Relevant bibliographies by topics / Post-War Stories

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Post-War Stories'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Post-War Stories"

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van Liere, Lucien, and Elizabeth van Dis. "Post-War Reflections on the Ambon War." Exchange 47, no. 4 (October 25, 2018): 372–99. http://dx.doi.org/10.1163/1572543x-12341500.

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Abstract Between 1999 and 2004, with reverberations until 2011, several Moluccan islands (Indonesia) faced violent clashes between Christians and Muslims. Based on 79 interviews, this article seeks to understand how people from both religious groups look back at the conflict, 12 years after the Malino II peace treaty was signed in 2002. We identified three major conflict-related themes that continued to come to the fore during the interviews: explanations about causes of the conflict, religion-related justifications of violence and miracle stories. Most interviewees indicated that the causes of the conflict were non-religious, but rather political. Religion-related language however was frequently used to justify violence as self-defense while miracles-stories were often part of war-narratives. Looking back, Christians and Muslims still understood their communities as injured and victimized. The ‘right to protect’ one’s community as a threatened Christian or Muslim community prevailed in most stories although the source of this threat was not always clear.
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Daiute, Colette, and Maja Turniski. "Young people's stories of conflict and development in Post-war Croatia." Narrative Inquiry 15, no. 2 (December 22, 2005): 217–39. http://dx.doi.org/10.1075/ni.15.2.03dai.

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Scholars have begun to study the participation of children in war, but there is little research on the longer term consequences among those born during or after the war. This article explains how a socio-historical discourse perspective can expand research on the psycho-social effects of war. Drawing on a study of stories of conflict by children in post-war Croatia, the authors propose the concept “trans-generational development” to account for the legacies of war on social identity and knowledge. The focus of the analysis is 59 narratives written by 10 to 17 year olds identifying as Serb and Croat in the context of their participation in community center devoted to post-war recovery and development. The analysis identified complexity in young authors' representations of social relations across generations, especially around issues of ethnicity – a major issue fueling the 1990's wars in the former Yugoslavia. For example, the young authors characterized their parents' generation as divided, bitter, and socially impotent, their own generation as collaborative, wise, and resourceful, and future townspeople as active in the face of political and economic challenges. These patterns suggest how young people express identities and knowledge of the war period, yet, with support, also reason beyond the ideological and emotional legacies of war. Such story-telling complexity underscores the need for complex conceptualizations and applications of narrative theory to research and practice in war and other troubled settings.
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Dellios, Alexandra. "‘It was just you and your child’: Single migrant mothers, generational storytelling and Australia’s migrant heritage." Memory Studies 13, no. 4 (January 9, 2018): 586–600. http://dx.doi.org/10.1177/1750698017750000.

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On the 10 and 11 February 2016, former residents of one of Australia’s post-war ‘holding’ centres for migrant arrivals presented evidence at a hearing for the site’s inclusion on the Victorian Heritage Register. They were aware that the Victorian Heritage Register held few places of significance to post-war migrant communities, let alone working migrant women, which Benalla largely accommodated. They chose to retell their mothers’ stories and explicitly expressed a desire to honour their mothers’ memory at this hearing. This article will explore the impetus expressed by these former child migrants of Benalla to tell their mothers’ stories and unpack its associated implications for the history and collective remembrance of Australia’s post-war migrants. These former child migrants found a platform in the heritage hearing, a platform from which they could piece together their mothers’ history and insist that it is a history worthy of heritage listing and public acknowledgement. On a broad level, I ask, what can a contentious history like Benalla’s offer the history of post-war migration in Australia? Specifically, what role do generational stories of single working migrant women have in the remembering of migrant history and heritage practice in Australia?
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Basic, Goran. "Constructing “Ideal Victim” Stories of Bosnian War Survivors." Social Inclusion 3, no. 4 (July 16, 2015): 25–37. http://dx.doi.org/10.17645/si.v3i4.249.

