 46–64. http://dx.doi.org/10.35520/diadorim.2020.v22n3a36430.

Full text

Abstract:

This study aims at identifying which CALL (Computer-assisted Language Learning) materials should be made available to the Chinese learners of Portuguese as a Foreign Language (PFL) for them to improve their oral skills in a more autonomous way. Adopting an approach of needs analysis and clients’ views inquiry, it is based on an online questionnaire completed by 418 Chinese volunteer participants who were learners of PFL. The participants’ perceptions about (a) their own difficulties in pronunciation and oral understanding and (b) the CALL materials needed to address these oral skills were anal

APA, Harvard, Vancouver, ISO, and other styles

29

Abeyesekara, Geethika, and Chinthaka Prageeth Meddegoda. "The Musical Representation of Sri Lankan Kaffirs." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 12 (December 13, 2023): 71–80. http://dx.doi.org/10.30819/aemr.12-6.

Full text

Abstract:

This study presents a very small community within the Sinhalese context of Sri Lanka in light of academic interest: the Kaffirs. Their communal history reaches far back into colonial times, and they did not distinguish clearly from which territories in Africa these Kaffirs, an expression introduced by Portuguese rulers for slaves and servants brought to Sri Lanka from African shores, came and how they identify. Currently, Kaffirs are seen through the gaze of public writings and common biases. They are believed to have their performance styles and their strong association with the drum, dance,

APA, Harvard, Vancouver, ISO, and other styles

30

Macedo, Yuri Miguel. "Letramentos multimodais para o ensino do Português como segunda língua para surdos." Revista EntreLinguas 6, no. 2 (2020): 357–69. http://dx.doi.org/10.29051/el.v6i2.13805.

Full text

Abstract:

This article presents a pedagogical proposal that aims to build a multimodal video with the lyrics of Dorival Caymmi's songs, involving the multiliteracy (linguistic, visual, gestural, spatial and audio) in order to develop the communicative capacity of the deaf subjects involved in the teaching-learning process creating contexts of real productions, enabling multiple activities and, above all, activities that value the Bakhtinian principle of interaction, dialogism. The proposal is organized based on the procedures for the presentation of communication situations involving multimodal discursi

APA, Harvard, Vancouver, ISO, and other styles

31

Da Silva, Natielly Rosa, and Josilene Pinheiro-Mariz. "A INTERCULTURALIDADE A PARTIR DE CANÇÕES PRESENTES EM LIVROS DIDÁTICOS DE PORTUGUÊS COMO LÍNGUA ESTRANGEIRA / Interculturality, based on songs, in Portuguese as a foreign language textbooks." Pensares em Revista, no. 26 (December 15, 2022): 158–83. http://dx.doi.org/10.12957/pr.2022.70030.

Full text

Abstract:

Diante dos avanços do ensino de português como língua estrangeira (PLE) pelo mundo, é imprescindível buscarmos uma abordagem de ensino que favoreça a promoção e o respeito às diversidades culturais, o rompimento de estereótipos e da ideia de línguas/culturas homogêneas. Portanto, a abordagem intercultural parece-nos ideal, uma vez que promove o diálogo entre culturas dos sujeitos envolvidos no processo de ensino-aprendizagem. Nesse âmbito, um papel basilar é representado pelo livro didático, dando-se enfoque ao lugar da canção como suporte da aprendizagem. A escassez de estudos que relacionem

APA, Harvard, Vancouver, ISO, and other styles

32

Montroy, Maria. "Multilingualism in Sao Tomé and Principe: Use of Subtitling Approach." Sustainable Multilingualism 21, no. 1 (2022): 26–55. http://dx.doi.org/10.2478/sm-2022-0012.

Full text

Abstract:

Summary Sao Tome and Principe (STP) is a developing country where several languages coexist, although only one of them, Portuguese, serves as the official language. The rest of the languages are limited to private use and many of them are at risk of disappearing. As a pilot experiment to find formulas for the preservation of these languages, this work takes Forro Creole as a reference. Forro is no longer transmitted from parents to children, nor is it studied in schools, and it is mainly the elderly who maintain it. At the same time, elders form a social group that suffers abandonment and disc

APA, Harvard, Vancouver, ISO, and other styles

33

Supiarza, Hery. "Preservation Of Keroncong Music Through Music Learning At SMP Santa Angela Bandung." Jurnal Seni Musik 10, no. 1 (2021): 31–39. http://dx.doi.org/10.15294/jsm.v10i1.46797.

