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Journal articles on the topic 'Post-modernist poets'

Author: Grafiati

Published: 10 January 2023

Last updated: 31 July 2025

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1

Bhattacharjee, Nisarga, and Ananya Chatterjee. "The “blossoming of lilac-bush”: A Study of the Post-War Reception of The Waste Land." BL College Journal 5, no. 2 (2023): 101–6. http://dx.doi.org/10.62106/blc2023v5i2e10.

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T. S. Eliot’s ‘The Waste Land’ has developed a contemporaneity by effectively transcending the Modernist context within which it is born. The poem exhibits certain features that have stayed relevant for the later generations of poets and readers even after much of the Modernist intentions have ceased to exist. In our presentation, we will identify those features by providing a brief analysis of the responses to the poem from multiple poets, mostly those after World War I. The principal observation resulting from the readings would be that the poem contains a restorative promise which proved co

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Jiajing, Song. "Affinity and Influence of Federico García Lorca on the Poetry of Dai Wangshu." Sinología hispánica 7, no. 2 (2019): 133. http://dx.doi.org/10.18002/sin.v7i2.5734.

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As one of the most representative modern poets in China, Dai Wangshu not only contributs a lot to the development of the modern Chinese poetry, but also plays an important role in introducing western poetics to China. Dai’s translation of western poetry has a profound influence on his poetic creation. Dai, throughout his poetic career, was at first influenced by the French romanticism, then was fascinated by the French symbolism and post-symbolism. The years of Disaster, a collection of poems in his later years, however, demonstrates an inclination to the Spanish modernist poetry, especially t

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Muhammad Ramzan, Shah Faisalullah, and Dr. Abdul Karim Khan. "Post-modernist Elements in Javed Ihsas’s Poetic Collection ‘Ayina (The Mirror)’." sjesr 4, no. 2 (2021): 374–79. http://dx.doi.org/10.36902/sjesr-vol4-iss2-2021(374-379).

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Javed Ihsas is a prominent contemporary Pashto poet, critic, and columnist. He writes poetry with the new spirit and style of the modern critical theories of literature and philosophy. In his verses, we can observe the elements of Modernism and Post-modernism as well. In this study, we explored the post-modernist elements in his poetry, especially in his Pashto poetic collection titled Ayina. The word 'Ayina' is a Pashto word that means 'The Mirror'. The very title of the collection gives a symbolic representation in the sense that it depicts a realistic picture of society. This study is an at

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Soldofsky, Alan. "William Carlos Williams and West Coast Poetic Culture: Personalist Poetics from Paterson to Bolinas Mesa." William Carlos Williams Review 40, no. 1 (2023): 7–50. http://dx.doi.org/10.5325/willcarlwillrevi.40.1.0007.

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Abstract This article aims to show the pervasive influence of William Carlos Williams’s later more “personalist” work, in particular, on the poetry of Kenneth Rexroth, Philip Whalen, and Joanne Kyger. I analyze how Williams’s later poetics influence West Coast poets, particularly Kenneth Rexroth, whose idea of a “personalist” poetics stands opposed to the “impersonalist” aesthetics of T.S. Eliot-Ezra Pound wing of modernism. I then introduce close readings of several poems of Philip Whalen, whose personalist style is more internal and less extraverted than the other poets and represents anothe

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O'Neill, Michael. "‘The Changed Measures of Light’: Post-Romanticism and Geoffrey Hill's Difficult Revelations." Romanticism 22, no. 3 (2016): 331–40. http://dx.doi.org/10.3366/rom.2016.0294.

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It is this essay's working hypothesis that, for the contemporary poet, Romanticism amounts to more than a set of possibilities from which the poet strolling round the thematic and prosodic shopping mall can select, before nipping off to the Renaissance palazzo or Modernist speakeasy. It is more like an ineluctable predicament, like a genetic make-up, or wave after wave of after-shock. Geoffrey Hill is a poet whose influences and allusions cover a prodigious range of authors and languages, but they operate in the radiant shadow of Romantic poetry and culture. For Hill, a key aspect of the Roman

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Tilaymurodova, Mukhlisa, and Ravshan Eshonkulov. "ECHOES OF ELIOT: A STYLISTIC INFLUENCE ON POST-SOVIET UZBEK LITERARY EXPRESSION." JOURNAL OF UNIVERSAL SCIENCE RESEARCH 3, no. 5 (2025): 64–70. https://doi.org/10.5281/zenodo.15391344.