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Previous research on victimhood during and after the Bosnian war has emphasized the importance of narratives but has not focused on narratives about victimhood or analyzed post-war interviews as a competition for victimhood. This article tries to fill this gap using stories told by survivors of the Bosnian war during the 1990s. In this analysis of the retold experiences of 27 survivors of the war in northwestern Bosnia, the aim is to describe the informants’ portrayal of “victimhood” as a social phenomenon as well as analyzing the discursive patterns that contribute to constructing the category “victim”. When, after the war, different categories claim a “victim” status, it sparks a competition for victimhood. All informants are eager to present themselves as victims while at the same time the other categories’ victim status are downplayed. In this reproduction of competition for the victim role, all demarcations that were played out so successfully during the war live on.
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Njoroge Kinuthia. "War or peace journalism? Kenyan newspaper framing of 2007 post-election violence." Editon Consortium Journal of Media and Communication Studies 2, no. 1 (December 31, 2020): 161–77. http://dx.doi.org/10.51317/ecjmcs.v2i1.193.

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This study sought to examine the dominant frame in terms of ‘war’ and ‘peace’ in the coverage of the 2007/2008 post-election violence. At the time, Kenya had eight daily and over 10 weekly newspapers (Mbeke, 2008). The Daily Nation and The Standard were selected for the purpose of this study. The study applied systematic sampling method to select stories from The Standard and simple random sampling to select the stories from Daily Nation. A sample of 35 news articles (an average of 5 every day) for each of the newspapers and a maximum of 10 for each of the other categories were selected from 294 and 180 articles from The Standard and Daily Nation respectively. Details of each story were recorded in the coding sheet. This information was afterwards transferred to SPSS, a statistical data analysis programme. The study employs 11 of Johan Galtung’s 13 indicators of war/peace journalism to analyse the framing of the conflict. Galtung has proposed a new approach to reporting war and conflict that he terms 'peace journalism'. The two newspapers had an equal number of war journalism-framed stories (6 or 2%). Peace journalism framing was dominant in both newspapers. The findings contrast Galtung’s argument that in reporting war and conflict the media always give emphasis to war journalism frames.
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Kompleev, A. V. "Historical Stories of Modern Memorial Wars in the Post-Soviet Space." Tempus et Memoria 2, no. 1 (2021): 53–58. http://dx.doi.org/10.15826/tetm.2021.1.007.

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The author analyzes the process of the collapse of a single system of historical images that developed during the Soviet period and the reasons for the increase in memorial wars in the Post-Soviet space. It is concluded that historical stories and images related to the Great Patriotic War are widely used in modern memorial wars in the Post-Soviet space.
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Разуменко, Т. О. "ИСПАНСКАЯ ТЕМА В РАССКАЗАХ Э. ХЕМИНГУЭЯ «ПОБЕДИТЕЛЬ НЕ ПОЛУЧАЕТ НИЧЕГО»." Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 3, no. 93 (2019): 162–79. http://dx.doi.org/10.34142/2312-1076.2019.3.93.13.

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Ernest Hemingway is a symbolic figure in the literature of the 20th century. His name and works entered the history of world literature forever. The purpose of the article is to characterize the way of opening the inner world and the emotional state of the characters, the psychology of the ‘lost generation’ in the interaction of its external and internal manifestations through the civil war inSpain. The article analyzes the stories ‘A clean, well-lighted place’, ‘A way you’ll never be’, ‘The light of the world’. The heated atmosphere of the ‘bloody decade’ introduced new themes into the writer's work.Spainbecame a ‘moment of truth’ for E. Hemingway. He feels the inevitability of the coming world war. E. Hemingway expressed himself inSpaincompletely as an artist, and as a citizen. All the characters of his stories are simple people, men and women, unemployed, traumatized by war, looking for their place in the post-war world (a cook, a lumberjack, Indians, prostitutes etc.). Endless humor, laughter, self-irony, joke, and sometimes bitter laughter help them to stand and find their place in life. The ‘code’ of light, purity, and peace are universally introduced into all writer's works. In the personality of his characters there is much in common, unifying them with all the differences in appearance and life path, and above all, hopelessness and disappointment, indifference to life in general, and the most terrible is their loneliness. The utmost frankness and genuineness of soul movements, the combination of morals, history, nature with the chronicle of only human destiny, are exceptionally bright creative personalities of E. Hemingway, who describes his characters. In our work we came to the conclusion that the characters of the stories about the war years inSpain‘A clean, well-lighted place’ (about a lonely old man), ‘A way you’ll never be’ (about the war), ‘The light of the world’ (the sad and ironic story about prostitutes who remembered the past) anyway are rejected by a prosperous society. Hopelessness, dark state of the soul of ‘lost generation’ are combined with the belief in the ‘ordinary’ life without the war for the characters of E. Hemingway’s stories. Light and dignity are the main components of a person’s peaceful life, the confession of a person who got out of the abyss and survived during the war, but who lost the sense of life in peacetime, they are distinguishing features of many characters in military conflicts.
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Kirschenbaum, Lisa A. "The Meaning of Resilience: Soviet Children in World War II." Journal of Interdisciplinary History 47, no. 4 (February 2017): 521–35. http://dx.doi.org/10.1162/jinh_a_01053.

