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Journal articles on the topic 'Post-trauma romance'

Author: Grafiati

Published: 4 November 2024

Last updated: 30 July 2025

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1

Ganito, Tânia. "The Fragility of Identity and the Imagination of Otherness in Bai Hua’s novel The Remote Country of Women." DAXIYANGGUO - REVISTA PORTUGUESA DE ESTUDOS ASIÁTICOS / PORTUGUESE JOURNAL OF ASIAN STUDIES, no. 25 (2020): 72–91. http://dx.doi.org/10.33167/1645-4677.daxiyangguo2020.25/pp.72-91.

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Drawing on The Remote Kingdom of Women (1988), the novel written by Chinese author Bai Hua (1930-2019), this essay examines how post-Mao China articulated the notions of memory and identity, as well as of belonging and othering, as an attempt to overcome the state of fragility caused by the trauma of the Cultural Revolution and the post-revolutionary growing influence of Western culture. It proposes to explore the way some of the literary works produced during this period were to promote an encounter between a fragmented yet hegemonic culture and the cultures of the internal ethnic Other, and

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2

Wodzyński, Łukasz. "An Adventure for All Ages: History, Post-Memory, and Romance in Tomasz Różycki's Twelve Stations." Slavic Review 83, no. 1 (2024): 42–57. http://dx.doi.org/10.1017/slr.2024.310.

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AbstractThe article examines Tomasz Różycki’s 2004 mock epic Twelve Stations. The poem recounts an oneiric tale about a community of expatriates from Poland’s Eastern Borderlands who send their grandson on a mission to assemble a scattered family and guide it to their lost homeland in today’s Ukraine. Revolving around the issues of memory, post-memory, and nostalgia, Twelve Stations draws heavily from the adventure tradition to present a fresh perspective on modern Poland’s founding myths: the loss of Borderlands and settling the post-German territories in the West. Reading the poem in the con

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3

Manshi and Mandvi Singh Dr. ""It is one about all of us": Memory and Identity in Gurnah's Desertion." Criterion: An International Journal in English 16, no. 1 (2025): 464–77. https://doi.org/10.5281/zenodo.14977366.

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Abdulrazak Gurnah challenges these established (post)colonial narratives by subtly revealing the impact of colonialism on individuals who were not actively engaged in the struggle for freedom. In his novel Desertion, Gurnah explores a colonial romance between Rehana Zakariya, a native woman, and Martin Pearce, an Englishman, highlighting how cultural and historical dislocation profoundly affects women's lives and their subsequent generations. This paper examines themes of memory, remembrance, and legacy in Desertion, focusing on how Rehana’s romantic life is remembered, constructed, and

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4

Arviani, Heidy, Natasya Candraditya Subardja, and Jessica Charisma Perdana. "Mental Healing in Korean Drama “It's Okay to Not Be Okay." JOSAR (Journal of Students Academic Research) 7, no. 1 (2021): 32–44. http://dx.doi.org/10.35457/josar.v7i1.1532.

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This study aims to describe adult mental healing, which is represented in the Korean drama series "It's Okay to Not Be Okay" through several characters. This romance drama, wrapped in internal conflict and mental illness, has high ratings both domestically and internationally. Aired through the Netflix network, this series broke the record number of viewers and caused much controversy. This study uses a qualitative approach using semiotic analysis theory and data analysis techniques Charles Sanders Pierce. Pierce categorized the triangle of a meaning theory, which consisted of three main eleme

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5

Golchin, Ava, and George Anthony Dawson. "Online survey of young adult cancer survivors and illness-related stressors." Journal of Clinical Oncology 35, no. 5_suppl (2017): 33. http://dx.doi.org/10.1200/jco.2017.35.5_suppl.33.

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33 Background: Post-traumatic stress disorder (PTSD) in cancer patients and those with life threatening illnesses has been officially recognized in the Diagnostic and Statistical Manual of Mental Disorders, 4th Edition: DSM-4, since 1994. However, the updated 2013 DSM-V has redefined the idea of trauma and stress-related disorders resulting from life threatening illness as an amalgam of anxiety and adjustment disorders which must meet heightened criteria to be diagnosed as cancer-related PTSD (ca-PTSD) (1). Methods: In this pilot survey of Millennials and Generation X cancer survivors, ages 18

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6

CROWNSHAW, RICHARD. "Deterritorializing the “Homeland” in American Studies and American Fiction after 9/11." Journal of American Studies 45, no. 4 (2011): 757–76. http://dx.doi.org/10.1017/s0021875811000946.