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This paper explores the stylistic influence of Thomas Stearns Eliot’s poetry on post-Soviet Uzbek writers. It analyzes the adoption of Eliot’s poetic techniques, such as ambiguity, allusion, and internal monologue, within the works of selected Uzbek poets and novelists. The study uses comparative stylistic analysis to show that Eliot’s modernist techniques offered a model for Uzbek authors seeking new literary identities in the wake of Soviet censorship. The paper concludes that Eliot’s influence has inspired a stylistic departure from realism toward a more introspectiv

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Al-Zubbaidi, Haitham Kamil. "Self-Reflexivity and Meta-Poetry in Billy Collins' Selected Poems." Al-Adab Journal, no. 111 (March 15, 2015): 17–44. http://dx.doi.org/10.31973/aj.v0i111.1531.

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Although postmodernism is known for its tendency to deconstruct the basics of existing traditions and conventions pertaining to existing literary forms, among other realms, and though it is commonly associated with self-reflexivity, self-consciousness, self-referentiality and introspective interests, there are numerous examples in the postmodern literary oeuvre of many poets and writers, which prove, whether by fecundity or by frequency, that there is an underlying orientation to establish this self-reflexivity as a new convention, endow it with rules and present it as a post-modernist traditi

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Khetagurova, Dzerassa Kazbekovna. "Post mortem: The phenomenon of the image of the living dead in modernist poetry (V. I. Narbut, B. Yu. Poplavsky, B. Brecht, G. G. Maliev)." Philology. Theory & Practice 17, no. 8 (2024): 2583–90. http://dx.doi.org/10.30853/phil20240368.

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The paper aims to demonstrate the idea of transformation of traditional artistic motifs in the aesthetics of modernism using the example of the theme of the living dead in poems by V. Narbut, B. Poplavsky, B. Brecht and G. Maliev. The scientific novelty of the study lies both in the broad coverage of modernist texts: Russian literature (V. Narbut), Russian émigré literature (B. Poplavsky), German (B. Brecht) and Ossetian literature (G. Maliev), and in the chosen aspect of analyzing the archetypal plot of the returning dead in the context of the creative principles of art in the early 20th cent

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Choi, Jung A., and Han Sung Kim. "The Roots of Culture." Journal of World Literature 7, no. 2 (2022): 234–52. http://dx.doi.org/10.1163/24056480-00702007.

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Abstract Kim Suyŏng (1921–1968) is a Korean modernist poet whose works have been widely studied from the perspective of comparative and world literature. Yet, there is hardly any research on how his work is related to Russian literature. Given that he had little to no command of the Russian language, he used English translations to translate into Korean or comment on the Russian works selected for publication. His translations of Russian literature exhibit a consciousness of the characteristics of Russian literature, blended with Cold War English literature and post-colonial Korean literature.

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Xiang, Yingying. "The Influence of Classical Chinese Poetry on the Innovation of Ezra Pound." Journal of Education, Humanities and Social Sciences 21 (November 15, 2023): 122–27. http://dx.doi.org/10.54097/ehss.v21i.13173.

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Recognised as one of the 20th century’s most challenging poets, Ezra Pound made a major contribution to modernist poetry. Inspired by ancient Chinese poetry, Pound was drawn to its vivid imagery and concise diction. He was determined to supersede the Victorian style of complicated verse and breathe fresh energy into poetry. This essay provides a detailed analysis of Pound’s most well-known composition, In a Station of the Metro, which is characterised by its modern and exotic elements. Contrasted with his translation work, Taking Leave of a Friend, selected from Cathay, this paper aims to anal

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Goetz, Jake. "The Blue Hills Archipelago: Longform poetics & the ecological anti-epic." Axon: Creative Explorations 13, no. 2 (2024): 92–110. http://dx.doi.org/10.54375/001/gungzusra7.

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This essay puts forth Laurie Duggan’s decades-long serial poem, Blue Hills (1980–), as a radical antimythic and ecological approach to longform ‘epic’ poetics – or what I term the ‘ecological anti-epic’. The essay first reflects on the mythic ambitions of twentieth century Anglo-American modernist epic poets, such as Ezra Pound and TS Eliot, before turning to what I call the North American ‘antiepic’ postmodernist serial poem tradition. Centring on Robert Duncan’s Passages – a key influence on Duggan’s own series – I argue this ‘anti-epic’ approach to the long poem replaced the ‘mythical metho

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Bartczak, Kacper. "The Paradigm of the Void: Louise Glück’s Post-Confessional Deadlock." Polish Journal for American Studies, no. 15 (Spring 2021) (November 20, 2021): 69–87. http://dx.doi.org/10.7311/pjas.15/1/2021.05.