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During World War II, the Soviet media depicted children suffering as well as children actively participating in the war effort and mothers making sacrifices for them. Such mixed messages served clear political purposes, publicizing Nazi atrocities while deflecting attention from the Soviet state’s failure to protect its children. Historians have tended to approach such images and stories within a framework of trauma that validates stories of children’s suffering, despite their political purposes, while also discounting wartime accounts and postwar (and post-Soviet) reminiscences that highlight children’s strength and recovery. The concept of resilience, as developed in psychology, psychiatry, and anthropology, however, allows historians to understand such material as authentic and vital components of survivors’ understandings and memories of the war.
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Tilley-Lubbs, Gresilda A. "Fear and Silence Meet Ignorance." Ethnographic Edge 3 (December 4, 2019): 17. http://dx.doi.org/10.15663/tee.v3i1.53.

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When I studied in Spain in 1969 and 1970, I knew about the Spanish Civil War (1936–1939), briefly mentioned in my Spanish history books; General.simo Francisco Franco declared victory. I knew Spain through my graduate studies in Spanish literature and through Michener’s book Iberia (1968). In 2000, I met Jordi Calvera, a Catal.n whose post-war stories conflicted with that idyllic Spain. I returned to Spain in 2013, still with no idea of the impact of the totalitarian dictatorship based on fear and silence through which Franco ruled until his death in 1975, leaving a legacy of fear and silence. In Barcelona, I met a group of adults in their eighties who shared Jordi’s experience. My intrigue with these stories led me to learn more about the war, the dictatorship and the aftermath by interviewing people whose lives had been touched by those years. Through a layered account, I present some of the stories and examine my oblivion. Keywords: Critical autoethnography, autoethnography, ethnography, Spanish Civil War, Franco’s totalitarian dictatorship
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Mahini, Ramtin Noor-Tehrani (Noor), Erin Barth, and Jed Morrow. "Tim O’Brien’s “Bad” Vietnam War: In the Lake of the Woods & Its Historical Perspective." Theory and Practice in Language Studies 8, no. 12 (December 1, 2018): 1582. http://dx.doi.org/10.17507/tpls.0812.03.

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Award-winning author Tim O’Brien was sent to Vietnam as a foot soldier in 1969, when American combat troops were gradually withdrawn from the country. A closer look at his Vietnam war stories reveals that he indeed touched upon almost all issues or problems of American soldiers in this “bad” war; yet not many peer-reviewed authors or online literary analysis websites could identify and discuss them all. The purpose of this article is to address the war details in O’Brien’s In the Lake of the Woods and its historical perspective, so that middle and high school readers can understand the meaning behind Tim O'Brien's stories and know the entire big Vietnam War picture. Specifically, this article discusses the following issues that are raised by O’Brien in this novel: the Mỹ Lai Massacre and post-traumatic stress disorder (PTSD) in Vietnam War veterans. In addition, the Mỹ Lai Massacre cover-up, forgotten heroes of Mỹ Lai, and soldiers’ moral courage are also presented.
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Dissertations / Theses on the topic "Post-War Stories"

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Plouffe, Bruce. "The post-war novella in German language literature : an analysis." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74297.

