Relevant bibliographies by topics / Post-postmodern literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Post-postmodern literature'

Author: Grafiati
Published: 9 March 2023
Last updated: 10 March 2023

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Journal articles on the topic "Post-postmodern literature"

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Craig, Terrence. "“Transcendence” in Post-postmodern Literature." International Journal of Literary Humanities 11, no. 1 (2014): 21–25. http://dx.doi.org/10.18848/2327-7912/cgp/v11i01/43885.

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Clare, Ralph. "Metaffective fiction: structuring feeling in post-postmodern American literature." Textual Practice 33, no. 2 (August 14, 2018): 263–79. http://dx.doi.org/10.1080/0950236x.2018.1509269.

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Bolaño Quintero, Jesús. "POST-POSTMODERN CINEMA AT THE TURN OF THE MILLENNIUM: PAUL THOMAS ANDERSON’S MAGNOLIA (1999)." Revista de Estudios Norteamericanos, no. 24 (2020): 1–21. http://dx.doi.org/10.12795/ren.2020.i24.01.

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Starting with an analysis of the significance of the French New Wave for postmodern cinema, this essay sets out to make a study of Paul Thomas Anderson’s Magnolia (1999) as the film that marks the beginning of what could be considered a paradigm shift in American cinema at the end of the 20th century. Building from the muchdebated passing of postmodernism, this study focuses on several key postmodern aspects that take a different slant in this movie. The film points out the value of aspects that had lost their meaning within the fiction typical of postmodernism—such as the absence of causality; sincere honesty as opposed to destructive irony; or the loss of faith in Lyotardian meta-narratives. We shall look at the nature of the paradigm shift to link it to the desire to overcome postmodern values through a recovery of Romantic ideas.
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Radchenko, Simon. "Again and Always: Intertextuality outside of Postmodernism." Interlitteraria 27, no. 2 (December 31, 2022): 275–91. http://dx.doi.org/10.12697/il.2022.27.2.12.

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Intertextuality became one of the most popular and important terms in the culture of the 20th century. It is usually considered in connection with postmodernism and its ironic nature. Contemporary writing is still intertextual, though far from being postmodern. Moreover, even some medieval texts appear to operate intertextual tools systematically. The article presents examples of intertextuality in different novels from both the pre-postmodern and post-postmodern worlds, and searches for a possible explanation for this phenomenon through methodical solutions that would improve our understanding of intertextuality in the frame of literature analysis. It shows that different features of intertextual writing should be carefully considered in the frame of post-postmodern literature and questions the accuracy of our approach to discussing cultural process.
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Radchenko, Simon. "Bleeding Edge of Postmodernism: Metamodern Writing in the Novel by Thomas Pynchon." Interlitteraria 24, no. 2 (January 15, 2020): 495–508. http://dx.doi.org/10.12697/il.2019.24.2.17.

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Many different models of co ntemporary novel’s description arose from the search for methods and approaches of post-postmodern texts analysis. One of them is the concept of metamodernism, proposed by Timotheus Vermeulen and Robin van den Akker and based on the culture and philosophy changes at the turn of this century. This article argues that the ideas of metamodernism and its main trends can be successfully used for the study of contemporary literature. The basic trends of metamodernism were determined and observed through the prism of literature studies. They were implemented in the analysis of Thomas Pynchon’s latest novel, Bleeding Edge (2013). Despite Pynchon being usually considered as postmodern writer, the use of metamodern categories for describing his narrative strategies confirms the idea of the novel’s post-postmodern orientation. The article makes an endeavor to use metamodern categories as a tool for post-postmodern text studies, in order to analyze and interpret Bleeding Edge through those categories.
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Locatelli, Angela. "Reading Literature: An Ethical Gesture in the Postmodern Context?" Armenian Folia Anglistika 10, no. 1-2 (12) (October 15, 2014): 121–30. http://dx.doi.org/10.46991/afa/2014.10.1-2.121.

