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Journal articles on the topic 'Post-postmodernism (Literature)'

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1

Lushnikova, Galina I., and Tatiana Yu Osadchaia. "Metamodernism in contemporary literature (On Dave Eggers' novel “The CIRCLE”)." Slovo.ru: Baltic accent 13, no. 3 (2022): 124–41. http://dx.doi.org/10.5922/2225-5346-2022-3-7.

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Currently, the literary process is witnessing the emergence of a new trend — post-postmodernism, developing along several lines. The article offers a review of theoretical works of Russian and foreign authors, devoted to the study of post-postmodernism, its main charac­teristics, and terminology. On the basis of the novel "The Circle" (2013), written by the American writer Dave Eggers, which has not yet become the subject of study in Russian liter­ary criticism,the authors explore the main features of metamodernism as one of the directions of post-postmodernism. The methodology of the study is
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During, Simon. "Postmodernism or post‐colonialism today." Textual Practice 1, no. 1 (1987): 32–47. http://dx.doi.org/10.1080/09502368708582006.

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Polishchuk, Yaroslav. "LITERATURE AND POST-TRUTH." Слово і Час, no. 6 (November 26, 2020): 57–71. http://dx.doi.org/10.33608/0236-1477.2020.06.57-71.

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The author examines the current state of literature, which has been marginalized by the boom of modern media and the free market. Literature is called to restore a worthy place in the system of cultural communication of society. It is contradicted by the experience of postmodernism, which has led to disorientation in the system of art values. Postmodernism was an important formation of the transition period. Three aspects of the postmodern worldview ― dehumanization of art, lack of truths' hierarchy and their plurality, and the loss of the author’s authority ― have led to a long-lasting crisis
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Jessica Lang. "Holocaust Impiety in Jewish American Literature: Memory, Identity, (Post-) Postmodernism." Philip Roth Studies 14, no. 2 (2018): 96. http://dx.doi.org/10.5703/philrothstud.14.2.0096.

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MacFadyen, David, Mikhail Epstein, Alexander Genis, Slobodanka Vladiv-Glover, and Slobodanka Vladiv-Glover. "Russian Postmodernism: New Perspectives on Post-Soviet Culture." World Literature Today 75, no. 1 (2001): 166. http://dx.doi.org/10.2307/40156464.

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Syzdykova, B., A. Kaiyrbekova, and B. Orazova. "National literature of the post-socialist realism era." Bulletin of the Karaganda university Philology series 1, no. 109 (2023): 123–31. http://dx.doi.org/10.31489/2023ph1/123-131.

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This article discusses the artistic trends of the 60s of the twentieth century. The aesthetic concepts of socialist realism, Romanticism, modernism and postmodernism are discussed, as well as the peculiarities of their development in Kazakh literature. The article analyzes the ideological and aesthetic concepts that opposed the socialist realism of that period. The works published during the period of post-socialist realism reflect the ways of development of modernist aesthetics. The features of new characters in literature are revealed. In addition, the article scientifically analyzes the for
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Alligood, Martha Raile. "A Book Review of Nursing Theory, Postmodernism, Post-Structuralism, and Foucault, Olga Petrovskaya (2023), Routledge." Nursing Science Quarterly 38, no. 1 (2024): 104–8. https://doi.org/10.1177/08943184241291556.

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This is a review of the recent book, Nursing Theory, Postmodernism, Post-Structuralism, and Foucault by Olga Petrovskaya (2023). The author draws on the discourse in the literature from the late 1980s to 2010, with a critique of nursing theory from the perspective of a contrast she claims between the philosophical bases of American nursing theory development and other potential bases in postmodernism and post-structuralism when viewed from the perspective of Foucault, the French philosopher.
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Tumbahang, Mohan Kumar. "Postmodernism and Post Structuralism: A Literary Dichotomy." Dristikon: A Multidisciplinary Journal 11, no. 1 (2021): 115–26. http://dx.doi.org/10.3126/dristikon.v11i1.39153.