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This study examines the interpretive possibilities in the shorter fiction of Post-War German literature. The corpus includes works by Rolf Hochhuth, Friedrich Durrenmatt and Martin Walser. The historical framework of the theory of the novella and short story provides a basis for a discussion of genre, extended to include the coordinates of metaphor and metonymy. With the exception of one text designated as a novel, these works demonstrate interlocking and restricted motif complexes, repetitive and parallel structure and the integration of most narrative components. They project a tenor of hermetic plurality from a vehicle of abbreviated and truncated referential discourse. They use myth and intertextuality to show general principles to be extrapolated from specific contexts. Metafiction complements the theme of the subject not at one with itself. A partial resolution to the incertitude of existence, rendered according to Freud and Lacan, is offered through the emerging role of women as a stabilizing factor.
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Peterson, Shannon. "Stories and Past Lessons: Understanding U.S. Decisions of Armed Humanitarian Intervention and Nonintervention in the Post-Cold War Era." Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1047933325.

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Thesis (Ph. D.)--Ohio State University, 2003.
Title from first page of PDF file. Document formatted into pages; contains xii, 420 p.; also includes graphics Includes bibliographical references (p. 411-420). Available online via OhioLINK's ETD Center
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Pack, Stephanie. "The post-war division of Berlin and its social effects, as illustrated by the translations of three short stories by Ingeborg Drewitz /." Internet access available to MUN users only, 2003. http://collections.mun.ca/u?/theses,171892.

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Kato, Megumi Humanities &amp Social Sciences Australian Defence Force Academy UNSW. "Representations of Japan and Japanese people in Australian literature." Awarded by:University of New South Wales - Australian Defence Force Academy. School of Humanities and Social Sciences, 2005. http://handle.unsw.edu.au/1959.4/38718.

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This thesis is a broadly chronological study of representations of Japan and the Japanese in Australian novels, stories and memoirs from the late nineteenth century to the twenty-first century. Adopting Edward Said???s Orientalist notion of the `Other???, it attempts to elaborate patterns in which Australian authors describe and evaluate the Japanese. As well as examining these patterns of representation, this thesis outlines the course of their development and change over the years, how they relate to the context in which they occur, and how they contribute to the formation of wider Australian views on Japan and the Japanese. The thesis considers the role of certain Australian authors in formulating images and ideas of the Japanese ???Other???. These authors, ranging from fiction writers to journalists, scholars and war memoirists, act as observers, interpreters, translators, and sometimes ???traitors??? in their cross-cultural interactions. The thesis includes work from within and outside ???mainstream??? writings, thus expanding the contexts of Australian literary history. The major ???periods??? of Australian literature discussed in this thesis include: the 1880s to World War II; the Pacific War; the post-war period; and the multicultural period (1980s to 2000). While a comprehensive examination of available literature reveals the powerful and continuing influence of the Pacific War, images of ???the stranger???, ???the enemy??? and later ???the ally??? or ???partner??? are shown to vary according to authors, situations and wider international relations. This thesis also examines gender issues, which are often brought into sharp relief in cross-cultural representations. While typical East-West power-relationships are reflected in gender relations, more complex approaches are also taken by some authors. This thesis argues that, while certain patterns recur, such as versions of the ???Cho-Cho-San??? or ???Madame Butterfly??? story, Japan-related works have given some Australian authors, especially women, opportunities to reveal more ???liberated??? viewpoints than seemed possible in their own cultural context. As the first extensive study of Japan in Australian literary consciousness, this thesis brings to the surface many neglected texts. It shows a pattern of changing interests and interactions between two nations whose economic interactions have usually been explored more deeply than their literary and cultural relations.
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Williams, Patrick. "Becoming (an)other : an intergenerational exploration of storied encounters of migrations, processes of otherisation and identity (re)negotiations for post-war Jamaican families in Manchester, England." Thesis, Lancaster University, 2018. http://eprints.lancs.ac.uk/125268/.

