Relevant bibliographies by topics / Post-modernist poets

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Post-modernist poets'

Author: Grafiati
Published: 10 January 2023
Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Post-modernist poets.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Post-modernist poets"

1

Bhattacharjee, Nisarga, and Ananya Chatterjee. "The “blossoming of lilac-bush”: A Study of the Post-War Reception of The Waste Land." BL College Journal 5, no. 2 (2023): 101–6. http://dx.doi.org/10.62106/blc2023v5i2e10.

Full text
Abstract:
T. S. Eliot’s ‘The Waste Land’ has developed a contemporaneity by effectively transcending the Modernist context within which it is born. The poem exhibits certain features that have stayed relevant for the later generations of poets and readers even after much of the Modernist intentions have ceased to exist. In our presentation, we will identify those features by providing a brief analysis of the responses to the poem from multiple poets, mostly those after World War I. The principal observation resulting from the readings would be that the poem contains a restorative promise which proved co
APA, Harvard, Vancouver, ISO, and other styles
2

Jiajing, Song. "Affinity and Influence of Federico García Lorca on the Poetry of Dai Wangshu." Sinología hispánica 7, no. 2 (2019): 133. http://dx.doi.org/10.18002/sin.v7i2.5734.

Full text
Abstract:
As one of the most representative modern poets in China, Dai Wangshu not only contributs a lot to the development of the modern Chinese poetry, but also plays an important role in introducing western poetics to China. Dai’s translation of western poetry has a profound influence on his poetic creation. Dai, throughout his poetic career, was at first influenced by the French romanticism, then was fascinated by the French symbolism and post-symbolism. The years of Disaster, a collection of poems in his later years, however, demonstrates an inclination to the Spanish modernist poetry, especially t
APA, Harvard, Vancouver, ISO, and other styles
3

Muhammad Ramzan, Shah Faisalullah, and Dr. Abdul Karim Khan. "Post-modernist Elements in Javed Ihsas’s Poetic Collection ‘Ayina (The Mirror)’." sjesr 4, no. 2 (2021): 374–79. http://dx.doi.org/10.36902/sjesr-vol4-iss2-2021(374-379).

Full text
Abstract:
Javed Ihsas is a prominent contemporary Pashto poet, critic, and columnist. He writes poetry with the new spirit and style of the modern critical theories of literature and philosophy. In his verses, we can observe the elements of Modernism and Post-modernism as well. In this study, we explored the post-modernist elements in his poetry, especially in his Pashto poetic collection titled Ayina. The word 'Ayina' is a Pashto word that means 'The Mirror'. The very title of the collection gives a symbolic representation in the sense that it depicts a realistic picture of society. This study is an at
APA, Harvard, Vancouver, ISO, and other styles
4

Soldofsky, Alan. "William Carlos Williams and West Coast Poetic Culture: Personalist Poetics from Paterson to Bolinas Mesa." William Carlos Williams Review 40, no. 1 (2023): 7–50. http://dx.doi.org/10.5325/willcarlwillrevi.40.1.0007.

Full text
Abstract:
Abstract This article aims to show the pervasive influence of William Carlos Williams’s later more “personalist” work, in particular, on the poetry of Kenneth Rexroth, Philip Whalen, and Joanne Kyger. I analyze how Williams’s later poetics influence West Coast poets, particularly Kenneth Rexroth, whose idea of a “personalist” poetics stands opposed to the “impersonalist” aesthetics of T.S. Eliot-Ezra Pound wing of modernism. I then introduce close readings of several poems of Philip Whalen, whose personalist style is more internal and less extraverted than the other poets and represents anothe
APA, Harvard, Vancouver, ISO, and other styles
5

O'Neill, Michael. "‘The Changed Measures of Light’: Post-Romanticism and Geoffrey Hill's Difficult Revelations." Romanticism 22, no. 3 (2016): 331–40. http://dx.doi.org/10.3366/rom.2016.0294.

