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Books on the topic 'Post-postmodern literature'

Author: Grafiati

Published: 9 March 2023

Last updated: 10 March 2023

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1

Filippaki, Iro. The Poetics of Post-Traumatic Stress Disorder in Postmodern Literature. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67630-8.

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2

S, Bak John, ed. Post/modern Dracula: From Victorian themes to postmodern praxis. Newcastle, UK: Cambridge Scholars Publishing, 2007.

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3

Michael, Magali Cornier. Feminism and the postmodern impulse: Post-World War II fiction. Albany: State University of New York Press, 1996.

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4

The postmodern turn: Essays in postmodern theory and culture. [Columbus]: Ohio State University Press, 1987.

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5

Alison, Lee. Realism and power: Postmodern British fiction. London: Routledge, 1990.

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6

Pierpaolo, Antonello, and Mussgnug Florian 1974-, eds. Postmodern impegno: Post-hegemonic approaches to ethics and socio-political comment in contemporary Italian culture. New York: Peter Lang, 2009.

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7

De Zordo, Ornella, and Fiorenzo Fantaccini, eds. altri canoni / canoni altri. Florence: Firenze University Press, 2011. http://dx.doi.org/10.36253/978-88-6453-012-3.

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The concept of the literary canon is one of the most debated and controversial in the western intellectual tradition. This book offers ten contributions by Italian scholars of Anglo-American culture addressing the way in which the concept of the literary canon holds out against areas traditionally considered as external or extraneous to it. The essays range over different topics: the etymological analysis of the term "canon"; the relations between canon and performativity; paraliterature – a universe populated by non-hierarchic genres; the relations between post-colonial literature and the canon; postmodern biofiction; studies on translation and finally gay and lesbian literature. The book ends with a meditation on the innovations wrought on the Anglo-American canon by the virtual world of Internet and with a reading proposal originating from a different area of literary studies. Taken as a whole, the intention of the book is to pave the way to democratisation and pluralism in literary studies, going beyond the limitations set by the traditional scale of values of the "western canon". It proposes a frequentation of the geographical and cultural borderlines and hence of the areas of resistance that such borderlines pose to the dominant conceptual hierarchies within and around us, enabling us to glimpse an original future for literature and for western culture in a broader sense.

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8

The play of the double in postmodern American fiction. Carbondale: Southern Illinois University Press, 1993.

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9

Varsava, Jerry A. Contingent meanings: Postmodern fiction, mimesis, and the reader. Tallahassee: Florida State University Press, 1990.

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10

Filippaki, Iro. Poetics of Post-Traumatic Stress Disorder in Postmodern Literature. Springer International Publishing AG, 2022.

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11

Filippaki, Iro. Poetics of Post-Traumatic Stress Disorder in Postmodern Literature. Springer International Publishing AG, 2021.

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12

Malvestio, Marco. Conflict Revisited: The Second World War in Post-Postmodern Fiction. Lang Publishing, Incorporated, Peter, 2021.

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13

Malvestio, Marco. Conflict Revisited: The Second World War in Post-Postmodern Fiction. Lang AG International Academic Publishers, Peter, 2021.

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14

Malvestio, Marco. Conflict Revisited: The Second World War in Post-Postmodern Fiction. Lang AG International Academic Publishers, Peter, 2021.

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15

Malvestio, Marco. Conflict Revisited: The Second World War in Post-Postmodern Fiction. Lang AG International Academic Publishers, Peter, 2021.

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16

Postmodern Suburban Spaces: Philosophy, Ethics, and Community in Post-War American Fiction. Palgrave Macmillan, 2016.

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17

George, Joseph. Postmodern Suburban Spaces: Philosophy, Ethics, and Community in Post-War American Fiction. Palgrave Macmillan, 2016.

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18

Sell, Roger D. Literary Communication As Dialogue: Responsibilities and Pleasures in Post-Postmodern Times. Selected Papers 2003-2020. Benjamins Publishing Company, John, 2020.

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19

Sell, Roger D. Literary Communication As Dialogue: Responsibilities and Pleasures in Post-Postmodern Times. Selected Papers 2003-2020. Benjamins Publishing Company, John, 2020.

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20

Tannen, Ricki Stefanie. Female Trickster: The Mask That Reveals, Post-Jungian and Postmodern Psychological Perspectives on Women in Contemporary Culture. Taylor & Francis Group, 2014.

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21

Tannen, Ricki Stefanie. Female Trickster: The Mask That Reveals, Post-Jungian and Postmodern Psychological Perspectives on Women in Contemporary Culture. Taylor & Francis Group, 2014.

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22

Tannen, Ricki Stefanie. Female Trickster: The Mask That Reveals, Post-Jungian and Postmodern Psychological Perspectives on Women in Contemporary Culture. Taylor & Francis Group, 2014.

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23

Tannen, Ricki Stefanie. Female Trickster: The Mask That Reveals, Post-Jungian and Postmodern Psychological Perspectives on Women in Contemporary Culture. Taylor & Francis Group, 2014.

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24

Female Trickster: The Mask That Reveals, Post-Jungian and Postmodern Psychological Perspectives on Women in Contemporary Culture. Routledge, 2014.

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25

Do You Feel It Too?: The Post-Postmodern Syndrome in American Fiction at the Turn of the Millennium. Rodopi, 2012.

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26

Tannen, Ricki. The Female Trickster: The Mask That Reveals, Post-Jungian and Postmodern Psychological Perspectives on Women in Contemporary Culture. Routledge, 2007.

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27

Tannen, Ricki. The Female Trickster: The Mask That Reveals, Post-Jungian and Postmodern Psychological Perspectives on Women in Contemporary Culture. Routledge, 2007.