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The emergence of Britain’s black population is often attributed to the arrival of the MV Empire Windrush into Tilbury Docks, London, England on 22nd June 1948. This event is now marked as the genesis of Britain’s multi-cultural character, along with the emergent social problems of racism(s), discriminations and racialized inequalities. Yet, whilst oft told, the story is imprecise, inextricably bound up within the development of a pathological and ‘dangerous’ sociology (Bourne and Sivanandan 1980). The sociology of race relations has served to produce, impose and maintain pathological constructions of the black immigrant as ‘economic migrant’, being those who were pushed away from the poverty of the Caribbean and pulled towards the prosperity afforded by the post-war British economy. Furthermore, the post-war black immigrant becomes imbue with an unassimilable culture that impedes their absorption into British society. Today, the subtext of the ‘Windrush story’ endures, still serviced by a ‘race relations’ industry but also accompanied by pathological Criminologies, astute in the production of objects, its knowledge base is episodically evoked by politicians and policy-makers to arouse the (social, economic and cultural) problems attributed to unchecked immigration. Within this context research conversations capture the stories of ten families who migrated from Jamaica to Manchester in England, UK. Drawing upon Narrative Identity Theory (McAdams 1993, Maruna 2001), self- (and contested) identities emerged inductively as central to the families’ experiences. Further, family stories reveal the self through recollections of (social) interactions with a generalised British other. Critically, particular encounters emerged as significant events, attributed with arousing that sensation of difference, a consciousness of an otherness. It is within such ‘disruptive encounters’ that otherisation occurs, necessitating a (re)negotiation of imposed and imagined definitions and identities. In defiance of and in resisting the imposition of negative (culturally maladjusted and criminally endowed) constructions of Jamaican identity, a Britishness is produced and claimed by the family’s which marks their perpetual migration toward the (British) Other.
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Salman, Malek Mohammad. "Post-war British working-class fiction with special reference to the novels of John Braine, Alan Sillitoe, Stan Barstow, David Storey and Barry Hines." Thesis, University of Leeds, 1990. http://etheses.whiterose.ac.uk/403/.

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This study is about British working-class fiction in the post-war period. It covers various authors such as Robert Tressell, George Orwell, Walter Greenwood, Lewis Grassic Gibbon and DH Lawrence from the early twentieth century; writers traditionally classified as 'Angry Young Men' like John Osborne, Arnold Wesker, Shelagh Delaney, John Wain and Kingsley Amis; and working-class novelists like John Braine, Stan Barstow, David Storey, Alan Sillitoe and Barry Hines from the 1950s and 1960s. Some of the main issues dealt with in the course of this study are language, form, community, self/identity/autobiography, sexuality and relationship with bourgeois art. The major argument centres on two questions: representation of working-class life, and the relationship between working-class literary tradition and dominant ideologies. We will be arguing that while working-class fiction succeeded in challenging and rupturing bourgeois literary tradition, on the level of language and linguistic medium of expression for example, it utterly failed to break away from dominant, bourgeois modes of literary production in relation to form, for instance. Our argument is situated within Marxist approaches to literature, a political and aesthetic position from which we attempt an analysis and an evaluation of this working-class literary tradition. These critical approaches provide us also with the theoretical tool to define the political perspective of this tradition, and to judge whether it was confined to a descriptive mode of representation or located in a radical, political outlook.
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Lee, Susanna Michele. "Claiming the Union stories of loyalty in the post-Civil War South /." 2005. http://wwwlib.umi.com/dissertations/fullcit/3202681.

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(7901657), Jingyi Liu. "Storytelling and the National Security of America: Korean War Stories from the Cold War to Post-9/11 Era." Thesis, 2019.

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My dissertation is an interdisciplinary study of the Korean War stories in America in relation to the history of the national security state of America from the Cold War to post-911 era. Categorizing the Korean War stories in three phases in parallel with three dramatic episodes in the national security of America, including the institutionalization of national security in the early Cold War, the collapse of the Soviet Union and the bipolar Cold War system in the 1990s, and the institutionalization of homeland security after the 9/11 attacks, I argue that storytelling of the Korean War morphs with the changes of national security politics in America. Reading James Michener’s Korean War stories, Invasion of the Body Snatchers (1956), and The Manchurian Candidate (1962) in the 1950s and early 1960s, I argue that the first-phase Korean War stories cooperated with the state, translating and popularizing key themes in the national security policies through racial and gender tropes. Focusing on Helie Lee’s Still Life with Rice (1996), Susan Choi’s The Foreign Student (1998), and Heinz Insu Fenkl’s Memories of My Ghost Brother (1996) in the 1990s, I maintain that the second-phase Korean War stories by Korean American writers form a narrative resistance against the ideology of national security and provide alternative histories of racial and gender violence in America’s national security programs. Further reading post-911 Korean War novels such as Toni Morrison’s Home (2012), Ha Jin’s War Trash (2005), and Chang-Rae Lee’s The Surrendered (2010), I contend that in the third-phase Korean War stories, the Korean War is deployed as a historical analogy to understand the War on Terror and diverse writers’ revisiting the war offers alternative perspectives on healing and understanding “homeland” for a traumatized American society. Taken together, these Korean War stories exemplify the politics of storytelling that engages with the national security state and the complex ways individual narratives interact with national narratives. Moreover, the continued morphing of the Korean War in literary representation demonstrates the vitality of the “forgotten war” and constantly reminds us the war’s legacy.