Full text
Abstract:
It is this essay's working hypothesis that, for the contemporary poet, Romanticism amounts to more than a set of possibilities from which the poet strolling round the thematic and prosodic shopping mall can select, before nipping off to the Renaissance palazzo or Modernist speakeasy. It is more like an ineluctable predicament, like a genetic make-up, or wave after wave of after-shock. Geoffrey Hill is a poet whose influences and allusions cover a prodigious range of authors and languages, but they operate in the radiant shadow of Romantic poetry and culture. For Hill, a key aspect of the Roman
APA, Harvard, Vancouver, ISO, and other styles
6

Tilaymurodova, Mukhlisa, and Ravshan Eshonkulov. "ECHOES OF ELIOT: A STYLISTIC INFLUENCE ON POST-SOVIET UZBEK LITERARY EXPRESSION." JOURNAL OF UNIVERSAL SCIENCE RESEARCH 3, no. 5 (2025): 64–70. https://doi.org/10.5281/zenodo.15391344.

Full text
Abstract:
This paper explores the stylistic influence of Thomas Stearns Eliot’s poetry on post-Soviet Uzbek writers. It analyzes the adoption of Eliot’s poetic techniques, such as ambiguity, allusion, and internal monologue, within the works of selected Uzbek poets and novelists. The study uses comparative stylistic analysis to show that Eliot’s modernist techniques offered a model for Uzbek authors seeking new literary identities in the wake of Soviet censorship. The paper concludes that Eliot’s influence has inspired a stylistic departure from realism toward a more introspectiv
APA, Harvard, Vancouver, ISO, and other styles
7

Al-Zubbaidi, Haitham Kamil. "Self-Reflexivity and Meta-Poetry in Billy Collins' Selected Poems." Al-Adab Journal, no. 111 (March 15, 2015): 17–44. http://dx.doi.org/10.31973/aj.v0i111.1531.

Full text
Abstract:
Although postmodernism is known for its tendency to deconstruct the basics of existing traditions and conventions pertaining to existing literary forms, among other realms, and though it is commonly associated with self-reflexivity, self-consciousness, self-referentiality and introspective interests, there are numerous examples in the postmodern literary oeuvre of many poets and writers, which prove, whether by fecundity or by frequency, that there is an underlying orientation to establish this self-reflexivity as a new convention, endow it with rules and present it as a post-modernist traditi
APA, Harvard, Vancouver, ISO, and other styles
8

Khetagurova, Dzerassa Kazbekovna. "Post mortem: The phenomenon of the image of the living dead in modernist poetry (V. I. Narbut, B. Yu. Poplavsky, B. Brecht, G. G. Maliev)." Philology. Theory & Practice 17, no. 8 (2024): 2583–90. http://dx.doi.org/10.30853/phil20240368.

Full text
Abstract:
The paper aims to demonstrate the idea of transformation of traditional artistic motifs in the aesthetics of modernism using the example of the theme of the living dead in poems by V. Narbut, B. Poplavsky, B. Brecht and G. Maliev. The scientific novelty of the study lies both in the broad coverage of modernist texts: Russian literature (V. Narbut), Russian émigré literature (B. Poplavsky), German (B. Brecht) and Ossetian literature (G. Maliev), and in the chosen aspect of analyzing the archetypal plot of the returning dead in the context of the creative principles of art in the early 20th cent
APA, Harvard, Vancouver, ISO, and other styles
9

Choi, Jung A., and Han Sung Kim. "The Roots of Culture." Journal of World Literature 7, no. 2 (2022): 234–52. http://dx.doi.org/10.1163/24056480-00702007.

Full text
Abstract:
Abstract Kim Suyŏng (1921–1968) is a Korean modernist poet whose works have been widely studied from the perspective of comparative and world literature. Yet, there is hardly any research on how his work is related to Russian literature. Given that he had little to no command of the Russian language, he used English translations to translate into Korean or comment on the Russian works selected for publication. His translations of Russian literature exhibit a consciousness of the characteristics of Russian literature, blended with Cold War English literature and post-colonial Korean literature.
APA, Harvard, Vancouver, ISO, and other styles
10

Xiang, Yingying. "The Influence of Classical Chinese Poetry on the Innovation of Ezra Pound." Journal of Education, Humanities and Social Sciences 21 (November 15, 2023): 122–27. http://dx.doi.org/10.54097/ehss.v21i.13173.

