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Books on the topic 'Post-apartheid literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Libin, Mark. Reading Affect in Post-Apartheid Literature. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55977-9.

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2

Nuttall, Sarah. Entanglement: Literary and cultural reflections on post apartheid. Johannesburg: Wits University Press, 2009.

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Entanglement: Literary and cultural reflections on post apartheid. Johannesburg: Wits University Press, 2009.

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4

Nuttall, Sarah. Entanglement: Literary and cultural reflections on post apartheid. Johannesburg: Wits University Press, 2009.

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5

Dance of life: The novels of Zakes Mda in post-apartheid South Africa. Claremont, South Africa: UCT Press, 2011.

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6

Dance of life: The novels of Zakes Mda in post-apartheid South Africa. Athens: Ohio University Press, 2012.

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7

Koosman, Melissa. The fall of apartheid in South Africa. Hockessin, Del: Mitchell Lane, 2010.

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8

The fall of apartheid in South Africa. Hockessin, Del: Mitchell Lane, 2010.

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9

Koosman, Melissa. The fall of apartheid in South Africa. Hockessin, Del: Mitchell Lane, 2010.

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10

Knapp, Adrian. The past coming to roost in the present: Historicising history in four post-apartheid South African novels. Stuttgart: Ibidem-Verlag, 2006.

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11

Making use of history in new South African fiction: An analysis of the purposes of historical perspectives in three post-apartheid novels. Copenhagen: Museum Tusculanum Press, University of Copenhagen, 2003.

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12

Trauma, resistance, reconstruction in post-1994 South African writing. New York: Peter Lang, 2010.

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13

South African Gothic: Anxiety and Creative Dissent in the Post-apartheid Imagination and Beyond. University of Wales Press, 2018.

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14

Somewhere in the Double Rainbow: Representations of Bisexuality in Post-Apartheid Novels. University of Kwazulu Natal Press, 2007.

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15

Hathaway, Chas. Giraffe Tracks: The Inspiring True Story of an LDS Missionary in Post-Apartheid South Africa. Willowrise Press, 2008.

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16

Knapp, Adrian. The Past Coming to Roost in the Present: Historicising History in Four Post-Apartheid South African Novels: André P. Brink's Imaginings of Sand, Zakes ... and Phaswane Mpe's Welcome to our Hillbrow. ibidem-Verlag, 2007.

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17

Democracy at Home in South Africa: Family Fictions and Transitional Culture. Palgrave Macmillan, 2015.

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18

Remembering the Nation, Dismembering Women?: Stories of the South African Transition. University of Kwazulu Natal Press, 2007.

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19

Bank, Leslie, Nico Cloete, and François van Schalkwyk. Anchored in Place: Rethinking the university and development in South Africa. African Minds, 2018. http://dx.doi.org/10.47622/9781928331759.

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Tensions in South African universities have traditionally centred around equity (particularly access and affordability), historical legacies (such as apartheid and colonialism), and the shape and structure of the higher education system. What has not received sufficient attention, is the contribution of the university to place-based development. This volume is the first in South Africa to engage seriously with the place-based developmental role of universities. In the international literature and policy there has been an increasing integration of the university with place-based development, especially in cities. This volume weighs in on the debate by drawing attention to the place-based roles and agency of South African universities in their local towns and cities. It acknowledges that universities were given specific development roles in regions, homelands and towns under apartheid, and comments on why sub-national, place-based development has not been a key theme in post-apartheid, higher education planning. Given the developmental crisis in the country, universities could be expected to play a more constructive and meaningful role in the development of their own precincts, cities and regions. But what should that role be? Is there evidence that this is already occurring in South Africa, despite the lack of a national policy framework? What plans and programmes are in place, and what is needed to expand the development agency of universities at the local level? Who and what might be involved? Where should the focus lie, and who might benefit most, and why? Is there a need perhaps to approach the challenges of college towns, secondary cities and metropolitan centers differently? This book poses some of these questions as it considers the experiences of a number of South African universities, including Wits, Pretoria, Nelson Mandela University and especially Fort Hare as one of its post-centenary challenges.

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20

Moody, Alys. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198828891.003.0006.

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This book has traced a history of modernism’s decline and of its doubters. In post-Vichy France, the US circa 1968, and late apartheid South Africa, modernism’s fate was precarious, its reputation tarnished, and its politics reviled. The inescapability of the political in these contexts compromised the structural conditions of the autonomous literary field on which modernism had been built. In turn, it threw into crisis the philosophical defense of autonomy and the literary legacies of modernism, which grew out of and were guaranteed by this autonomous literary field. The stories we tell about late twentieth-century literary history reflect this dilemma. According to received wisdom, the period between 1945 and 1990 saw postmodernism replace modernism in both literature and scholarship, and new waves of postcolonial literature and theory discredited the Eurocentric specter of modernism. ...

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21

Shakespeare And The Coconuts On Postapartheid South African Culture. Witwatersrand University Press Publications, 2012.

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22

Moody, Alys. The Art of Hunger. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198828891.001.0001.

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As literary modernism was emerging in the late nineteenth and early twentieth centuries, a number of its most important figures and precursors began to talk about their own writing as a kind of starvation. The Art of Hunger: Aesthetic Autonomy and the Afterlives of Modernism uses this trope as a lens through which to examine contemporary literature’s engagement with modernism, arguing that hunger offers a way of grappling with the fate of aesthetic autonomy through modernism’s late twentieth-century afterlives. The art of hunger appears at moments where aesthetic autonomy enters a period of crisis, and in this context, the writers examined here develop an alternate theory of aesthetic autonomy, which imagines art not as a conduit for freedom, but rather as an enactment of unfreedom. This book traces this theme from the origins of modernism to the end of the twentieth century, focusing particularly on three authors who redeploy the modernist art of hunger as a response to key moments in the history of modernist aesthetic autonomy’s delegitimization: Samuel Beckett in post-Vichy France; Paul Auster in post-1968 Paris and New York; and J. M. Coetzee in late apartheid South Africa. Combining historical analysis of these literary fields with close readings of individual texts, and drawing extensively on new archival research, this book offers a counter-history of modernism’s post-World War II reception and a new theory of aesthetic autonomy as a practice of unfreedom.

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