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Literary criticism has debated the usefulness of the trauma paradigm found in much post-9/11 fiction. Where critiqued, trauma is sometimes understood as a domesticating concept by which the events of 9/11 are incorporated into sentimental, familial dramas and romances with no purchase on the international significance of the terrorist attacks and the US's response to them; or, the concept of trauma is understood critically as the means by which the boundaries of a nation or “homeland” self-perceived as violated and victimized may be shored up, rendered impermeable – if that were possible. A co

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7

Tippner, Anja. "Postcatastrophic entanglement? Contemporary Czech writers remember the holocaust and post-war ethnic cleansing." Memory Studies 14, no. 1 (2021): 80–94. http://dx.doi.org/10.1177/1750698020976463.

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The last two decades have seen a rising interest in the Holocaust and the expulsion of ethnic Germans after World War II in Czech literature. Novels by Hana Androníková, Radka Denemarková, Magdalena Platzová, Kateřina Tučková, and Jáchym Topol share a quest for a new poetics of remembrance. Informed by contemporary discussions about Czech memory politics, these novels are characterised by spectral visions of Germans and Jews alike, a dichotomy of trauma and nostalgia, and an understanding of Czech history as postcatastrophically entangled and thus calling for multidirectional forms of remembra

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8

Kazanova, Yuliya. "‘The instinct of resistance to evil’: Postmemory and the Ukrainian national imaginary in Oksana Zabuzhko’s novel The Museum of Abandoned Secrets." Memory Studies 15, no. 2 (2021): 436–50. http://dx.doi.org/10.1177/17506980211044710.

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Building on Marianne Hirsch’s concept of postmemory, this article examines Oksana Zabuzhko’s latest novel The Museum of Abandoned Secrets as postmemorial fiction, which articulates the trauma of Soviet political repressions in the post–World War II period and in the 1970s via the perception of the second and third generation. The affiliative postmemory about World War II in Ukraine from the viewpoint of Ukrainian Insurgent Army partisans is emplotted via an original generic combination of contemporary Holocaust fiction and romances of the archive. Postmemory is used in the novel to shape a myt

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9

Kazanova, Yuliya. "‘The instinct of resistance to evil’: Postmemory and the Ukrainian national imaginary in Oksana Zabuzhko’s novel The Museum of Abandoned Secrets." Memory Studies 15, no. 2 (2021): 436–50. http://dx.doi.org/10.1177/17506980211044710.

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Building on Marianne Hirsch’s concept of postmemory, this article examines Oksana Zabuzhko’s latest novel The Museum of Abandoned Secrets as postmemorial fiction, which articulates the trauma of Soviet political repressions in the post–World War II period and in the 1970s via the perception of the second and third generation. The affiliative postmemory about World War II in Ukraine from the viewpoint of Ukrainian Insurgent Army partisans is emplotted via an original generic combination of contemporary Holocaust fiction and romances of the archive. Postmemory is used in the novel to shape a myt

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10

Rocha, Vanessa Massoni da. "Memórias (pós)coloniais em dois atos: diálogos e distopias entre pais e filhos em Caderno de memórias coloniais, de Isabela Figueiredo." Alea: Estudos Neolatinos 24, no. 1 (2022): 252–70. http://dx.doi.org/10.1590/1517-106x/202224114.

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Resumo Este artigo estuda a representação dos anos finais da colonização portuguesa em Lourenço Marques (atualmente Maputo, capital de Moçambique) na obra literária Caderno de memórias coloniais (2009), da escritora Isabela Figueiredo. Trata-se de analisar a escrita colonial a partir da perspectiva de duas gerações distintas: o pai colonialista e a filha progressista. O romance acolhe os embaralhamentos promissores das escritas de si e dos paratextos, jogando luz nas interfaces entre a escrita individual e a memória coletiva portuguesa de um trauma nacional. Em sua tessitura romanesca, Figueir

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11

Inbaraj, M., and Tania Sharma. "Post-Apocalyptic Fragmented Lives and Tenacious Communities: Trauma and Resilience in Station Eleven." International Journal For Multidisciplinary Research 7, no. 3 (2025). https://doi.org/10.36948/ijfmr.2025.v07i03.45766.