Full text
Abstract:
Recognised as one of the 20th century’s most challenging poets, Ezra Pound made a major contribution to modernist poetry. Inspired by ancient Chinese poetry, Pound was drawn to its vivid imagery and concise diction. He was determined to supersede the Victorian style of complicated verse and breathe fresh energy into poetry. This essay provides a detailed analysis of Pound’s most well-known composition, In a Station of the Metro, which is characterised by its modern and exotic elements. Contrasted with his translation work, Taking Leave of a Friend, selected from Cathay, this paper aims to anal
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Post-modernist poets"

1

Trub, Simon Dominique. "Late modernist quest for a human community in post-1945 epic poetry : reading David Jones's The Anathemata, William Carlos Williams's Paterson, and Charles Olson's The Maximus Poems with Georges Bataille's Summa Atheologica." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/23481.

Full text
Abstract:
Reading David Jones’s The Anathemata, William Carlos Williams’s Paterson, and Charles Olson’s The Maximus Poems as epics, this doctoral dissertation challenges the old but persistent notion that epic poetry ceased being written at a particular point in the past and instead examines the particular formal, philosophical and political difficulties writers of this genre had to confront in the second half of the twentieth century. Twentieth-century epic poetry will primarily be defined in terms of its purpose or function, which is the representation of the identity of a ‘community’, while the liter
APA, Harvard, Vancouver, ISO, and other styles
2

Brusaschi, Kylie. "Making Poetry: An Anatomy of Troublemaking." Thesis, 2017. https://vuir.vu.edu.au/34440/.

Full text
Abstract:
This research grows from an in-practice need to further understand how poetry functions to disrupt and trouble normative language use. The innovative or experimental poet, as I contend, handles language not as ready-made and static but as material and multidimensional. The results of this handling of language can lead a reader to become confused, confronted and potentially transformed, thus challenging notions of reading and understanding. In this PhD by creative component I address critically and creatively the question of how poetry troubles, disrupts and transforms our experience of
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Post-modernist poets"

1

An evening of caged beasts: Seven post-modernist Urdu poets. Oxford University Press, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

(Translator), Asif Farrukhi, and Frances W. Pritchett (Translator), eds. An Evening of Caged Beasts: Seven Post-Modernist Urdu Poets. Oxford University Press, USA, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Thomas, Greg. Border Blurs. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620269.001.0001.

Full text
Abstract:
This book presents the first in-depth account of the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s-70s. Concrete poetry was a literary and artistic style which reactivated early-twentieth-century modernist impulses towards the merging of artistic media while simultaneously speaking to a gamut of contemporary contexts, from post-1945 social reconstruction to cybernetics, mass media, and the sixties counter-culture. The terms of its development in England and Scotland also suggest new ways of mapping ongoing complexities in the relati
APA, Harvard, Vancouver, ISO, and other styles
4

Song, Weijie. The Aesthetic versus the Political. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190200671.003.0004.

Full text
Abstract:
This chapter addresses how Lin Huiyin, a female poet and architect, carries out modernist, impressionist, and urbanist mappings of Beijing’s everyday objects, imperial relics, and socialist sites from the post-Warlord Era to the high Cold War years. In her literary writings of the 1930s and her failed project of urban planning of the socialist capital in the 1950s (against Maoist and Stalinist propaganda), Lin deliberately juxtaposes the pastoral and the counterpastoral, the threatening and disturbing images of modern industrial civilization and the lyrical and aesthetic items in everyday life
APA, Harvard, Vancouver, ISO, and other styles
5

Mochila, Miguel. Diffuse Modernity. The Hispanic Reception of Eugénio de Castro. Imprensa Universidade de Évora, 2022. http://dx.doi.org/10.24902/uevora.29.

Full text
Abstract:
This work addresses the Hispanic reception of Eugénio de Castro (1869-1944) between the end of the 19th century and the first forty years of the 20th century. I propose a reinterpretation of Castro’s relevance in the definition of Iberian modernity, contradicting the traditional national and linear vision that assigns him a secondary role in Portuguese history. Adopting the transnational perspective advocated by Iberian Studies, this perspective articulates the diversity of trends that coexist in the modernist period, of which the poet is himself exemplary, given the diversity of his work and
APA, Harvard, Vancouver, ISO, and other styles
6

Teo, Tze-Yin. If Babel Had a Form. Fordham University Press, 2022. http://dx.doi.org/10.5422/fordham/9781531500184.001.0001.