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This article entitled 'Postmodern and Post Structuralism: A Literary Dichotomy' has fairly attempted to compare and contrast between the most discussed and comprehensive notions of postmodernism and post structuralism in a possible precise form. In addition, the study focuses on dichotomies of these trends against their respective pre-forms, 'modernism' and 'structuralism' as well. Their tendencies in literary creation and theory have been briefly discussed. The study method it has availed is essentially the qualitative research design which is concerned with establishing answers to 'why' and
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Raţă, Irina. "Heterotopias of the Digital Age: Reading Applications and Platforms." Comunicare interculturală și literatură 27, no. 1 (2022): 93–106. https://doi.org/10.35219/cil.2020.1.10.

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Today’s literary landscape is greatly influenced by the ‘explosion’ of free reading platforms and applications, often complemented by the so-called self-publishing. These do not always offer carefully edited and/or revised works; all the while encouraging the publication of writings that can hardly constitute aesthetic models or good examples of practicing fiction. Whereas the term literature itself has become, starting with postmodernism, debatable, and perhaps, at times, too inclusive, it is contended here that certain aesthetic guidelines should still be abided by, in order to produce a lit
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Litvinskaitė, Daiva. "Transitions of Lithuanian Postmodernism: Lithuanian Literature in the Post-Soviet Period." Journal of Baltic Studies 44, no. 1 (2013): 105–8. http://dx.doi.org/10.1080/01629778.2013.764644.

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11

McHale, Brian. "Afterword: Reconstructing Postmodernism." KANT Social Sciences & Humanities, no. 3 (July 2020): 52–59. http://dx.doi.org/10.24923/2305-8757.2020-3.6.

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Brian McHale begins his reflections on postmodernism with the words of Steve Katz, who metaphorically described the onset of a once-new era, bringing everyone "out into the air" and imagining how the color of the traffic light changed and at the same time "in different cities, we crossed the street." This idea so delighted McHale that he "brought" people to the streets not only in different cities, but on all continents, anticipating the planetary advance of postmodernism. The author examines the mechanism of emergence and ways of spreading postmodernism, linking these processes with the globa
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Y, Lalitha. "Postmodernism in the Fiction Synchology Summary of Kumaraselvas Fiction." International Research Journal of Tamil 3, S-1 (2021): 132–37. http://dx.doi.org/10.34256/irjt21s121.

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The article Post Modernism, written by writer Kumaraselva, examines the emergence of postmodernism in the short stories Nagamalai, Karatam, Ukilu, Vidalu and Uyirmaranam, and then modernity does not see anything as universal and analyses everything separately. It is also expanding beyond the limits of art and literature to philosophy, politics, lifestyle, technology, architecture, drama, cinema. Postmodernism created myths with a mystery that distorts language, distorts stories and expresses the poetry of the language. It also attracts the attention of the readers and gives them a happy readin
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Abdullina, А. В., N. Yildiz, and Zh B. Sarsenbayeva. "THE ISSUE OF MODERN KAZAKH POSTMODERNISM AND NEO-MYTHOLOGISM IS IN THE ASPECT OF NATIONAL KNOWLEDGE (BASED ON THE STORIES OF A. KEMELBAYEVA)." Keruen 82, no. 1 (2024): 158–68. http://dx.doi.org/10.53871/2078-8134.2024.1-13.

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The article considers the development of the postmodernism in Kazakh, Russian, and French literature. The research is based on M. Epstein’s theory about the formation of the direction of post-Soviet postmodernism. The theoretical basis of the study was considered in the light of the opinions of such researchers as N. Kuchina, S. Sheyanova, Ye. Zinurova, M. Gontar, A. Maulenov, S. Takirov, S. Altybayeva, N.Syzdykbayev, D. Kaliakbar, B. Syzdykova, A. Kairbekova, B. Orazova. The practical significance of the article is determined within the framework of studying the direction of postmodernism in
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Goudarzi, Abdolreza. "Jamesonian Interpretation of Post Postmodernism: David Foster Wallace’s Infinite Jest and The Pale King." International Journal of Contemporary Research and Review 9, no. 02 (2018): 20310–17. http://dx.doi.org/10.15520/ijcrr/2018/9/02/446.