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Literature is an artistic expression of real life experiences, situations, incidents which are well articulated and combined together in the form of fictional products. Therefore, literature reflects the narrative on violence, war, terrorism, communal violence, partition, natural disasters and romance and many other issues highlighted through Literature. Station Eleven’s narrative dwells upon the civilization that gets lost completely during the Pandemic and the characters well describe and represent the psychological disorders they undergo during the time when they face everything at an extre

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12

Mukhopadhaya, Sagarika, and Sweta Sah. "Efficacy of Transpersonal Art Intervention in Mitigating Relationship Trauma-Induced Distress among Young Adults: A Focus on Inner Peace." Frontiers in Health Informatics, April 10, 2025, 890–909. https://doi.org/10.63682/fhi2216.

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Objectives: Modernity promotes romance as critical life stages, but the loss of a relationship as a form of heartbreak severely affects inner peace quests which leads to depressed thinking patterns that threaten both emotional and physical health. Therapeutic approaches align with arts-based activities and spiritual techniques which create healing mechanisms that lead people expanding their vision of current hardships. The focus of this study investigates how both positive and negative relationship memories affect young adults' ability to forgive and show resilience and their tendency toward n

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13

Mukhopadhaya, Sagarika, and Sweta Sah. "Efficacy of Transpersonal Art Intervention in Mitigating Relationship Trauma-Induced Distress among Young Adults: A Focus on Inner Peace." Frontiers in Health Informatics, April 1, 2025, 917–36. https://doi.org/10.63682/fhi2404.

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Objectives: Modernity promotes romance as critical life stages, but the loss of a relationship as a form of heartbreak severely affects inner peace quests which leads to depressed thinking patterns that threaten both emotional and physical health. Therapeutic approaches align with arts-based activities and spiritual techniques which create healing mechanisms that lead people expanding their vision of current hardships. The focus of this study investigates how both positive and negative relationship memories affect young adults' ability to forgive and show resilience and their tendency toward n

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14

Dudek, Debra, Madalena Grobbelaar, and Elizabeth Reid Boyd. "Wondering about a Love Literacy." M/C Journal 27, no. 4 (2024). http://dx.doi.org/10.5204/mcj.3073.

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Romancing the Fantasy: #Booklove TikTok has been credited with encouraging young readers to #booklove through its BookTok community. However, the BookTok “trend for ‘spicy’ (i.e. sexy) books has led to fears children may be reading titles with adult content” (Knight). To ascertain the tenor of the adult content in these sexy books, we analyse a popular BookTok novel known for its spicy sex scenes: A Court of Mist and Fury (ACOMAF), a novel by Sarah J. Maas, the “reigning queen of romantasy” (Grady) and “mortal queen of faerie smut” (VanArendonk). Positively, Maas’s novel includes extended erot

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15

Mudie, Ella. "Disaster and Renewal: The Praxis of Shock in the Surrealist City Novel." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.587.

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Introduction In the wake of the disaster of World War I, the Surrealists formulated a hostile critique of the novel that identified its limitations in expressing the depth of the mind's faculties and the fragmentation of the psyche after catastrophic events. From this position of crisis, the Surrealists undertook a series of experimental innovations in form, structure, and style in an attempt to renew the genre. This article examines how the praxis of shock is deployed in a number of Surrealist city novels as a conduit for revolt against a society that grew increasingly mechanised in the clima

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16

Sexton-Finck, Larissa. "Violence Reframed: Constructing Subjugated Individuals as Agents, Not Images, through Screen Narratives." M/C Journal 23, no. 2 (2020). http://dx.doi.org/10.5204/mcj.1623.

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What creative techniques of resistance are available to a female filmmaker when she is the victim of a violent event and filmed at her most vulnerable? This article uses an autoethnographic lens to discuss my experience of a serious car crash my family and I were inadvertently involved in due to police negligence and a criminal act. Employing Creative Analytical Practice (CAP) ethnography, a reflexive form of research which recognises that the creative process, producer and product are “deeply intertwined” (Richardson, “Writing: A Method” 930), I investigate how the crash’s violent affects cri

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17

Caines, Rebecca, and Michelle Stewart. "The Limit and Promise of Augmentation." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.749.