Full text
Abstract:
In twentieth-century intersections of China and Asia with the United States, translations did more than communicate meaning across politicized and racializing differences of language and nation. Instead, transpacific translation breached the regulative protocols that created those very differences of cultural value and meaning. The result saw translators cleaving to the sounds and shapes of poetry to imagine a translingual “likeness of form” but not of meaning or kind. At stake in this form without meaning is a new task of equivalence. As a concept, equivalence has been rejected for its coloni
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Post-modernist poets"

1

Bonifacio, Ayendy. "“In Defense of Newspaper Poets”." In Paratextuality in Anglophone and Hispanophone Poems in the US Press, 1855-1901. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781399523493.003.0007.

Full text
Abstract:
By the early twentieth century, newspaper poetry was fading, with high-status New England magazines shaping literary standards. George Santayana and others criticized the "genteel tradition," which they saw as stifling American cultural production, favoring a modernist approach that rejected sentimental and conventional forms. Via an analysis of James E. Kinsella’s (known as “Chicago’s Post Office Poet”) short column in the Chicago Tribune titled “In Defense of Newspaper Poets” and Glen Allen’s satirical column in The New York Times Magazine, “Pity the Poor Newspaper Poet!” the final chapter a
APA, Harvard, Vancouver, ISO, and other styles
2

Müller, Timo. "The Vernacular Sonnet and the Afro-Modernist Project." In The African American Sonnet. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496817839.003.0005.

Full text
Abstract:
This chapter examines Langston Hughes’s previously ignored blues sonnets from the early 1940s, which open up a new perspective on the trajectories of African American modernist writing. In these little-known sonnets, Hughes revived the formal experimentation of the twenties by bringing together high-modernist and vernacular elements. The chapter traces the transformations of this “synthetic vernacular” (Matthew Hart) in the work of the outstanding poets of the post-war period, Gwendolyn Brooks and Robert Hayden. It shows how these poets made the sonnet a crucial—if overlooked—laboratory for th
APA, Harvard, Vancouver, ISO, and other styles
3

Blasing, Molly Thomasy. "Darkroom of Dreams." In Snapshots of the Soul. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501753695.003.0006.

Full text
Abstract:
This chapter explores how other late and post-Soviet poets use photographic motifs to access the inner workings of the mind and the dream-like space of the unconscious in their experimental poetry. It considers two such poets — Arkadii Dragomoshchenko and Andrei Sen-Sen'kov — and their use of photographic practices and aesthetics to expand poetry's potential. The chapter examines the connection between photographic processes and Walter Benjamin's notion of the “optical unconscious” in poems by Dragomoshchenko and Sen-Sen'kov, each of whom uses photography as a means of accessing elements of hu
APA, Harvard, Vancouver, ISO, and other styles
4

Tazudeen, Rasheed. "Forest, Ocean, Planet (Green & Blue)." In Modernism's Inhuman Worlds. Cornell University Press, 2024. http://dx.doi.org/10.7591/cornell/9781501776496.003.0007.

Full text
Abstract:
This chapter explores a set of contemporary poetic works grown from the ending of worlds and from the abysses following human extinction. It focuses on the post-extinctionist poetics of Alexis Pauline Gumbs, Cody-Rose Clevidence, Anne Waldman, Brenda Shaughnessy, Jody Gladding, and Sawako Nakayasu. Yet even as they confront the ever-increasing possibility of a humanless earth, these works also inherit—and improvise with—Woolf 's modulation of human extinction into comedy, along with other inhuman modernist formal experimentations. Rather than mourning for an ended world, these works revel in t
APA, Harvard, Vancouver, ISO, and other styles
5

Thomas, Greg. "?Concrete Poetry and After." In Border Blurs. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620269.003.0007.

Full text
Abstract:
Having considered concrete poetry in England and Scotland largely in relation to global trends, in the final chapter this text turns its attention to the binding characteristics of concrete poetry in those two nations. What unique features can be picked out which allow us to speak of ‘concrete poetry in England and Scotland’ as a distinct and coherent phenomenon? The argument is presented that, while concrete poetry in its initial, international guises often represented a response to modernist design aesthetics and semiotic theory, for poets in England and Scotland it was more likely to be pla
APA, Harvard, Vancouver, ISO, and other styles
6

Weissmann, Dirk. "Aux sources de la traduction homophonique." In Sound /Writing : traduire-écrire entre le son et le sens. Editions des archives contemporaines, 2019. http://dx.doi.org/10.17184/eac.2199.