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Postmodernism and Post Postmodernism have dominated culture and literature since the late-20th-century and in basic features, they contradict each other. In Postmodernism, or the period known as the late capitalism by Fredric Jameson, some sort of fragmentation rather than totality is intended to control again the life of the people through the same media in a process known as consumerism; However, in Post Postmodernism, a new sort of humanism seems to be emerging by David Foster Wallace who shows not only the pain but also the cure. In fact, the subjectivity of man is given a niche, and also
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Nachtigal, Julie K., Mikhail N. Epstein, Alexander A. Genis, and Slobodanka M. Vladiv-Glover. "Russian Postmodernism: New Perspectives on Post-Soviet Culture." Slavic and East European Journal 44, no. 2 (2000): 313. http://dx.doi.org/10.2307/309965.

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Do Lai, Thuy, and Trang Vu Thi. "A RELAY RACE: VIEWING DANG THAN FROM NGUYEN HUY THIEP." Journal of Science Social Science 63, no. 7 (2018): 3–7. http://dx.doi.org/10.18173/2354-1067.2018-0042.

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Since the Đổi mới (Renovation) and Open policies era, Vietnamese literature has gone through two shifts of paradigm. The first one was from the premodernism paradigm to the modernism paradigm. The second one was from the modernism paradigm to the postmodernism paradigm. The former Renovation/innovation has created a new, different writing movement and changed the whole climate of literature. A new generation of young writer, “post-1975 literature generation” has been born. The latter Renovation/innovation happened silently but more profound, had deep individualism instead of a movementcharacte
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BİREL, Ebru, and Bekir KOCADAŞ. "REFLECTIONS OF POSTMODERNIST ELEMENTS ON LITERATURE WORKS: ANALYSIS OF OĞUZ ATAY'S NOVEL WAITING FOR FEAR." Zeitschrift für die Welt der Türken / Journal of World of Turks 14, no. 1 (2022): 143–58. http://dx.doi.org/10.46291/zfwt/140112.

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Society and the different fields that create the society continue to exist by constantly changing. As a matter of fact, there is a constantly changing situation, as we are able to understand from the famous philosopher Heraclitus's statement "You cannot bathe in the same river twice". Therefore, new concepts have been used to explain this state of change. Thus, the former concepts can occasionally be insufficient to explain existing changes. Although the concept of 'postmodernism', which was first used in the 1950s/1960s, is a concept used to explain these changes, there is no consensus on a c
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Drozdovskyi, Dmytro. "Traditions of Skepticism and Discourse of Post-Truth in British Post-Postmodern Novels." Pitannâ lìteraturoznavstva, no. 100 (December 27, 2019): 72–88. http://dx.doi.org/10.31861/pytlit2019.100.072.

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In the paper, the forms of critical perception of reality inherent to the protagonists of contemporary British novels (“The Curious Incident of the Dog in the Night-Time”, “Carry Me Down”, “Little Stranger”, etc.) have been discussed. The author has analyzed strategies for reactivation of skepticism in British post-postmodern novel “Cloud Atlas” by D. Mitchell. The specificity of the representation of skepticism in literary post-postmodernism is investigated; in particular, theoretical considerations of L. Miroshnychenko, O. Boynitska and other experts in English/British literature have been d
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19

Darby, Helen. "Post-Postmodernism, or the Cultural Logic of Just-in-Time Capitalism." Textual Practice 27, no. 4 (2013): 735–38. http://dx.doi.org/10.1080/0950236x.2013.815427.

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Niama, Haidyr Hashim. "IMPACT OF BRITISH LITERATURE ON GLOBAL LITERATURE." American Journal of Social Science and Education Innovations 6, no. 6 (2024): 176–89. http://dx.doi.org/10.37547/tajssei/volume06issue06-24.

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The influence of British literature on global literature is enormous. In so many ways, British literature has influenced world literature. The Anglo-Saxon period established the British literature tradition, which continues to influence world literature today. In this blog post, we will look at various aspects of British literature's influence on global literature. The study of literary works from the United Kingdom and other countries around the world is known as British and world literature. It includes classic and contemporary works, often translated into English, that reflect regional and
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Radchenko, Simon. "Again and Always: Intertextuality outside of Postmodernism." Interlitteraria 27, no. 2 (2022): 275–91. http://dx.doi.org/10.12697/il.2022.27.2.12.