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28

Franco, Chiara de. The Media and Postmodern Conflict. Oxford University Press, 2018. http://dx.doi.org/10.1093/acrefore/9780190846626.013.339.

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Contemporary conflicts and warfare are invariably connected to some recurrent elements: globalization; the decline of the State; the emergence of transnational relations, both cultural and economic; late capitalism; post-industrialism; the end of ideologies and metaphysics; and the rise of the “society of spectacle” and the information age. These elements are all generally recognized as being the distinctive characteristics of postmodernity. The media plays an important role in understanding conflict dynamics and in illuminating some characteristics of postmodern conflict. The literature on the relationship between the media and conflict develops concepts and theories which are essential for understanding the role of the media in the evolution and conduct of contemporary conflicts. This literature focuses on two different aspects: firstly, the specific activities of the mass media, i.e. the media coverage of conflicts, and secondly, the interaction between the media and the political and military decision-making processes. Following either the powerful media paradigm or the limited effects hypothesis, these works develop in the same period very different concepts like propaganda and the CNN effect. It is important to keep in mind that these concepts are the result of an attempt to clarify the existing conceptualization of the role of the media in present conflicts and do not represent consolidated categories as such.

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29

Björninen, Samuli. Kertomus postmodernismin jälkeen. SKS Finnish Literature Society, 2021. http://dx.doi.org/10.21435/skst.1476.

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Narrative After Postmodernism takes a critical and practical look at the cultural theories of what comes after postmodernism or the postmodern. Alongside contemporary literary authors, the anthology studies diverse contemporary textual phenomena from TV shows to online fan theories and survivalist blogs. The essays compiled in this anthology tentatively apply the theories of the post-postmodern to contemporary texts to see how they might open up for analysis within their new theoretical frameworks or challenge them. The introduction, co-written by all the authors of this volume, introduces the most influential theories of post-postmodernism and contextualizes them within broader intellectual trends of the early 21st Century. The three essays comprising the first part of the volume discuss some of the theories of the postmodern in relation to contemporary works that seem to challenge them. Yet they also strive to clarify and sharpen some of the ideas proposed in the theories of the post-postmodern. The second part of the volume aims to show that it is not only the contemporary texts that move beyond the postmodern – the ways of reading literature and interpreting artworks in different media are also changing. The essays in the second part of the volume inquire about the effects of the contemporary literary culture on the methods of interpretation and ways of reading.

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30

Planetary Clock: Antipodean Time and Spherical Postmodern Fictions. Oxford University Press, 2021.

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31

Spiers, Emily. Postmodern Literature in North America. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820871.003.0003.

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Chapter 2 establishes the departure point for a genealogy of pop-feminist writing across North America, Britain, and Germany, which informs the author’s reading of the literary texts in the subsequent chapters. She examines key texts by American authors Kathy Acker and Mary Gaitskill, showing how their influence has filtered down to the works of a group of North American and European women writers who were born post-1970. Acker and Gaitskill engage with the feminist and critical theories of their time in order to intervene in broader political debates in North America concerning social, racial, and gender inequalities. They explore the political impact of representing transgressive sexualities, madness, and neurosis and emphasizing unstable, multifaceted identity in their work. The chapter subsequently traces the transgressive gesture from the 1990s North American riot-grrrl movement through to the 2000s and a dramatically transformed cultural context.

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32

Giles, Paul. The Planetary Clock. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198857723.001.0001.

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The theme of The Planetary Clock is the representation of time in postmodern culture and the way temporality as a global phenomenon manifests itself differently across an antipodean axis. To trace postmodernism in an expansive spatial and temporal arc, from its formal experimentation in the 1960s to environmental concerns in the twenty-first century, is to describe a richer and more complex version of this cultural phenomenon. Exploring different scales of time from a Southern Hemisphere perspective, with a special emphasis on issues of Indigeneity and the Anthropocene, The Planetary Clock offers a wide-ranging, revisionist account of postmodernism, reinterpreting literature, film, music, and visual art of the post-1960 period within a planetary framework. By bringing the culture of Australia and New Zealand into dialogue with other Western narratives, it suggests how an antipodean impulse, involving the transposition of the world into different spatial and temporal dimensions, has long been an integral (if generally occluded) aspect of postmodernism. Taking its title from a clock designed in 1510 to measure worldly time alongside the rotation of the planets, The Planetary Clock ranges across well-known American postmodernists (John Barth, Toni Morrison) to more recent science fiction writers (Octavia Butler, Richard Powers), while bringing the US tradition into dialogue with both its English (Philip Larkin, Ian McEwan) and Australian (Les Murray, Alexis Wright) counterparts. By aligning cultural postmodernism with music (Messiaen, Ligeti, Birtwistle), the visual arts (Hockney, Blackman, Fiona Hall) and cinema (Rohmer, Haneke, Tarantino), The Planetary Clock enlarges our understanding of global postmodernism for the twenty-first century.

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33

Ty, Eleanor. Gender, Post-9/11, and Ugly Feelings. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040887.003.0007.

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This chapter studies two texts that use humor and irony to deal with broken dreams and with ugly feelings caused by the inability to perform the dominant culture's expectations of race and gender. The protagonists in Alex Gilvarry's postmodern novel From the Memoirs of a Non-Enemy Combatant and in Keshni Kashyap and Mari Araki's Tina's Mouth: An Existential Comic Diary struggle to dissolve rigid categories of masculinity, femininity, and race. They both want to lead the lives of ordinary Americans but are misrecognized, and have to work through cultural expectations generated by their brown bodies, answering to the hopes of their families and friends and to the fantasies created by literature, film, and media.

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