Full text

Abstract:

This study discusses the preservation of keroncong music through music learning at Santa Angela Junior High School in Bandung. Keroncong is a type of hybrid music, native to Indonesia, the result of acculturation between Portuguese music and Indonesian local music. Keroncong experiences a setback at the present time, especially among the younger generation. Through teaching and learning activities in schools one way keroncong music can be sustainable and developed. The focus of the problem that was studied included the keroncong music learning material, the learning methods used and the evalua

APA, Harvard, Vancouver, ISO, and other styles

34

Ferreira, Manuel Pedro. "The Medieval Fate of the Cantigas de Santa Maria: Iberian Politics Meets Song." Journal of the American Musicological Society 69, no. 2 (2016): 295–353. http://dx.doi.org/10.1525/jams.2016.69.2.295.

Full text

Abstract:

This article reviews the evidence for the medieval performance of the Cantigas de Santa Maria (CSM) and discusses King Alfonso's intentions for the work, including the intended audience. The CSM were conceived as an ambitious cultural enterprise with both religious and political objectives, but were doomed to failure by the steep political decline of their creator. The only surviving evidence for the CSM's presence in any court outside Alfonso's is the Barbieri MS, an eighteenth-century descendant of a lost original, plausibly transmitted to the Portuguese court before 1270. Other traces of pe

APA, Harvard, Vancouver, ISO, and other styles

35

Simões, S., J. Mesquita, and B. Santos. "A case of musical hallucinations." European Psychiatry 26, S2 (2011): 1214. http://dx.doi.org/10.1016/s0924-9338(11)72919-4.

Full text

Abstract:

IntroductionMusical hallucinations are a rare subtype of complex auditive hallucinations where we can find a disorder of the processing of complex sounds and the perception is formed by music, instrumental sounds or songs.Clinical CaseA 75-year-old women, accompanied in otorhinolaryngology consultation in the last two years, was oriented to psychiatry consultation for suspected anxious symptomatology. In the second psychiatric observation, she complained of hearing portuguese popular music since the previous month. She could identify the lyrics and sing the songs heard and allocated the sounds

APA, Harvard, Vancouver, ISO, and other styles

36

Islam, Syed Manzoorul. "Sex, sugar and slavery:." Crossings: A Journal of English Studies 2, no. 1 (2009): 63–71. http://dx.doi.org/10.59817/cjes.v2i1.396.

Full text

Abstract:

Sugarcane plantation began in the Caribbean from the early 16th century, with the arrival of Portuguese colonizers led by Christopher Columbus who planted seed canes in Santo Domingo in 1493. With demand for sugar increasing in Europe throughout the century, sugar plantations and sugar mills were set up throughout the region. Work in the sugarcane fields was cruel and energy-sapping, and hardly any European opted for such backbreaking work. As a result, a huge number of indentured labourers had to be imported from Africa and East India. These labourers were treated as slaves and were routinely

APA, Harvard, Vancouver, ISO, and other styles

37

VIEIRA DE CARVALHO, MÁRIO. "Between Political Engagement and Aesthetic Autonomy: Fernando Lopes-Graça's Dialectical Approach to Music and Politics." Twentieth-Century Music 8, no. 2 (2011): 175–202. http://dx.doi.org/10.1017/s1478572212000072.

Full text

Abstract:

AbstractIn this article the highly contested relationship between art and politics in the twentieth century is discussed by way of the life and work of the Portuguese composer Fernando Lopes-Graça (1906–94). Lopes-Graça, who described himself as ‘a communist from birth’, lived for almost fifty years in Salazar's ‘New State’, a Fascist-type dictatorship, which emerged from a military putsch in 1926 and lasted until 1974. His experience as a communist under a right-wing régime was therefore very different from that of either communist composers living in Western democratic countries or those act

APA, Harvard, Vancouver, ISO, and other styles

38

Gonçalves, Maria Odete, and Eduardo Gonçalves. "The folk as a resource in the construction of the tourism image of Alto Minho (Portugal)." PASOS. Revista de Turismo y Patrimonio Cultural 20, no. 5 (2022): 1219–28. http://dx.doi.org/10.25145/j.pasos.2022.20.082.

Full text

Abstract:

"Based on the analysis of the discourse (s) on Portuguese folklore and the rescue of the past and the traditions through the invention/ reinvention of the cultural heritage, the objectives of the research are focused on the study and the valorization of folklore while An an important resource that shapes the image of Minho (Northern Portugal). We also propose to identify some of the most representative folk groups and to analyze the repercussions of the use of these manifestations of popular culture, especially the traditional dances and songs of the Alto Minho region (Portugal), in the formul

APA, Harvard, Vancouver, ISO, and other styles

39

Philpott, Simon. "DOMESTICATING IMPERIALISM: THE FASHIONING OF POLITICAL IDENTITY IN SOUTHEAST ASIA." International Journal of Asian Studies 10, no. 2 (2013): 189–204. http://dx.doi.org/10.1017/s1479591413000065.