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Intertextuality became one of the most popular and important terms in the culture of the 20th century. It is usually considered in connection with postmodernism and its ironic nature. Contemporary writing is still intertextual, though far from being postmodern. Moreover, even some medieval texts appear to operate intertextual tools systematically. The article presents examples of intertextuality in different novels from both the pre-postmodern and post-postmodern worlds, and searches for a possible explanation for this phenomenon through methodical solutions that would improve our understandin
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22

Samuelson, Meg. "Literature in the World: A View from Cape Town." PMLA/Publications of the Modern Language Association of America 131, no. 5 (2016): 1544–47. http://dx.doi.org/10.1632/pmla.2016.131.5.1544.

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Returning Recently to Teach at My Alma Mater, The University of Cape Town, I Was Amazed to Find That the Undergraduate curriculum to which I had been exposed at the dawn of the post-apartheid era remained substantially unaltered. With the exception of an experimentally convened introductory year that reverses chronology with interesting effects, the English major continues to plot a literary history across four inherited periods: Shakespeare and Co., Romance to Realism, Modernism, and Contemporary Literature, which collapses a previous bifurcation of the capstone course into Postmodernism or P
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Aeni, Nuri Qurota. "Post-Modernisme dalam Ilmu Hukum." AHKAM 1, no. 1 (2022): 13–25. http://dx.doi.org/10.58578/ahkam.v1i1.713.

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Post-modernism which was harnessed as a from of protest of disappointment at modernism which was considered to have failed in lifting human degrees, by using the paradigm of critical legal studies an deconstruction of thought results from Jacques derrida. This article will discuse how if postmodernisme paired with islamiclaw and how postmodernism is imolemented against lega science. The purpose of this article is to find out if Islamic law could be deconstructed as per the one offered by postmodernism. This article uses qualitative descriptive research methods. Thereas the approaches used in t
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Moraru, Christian. "World History, Literary History: Postmodernism and After." Studia Universitatis Babeș-Bolyai Philologia 67, no. 3 (2022): 93–106. http://dx.doi.org/10.24193/subbphilo.2022.3.15.

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"World History, Literary History: Postmodernism and After. The basic question Christian Moraru raises in his contribution is about the direction in which literary history and criticism overall may be going after postmodernism. Moraru’s answer, or guess, is that literary-cultural scholarship, along with the humanities at large, would probably have to adjust to shifts in the world “out there.” As Moraru contends, our profession is already doing its best to catch up epistemologically with an increasingly strong planetary ontology, that is, with how the world most known to us—the finite planet—is
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Kaya, Hilal. "SELF AND SPACE IN AFTER-POSTMODERNISM: LATİFE TEKİN'S MANVES CITY AND JENNI FAGAN'S THE PANOPTICON." Messages, Sages and Ages 7, no. 2 (2020): 18–25. https://doi.org/10.5281/zenodo.4295987.

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As we are starting the third decade of the 21st century, there are some cultural shifts in our current condition. The forces that once drove postmodernism seem to be mutating and diminished. Whether it is a matter of mutation or a decisive break with postmodernism, ours is a new global era. The major common feature of the literary tendencies that writers have adopted today seems to be the questioning and shift of the paradigm of postmodernism’s cultural logic. Approaching to postmodernism from one of those reactive and oppositional strands, some contemporary writers such as Latife Tekin
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ROMERO, POLO Paula. "Urraca, de Lourdes Ortiz y Últimas tardes con Teresa de Jesús, de Cristina Morales. Verdad y referencia en la literatura (post-)postmodernista." Cuadernos de Aleph 13 (October 14, 2021): 55–81. https://doi.org/10.5281/zenodo.14990391.

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<strong>Resumen</strong>: Este trabajo propone el estudio comparado de dos novelas, <em>Urraca</em> de Lourdes Ortiz y <em>&Uacute;ltimas tardes con Teresa de Jes&uacute;s</em> de Cristina Morales. Nuestro objetivo es demostrar una evoluci&oacute;n en la literatura postmodernista en Espa&ntilde;a. Las reflexiones acerca de la misma posibilidad de dar cuenta de una historia a trav&eacute;s de la narraci&oacute;n &mdash;t&iacute;picas en la literatura postmoderna&mdash; pasan en <em>&Uacute;ltimas tardes...</em> a un segundo plano debido a la voluntad de la protagonista de compartir su verdad pa
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Frolova, Marina V. "Metamodern in Indonesian Literature: A Night of 1,000 Traitors by Intan Paramaditha (2023)." Studia Litterarum 9, no. 4 (2024): 138–59. https://doi.org/10.22455/2500-4247-2024-9-4-138-159.