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After the so called Ethical Turn in literary theory ethics is still a major issue in literary studies. European Continental philosophy has traditionally been in close touch with ethical issues. Not surprisingly then, it was the influence of French philosophy that, from the Eighties onward, began to put back the ethical in British academic discourse. One of the interesting paradoxes of post-modernity is the fact that, while it promotes an attitude of scepticism, oriented towards a strong suspicion of strong ideologies, it is also an attempt to promote emancipative activities (demonstrated in the Canon Debate, Post-Colonial Studies, Trauma Studies, and a broad Ethical Turn in different sectors of the humanities). This contribution wishes to investigate the issue of ethics and literature in the postmodern context, with reference to contemporary philosophy and literary theory and aims to propose that Postmodern culture still needs complex literature, and (the promotion of) appropriate hermeneutic skills to deal with it.
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H. Aljadaani, Mashael, and Laila M. Al-Sharqi. "The Evolution of Post-Postmodernism: Aesthetics of Reality and Trust in Jonathan Franzen’s The Corrections and Freedom." Arab World English Journal For Translation and Literary Studies 5, no. 1 (February 15, 2021): 296–323. http://dx.doi.org/10.24093/awejtls/vol5no1.21.

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This study aims to find out how literature moves from the postmodern thought, flourished until the 1990s, to the post-postmodern phenomenon. The study traces the evolution of this new phase as depicted in Jonathan Franzen’s The Corrections (2001) and Freedom (2010). It proposes these two works as examples of how over the past two decades, literature shifted from postmodernist fiction’s irony and skepticism that presents novels as “literature of emergency” to ethical objectivism and neo-realism (Franzen, 2002, p. 258). The purpose of the study is twofold. Firstly, it examines Franzen’s deployment of elements such as the subjective perception of truth, self-restraint, control, and knowledge, which he utilizes to understand reality. Secondly, it explores his employment of narrative tools (e.g., omniscient narrator, metafiction, intertextual dialogue) against postmodern fragmentation and deconstruction. By doing so, Franzen, this study demonstrates, reflects post-postmodernism’s core realist ideas that stress pragmatic interactions with the characters and readers’ cognizance of reality and encourage engagement with the narrative’s language to rework the novel’s social and cultural authority. These post-postmodern narratives reference fictional texts, real-life people, and authentic historical events that exemplify various models, simulations, and patterns of reality within and beyond the text, creating a mediated experience that enables communication with and understanding reality.
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Tötösy, Steven. "Urbanity and Postmodern Sensuality: The "Post-Magyar" Endre Kukorelly." World Literature Today 70, no. 2 (1996): 289. http://dx.doi.org/10.2307/40152045.

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Prus, Elena, and Ludmila Braniste. "Spectacle of musealization and literaturization of the world in post/postmodern society." Arta 30, no. 2 (December 2021): 115–21. http://dx.doi.org/10.52603/arta.2021.30-2.17.

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This article discusses current issues in the evolution of museums worldwide, influenced by global phenomena. The globalization of culture, on the one hand, and the musealization of the world, on the other hand, become the plays of a spectacle of the contemporary world. The museum cultural model becomes dominant in today’s society, influencing all spheres and finding representation in the world’s literatures. Among the various approached theories, the concepts of musealization of the modelled world as a cultural spectacle, “the world as a museum”, imaginary museum, the literaturization of the museum and the musealization of literature. From this perspective, the theses of the Nobel laureates in literature Mario Vargas Llosa and Orhan Pamuk are analysed. In Pamuk’s novel The Museum of Innocence, the museum is the structuring narratological axis of the novel, its theme and compositional nucleus.
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Čipkár, Ivan. "Aesthetic Universals in Neil Gaiman’s Post-Postmodern Mythmaking." Prague Journal of English Studies 8, no. 1 (July 1, 2019): 97–117. http://dx.doi.org/10.2478/pjes-2019-0006.