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Always desiring, we create, enhance, and augment: never satiated, we experiment, refine and repeat. Somatic and spatial practices collide on the promise of something more. … In this issue of M/C Journal we called upon our colleagues to share their forays into multi-media landscapes as they considered augmentation through investigations/collaborations with humans, cyborgs, and nonhumans alike. From computer science to cultural theory, augmentation brings to the table a wide variety of researchers, artists, and practitioners—a wide range of practices and concepts. The pieces in this edition are

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18

Jacques, Carmen, Kelly Jaunzems, Layla Al-Hameed, and Lelia Green. "Refugees’ Dreams of the Past, Projected into the Future." M/C Journal 23, no. 1 (2020). http://dx.doi.org/10.5204/mcj.1638.

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This article is about refugees’ and migrants’ dreams of home and family and stems from an Australian Research Council Linkage Grant, “A Hand Up: Disrupting the Communication of Intergenerational Welfare Dependency” (LP140100935), with Partner Organisation St Vincent de Paul Society (WA) Inc. (Vinnies). A Vinnies-supported refugee and migrant support centre was chosen as one of the hubs for interviewee recruitment, given that many refugee families experience persistent and chronic economic disadvantage. The de-identified name for the drop-in language-teaching and learning social facility is the

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19

Herb, Annika. "Non-Linear Modes of Narrative in the Disruption of Time and Genre in Ambelin Kwaymullina’s The Interrogation of Ashala Wolf." M/C Journal 22, no. 6 (2019). http://dx.doi.org/10.5204/mcj.1607.

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While Young Adult dystopian texts commonly manipulate expectations of time and space, it is largely in a linear sense—projecting futuristic scenarios, shifting the contemporary reader into a speculative space sometimes only slightly removed from contemporary social, political, or environmental concerns (Booker 3; McDonough and Wagner 157). These concerns are projected into the future, having followed their natural trajectory and come to a dystopian present. Authors write words and worlds of warning in a postapocalyptic landscape, drawing from and confirming established dystopian tropes, and af

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20

Reid Boyd, Elizabeth, Madalena Grobbelaar, Eyal Gringart, Alise Bender, and Rose Williams. "Introducing ‘Intimate Civility’: Towards a New Concept for 21st-Century Relationships." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1491.

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Fig. 1: Photo by Miguel Orós, from unsplash.comFeminism has stalled at the bedroom door. In the post-#metoo era, more than ever, we need intimate civil rights in our relationships to counter the worrisome prevailing trends: Intimate partner violence. Interpersonal abuse. Date rape. Sexual harassment. Online harassment. Bullying. Rage. Sexual Assault. Abusive relationships. Revenge porn. There’s a lot of damage done when we get up close and personal. In the 21st century, we have come far in terms of equality and respect between the genders, so there’s a lot to celebrate. We also note that the A

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21

Mallan, Kerry, and John Stephens. "Love’s Coming (Out)." M/C Journal 5, no. 6 (2002). http://dx.doi.org/10.5204/mcj.1996.

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In The Threshold of the Visible World, Kaja Silverman advances a subtle, ethical, post-Lacanian account of what constitutes “the active gift of love” and how this might be expressed on the screen. She argues for an orientation of subject to love object which is not merely an alternative to romantic passion, but an account of how identification of the loving subject and love object “might function in a way that results in neither the triumph of self-sameness, nor craven submission to an exteriorised but essentialized ideal”. In a move particularly relevant to our focus in this paper, she goes o

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22

Gill, Nicholas. "Longing for Stillness: The Forced Movement of Asylum Seekers." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.123.

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IntroductionBritish initiatives to manage both the number of arrivals of asylum seekers and the experiences of those who arrive have burgeoned in recent years. The budget dedicated to asylum seeker management increased from £357 million in 1998-1999 to £1.71 billion in 2004-2005, making the Immigration and Nationality Directorate (IND) the second largest concern of the Home Office behind the Prison Service in 2005 (Back et al). The IND was replaced in April 2007 by the Border and Immigration Agency (BIA), whose expenditure exceeded £2 billion in 2007-2008 (BIA). Perhaps as a consequence the nu

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