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Looking at contemporary Indonesian literature through the lenses of the novel A Night of 1,000 Traitors by Intan Paramaditha (2023), one can explore the further development of so-called late postmodernism. The novel demonstrates a comeback of forms, techniques, and aspirations inherent in realism, modernism, and postmodernism at the same time. According to the metamodern theory, meta- means the simultaneous presence of these elements in contemporary art. The novel is a post-deconstruction, redeconstruction of the national culture, and rehabilitation of metanarratives (mythology and traditional
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Morawietz, Eva. "Die Rezeption Salvador Dalís in der amerikanischen Kultur der Nachkriegszeit." Zeitschrift für Katalanistik 21 (July 1, 2008): 197–216. http://dx.doi.org/10.46586/zfk.2008.197-216.

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Summary: In light of Salvador Dalí’s manifold activities during his sojourn in the United States, it seems surprising that so little scholarly attention has been devoted to the wide influence of Dalí’s oeuvre on the American culture of the post-war period. This essay ventures to investigate the stylistic and thematic impact of his imagery and his theoretical writings on the culture of Postmodernism, and more specifically, on postmodern American literature, exemplified in the works of Thomas Pynchon. After a brief overview of Dalí’s activities in the United States and of general common ground o
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Fernandes Butar Butar, Herry. "CRIME STUDY IN POSTMODERNISM PERSPECTIVE." Journal of Correctional Issues 3, no. 1 (2020): 1–15. http://dx.doi.org/10.52472/jci.v3i1.41.

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This research answers how Postmodernism criminology explains about conceptual meaning of crime that differed from modern perspective. With the development of criminology and the rise of new thought in criminology gave us chance at renewing the approach in doing research needed to explain crime and how crime occurred. In post-modernism criminology that has been critically question that modern perspective had not been explained crime as how crime defined empirically. The research is using qualitative perspective with literature study and case study of crime such as environment crime, womanizing,
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Nemeth, Zoltan. "The Poetics of Heterogeneous Bodies in Contemporary Hungarian Literature." Porównania 31, no. 1 (2022): 181–92. http://dx.doi.org/10.14746/por.2022.1.11.

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In contemporary Hungarian literature, an increasingly important role is played by post-humanist-anthropocene forms of literary expression, the starting point of which is biological operations performed on the body. The bodily transformations that change the anthropological and evolutionary picture of man are accompanied by new biological constructs and power relations, as a result of which animal life forms acquire hybrid identities. Three Hungarian novels are discussed in the work: My Hero’s Square (2000) by Lajos Parti Nagy, A patkány éve [Year of the Rat] (2013) by Imre Bartók, Irha és bőr
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Bobileva, Anastasya L., Tatyana G. Prokhorova, and Olga V. Bogdanova. "Victor Pelevin's Novel about Vampires as the form of Reflection on Postmodernism." Journal of History Culture and Art Research 6, no. 4 (2017): 443. http://dx.doi.org/10.7596/taksad.v6i4.1112.

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&lt;p&gt;The current stage of culture development is usually defined as post-postmodern. Although this term is not well established and is interpreted differently, in any case it involves the overcoming of postmodernism. In Russian literature we should mention Victor Pelevin among the authors, whose works demonstrate the post-postmodernist tendencies most clearly. The evolution of his prose testifies that the postmodern worldview and the very mechanism of postmodern writing has become the subject of critical reflection in the late works of the writer. The novel by V. Pelevin "Empire V" (2006)
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Beenish Fatima. "Disscussions Of Postmodernism & Feminism." Dareecha-e-Tahqeeq 3, no. 1 (2022): 62–75. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i1.36.