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Abstract Aesthetic theory, as reflected in both contemporary cognitive (Patrick Colm Hogan) and more traditional structuralist criticism (H.G. Widdowson), points to the dynamics between familiarity and surprise as the driving force behind the pleasure we derive from reading fiction. This paper explains how Neil Gaiman’s works, particularly his novel Neverwhere, utilize genre expectations and reinvent mythologies in order to captivate audiences in the current age of unprecedented access to information and a rather superficial intertextuality. The paper draws on Brian Attebery’s analyses of the literature of the fantastic to place Gaiman within the context of both modernist and postmodernist legacies, while proposing that his works could be best understood as representative of the current cultural paradigm, sometimes labelled as the pseudo-modern or post-postmodernism. The discussion of the shifting paradigm is used as a backdrop for the scrutiny of the devices employed in Gaiman’s writing: the pre-modern focus on storytelling, prototypicality, modernist “mythic principle”, postmodernist textual strategies, and utilization of current technologies and mass-communication media.
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Dissertations / Theses on the topic "Post-postmodern literature"

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Kanzler, Katja. "Of Legal Roulette and Eccentric Clients - Contemporary TV Legal Drama as (Post-)Postmodern Public Sphere." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-164051.

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This article explores the specific capacity of TV courtroom drama to dramatize civic issues and to seduce viewers to an active engagement with such issues. I argue that television series of this genre eyploit the apparent theatricality of their subject matter-trials-to invite their audiences to the deliberation of social or political issues, issues that they negotiate in their courtroom plots. contemporary courtroom dramas amend this issue orientation with a self-reflexive dimension in wich they encourage viewers to also reflect on how the dramatic construction of 'issues' shapes their civic debate. I unfold this argument through a reading of episodes from two very different legal dramas, Boston Legal (2004-2008) and The Good Wife (2009-).
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Kanzler, Katja. "Of Legal Roulette and Eccentric Clients - Contemporary TV Legal Drama as (Post-)Postmodern Public Sphere." Leipziger Universitätsverlag, 2012. https://tud.qucosa.de/id/qucosa%3A28633.

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This article explores the specific capacity of TV courtroom drama to dramatize civic issues and to seduce viewers to an active engagement with such issues. I argue that television series of this genre eyploit the apparent theatricality of their subject matter-trials-to invite their audiences to the deliberation of social or political issues, issues that they negotiate in their courtroom plots. contemporary courtroom dramas amend this issue orientation with a self-reflexive dimension in wich they encourage viewers to also reflect on how the dramatic construction of 'issues' shapes their civic debate. I unfold this argument through a reading of episodes from two very different legal dramas, Boston Legal (2004-2008) and The Good Wife (2009-).
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Hassim, Junaid. "Critically questioning an African perspective on psychopathology : a systematic literature review." Thesis, University of Pretoria, 2012. http://hdl.handle.net/2263/25597.

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This study aimed to collate and analyse academic literature with regards to possible African perspectives on psychological distress. The purpose of conducting the literature review was to explore thirty years of critical arguments supporting and refuting an African perspective on psychopathology. Literature (e.g. Bhugra&Bhui, 1997) appeared to suggest that some of the relatively recent views regarding psychopathology fail to adequately address psychological distress as it presents in Africa. A systematic literature review was selected as the methodology for this study, and the specific method of the review was research synthesis (Gough, 2004; Popay, 2005). Reviewed literature was sourced between the years 1980 and 2010. The theoretical point of departure was integrative theory, thus falling within the postpostmodern framework. As such, literature regarding psychological theory formed a substantial part of the research, including literature relating to psychodynamic theory, cognitive-behavioural theory, postmodernism, phenomenology, existentialism, critical theory, and systemic patterning (Becvar&Becvar, 1996). These theories formed part of the analysis, thereby allowing contextual analysis as the interpretive method. The review’s themes highlighted the following outcomes: current psychiatric nosology employed a universalistic approach to diagnosis and intervention, thus limiting cultural conceptions of mental illness; holistic intervention requires the inclusion of traditional epistemological tenets; collaboration between modern practitioners and traditional healers would probably better meet the patient’s needs; and that culture-fit assessment and treatment often indicated improved prognosis. The outcomes evidenced the operation of an African perspective on psychopathology. In fact, much of the reviewed literature also suggested culture-contextual perspectives on psychopathology. Furthermore, the way in which lack of cultural coherence appears to exist between patients and some clinicians suggested that diagnostic flaws may be a relatively frequent occurrence. Potential benefits of the investigation include increased awareness that culture-related conceptualisation be further explored in the clinical field; that future researchers use the current review as a foundational reference for primary investigations; that contemporary clinical classificatory systems be reviewed in terms of cultural applicability; and that clinicians reconsider the diagnostic process in terms of culture-fit manifestations of psychopathology.
Thesis (PhD)--University of Pretoria, 2012.
Psychology
unrestricted
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Johnson, John Gregory. "Beasts of the Earth and Air." Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/english_diss/4.

