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Books on the topic 'Post-Industrial Architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

Somerville (Mass.). Mayor's Office of Strategic Planning and Community Development and Boston Society of Architects, eds. Edge as center: Envisioning the post-industrial landscape, Somerville, Massachusetts. Somerville, Massachusetts: Mayor's Office of Stragetic Planning and Community Development, 2007.

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2

Battisti, Alessandra, and Angelo Figliola. Post-industrial Robotics: Exploring Informed Architecture. Springer, 2020.

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3

Battisti, Alessandra, and Angelo Figliola. Post-industrial Robotics: Exploring Informed Architecture. Springer, 2020.

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4

Waterfronts in Post-Industrial Cities. London: Taylor & Francis Group Plc, 2004.

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Waterfronts in Post-Industrial Cities. London: Taylor & Francis Inc, 2004.

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6

Beauty Redeemed: Recycling Post-Industrial Landscapes. de Gruyter GmbH, Walter, 2015.

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7

Beauty redeemed : recycling post-industrial landscapes. IKAROS Press, 2015.

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8

Manufactured Sites: Re-thinking the Post-industrial Landscape. Spon Press, 2001.

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9

Open City: Re-Thinking the Post-Industrial City / Re-pensando la Ciudad Postindustrial. Actar D, 2020.

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10

Kees, Doevendans, and Harst, G.J. van der., eds. Het kerkgebouw in het postindustriële landschap =: The church in the post-industrial landscape. Zoetermeer: Boekencentrum, 2004.

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11

Next Generation Infrastructure: Principles for Post-Industrial Public Works. Island Press, 2014.

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12

Next Generation Infrastructure: Principles for Post-Industrial Public Works. Island Press, 2014.

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13

Designing the British Post-War Home: Kenneth Wood, 1948-1968. Taylor & Francis Group, 2015.

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14

Fisher, Fiona. Designing the British Post-War Home: Kenneth Wood, 1948-1968. Taylor & Francis Group, 2017.

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15

Hughes, Kit. Television at Work. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190855789.001.0001.

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Abstract:

This book explores how work, television, and waged labor come to have meaning in our everyday lives. However, it is not an analysis of workplace sitcoms or quality dramas. Instead, it explores the forgotten history of how American private sector workplaces used television in the twentieth century. It traces how, at the hands of employers, television physically and psychically managed workers and attempted to make work meaningful under the sign of capitalism. It also shows how the so-called domestic medium helped businesses shape labor relations and information architectures foundational to the twinned rise of the technologically mediated corporation and a globalizing information economy. Among other things, business and industry built extensive private television networks to distribute live and taped programming, leased satellite time for global “meetings” and program distribution, created complex closed-circuit television (CCTV) data search and retrieval systems, encouraged the use of videotape for worker self-evaluation, used videocassettes for training distributed workforces, and wired cantinas for employee entertainment. Television at work describes the myriad ways the medium served business’ attempts to shape employees’ relationships to their labor and the workplace in order to secure industrial efficiency, support corporate expansion, and inculcate preferred ideological orientations. By uncovering industrial television as a prolific sphere of media practice—one that continually sought to reshape the technology’s cultural meanings, affordances, and uses—Television at Work positions the medium at the heart of Post-Fordist experiments into reconfiguring the American workplace and advancing understandings of labor that increasingly revolved around dehumanized technological systems and information flows.

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