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Postmodernism is a broad movement that developed in the late 20th century across the different fields of life e.g arts, Philosophy, architecture and criticism. It is an intellectual stance or a mode of discourse that rejects the possibility of reliable knowledge. Feminism is a range of different political movements, ideologies and social movements that share a common goal: to define, establish and achieve the political, economic, personal and social equality of genders. This research article comprises of basic and ideological discourse on post modernism and feminism in Urdu literature. In this
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Yusifova, Khadija. "ON THE QUESTION OF THE HISTORY AND ROOTS OF LITERARY POSTMODERNISM (BASED ON THE MATERIALS OF THE APOLOGISTS OF THE ARTISTIC DIRECTION)." Grail of Science, no. 24 (February 27, 2023): 484–86. http://dx.doi.org/10.36074/grail-of-science.17.02.2023.089.

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Russian and world literature and culture history as a whole is now being rethought in line with the complete technical replacement of all natural with artificial. There is no exaggeration in this process. A new round (or stage) of literature, culture and art differs from all the previous ones by the probability of the disappearance of former aesthetic values and ideals. Russian critic, for example, the well-known modern critic Y.Borev, linking this issue, which is disastrous for all mankind, with the deep subconscious of the individual, was forced to state that “a person today can no longer wi
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Nicolau, Felix. "Artistic symbols as support of a biased imagination." Ars Aeterna 7, no. 1 (2015): 10–16. http://dx.doi.org/10.1515/aa-2015-0002.

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Abstract Ian McEwan has indulged in macabre plots whose points of interest reside in the power of the imaginary over allegedly rational reality. In novels like Atonement, Enduring Love, On Chesil Beach and Amsterdam he points out how approaching the world scientifically can be as misleading as doing it in religious or literary ways. The target of my paper is to spot those common loci of fanaticism and narrowed perspectives which have constituted the origin of many tragedies. Such a conjured tragedy may be identified with a sluice facilitating the passage from postmodernism to post-postmodernis
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Nikolic, Andriana, and Ilona Chaika-Lukovich. "Literature of resistance from the position of diachrony, modernity and perspectives." LITERARY PROCESS: methodology, names, trends, no. 18 (2021): 57–61. http://dx.doi.org/10.28925/2412-2475.2021.18.8.

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Given the current situation in the countries of the former Yugoslavia, new types of social relations, a new, in an economic sense, post-industrial society, it is an indisputable fact that we are facing the same events that analysts say belong to the neoliberal order, and that we, as a collective, are members of this social system through our individual participation. Montenegrin culture, like all Western civilization, is in a state of postmodernism. In the context of Montenegro, this phenomenon is most fully represented in literature. In this paper, we will try to reveal the role of the indivi
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Orlić, Milan. "Post-Yugoslav Serbian Literature and Its Roots in the Social and Political Changes." Transcultural Studies 14, no. 1 (2018): 101–18. http://dx.doi.org/10.1163/23751606-01401006.

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Post-Yugoslav literature and culture came out of the stylistic formations of Yugoslav modernism and postmodernism, in the context of European cultural discourse. Yugoslav literature, which spans the existence of “two” Yugoslavias, the “first” Yugoslavia (1928–1941) and the “second” socialist Yugoslavia (1945–1990), is the foundation of various national literary and cultural paradigms, which shared the same or similar historical, philosophical and aesthetic roots. These were fed, on the one hand, by a phenomenological understanding of the world, language, style and culture, and on the other, by
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Chesney, Duncan McColl. "Beckett, Minimalism, and the Question of Postmodernism." KANT Social Sciences & Humanities, no. 3 (July 2020): 16–32. http://dx.doi.org/10.24923/2305-8757.2020-3.3.

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This article addresses a simple question: Is Beckett a postmodernist writer? Of course, the question is not so simple at all, for it begs a number of other tricky questions that get only more complicated as we address them: How am I defining modernism and postmodernism? What does the post in postmodernism signify? And in any case, Beckett's work does not suffer from not fitting easily into either of these categories or periodizations, so who really cares? Yet all the same, it seems that if postmodernism has any analytical value as a category, a style, or a "cultural dominant" applied to litera
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Jones, David M. "Postmodernism, Pop Music, and Blues Practice in Nelson George's Post-Soul Culture." African American Review 41, no. 4 (2007): 667. http://dx.doi.org/10.2307/25426984.

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Bolaño Quintero, Jesús. "Paul Auster’s Transcendentalism: Shifting Postmodern Sensibility in the New Millennium." Journal of English Studies 19 (December 22, 2021): 3–21. http://dx.doi.org/10.18172/jes.4750.

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This article traces Paul Auster’s shift in sensibility after the 2001 attacks on the World Trade Center. While his earlier novels where paradigmatic of postmodern self-referentiality, several critics have argued that his post-9/11 production turned towards realism. This might be interpreted as subsidiary evidence in favor of the polemic debate around the death of postmodernism. However, the aim of this article is to outline the transformation of the writer and offer explanations as to why that change in sensibility does not respond to a divestiture of postmodernism, but to an intensification o
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Steyn, Melissa. "MANY FACES OF COMPETENCE." Communicare: Journal for Communication Studies in Africa 15, no. 1 (2022): 97–113. http://dx.doi.org/10.36615/jcsa.v15i1.1918.

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This paper argues that postmodernism challenges the way in which intercultural communication competence has traditionally been conceptualized. The very framing of the notion as "competence" reveals its historical contingency and complicity with a particular interest group. Some of the assumptions which underpin the "received" versions of competence are examined, and are related to post-modem concerns of the nature of knowledge and truth, culture and personhood. In the course of the analysis, reference is made to the literature on competence, and suggestions are made for ways in which competenc
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Debnath, Kunal, and Nagendra Kumar. "Postmodern Elements in Katsuhiro Ōtomo’s Akira (1988)." Humanities & Social Sciences Reviews 10, no. 1 (2022): 55–61. http://dx.doi.org/10.18510/hssr.2022.1017.

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Purpose of the Study: This research paper intends to unravel and examine the postmodern elements in Katsuhiro Ōtomo’s anime film Akira (1988). This paper aims to analyze and critically study the postmodern elements as evident in the film and add more knowledge to the existing critical studies available on the film.&#x0D; Methodology: The primary text for this research is Katsuhiro Ōtomo’s anime film Akira (1988). Close textual analysis has been applied to analyze the text in view of the characteristics of postmodernism. The text is read in terms of postmodernism’s traits.&#x0D; Main Findings:
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H. Aljadaani, Mashael, and Laila M. Al-Sharqi. "The Evolution of Post-Postmodernism: Aesthetics of Reality and Trust in Jonathan Franzen’s The Corrections and Freedom." Arab World English Journal For Translation and Literary Studies 5, no. 1 (2021): 296–323. http://dx.doi.org/10.24093/awejtls/vol5no1.21.

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This study aims to find out how literature moves from the postmodern thought, flourished until the 1990s, to the post-postmodern phenomenon. The study traces the evolution of this new phase as depicted in Jonathan Franzen’s The Corrections (2001) and Freedom (2010). It proposes these two works as examples of how over the past two decades, literature shifted from postmodernist fiction’s irony and skepticism that presents novels as “literature of emergency” to ethical objectivism and neo-realism (Franzen, 2002, p. 258). The purpose of the study is twofold. Firstly, it examines Franzen’s deployme
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Stacy, Ivan. "Post-Apocalyptic Culture: Modernism, Postmodernism and the Twentieth-Century Novel by Teresa Heffernan." Modern Language Review 105, no. 1 (2010): 235–36. http://dx.doi.org/10.1353/mlr.2010.0246.

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Drozdovskyi, Dmytro. "HISTORICAL MEASURES AND PHILOSOPHICAL FEATURES OF BRITISH POST-POSTOMODERNISM: OUTLINING THE CONCEPT OF «CONNECTEDNESS»." English and American Studies 1, no. 17 (2020): 97–103. http://dx.doi.org/10.15421/382017.

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In the paper, the author states that in the UK the emergence of theoretical compendia that represent and simultaneously revise the literary landscape of this country (as well as the United States), determines the necessity to outline the boundaries of the period, which in these works is defined as post-postmodernism. The latter concept has no clear theoretical explication and is discussed in the form of literary directions (altermodernism, digimodernism, metamodernism) that define new aesthetic and philosophical grounds that differ from postmodernism. In the paper, the author substantiates the
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Załużna-Łuczkiewicz, Malina. "Postironic sensibility in My Appearance by David Foster Wallace." Language Culture Politics International Journal 1, no. 1/2023 (2023): 129–38. http://dx.doi.org/10.54515/lcp.2023.1.129-138.