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These stories explore contemporary people who find their lives taking a shape they fear. These people often try to cling to their old life, control a loved one who is changing, or seek an escape. Their aspirations are often higher than where they land. Their situation resembles the writer’s situation in attempting to shape the lives of characters: they attempt to control what often cannot be controlled.
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Affede, Giulia. "Donald W. Winnicott’s Transitional Phenomena and the Re-Emergence of the Self in David Foster Wallace’s The Broom of the System and Infinite Jest." Doctoral thesis, Urbino, 2020. http://hdl.handle.net/11576/2674932.

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Sander, Patrik. "Betydelsen av betydelse - Om identitet, mening och betydelse i det postmoderna samhället." Thesis, Malmö högskola, Lärarutbildningen (LUT), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-30014.

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Syftet med detta arbete har varit att undersöka om berättelsen kan fungera som katalysator för elevernas reflektion över sig själva och deras situation i ett postmodernt samhälle. Väsentliga frågor i sammanhanget blev dels huruvida de själva kunde bli medvetna om och reflektera över sina egna och andras strategier i en sådan omfattande social omvandling. Ett sådant fenomen som kom i fokus var vårt behov av ytliga statussymboler.Det i grunden kvalitativa arbetet bygger på tre synvinklar och tillika källor. För det första, mig själv som oundvikligt subjektivt filter; för det andra eleverna och för det tredje, mediala källor som på olika sätt har kunnat användas i sammanhanget.Under arbetets lopp har jag kommit fram till att arbetets informativa, reflektiva och diskursiva processer i sig utgjorde ett lika intressant material som slutsatserna.
The purpose of this work has been to examine the function of storytelling as an induct-ive way to develop self reflection and environmental awareness of the students. Key subjects have been if they could be attentive to the very reflective process itself and to the strategies we apply, when to cope with dynamic changes as those of the postmodern society. Also the possibility to find basic explanations, to specially one of these strategies – one that has been more and more frequently used – became a pursuit in this work. The phenomenon in mind is our seemingly growing demand for “superficial valuables”.This work is basically qualitative. Three perspectives – as well as sources of inform-ation – have been developed through the process of this work: firstly, the inevitably subjective experiences of my own; secondly, the students; and thirdly, different forms of applicable public media. Especially the contribution from the students can’t be overstated. Initially it was them who made me aware of the phenomenon, described above. Moreover they gave input, partly through the literature seminar and the related discussion, partly through a minor enquiry consisting of a few but fundamental questions connected to the matter of “wealth” and “ability”.Quite early during the progression of this work I came to an understanding that the informative, the introspective and the communicative processes of the work itself constituted a most interesting substance. Hence, I made a more careful attempt to describe this development and my thoughts connected to it, rather than giving too much focus on the aftermath. Retrospectively seen, it presents somewhat self-evident answers of the two initial questions above. Yes, storytelling might work as a complement to more radical experiences of the real life. It can be used as a key to existential reflection in an urban security-devoting postmodern society. Also obviously, there seem to be more profound explanations to our quest for superficial valuables – needs beyond the very appeal. They could be connected to the natural instinct of individual survival through real or “illusory” acceptance and irreplaceability within one or more collective social orders – in short, the importance of being important.
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Traub, Courtney Anne. "Romanticising crisis : digital revolution and ecological risk in late postmodern American fiction." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:adb4eb33-9053-402c-8322-bd55c915077f.