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Awarded the Nobel Prize in literature, Louise Glück emerges as one of the major and most important American poets of the late 20th and early 21st century. What does this centrality tell us about the trajectory that the American poetry has traced since modernism? I attempt to offer a critical evaluation of Glück’s post-confessional stylistic, developed between the debut Firstborn (1968) and Averno (2006), by setting it in contexts that are historical and, later in the paper, psycho-theological. First, I treat her formula as a double response – to the modernist legacy of T. S. Eliot and to the c

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Khaninova, Rimma M., та Wurisigala. "Калмыцкая и тувинская поэзия в антологии «Современная литература народов России. Поэзия»". Монголоведение (Монгол судлал) 12, № 1 (2020): 55–71. http://dx.doi.org/10.22162/2500-1523-2020-1-55-71.

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The article discusses the dialogue of ethnocultures within the anthology titled ‘Contemporary Literature of Russia’s Peoples. Poetry’. The case study of contemporary Russia’s literary processes through works of Kalmyk and Tuvan poetry makes it possible — to a certain degree — to identify its present-day state, examines the existing literary contacts and interrelations, including by means of Russian-language literary translations of compositions by national poets, reveals the translation problem faced by national literatures of our country. Goals. The article presents poetic collections of Kalm

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Chizhov, N. S. "Soviet Poetic Underground in Critical and Scientific Coverage (Article Two)." Nauchnyi dialog, no. 10 (October 29, 2021): 298–326. http://dx.doi.org/10.24224/2227-1295-2021-10-298-326.

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An overview of scientific and critical works devoted to the study of Soviet uncensored poetry as a historical and literary phenomenon in general and the work of its key personalities, in particular is presented in the article. The relevance of the work is due to the lack of study of this segment of Russian literary criticism of the 20th century and the need to systematize the accumulated experience of evaluating and interpreting underground poetic culture in order to identify promising directions for its further scientific development. The article focuses, first, on the samizdat criticism of t

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Boltașu, Dorica. "Resemantization of Historical Symbols in the Romanian Poetry of the 1960s–1980s." Trimarium 3, no. 3 (2023): 153–72. http://dx.doi.org/10.55159/tri.2023.0103.06.

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In Romanian culture, in the 1960s–1980s, communist totalitarianism went through various stages (Eugen Negrici, 2003, 2019); poets varying in style and creative instincts were active in a social and political context influenced by several factors varying in intensity such as the censorship constraints, party ideology, the resumption of cultural exchanges and translations from great works of world literature, the promotion of aesthetic autonomy, etc. Obviously, the main battle pitted aesthetics against ideology. Throughout this period, poetry was largely ideology- and propaganda-tinged and its t

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Starikov, Sergey V. "THE BEGINNING OF THE LITERARY ACTIVITIES OF THE RUSSIAN WRITER A.A. TIKHONOV-LUGOVOY IN THE CONTEXT OF THE POST-REFORM ERA IN RUSSIA (1878–1885)." Vestnik Chuvashskogo universiteta, no. 1 (March 28, 2025): 131–42. https://doi.org/10.47026/1810-1909-2025-1-131-142.

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The evolvement and development of the Russian literary intelligentsia of the XIX century remains an urgent problem of historical science and literature studies. A writer in Russia was not only the creator of literary works. His mission was closely connected with the development of the state and the society. The writer’s activities had a significant impact on politics, public life, and culture. Literature became the “teacher of life.” At the turning points of the Russian history, new talents poured into literary creativity. They searched for their creative credo, overcoming difficulties, became

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Ishtwal, Narendra, and Rahul Sharma. "Features of Contemporary Poems of Modern Hindi Literature Published in Jansatta." RESEARCH HUB International Multidisciplinary Research Journal 9, no. 2 (2022): 66–71. http://dx.doi.org/10.53573/rhimrj.2022.v09i02.012.

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The "Teesra Saptak" was published in 1959, till this period is considered to be the period of new poetry. In the post-1960 period, there was an individualist-modernist poetic line of new poetry, which developed more rapidly. Although the poets who emerged in this period wrote differently from their earlier poetic lines. But the poetry of the first decade after sixties, which is also named as Sathotari poetry, expresses itself with many names and movements. With various names like Akvita, Rebel poetry, beat poetry, Sanatan and Suryoori poetry, Yutsawadi poetry, Nutan poetry, Sahaj poetry, Vicha

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Bodenchuk, V. A., and V. V. Shadursky. "POETRY OF THE SILVER AGE IN NOVGOROD PERIODICAL PUBLICATIONS (POST OCTOBER PERIOD)." Memoirs of NovSU, no. 4 (2024): 702–11. https://doi.org/10.34680/2411-7951.2024.4(55).702-711.