Full text
Abstract:
This chapter focuses on the role of Austrian poet Ernst Jandl in the history of homophonic translation. It shows that Jandl, who is one of the major German post-war poets, can be considered one of the pioneers of this genre. His sound translation experiences are closely related to his experimental poetry of the late 1950s and early 1960s, situated in the broader context of the Concrete poetry movement. In addition to a reading of Jandl’s famous sound translation of a poem by William Wordsworth, this essay will address the question of the connections between Jandl’s specific translation method
APA, Harvard, Vancouver, ISO, and other styles
7

Wasley, Aidan. "A Way of Happening." In The Age of Auden. Princeton University Press, 2011. http://dx.doi.org/10.23943/princeton/9780691136790.003.0002.

Full text
Abstract:
This chapter argues that Auden's extensive and largely unexplored impact on the post-war generation of American poets helped not only to define the terms by which these younger poets framed their own work and careers, but also offered a new and influential model for understanding what it meant to write poetry in America after World War II and after Modernism. In particular, Auden's redefinition of his own poetic identity following his emigration from England helped to shape American poetry in terms of what Auden called “the burden of choice”: How to select an inheritance from the myriad possib
APA, Harvard, Vancouver, ISO, and other styles
8

Hundorova, Tamara. "The Ukrainian Underground." In The Oxford Handbook of Soviet Underground Culture. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197508213.013.49.

Full text
Abstract:
Abstract This chapter presents a broad panorama of Ukrainian underground culture from the 1960s to the Perestroika period (late 1980s–early 1990s), focusing predominantly on literature but also including visual art and music. Several generations of Ukrainian nonconformists (the Sixtiers, the generation of the Seventies) and diverse cultural locales (Kyiv, Lviv, Kharkiv) overlap with the spectrum of artistic strategies shaping a multi-dimensional typology of Ukrainian catacomb culture. This chapter highlights such trends/circles as the dissident underground of the Sixtiers, with its focus on na
APA, Harvard, Vancouver, ISO, and other styles
9

Chen, Xiaomei. "“Misunderstanding” Western Modernism The Menglong Movement." In Occidentalism, A Theory of Counter-Discourse in Post-Mao China. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195085792.003.0004.

Full text
Abstract:
Abstract I have in the last two chapters focused on the manifestations of Occidentalism in such popular media as television and the professional theater in post-Mao China. Yet the same phenomenon can also be traced in media and traditions that are anything but popular. Consider, for example, the case of recent lyric poetry and its relationship to Western literary texts. Ezra Pound’s Orientalism, or his “discovery” of the Chinese ideograph, thought to have resulted from a “misunderstanding” of Chinese language and culture, is a familiar story in the West. What has not been widely known, however
APA, Harvard, Vancouver, ISO, and other styles
10

Gardner, Colin. "On Truth and Lie in an Extra-Formal Sense: Silence as Resistant Punctum in Abbas Kiarostami’s The Chorus (1982), Homework (1989) and Close-Up (1990)." In Chaoid Cinema. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474494021.003.0010.

Full text
Abstract:
Working in the pre-and post-revolutionary periods for the Center for the Intellectual Development of Children and Young Adults (Kānun-e parvaresh-e fekti-e kudakān va nowjavānān), Kiarostami was heavily influenced by the Modernist poetry of Ezra Pound and Wallace Stevens but also Arabic and Iranian poets such as Sohrab Sepheri and Forugh Farrokzhad. Indeed, his whole objective is to create a cinematic equivalent of such sources, which means eschewing a solid structure or clear-cut conclusion. Kiarostami thus creates holes and fissures which the audience can climb through so that they can provi
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Post-modernist poets"

1

Pilar, Martin. "�UNPOETICAL� POETRY OF PETR HRUSKA." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s10.23.

Full text
Abstract:
Petr Hruska (born 1964) is a poet and literary historian from Ostrava. This post-industrial city used to be famous for its black coal mines and steel factories. At the time of the industrial boom, Ostrava started to be a �melting pot� of nations living in this part of Central Europe � the Czechs, Poles, Germans from Silesia, Austrians, Jews, and Slovaks. No wonder, then, that the cultural life of this region differs from that in traditional centres of Czech culture like Prague or Brno. Nevertheless, Hruska�s collections of poems have been awarded the most prestigious Czech literary prizes and
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Post-modernist poets' for particular source types:
Journal articles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography