Relevant bibliographies by topics / Post-trauma romance

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Book chapters
  4. Conference papers

Academic literature on the topic 'Post-trauma romance'

Author: Grafiati
Published: 4 November 2024
Last updated: 30 July 2025

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Journal articles on the topic "Post-trauma romance"

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Ganito, Tânia. "The Fragility of Identity and the Imagination of Otherness in Bai Hua’s novel The Remote Country of Women." DAXIYANGGUO - REVISTA PORTUGUESA DE ESTUDOS ASIÁTICOS / PORTUGUESE JOURNAL OF ASIAN STUDIES, no. 25 (2020): 72–91. http://dx.doi.org/10.33167/1645-4677.daxiyangguo2020.25/pp.72-91.

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Drawing on The Remote Kingdom of Women (1988), the novel written by Chinese author Bai Hua (1930-2019), this essay examines how post-Mao China articulated the notions of memory and identity, as well as of belonging and othering, as an attempt to overcome the state of fragility caused by the trauma of the Cultural Revolution and the post-revolutionary growing influence of Western culture. It proposes to explore the way some of the literary works produced during this period were to promote an encounter between a fragmented yet hegemonic culture and the cultures of the internal ethnic Other, and
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Wodzyński, Łukasz. "An Adventure for All Ages: History, Post-Memory, and Romance in Tomasz Różycki's Twelve Stations." Slavic Review 83, no. 1 (2024): 42–57. http://dx.doi.org/10.1017/slr.2024.310.

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AbstractThe article examines Tomasz Różycki’s 2004 mock epic Twelve Stations. The poem recounts an oneiric tale about a community of expatriates from Poland’s Eastern Borderlands who send their grandson on a mission to assemble a scattered family and guide it to their lost homeland in today’s Ukraine. Revolving around the issues of memory, post-memory, and nostalgia, Twelve Stations draws heavily from the adventure tradition to present a fresh perspective on modern Poland’s founding myths: the loss of Borderlands and settling the post-German territories in the West. Reading the poem in the con
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Manshi and Mandvi Singh Dr. ""It is one about all of us": Memory and Identity in Gurnah's Desertion." Criterion: An International Journal in English 16, no. 1 (2025): 464–77. https://doi.org/10.5281/zenodo.14977366.

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Abdulrazak Gurnah challenges these established (post)colonial narratives by subtly revealing the impact of colonialism on individuals who were not actively engaged in the struggle for freedom. In his novel Desertion, Gurnah explores a colonial romance between Rehana Zakariya, a native woman, and Martin Pearce, an Englishman, highlighting how cultural and historical dislocation profoundly affects women's lives and their subsequent generations. This paper examines themes of memory, remembrance, and legacy in Desertion, focusing on how Rehana’s romantic life is remembered, constructed, and
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Arviani, Heidy, Natasya Candraditya Subardja, and Jessica Charisma Perdana. "Mental Healing in Korean Drama “It's Okay to Not Be Okay." JOSAR (Journal of Students Academic Research) 7, no. 1 (2021): 32–44. http://dx.doi.org/10.35457/josar.v7i1.1532.

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This study aims to describe adult mental healing, which is represented in the Korean drama series "It's Okay to Not Be Okay" through several characters. This romance drama, wrapped in internal conflict and mental illness, has high ratings both domestically and internationally. Aired through the Netflix network, this series broke the record number of viewers and caused much controversy. This study uses a qualitative approach using semiotic analysis theory and data analysis techniques Charles Sanders Pierce. Pierce categorized the triangle of a meaning theory, which consisted of three main eleme
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Golchin, Ava, and George Anthony Dawson. "Online survey of young adult cancer survivors and illness-related stressors." Journal of Clinical Oncology 35, no. 5_suppl (2017): 33. http://dx.doi.org/10.1200/jco.2017.35.5_suppl.33.

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33 Background: Post-traumatic stress disorder (PTSD) in cancer patients and those with life threatening illnesses has been officially recognized in the Diagnostic and Statistical Manual of Mental Disorders, 4th Edition: DSM-4, since 1994. However, the updated 2013 DSM-V has redefined the idea of trauma and stress-related disorders resulting from life threatening illness as an amalgam of anxiety and adjustment disorders which must meet heightened criteria to be diagnosed as cancer-related PTSD (ca-PTSD) (1). Methods: In this pilot survey of Millennials and Generation X cancer survivors, ages 18
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CROWNSHAW, RICHARD. "Deterritorializing the “Homeland” in American Studies and American Fiction after 9/11." Journal of American Studies 45, no. 4 (2011): 757–76. http://dx.doi.org/10.1017/s0021875811000946.

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Literary criticism has debated the usefulness of the trauma paradigm found in much post-9/11 fiction. Where critiqued, trauma is sometimes understood as a domesticating concept by which the events of 9/11 are incorporated into sentimental, familial dramas and romances with no purchase on the international significance of the terrorist attacks and the US's response to them; or, the concept of trauma is understood critically as the means by which the boundaries of a nation or “homeland” self-perceived as violated and victimized may be shored up, rendered impermeable – if that were possible. A co
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Tippner, Anja. "Postcatastrophic entanglement? Contemporary Czech writers remember the holocaust and post-war ethnic cleansing." Memory Studies 14, no. 1 (2021): 80–94. http://dx.doi.org/10.1177/1750698020976463.

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The last two decades have seen a rising interest in the Holocaust and the expulsion of ethnic Germans after World War II in Czech literature. Novels by Hana Androníková, Radka Denemarková, Magdalena Platzová, Kateřina Tučková, and Jáchym Topol share a quest for a new poetics of remembrance. Informed by contemporary discussions about Czech memory politics, these novels are characterised by spectral visions of Germans and Jews alike, a dichotomy of trauma and nostalgia, and an understanding of Czech history as postcatastrophically entangled and thus calling for multidirectional forms of remembra
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Kazanova, Yuliya. "‘The instinct of resistance to evil’: Postmemory and the Ukrainian national imaginary in Oksana Zabuzhko’s novel The Museum of Abandoned Secrets." Memory Studies 15, no. 2 (2021): 436–50. http://dx.doi.org/10.1177/17506980211044710.

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Building on Marianne Hirsch’s concept of postmemory, this article examines Oksana Zabuzhko’s latest novel The Museum of Abandoned Secrets as postmemorial fiction, which articulates the trauma of Soviet political repressions in the post–World War II period and in the 1970s via the perception of the second and third generation. The affiliative postmemory about World War II in Ukraine from the viewpoint of Ukrainian Insurgent Army partisans is emplotted via an original generic combination of contemporary Holocaust fiction and romances of the archive. Postmemory is used in the novel to shape a myt
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Kazanova, Yuliya. "‘The instinct of resistance to evil’: Postmemory and the Ukrainian national imaginary in Oksana Zabuzhko’s novel The Museum of Abandoned Secrets." Memory Studies 15, no. 2 (2021): 436–50. http://dx.doi.org/10.1177/17506980211044710.

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Building on Marianne Hirsch’s concept of postmemory, this article examines Oksana Zabuzhko’s latest novel The Museum of Abandoned Secrets as postmemorial fiction, which articulates the trauma of Soviet political repressions in the post–World War II period and in the 1970s via the perception of the second and third generation. The affiliative postmemory about World War II in Ukraine from the viewpoint of Ukrainian Insurgent Army partisans is emplotted via an original generic combination of contemporary Holocaust fiction and romances of the archive. Postmemory is used in the novel to shape a myt
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Rocha, Vanessa Massoni da. "Memórias (pós)coloniais em dois atos: diálogos e distopias entre pais e filhos em Caderno de memórias coloniais, de Isabela Figueiredo." Alea: Estudos Neolatinos 24, no. 1 (2022): 252–70. http://dx.doi.org/10.1590/1517-106x/202224114.

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Resumo Este artigo estuda a representação dos anos finais da colonização portuguesa em Lourenço Marques (atualmente Maputo, capital de Moçambique) na obra literária Caderno de memórias coloniais (2009), da escritora Isabela Figueiredo. Trata-se de analisar a escrita colonial a partir da perspectiva de duas gerações distintas: o pai colonialista e a filha progressista. O romance acolhe os embaralhamentos promissores das escritas de si e dos paratextos, jogando luz nas interfaces entre a escrita individual e a memória coletiva portuguesa de um trauma nacional. Em sua tessitura romanesca, Figueir
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Dissertations / Theses on the topic "Post-trauma romance"

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Moura, Taís Leite de. "Transgressões em O Deus das Pequenas Coisas, de Arundhati Roy: níveis e motivações em contraponto." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-03102018-134348/.

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No romance O Deus das Pequenas Coisas (1997) de Arundhati Roy, as transgressões são atitudes que se configuram como abundantes na narrativa, sendo realizadas em sua maioria pelos personagens marginalizados. A fim de obter uma compreensão mais profunda das razões que impulsionam tanto a narrativa quanto os personagens a cometer estas infrações, elas foram divididas em três níveis neste trabalho: pós-colonial, sociopolítico e afetivo. São aqui analisadas as transgressões dos personagens Velutha, Ammu, Estha, Rahel e Sophie. Os níveis das transgressões, suas motivações e os conceitos de trauma in
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(11391437), Alicia Kindleysides. "Broken Hearts: Writing the Representation of Trauma and Trauma Recovery in a Post-Trauma Romance Novel." Thesis, 2024. https://figshare.com/articles/thesis/Broken_Hearts_Writing_the_Representation_of_Trauma_and_Trauma_Recovery_in_a_Post-Trauma_Romance_Novel/27414189.

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<p>This PhD research thesis, titled Broken hearts: writing the representation of trauma and trauma recovery in a post-trauma romance novel, comprises a creative artefact and accompanying reflective exegesis. The primary aim of the thesis is to make an original contribution to the fields of literary theory, trauma theory, and literary trauma theory by formally identifying, defining, and providing an example of a new subgenre of romance coined ‘post-trauma romance’ (PTR). </p> <p>The creative artefact, a novel titled The love healer, serves as an example of PTR, by combining the subgenre’s three
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Book chapters on the topic "Post-trauma romance"

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Viková, Lada. "“Not being others” and “forgetting the Auschwitz trauma”: Two strategies in the post-war history of a Czech-Moravian Romani family." In The Legacies of the Romani Genocide in Europe since 1945. Routledge, 2021. http://dx.doi.org/10.4324/9780429296604-7.

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Conference papers on the topic "Post-trauma romance"

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MEDELEANU, Teodora. "Post-Pandemic Trauma and the Research as an Intrusion." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2024. https://doi.org/10.35218/icds-2024-0019.

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The pandemic, especially the lockdown period, has strongly affected all the subdivisions of the performing arts’ sector, specifically the independent creators. In the context of a doctoral research focused on the impact the years 2020-2021 had on present day’s theatre praxes and aesthetics, ethical aspects are challenged by the need to gather information in order to outline the specificities of that time. Are endeavours such as searching-researching, documenting, and analysing useful or intrusive, professionally “traumatising” for the interviewed people, when performed only a couple of years a
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Triboi, Olga, and Svetlana Tartau. "Monodrama from the last decades – a space for deep psychological exploration." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.07.

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In the recent decades, monodrama has established itself as an ideal stage medium for deep psychological exploration, allowing playwrights and actors to address complex themes such as identity, personal trauma, alienation, and social crises. The article features the creations of authors from Eastern European, post-Soviet countries, Romania and the Republic of Moldova. Monodrama has been used by both international and Eastern European authors as a platform to express internal tensions. In post-Soviet countries, monodrama has become a vital genre for addressing identity and social conflicts. Play
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You might also be interested in the extended bibliographies on the topic 'Post-trauma romance' for particular source types:
Journal articles
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