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This thesis probes how recent experimental American "crisis fictions" from authors including Mark Z. Danielewski, Kathryn Davis, and Evan Dara reformulate transatlantic Romantic literary debates about technological and environmental change. Arguing that such texts extend previously theorised ties between Romanticism and postmodernism, it identifies enduring ties between late-postmodern accounts of crisis and those of Romantic predecessors. Responding to the upheavals of digital revolution and ecological risks, these texts, published between 1995 and 2012, inventively engage several linchpin constructs in transatlantic Romantic writing: chiefly, the imagined supersession of subjective and temporal boundaries; a sense that the natural and non-human world is of crucial importance; and a reliance on idioms of sublimity to suggest the unrepresentability of the aforementioned crises. Although numerous critics have traced similarities between Romantic and postmodern modes, this thesis considers those resonances as deeper questions of cultural and literary history. It proposes to more carefully historicise the Romantic intellectual heritage in late postmodernism, identifying intermediating moments that inform contemporary accounts of crisis. It unearths how late postmodern technocultural and environmentalist imaginaries were always already Romantic. Deeply informed by countercultural, mid-century American movements and ideas that themselves drew significantly from transatlantic Romanticism, contemporary figurations of upheaval, syncretically figured in mid-century publications such as the Whole Earth Catalog, are indebted to both Romantic and neo-Romantic heritages. This thesis additionally argues that the digital revolution and unprecedented environmental crisis act as pressures on postmodern literary practices from the mid-1990s onward. Digital speeding and a looming sense of ecological risk register as even earlier crises than the terrorist attacks of "9-11", requiring a recalibration of what the postmodern might mean and do. Crucially, in their preoccupation with embodied realities and environments, including natural ones, the contemporary narratives examined here diverge from the assumption that the natural world bears little importance in postmodern fields of representation. Finally, many recent literary experiments figure themselves as materially participating in the technological and medial systems they respond to; formal experimentation is, accordingly, another centre of interest. This research examines how select texts deploy formal strategies to "materially instantiate" Romantic ideas, to borrow Katherine Hayles's term. Although numerous critics have suggested that Romantic discourse permeates digital cultural imaginaries, existing scholarship devotes little attention to how formal experimentation intersects with narrative strategies.
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Moody, Kyle Andrew. ""Why so serious?" comics, film and politics, or the comic book film as the answer to the question of identity and narrative in a post-9/11 world /." Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1249507295.

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Mitras, Joao Luis. "Postmodern or post-Catholic? : a study of British Catholic writers and their fictions in a postmodern and postconciliar world." Diss., 1997. http://hdl.handle.net/10500/18636.

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This thesis is an investigation into the nature of the 'postmodern' narrative strategies and fictional methods in the work of two British Catholic writers. The work of David Lodge and Muriel Spark is here taken as an example ofthe 'Catholic novel'. In order to determine ifthe overlap ofpostmodern. and Christian-influenced narrative strategies constitutes more than a convergence or coincidence of formal concerns, narrative form in these novels is analyzed in the light of neo-Tho mist and Tho mist aesthetics, a traditional Catholic Christian theory of the arts. The 'postmodern' in these 'Christian' texts becomes largely a coincidence of terminology. Narrative forms which can be classified as 'postmodern' can also be categorized using the terminology of Thomas Aquinas. The apparent similarities betray radically divergent metaphysical presuppositions, however. The nature of the Catholic 'difference' lies in the way postmodern forms are used to challenge the metaphysical bases of those forms.
English Studies
M.A. (English)
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Petrovskaya, Olga. "The matrices of (un)intelligibility: postmodern and post-structural influences in nursing— a descriptive comparison of American and selected non-American literature from the late 1980s to 2015." Thesis, 2016. http://hdl.handle.net/1828/7622.

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In the late 1980s, references to postmodernism, post-structuralism, and Michel Foucault started to appear in nursing journals. Since that time, hundreds of journal articles and dozens of books in the discipline of nursing have cited these continental-philosophical ideas—in substantial or minor ways—in nurses’ analyses of topics in nursing practice, education, and research. Key postmodern and post-structural notions including power/knowledge, discourse, the clinical gaze, disciplinary power, de-centering of the human subject as the originator of “meaning,” and the challenge to grand narratives and binary thinking—all found their place on the pages of journals such as the Journal of Advanced Nursing, Nursing Inquiry, and Nursing Philosophy and in a predominantly American journal Advances in Nursing Science among a few other periodicals. In my dissertation, I assemble this voluminous body of publications into a “field of study.” Taking a comparative approach to this field, I argue that we can understand postmodern/post-structural scholarship in nursing as characterized by a marked difference between its non-American (in this case, Australian and New Zealand, British and Irish, and Canadian) and American domains. While each domain is heterogeneous, peculiar features distinguish American postmodern/post-structural nursing literature from its non-American counterparts. I build on a recent systematic critique of so-called American “unique nursing science” and (meta)theory by Mark Risjord (2010), who surfaced the unacknowledged legacy of the logical positivist philosophy of science on contemporary American nursing conceptions of science and theory. These influences, according to Risjord, have had profound and lasting intellectual impact on nursing theoretical work manifesting in the notions of “unique science,” a caution toward “borrowed theory,” a hierarchical model of theory, the language of metaparadigms, incommensurable paradigms, and so on. These ideas and related practices of theorizing have culminated in what I call the American disciplinary nursing matrices that shape the visibility and intelligibility of alternative practices of theorizing in the discipline of nursing. I show the ways in which these matrices are consequential for how postmodern and post-structural philosophical ideas are understood, discussed, and deployed (or not) in American nursing literature; indeed, I argue that these continental ideas, vital for nurses’ ability to critically reflect on the discipline and the profession—are unintelligible as a form of nursing knowledge within the American nursing theoretical matrices.
Graduate
2017-09-29
0569
0344
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Books on the topic "Post-postmodern literature"

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Filippaki, Iro. The Poetics of Post-Traumatic Stress Disorder in Postmodern Literature. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67630-8.

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S, Bak John, ed. Post/modern Dracula: From Victorian themes to postmodern praxis. Newcastle, UK: Cambridge Scholars Publishing, 2007.

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Michael, Magali Cornier. Feminism and the postmodern impulse: Post-World War II fiction. Albany: State University of New York Press, 1996.

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The postmodern turn: Essays in postmodern theory and culture. [Columbus]: Ohio State University Press, 1987.

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Alison, Lee. Realism and power: Postmodern British fiction. London: Routledge, 1990.

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Pierpaolo, Antonello, and Mussgnug Florian 1974-, eds. Postmodern impegno: Post-hegemonic approaches to ethics and socio-political comment in contemporary Italian culture. New York: Peter Lang, 2009.

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De Zordo, Ornella, and Fiorenzo Fantaccini, eds. altri canoni / canoni altri. Florence: Firenze University Press, 2011. http://dx.doi.org/10.36253/978-88-6453-012-3.

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The concept of the literary canon is one of the most debated and controversial in the western intellectual tradition. This book offers ten contributions by Italian scholars of Anglo-American culture addressing the way in which the concept of the literary canon holds out against areas traditionally considered as external or extraneous to it. The essays range over different topics: the etymological analysis of the term "canon"; the relations between canon and performativity; paraliterature – a universe populated by non-hierarchic genres; the relations between post-colonial literature and the canon; postmodern biofiction; studies on translation and finally gay and lesbian literature. The book ends with a meditation on the innovations wrought on the Anglo-American canon by the virtual world of Internet and with a reading proposal originating from a different area of literary studies. Taken as a whole, the intention of the book is to pave the way to democratisation and pluralism in literary studies, going beyond the limitations set by the traditional scale of values of the "western canon". It proposes a frequentation of the geographical and cultural borderlines and hence of the areas of resistance that such borderlines pose to the dominant conceptual hierarchies within and around us, enabling us to glimpse an original future for literature and for western culture in a broader sense.
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The play of the double in postmodern American fiction. Carbondale: Southern Illinois University Press, 1993.