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The article draws attention to the specifics of the perceptionof Silver Age poetry in newspapers and magazines of the Novgorod province (later Leningrad region) after the October Revolution of 1917. To understand the factors influencing the consciousness of the Novgorod readership and aspiring proletarian writers, documents from the State Archive of the Novgorod Region were studied, literary publications in provincial newspapers, magazines and collections in which Novgorod authors were published were analyzed.As a result of the study, the following was determined. 1. The editors of periodicals

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Gusāns, Ingars. "CULTURAL SIGNS IN TEXTS OF LATGALIAN BANDS." Via Latgalica, no. 8 (March 2, 2017): 139. http://dx.doi.org/10.17770/latg2016.8.2236.

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During ten years, since Latgalian popular music has returned to the mainstream Latvian music stage, 44 Latgalian music albums have been released. The lyrics of these songs are written by musicians, Latgalian and Latvian poets and as a result of teamwork of poets and music authors. The subject of the present research is represented by cultural signs in the song texts of Latgalian bands; the research object is song lyrics of Latgalian bands. Sources selected for the research are the song texts of Latgalian bands and performers: "Borowa MC", "Bez PVN", "Dabasu Durovys", "Green Novice", Laura Bicā

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Dr., Nilimesh Mahata. "Nationalism in Catvāri Śṛṅgā". 'Journal of Research & Development' 15, № 13 (2023): 12–14. https://doi.org/10.5281/zenodo.8133636.

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<strong>Abstract:</strong> ‘Chatvāri Śṛngā’(literally meaning four horns) is a post-modern Sanskrit poetry by Prafulla Kumar Mishra, who is a prolific writer of many books in Sanskrit, Oriya and English. The post-modernist touch in this poetry is very vivid the matically and stylistically. In the poetry poet Prafulla Kumar Mishra are enumerated under four categories. They are: place, time, person, and condition. Respectively in this four dimensional world a person lives a four dimensional life. The poems are manifested as per the context. Therefore an air of freedom is exercised by

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Borisova, Bilyana. "The Collection of Poems “Spring Wind” by Nikola Furnadzhiev – Avant-garde and “Native”." Chuzhdoezikovo Obuchenie-Foreign Language Teaching 50, no. 6 (2023): 629–38. http://dx.doi.org/10.53656/for23.625stih.

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The article offers an insight into the entanglement between the avantgarde modernist principles of image and the Bulgarian aesthetic-ideological idea of the “native” from the 20s of the 20th century, realized by Nikola Furnadzhiev in the collection of poems “Spring Wind” from 1925. The reasoning is based on correspondences between the imagery in the paintings of the period and that in the poetic works from the poetry collection. The artistic suggestion achieved on their basis in “Spring Wind” illustrates an important aspect of Bulgarian avant-garde modernism as an aesthetic phenomenon, in whic

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Khan, Mohd Siddique. "Tracing Modernist Poetics Tradition and the Individual Talent in the Poetry of Agha Shahid Ali." Literary Oracle 8, no. 2 (2024): 169–79. https://doi.org/10.70532/lodec2412.

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While being a representative poet of Postcolonial and Diaspora politics, Agha Shahid Ali employed the patterns of both the Modernist as well as the Transnational Poetics. Modernist, here, is being referred to the style and literary criticism of T. S. Eliot, which Ali appreciated and adopted for his own understanding of poetry. Ali’s reading of Eliot’s poetry and criticism equipped him to use the idea of ‘tradition’ and have flair in placing his own poetry in the Eliotic sense of ‘tradition’. On the other hand, he learned to articulate individual style by adhering to the postmodern aesthetics o

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Patterson, Clare. "Post-War Poetry." Groundings Undergraduate 11 (May 1, 2018): 72–79. http://dx.doi.org/10.36399/groundingsug.11.181.

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The modernist poems “The Waste Land” (1922) and Paris (1919) both respond in oblique ways to the aftermath of the First World War, featuring prominent images of both death and societal decline as well as new growth and restoration. Through close readings which place these two texts within the post-war context and the poetic and literary responses of this period, I examine the ways in which T. S. Eliot and Hope Mirrlees combine emotional and societal responses to the First World War with wider conceptions of civilisation, myth, folklore and cultural history.

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HAVRYLIV, Tymofii. "THE CITY IN THE MODERNIST POETRY. URBAN POEMS BY BOHDAN IHOR ANTONYCH AND GEORG HEYM." Ukraine: Cultural Heritage, National Identity, Statehood 33 (2020): 480–93. http://dx.doi.org/10.33402/ukr.2020-33-480-493.

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For the first time in literary studies, a comparative analysis of the urbanistic poetry of Bohdan Ihor Antonych and Georg Heym is realized. The common and divergent in semantic codes and characteristic practices from which the poetics of both authors grows are investigated. The city is the defining topos of modernist writing and the central category of the modernist worldview. In no other epoch did the city enjoy the attention of writers as at the end of the 19th century and in the first third of the 20th century. The modern city acquires its outlines only in the middle of the 18th century, an

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Government, of Kerala. "Political Manifestations of Modernity: A Critical evaluation based on the Early Poetry of K.G. Sankara Pillai." ISHAL PAITHRKAM 41, no. 41 (2025): 190–206. https://doi.org/10.5281/zenodo.15104431.