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This paper aims to show how David Foster Wallace uses the story My Appearance to convey his ideas on postmodernism and irony. I argue that two sensibilities, ironic and post-ironic, are represented by the main characters David Letterman and Edilyn, respectively. I briefly outline the ways in which irony is problematic. Then I focus on how the battle between the ironic and the post-ironic is played out during an interview that the above mentioned characters participate in. I also write about the tension inherent in the notion of sincerity. I draw on the works of Adam Kelly and Lukas Hoffmann on
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Damm, Jens. "Angelwings: Contemporary Queer Fiction from Taiwan. Edited and translated by Fran Martin. [Honolulu: University of Hawai‘i Press, 2003. 248 pp. $18.95. ISBN 0-8248-2661-2.]." China Quarterly 176 (December 2003): 1116–18. http://dx.doi.org/10.1017/s0305741003400635.

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This collection of ten short stories from the 1990s, translated and annotated by Fran Martin, highlights the importance of the topic “queer” in a non-Western context. Not only is the excellent quality of the translation worthy of mention; the familiarity of the author with queer theory, Taiwanese social history and Chinese literature in general is also outstanding.In her detailed introduction, Fran Martin illustrates vividly the relevance of tongzhi-literature (tongzhi wenxue is the expression currently used to describe the same-sex discourse in the Taiwanese world) within the broader transfor
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Holland, Eugene W. "The Anti-Oedipus: Postmodernism in Theory; Or, the Post-Lacanian Historical Contextualization of Psychoanalysis." boundary 2 14, no. 1/2 (1985): 291. http://dx.doi.org/10.2307/303526.

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Al-Khadra, Wafa Awni, Christina Zacharia Hawatmeh, and Ahmad Yacoub Majdoubeh. "Emile Habiby and the Reinvention of the Palestinian Novel: The Pessoptimist in a Post-Realist Context." Journal of Holy Land and Palestine Studies 22, no. 1 (2023): 1–20. http://dx.doi.org/10.3366/hlps.2023.0302.

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This article argues that Emile Habiby’s The Pessoptimist (1974) reinvented the Palestinian novel within a new literary genre, post-realism. Habiby’s masterpiece employs a complex, noncommittal narrative that in many ways defies, even eludes understanding, and this is its strength. In order to make the narrative more approachable, this paper attempts to contextualise the novel within a postmodern sub-genre, post-realism, making its more subtle and hidden meanings and dimensions reveal themselves. To this end, the article begins by defining realism and post-realism as literary terms and then pin
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Zymomria, Mykoła. "The Rules of How Reality Works Through the Prism of Post-Postmodern Prose." Czytanie Literatury. Łódzkie Studia Literaturoznawcze, no. 9 (December 30, 2020): 347–54. http://dx.doi.org/10.18778/2299-7458.09.18.

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The reviewer analyses the monograph Problematic-Thematic Units and Philosophical­-Esthetical Parameters of the British Post-Postmodern Novel (Kyiv, 2020) written by Dmy­tro Drozdovskyi, a Ukrainian scholar from Taras Shevchenko Institute of Literature of the National Academy of Sciences of Ukraine, member of The European Society for the Study of English (Bulgarian branch). In the monograph, the author has outli­ned the theory of the post-postmodern novel based on the analysis of the key novels of contemporary British fiction (David Mitchell, Ian McEwan, Sarah waters, Mark Haddon, etc.). The re
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Hostová, Ivana. "Temporalities—Technologies—Transgressions: Notes On Contemporary Slovak Poetry." Porównania 27, no. 2 (2020): 313–24. http://dx.doi.org/10.14746/por.2020.2.16.

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In the course of the past three decades, marked in post-communist Central European countries by their sudden repositioning on the geopolitical map, Slovak social and cultural spaces, in great haste and chaos, got to locale-specific grips with postmodernism and, more or less simultaneously, entered contemporaneity. The leap to the present has created inherently transcultural modes of existence, in which global news, fashions and tastes form a relevant part of individuals’ identities. Through the prism of Peter Osborne’s (2013, 2018) concept of historical contemporaneity, this essay briefly outl
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