Full text

Abstract:

Upon arriving at Denpasar airport in June 2000, I was greeted by an Australian friend who had recently married a Balinese man. The latter, within moments of our meeting for the first time, challenged me about my having been a UN accredited observer of the independence plebiscite in East Timor some ten months earlier. His was an impassioned if, in my view, not terribly well informed view of the torturous relationship between the former Portuguese colony and the Jakarta-based Indonesian government. My interlocutor insisted that East Timor's future ought to have remained an entirely Indonesian ma

APA, Harvard, Vancouver, ISO, and other styles

40

Le Roux, Magdel. "In Search of the Origin of the Merchants of Sena." Religion and Theology 10, no. 1 (2003): 24–50. http://dx.doi.org/10.1163/157430103x00150.

Full text

Abstract:

AbstractThe oldest, recorded oral tradition ofthe Lemba of southern Africa, individually also known as mušavi (buyer/trader), nyakuwana (the man who finds the things which are bought), or mulungu ('white man' or 'the man from the North'), is that their Israelite ancestors came to Africa by boat as traders from a remote place called Sena on the 'other side' of the 'Phusela'. Some say they came through Egypt. From anthropological and archaeological evidence it has become clear that at a very early stage continuing influences between the Semitic world (Phoenician, Hebrew and Sabaean) and the east

APA, Harvard, Vancouver, ISO, and other styles

41

Neto, Félix, and Adrian Furnham. "Sex Differences in Parents' Estimations of their Own and their Children's Multiple Intelligences: A Portuguese Replication." Spanish journal of psychology 14, no. 1 (2011): 99–110. http://dx.doi.org/10.5209/rev_sjop.2011.v14.n1.8.

Full text

Abstract:

In this study, 148 Portuguese adults (M = 45.4 years) rated themselves and their children on overall IQ and on H. Gardner (1999) 10 intelligence subtypes. Men's self-estimates were not significantly higher than women's on any of the 11 estimates. The results were in line with previous studies, in that both sexes rated the overall intelligence of their first male children higher than the first female children. Higher parental IQ self-estimates correspond with higher IQ estimates for children. Globally parents estimated that their sons had significantly higher IQs than their daughters. In partic

APA, Harvard, Vancouver, ISO, and other styles

42

Merdała, Jakub. "A Galician about the Valiant Conqueror of Valencia – Praise of James I the Conqueror in the Song of Pero da Ponte." Studia Iberystyczne 23 (December 29, 2023): 33–53. http://dx.doi.org/10.12797/si.23.2023.23.02.

Full text

Abstract:

In this paper we present an analysis of the song O que Valença conquereu by the Galician-Portuguese troubadour, Pero da Ponte, dedicated to King of Aragon, James I the Conqueror, composed on the occasion of his conquest of Valencia in 1238. Within the Galician-Portuguese poetic tradition, references to the Crown of Aragon were not frequent, and when they did appear it was usually in a satirical/humorous context. In this article we present the state of research on Pero da Ponte’s potential links with the Aragonese court, and we situate his work in relation to the realities of both the Galician-

APA, Harvard, Vancouver, ISO, and other styles

43

Moraga Riquelme, Julián Antonio, Leslie E. Sponsel, Katrien Pype, et al. "Book Reviews." Religion and Society 11, no. 1 (2020): 205–28. http://dx.doi.org/10.3167/arrs.2020.110115.

Full text

Abstract:

Andía, Juan Javier Rivera, ed., Non-Humans in Amerindian South America: Ethnographies of Indigenous Cosmologies, Rituals and Songs, 396 pp., illustrations, bibliography, index. New York: Berghahn Books, 2018. Hardback, $135.00. ISBN 9781789200973.Cassaniti, J. L., Remembering the Present: Mindfulness in Buddhist Asia, 318 pp., glossary, references, index. Ithaca, NY: Cornell University Press, 2018. Paperback, $27.95. ISBN 9781501709173.Casselberry , Judith, and Elizabeth A. Pritchard, eds., Spirit on the Move: Black Women and Pentecostalism in Africa and the Diaspora, 248 pp. Durham, NC: Duke

APA, Harvard, Vancouver, ISO, and other styles

44

Baxter, Alan N., and Hugo C. Cardoso. "Early Notices Regarding Creole Portuguese in Former Portuguese Timor." Journal of Language Contact 10, no. 2 (2017): 264–317. http://dx.doi.org/10.1163/19552629-01002001.