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“It was in the 1960s that the modernist movement  picked up its prominence in Malayalam literature.  The movement   brought  about  consequential  transformations   in aesthetic sensibilities of Malayalam literature, both in  form and content. “Western Society of the post enlightenment period  accomplished substantial technological and social advancements, propelled by the Industrial Revolution and colonial expansion .  Modernity delineates this Socio- ideological  paradigm that sculpted the influential philosophy of the modern

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Dr., Nilimesh Mahata. "Terrorism in "Tathāpi Satyasya Mukham"." International Journal of Advance and Applied Research 4, no. 21 (2023): 168–72. https://doi.org/10.5281/zenodo.8146279.

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“Tathāpi Satyasya Mukham” is a post-modern Sanskrit poetry. Literally meaning even then the face of the truth is closed. Poet Prafulla Kumar Mishra is searching a truth in this poetry. The post-modernist touch in this collection is very vivid the magically and stylistically. Particularly in response to the influence of post-modernism, Poet has expressed terrorism in individual poems-Svāgataṁ te Megha !, Madhukīṁ Pītvā,  Kutra Ārambhaḥ, Pratīkṣā Dīrghatamaḥ kutra Nilīyase ? The poet is well aware of the consequence of the terrorism in our country which have been reflected in th

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Dooley, Allan C. "Epic and Anti-Epic in The Ring and the Book." Browning Institute Studies 15 (1987): 137–50. http://dx.doi.org/10.1017/s0092472500001905.

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In several ways, The Ring and the Book presents itself as an epic. It is long, and long in the epic way: twelve books. It gives the impression of moving from place to place and from incident to incident, and it contains plenty of conflict, harrowing episodes, and violent struggles. And yet upon reflection, The Ring and the Book quickly loses its savor of the epic. Its length derives not from the sequential narration of causally-related, Fate-driven events of historical importance, but rather from a series of competing analyses of just one relatively brief and decidedly unheroic set of events.

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Alam, Mohammed Sarwar, and Hayati Ismail. "Navigating Cultural Desolation: Exploring T.S. Eliot's Depiction of Anxiety and Fragmentation in The Waste Land." Malaysian Journal of Social Sciences and Humanities (MJSSH) 8, no. 9 (2023): e002464. http://dx.doi.org/10.47405/mjssh.v8i9.2464.

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Thomas Stearns Eliot (1888–1965), a remarkable English literary figure, is best known for the depiction of his age in his literary works. In this regard, scholars suggest that he lived and wrote in “an age of anxiety” and this very “anxiety” is often attributed to “profound transformations in human modes of life” engendered by cultural and institutional practices of modern condition. In Eliot, one can easily sense this phenomenon particularly in his early poems. These poems are said to have embodied this “anxiety” with great depth. In this regard, The Waste Land considered as one of the repres

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Ivars Šteinbergs. "Translated Poetry in Late Soviet Latvia: sporadic modernism and the construction of world literature." Respectus Philologicus 46, no. (51) (2024): 77–90. http://dx.doi.org/10.15388/respectus.2024.46(51).6.

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The article builds upon previous work that has been written about the connection between translation and colonial endeavours (Tymoczko, 1999; Robinson, 2014), as well as the research done in the field of Baltic post-colonialism (Annus, 2018), and focuses on cases of poetic production in Soviet Latvia during the time after de-Stalinization. By surveying data on the publication of books of translated poetry in Latvia after 1956 – when knowledge of Stalin’s terror disseminated, the study reveals how translation was used to strengthen Soviet power in occupied territories. The “world” that was bein

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Babu, Dr Yeddu Vijaya. "Samuel Beckett’s waiting for Godot: A Study of Religious Symbolism, Salvation vs. Damnation." Oct-Nov 2023, no. 36 (September 29, 2023): 26–28. http://dx.doi.org/10.55529/jsrth.36.26.28.

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This paper attempts to highlight the several ways to interpret the play's absurdity, which results from how existence is portrayed but nevertheless has a strong religious undertone. Samuel Beckett, an Irish author, also produces plays and poems. James Joyce's writing had an impact on this modernist author. Samuel Beckett's earliest and most wellknown play, Waiting for Godot, is regarded as his greatest achievement. The play's original French version was eventually translated by Samuel Beckett into English. The play is a reaction to the ruthless expansion of capitalism, rabid individualism and

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Moysan, Bruno. "Liszt, lecteur antimoderne de Faust." Studia Musicologica 55, no. 1-2 (2014): 65–80. http://dx.doi.org/10.1556/6.2014.55.1-2.5.