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Varsava, Jerry A. Contingent meanings: Postmodern fiction, mimesis, and the reader. Tallahassee: Florida State University Press, 1990.

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Filippaki, Iro. Poetics of Post-Traumatic Stress Disorder in Postmodern Literature. Springer International Publishing AG, 2022.

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Book chapters on the topic "Post-postmodern literature"

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Yang, Xiaobin. "Toward a Theory of Postmodern/Post-Mao-Deng Literature." In Contested Modernities in Chinese Literature, 81–97. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403981332_6.

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Sklodowska, Elzbieta. "No Laughing Matter: Post-Soviet Cuba in the Orbit of Postmodern Parody." In Postmodern Parody in Latin American Literature, 167–94. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90430-6_8.

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Petrovskaya, Olga. "Postmodern and Post-structural Ideas in Non-American Nursing Literature." In Nursing Theory, Postmodernism, Post-structuralism, and Foucault, 102–19. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003194439-6.

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Filippaki, Iro. "Beyond PTSD’s Postmodern Aesthetics: Modes of Epic Recognition." In The Poetics of Post-Traumatic Stress Disorder in Postmodern Literature, 57–86. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67630-8_3.

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Filippaki, Iro. "Introduction: A Narrative History of Post-Traumatic Stress Disorder." In The Poetics of Post-Traumatic Stress Disorder in Postmodern Literature, 1–19. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67630-8_1.

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Filippaki, Iro. "Symptomatology and Modes of Emplotment: Paranoid Tropes." In The Poetics of Post-Traumatic Stress Disorder in Postmodern Literature, 21–55. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67630-8_2.

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Filippaki, Iro. "Coda: Towards a Collective PTSD Narrative." In The Poetics of Post-Traumatic Stress Disorder in Postmodern Literature, 87–91. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67630-8_4.

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Borenstein, Eliot. "Survival of the Catchiest: Memes and Postmodern Russia." In Late and Post-Soviet Russian Literature, edited by Mark Lipovetsky and Lisa Wakamiya, 307–10. Boston, USA: Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618112231-035.

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Givens, John. "Post-Stalin and Postmodern Christs." In The Image of Christ in Russian Literature, 205–20. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9780875807799.003.0010.

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Abstract:
This concluding chapter provides observations about the image of Christ in works published after Joseph Stalin's death and after the demise of the Soviet Union. The Passion narrative in particular—so prominent in Bulgakov's and Pasternak's novels—continued to resonate, reappearing in works such as Venedikt Erofeev's Moscow to the End of the Line (1969, arguably a Christ novel in and of itself), Yury Dombrovsky's The Faculty of Useless Knowledge (1978), and Chingiz Aitmatov's The Place of the Skull (1987). The chapter briefly analyzes these works in the context of the four case studies. It also surveys the current literary interest in Christ and Christian themes. Finally, the chapter offers a few concluding remarks on the meaning of Christ in Russian literature.
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"7. Literature. Can Literature Be Equipment for Post-Postmodern Living." In Post-Postmodernism, 146–70. Stanford University Press, 2020. http://dx.doi.org/10.1515/9780804783217-010.

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Conference papers on the topic "Post-postmodern literature"

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Rugeley, Aurora Margarita Peraza. "A Postmodern Quest: The Need of Different Peoples Voices in Translation for Post-Colonial Societies." In 6th Annual International Conference on Language, Literature and Linguistics (L3 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2251-3566_l317.25.

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