Full text

Abstract:

The area of Bidau, in the East Timorese capital of Dili, was home to the only documented form of Creole Portuguese in Timor. Although Bidau Creole Portuguese is now extinct, by most accounts, a few scattered records allow a glimpse into what it must have been like, and reveal its clear relationship with other Southeast Asian Portuguese-based creoles; Baxter’s (1990a) study of Bidau Creole Portuguese was based mostly on a set of recordings made in the context of theMissão Antropológica de Timor[“Anthropological Mission to Timor”, 1953–1954]. In this article, Baxter (1990a: 3) mentions that “[s]

APA, Harvard, Vancouver, ISO, and other styles

45

Ferreira, Fernanda. "Os sons do português: Uma introdução prática à fonética e à pronúncia da língua portuguesa by André Zampaulo." Hispania 103, no. 4 (2020): 638–39. http://dx.doi.org/10.1353/hpn.2020.0102.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Marnoto, Rita. "Song to the Madonna in sixteenth-century portuguese literature." Quaderns d’Italià 20 (November 2, 2015): 155. http://dx.doi.org/10.5565/rev/qdi.396.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Howorth, Carole, and Zahra Assaraf Ali. "Family Business Succession in Portugal: An Examination of Case Studies in the Furniture Industry." Family Business Review 14, no. 3 (2001): 231–44. http://dx.doi.org/10.1111/j.1741-6248.2001.00231.x.

Full text

Abstract:

This paper explores the transferability of theoretical constructs developed in an Anglo-American culture to Portugal. Cultural effects on succession are examined within three Portuguese family firms, which were selected for their ability to generate theory. Much of the extant literature appears to be valid in this context. Notable exceptions include difficulties in applying stages models of the succession process with more than one predecessor and successors at varying stages. Harmonious rather than contentious relationships were commonplace. Daughters were more highly educated than sons and l

APA, Harvard, Vancouver, ISO, and other styles

48

Shapovalova, Lіudmyla. "THE UNDERSTANDING OF MUSIC AS THE DISCOVERY OF THE OTHER: THE DIALOGUE WITH MARIO AZEVEDO." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 58, no. 58 (2021): 233–48. http://dx.doi.org/10.34064/khnum1-58.13.

Full text

Abstract:

Introduction. We offer the materials which acquaint the Ukrainian reader with the thoughts of the musicologist Mario Azevedo (Portugal). Their content concerns the actual problem of understanding music through cognition of the Other in the culture of our time. The relevance of studying the concepts of “The World and the Other” has deep roots in the history of music and in the science about it. The discussion of the concept of the Other is presented in the form of an internal dialogue of various scientific ideas and within the text it is structured in sections: on the unreliability and hypertro

APA, Harvard, Vancouver, ISO, and other styles

49

Masip, Vicente. "Fonética e fonologia portuguesas: um modelo didático latoratorial." Linha D'Água 28, no. 1 (2015): 177. http://dx.doi.org/10.11606/issn.2236-4242.v28i1p177-196.

Full text

Abstract:

As línguas naturais são veículos orais de comunicação que eventualmente se escrevem. É muito importante refletir sobre os sons do português, usando todos recursos que a tecnologia coloca ao nosso dispor, especialmente os laboratórios fonéticos, que nos permitem gravar mensagens, analisá-las, diagnosticá-las e transmiti-las. Propomos um modelo, em duas fases, a primeira mais simples e a segunda mais elaborada, que poderá ser usado como suporte para o ensino da língua portuguesa a nativos e a estrangeiros e, especialmente, como instrumento de pesquisa capaz de detalhar o registro dos sons, seus

APA, Harvard, Vancouver, ISO, and other styles

50

Steil, Juliana. "Traduções de William Blake no Brasil." Revista Letras Raras 7, no. 2 (2018): 58–66. http://dx.doi.org/10.35572/rlr.v7i2.1120.

Full text

Abstract:

Este artigo apresenta um panorama das traduções de William Blake (1757-1827) em língua portuguesa no contexto do sistema literário brasileiro. Traduções em português europeu também são consideradas, uma vez que elas circulam no Brasil e têm sua participação na história da tradução do artista inglês no país. Concentrando-se no material escrito das obras de Blake, o artigo inclui uma breve análise das traduções no que se refere aos elementos poéticos de sua poesia e de sua prosa, em especial das traduções de The Marriage of Heaven and Hell e Songs of Innocence and of Experience, as duas obras ma

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!