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The article offers a definition of the concept of anti-modernity, based at first on Antoine Compagnon’s 2005-volume Les antimodernes, de Joseph de Maistre à Roland Barthes. The role of the mundane sociability of the aristocracy, returned from emigration, and of the aesthetic culture of political legitimism is examined in the acclimatization process of German Romanticism in France during the Empire, the Restoration, and the first years of the July Monarchy. A hypothesis is proposed about the connections between Liszt’s interpretation of the Faust myth as it is exposed in the poems of Goethe and

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阮美慧, 阮美慧. "從葉珊的文學軌跡與轉折，觀察一九五—六○年代臺灣「詩現代化」進程的問題". 臺灣文學研究集刊 31, № 31 (2024): 001–31. http://dx.doi.org/10.53106/181856492024020031001.

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<p>&quot;楊牧（1940-2020），花蓮人，本名王靖獻，早年筆名葉珊，為「戰間世代」詩人。高中時期（1955）即參與由陳錦標主編的《海鷗》詩刊，借《東台日報》副刊發行，這應是葉珊最早的文學起點。1958年，北上。因而認識，如吳望堯、余光中、夏菁、葉維廉、周夢蝶、瘂弦、洛夫、商禽等「現代派」詩人群，彼此形成一個有力的文化圈網絡，而共同參與「詩現代化」的進程。1959年，葉珊進入東海大學就讀。學院中的文學陶養讓他對英國浪漫派詩人濟慈（John Keats，1795-1821）醉心，同時受業於徐復觀、接受中國古典文學及思想的薰陶，因此游藝於東／西方文學之中。1964年，他至美國求學，期間師事陳世驤而受中國文學「抒情傳統」的啟發，擺盪在臺美兩地及「他者」與「自我」之間，重新在中國／西方的文學傳統中，鍛鑄現代詩的新精神及新方法。同時，他也檢視反思臺灣詩壇「虛無」的詩風，重建一條自己的詩路。因此，葉珊一九六〇年代後期，開始轉變並省思自己詩的寫作，其中不單是美學風格的變化，更是臺灣詩壇「詩現代化」及文學史敘事的問題。此一歷程，顯映臺灣一九五〇、六〇年代「現代詩」的發展進程，它是如何演變與實踐？何以它促使了1964年本土詩社「笠」成立，繼之1972-73年，引來沸沸揚揚的「現代詩」論戰？此一反思，可以更精確爬梳，戰後臺灣「現代詩」早期的發展過程，避免統稱式的論述框架，

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Pepicelli, Renata. "Rethinking Gender in Arab Nationalism: Women and the Politics of Modernity in the Making of Nation-States. Cases from Egypt, Tunisia and Algeria." Oriente Moderno 97, no. 1 (2017): 201–19. http://dx.doi.org/10.1163/22138617-12340145.

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In the latexixcentury and the beginning of thexxcentury, Arab nationalism identified women as the “bearers of the nation”, the symbolic repository of group identity. Nationalists, both modernists and conservatives, shaped the image of the nation around an idealized image of the woman, functional in different political projects. If the latter exalted women’s domestic roles as part of the defense of the Islamic cultural authenticity, the former criticized women’s seclusion and promoted their inclusion in the public sphere as an essential part of the making of the modern nation. The woman unveile

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Moraes Medina, Mariana. "Juana de Ibarborou, Alfonso Reyes y la literatura mexicana en 1929. Amistad literaria y política del espíritu." Latinoamérica. Revista de Estudios Latinoamericanos, no. 70 (February 14, 2020): 39. http://dx.doi.org/10.22201/cialc.24486914e.2020.70.57173.

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Este artículo examina la relación de Juana de Ibarbourou con Alfonso Reyes y la literatura mexicana durante 1929, a partir de la reconstrucción de los intercambios y encuentros que tuvieron lugar entre los escritores durante ese año, en particular, los eventos relacionados con la organización del homenaje a Amado Nervo en Montevideo —en su décimo aniversario luctuoso— y la ceremonia que elevó a la poeta a “Juana de América”. El objetivo del trabajo es analizar, a través de los aportes de la sociología de la literatura, las afinidades, dinámicas de patrocinio literario y transferencia de presti

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Haft, Adele J. "Introduction to Maps and Mapping in Kenneth Slessor’s Poetic Sequence The Atlas." Cartographic Perspectives, no. 70 (September 1, 2011): 5–43. http://dx.doi.org/10.14714/cp70.42.

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This is the first of seven articles comprising a book-length treatment of The Atlas by the acclaimed Australian poet and journalist Kenneth Slessor (1901–1971). Hisreputation as Australia’s first modernist poet and pioneer of her national poeticidentity began with his 1932 collection Cuckooz Contrey, which opened with one ofthe most original interpretations of cartography in verse: the five-poem sequence The Atlas. Fascinated by maps and navigators’ tales, Slessor began each poem withthe title of a map or an atlas by a cartographer prominent during Europe’s “goldenage of cartography,” and then

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Amashukeli, Tamar. "Representation of Women and Gender Roles in Georgian and North-American Poetry of the Late 20th Century." Kadmos 12 (2020). http://dx.doi.org/10.32859/kadmos/12/6-101.

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The role and representation of women has been one of the central issues in the societal, aesthetical, philosophical processes of the 20th and 21st centuries, so much so, that it became a turning point of sorts in the development of Western civilization and in shaping it to its current form. Even today, the topic of women remains a measure of the progress of a country, and is one of the main characteristics of social and cultural development. The voice of women, hardly heard in literature over the centuries, was even more silenced in colonized or foreign-dominated societies. The Soviet cultural

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Almas, Oralbek, Auyesbayeva P.T., Zholdasbek Mambetov, Samal Daribaev, and Yerkhan Karbozov. "Preserving Cultural Heritage: A Study of Abdygali Sariyev's Poetic Vision." Journal of Ecohumanism 4, no. 1 (2025). https://doi.org/10.62754/joe.v4i1.5871.

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Abdygali Sariyev, a prominent Kazakh poet and writer, stands as one of the most influential literary figures in Kazakhstan's 20th century. His work is characterized by deep philosophical reflection, a strong connection to Kazakh history and tradition, and a profound exploration of themes such as national identity, freedom, and the relationship between the individual and society. This paper explores the literary legacy of Sariyev by analyzing his most notable works, examining the thematic concerns that pervade his poetry, and evaluating his role within the broader context of Kazakh literature a

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Cheong, Felix. "A Poets Sense of the City." M/C Journal 5, no. 2 (2002). http://dx.doi.org/10.5204/mcj.1955.

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If you cannot learn to love (yes love) this city you have no other. Simon Tay, 'Singapore Night Song' (137). Having lived in Australia for more than a year now, it is easier to view my own country through a telescope and learn to love what I used to loathe. It is easier to hold and weigh the ball of its contradictions in my palm and learn how each strand I unknot tells on myself, on my writing, to realise with a shudder that I am a moving microcosm of the city I was born in. Indeed, the more removed I am, the easier it is to be an apologist as it is to be a patriot. Robert Drewe makes the clai

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McNee, Malcolm. "Posthumanism, Animism, and Sérgio Medeiros's Pluriverse Poetics." Journal of Lusophone Studies 2, no. 2 (2017). http://dx.doi.org/10.21471/jls.v2i2.193.

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The works of Sérgio Medeiros are populated by a multitude of beings of diverse and often shifting orders and species. Drawing upon intersecting conceptual orientations of animal and multispecies studies, posthumanism, and ecocriticism, I survey a range of interspecies encounters and worldings in Medeiros’s writing, especially his collection of poems, O choro da aranha, etc. (2013). As Medeiros pointedly draws inspiration from diverse aesthetic and philosophical traditions—from Amerindian cosmogonies and verbal arts to Japanese Zen poetry and various strains of modernist avantgardism—I trace he

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Phillips, Tom. "Significant insignificances: Winston Smith’s diary and other reclaimed histories." Folia linguistica et litteraria, June 20, 2019, 27–44. http://dx.doi.org/10.31902/fll.26.2019.3.

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The construction of counter-narratives which reclaim and rename history by challenging hegemonic discourse cannot simply be a question of replacing one metanarrative with another. Genuine counter-narratives also challenge the category of “the historical” itself, blurring its parameters and making value-claims for what is often regarded as historically insignificant or marginal. In this chapter, I examine works by three authors – George Orwell, Charles Olson and Georgi Gospodinov – who, despite the diversity of their outlook, output and circumstances, exhibit a shared interest in the significan

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Liu, Ruoqing. "A Brief Analysis of the Phenomenon of Empathy in William Carlos Williams." Arts, Culture and Language 1, no. 10 (2024). https://doi.org/10.61173/x53grm44.

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William Carlos Williams was a twentieth-century American modernist poet and a central figure in post-war American poetry. His poems present things directly as they are, using straightforward skill with an intriguing ambiguity that is revealed only when the reader resonates with it. The poetry achieves such an effect, greatly influenced by empathy. Williams projected his emotions outwardly onto objects, endowing them with emotions, thus achieving a realm where feeling and setting are happily blended, and the identity of the matter and the self is explored. This paper will specifically analyze t

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Diwakar, Dr Shobha. "Bridging the Gulf: A Critique Rajiv Khandelwals,’ Conch Shells And Cowries Reference: Love Poem, ‘Word’." Creative Saplings, April 15, 2022, 30–37. http://dx.doi.org/10.56062/gtrs.2022.1.1.5.

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As an unconventional and innovative poet in contemporary modern Indian Writings in English, Khandelwal’s Conch Shells and Cowries, his first Anthology, holds him apart from other present-day writers. In appending such a title to his anthology of love poems, Khandelwal has rationally developed a unique style of his own. His poem ‘Word’, and others in the anthology are not only cloaked in numerous symbols and other figures of speech but are also innovative in their unique structure, form and content. In this manner, he has paved the path for a new concept of writing in expressing his ‘love thoug

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Brooks, Francesca. "The Haunted Island: Medieval History and the Old English Elegies in Brenda Chamberlain’s Tide-race (1962)." Review of English Studies, November 8, 2023. http://dx.doi.org/10.1093/res/hgad092.

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Abstract This article explores the relationship between Tide-race, a 1962 memoir by the Welsh poet and artist Brenda Chamberlain, and medieval culture and literature on Ynys Enlli. Written in the decades after the Second World War when Chamberlain had left mainland Wales, Tide-race is a memoir of the artist’s time on Enlli living with its small community of fishermen and farmers. In contrast to other works of twentieth-century island literature, I argue, Chamberlain rejected dominant, medieval patriarchal histories of Enlli, refusing to read the island as a male monastic site, or as a Welsh na

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Gelashvili, Manana. "Tradition as an Interpretation." Text and Interpretation, 2023. http://dx.doi.org/10.55804/jtsu-2960-9461-2023-7.

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Postmodernism considers a literary text to be created not by imitating and reflecting reality, but as a rereading and recreating of an already existing text. As a result, in the analysis of a postmodern text it is essential to take into consideration the context, i.e., those texts which are used as a hypertext by various methods, whether it is citation, parody or allusion. It should be also noted that for the majority of postmodern writers’ intertextuality is a conscious aesthetic method that enables to construct the text with a bold experimentation and artistic play. Contemporary British poet

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GRIGORAȘ, Emilia. "ACTORI EROTICI PE SCENA CUPLULUI ÎN ROMANELE DE DRAGOSTE ALE LUI AURELIU BUSUIOC." May 3, 2022. https://doi.org/10.5281/zenodo.6514251.

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Deși a debutat editorial, în 1955, cu o plachetă de poezii umoristice și cu o carte pentru copii – cărora le-au succedat, în deceniile care au urmat, încă cinci volume de versuri, două de proză scurtă și două piese de teatru –Aureliu Busuioc e unanim considerat astăzi drept unul dintre corifeii literaturii basarabene  postbelice, mai cu seamă grație romanelor sale, care au avut un impact considerabil în afirmarea speciei nu doar în spațiul literar românesc, ci chiar și în cel european, dacă avem în vedere succesul de care s-au bu

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Scholes, Nicola. "The Difficulty of Reading Allen Ginsberg's "Kaddish" Suspiciously." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.394.

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The difficulty of reading Allen Ginsberg's poetry is a recurring theme in criticism of his work and that of other post-WWII "Beat Generation" writers. "Even when a concerted effort is made to illuminate [Beat] literature," laments Nancy M. Grace, "doing so is difficult: the romance of the Beat life threatens to subsume the project" (812). Of course, the Beat life is romantic to the extent that it is romantically regaled. Continual romantic portrayals, such as that of Ginsberg in the recent movie Howl (2010), rekindle the Beat romance for new audiences with chicken-and-egg circularity. I explor

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Mudie, Ella. "Disaster and Renewal: The Praxis of Shock in the Surrealist City Novel." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.587.

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Introduction In the wake of the disaster of World War I, the Surrealists formulated a hostile critique of the novel that identified its limitations in expressing the depth of the mind's faculties and the fragmentation of the psyche after catastrophic events. From this position of crisis, the Surrealists undertook a series of experimental innovations in form, structure, and style in an attempt to renew the genre. This article examines how the praxis of shock is deployed in a number of Surrealist city novels as a conduit for revolt against a society that grew increasingly mechanised in the clima

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Noyce, Diana Christine. "Coffee Palaces in Australia: A Pub with No Beer." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.464.

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The term “coffee palace” was primarily used in Australia to describe the temperance hotels that were built in the last decades of the 19th century, although there are references to the term also being used to a lesser extent in the United Kingdom (Denby 174). Built in response to the worldwide temperance movement, which reached its pinnacle in the 1880s in Australia, coffee palaces were hotels that did not serve alcohol. This was a unique time in Australia’s architectural development as the economic boom fuelled by the gold rush in the 1850s, and the demand for ostentatious display that gather

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