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Cheng-Hua, Chou, and 周政華. "Gender and Space-A Study of Short Stories by Three Woman Writers in Early Post-War Period." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/83890181725561094299.

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Ya-WenPao and 包雅文. "On the Theory and Practice of Post-War Taiwanese Short Stories of Stream of Consciousness─Focusing on Wen-hsueh-tsa-chih and Hsien-tai-wen-hsueh." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/07202948910199054370.

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碩士
國立成功大學
台灣文學系碩博士在職專班
100
The concept of the stream of consciousness in philosophy and psychology had been interpreted in the circle of Chinese culture as early as from 1920s to 1940s. As for the systematic art theory and critical articles, they appeared in the literature media in Hong Kong and Taiwan only after war. This article mainly focuses on in which way and when the theory of the stream of consciousness was introduced to the literature field in Taiwan and Hong Kong in 1950s and 1960s after war; after the theory of the stream of consciousness was introduced to the literature field in Taiwan, what creative direction it brought to the modernist writers in Taiwan. In order to explore these phenomena, the article reviewed and analyzed in two parts. In first part, in order to review the spread of the theory of stream of consciousness in the literature fields in post war Taiwan and Hong Kong, this article targeted the supplement of Xianggang Shi Bao, Qianshuiwan in Hong Kong and two journals in Taiwan including Wen-hsueh-tsa-chih and Hsien-tai-wen-hsueh. After the war ended, the interaction of literature fields in Taiwan and Hong Kong was very frequent. Hence, from these three literary publications, it was found out that the spread of the theory of the stream of consciousness was two-way and influenced mutually. The most detailed article regarding the theory of the stream of consciousness was Modern British Novels and the Stream of Consciousness translated by Nai Chang Zhu. The literary supplement of Qianshuiwan launched a series of articles of the translation or introduction of the theory of the stream of consciousness and the articles of some modernist writers under the auspices of Yi Chang Liu, which attracted the interest and attention of readers to the stream of consciousness in Hong Kong. Hsien-tai-wen-hsueh systematically edited articles of translations and introductions of the theory of the stream of consciousness and the works of some writers, and it was introduced in a form of special topic, providing different options of creative genres for modernist writers. Then the author used Bourdieu’s cultural reproduction theory to review the relationship between post war literature field in Taiwan and the two journals of Wen-hsueh-tsa-chih and Hsien-tai-wen-hsueh. In the second part, the author focused on how the theory of the stream of the consciousness was utilized in the novel creation in Wen-hsueh-tsa-chih and Hsien-tai-wen-hsueh, and displayed what kind of style and contents. The results of the exploration indicated that the novel creation in Wen-hsueh-tsa-chih still mainly adopted the traditional narrative method, assisted by the method of the stream of the consciousness. No novel used the stream of consciousness throughout. While in Hsien-tai-wen-hsueh, it was found that the writer imitated the western method of the stream of consciousness purposely and created experimental novels with the stream of consciousness. From these works, it was found out that the writers sought western modernism and added traditional elements of Taiwan, and then made the works of the stream of consciousness conform to the social atmosphere of post war Taiwan. In a summary of the above reviews and explorations, the theory and method of the stream of the consciousness brought the creative inspiration to the modernist writers in Taiwan, also owning to the inside activities of consciousness of human beings which was described by the modernist writers boldly and fearlessly, the modern literature field in post war Taiwan presented multi-directions.
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Books on the topic "Post-War Stories"

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Rosa, F. S. Post war and other stories. San Francisco: Ithuriel's Spear, 2006.

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Woods, John C. School stories in post-war British cinema. [s.l.]: typescript, 1999.

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Reunions: Echoes of the Holocaust : pre-war and post-war stories. Windsor, Ont: Benchmark Pub. & Design, 2000.

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Ga̧siorek, Andrzej. Post-war Britishfiction: Realism and after. London: E. Arnold, 1995.

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Ga̧siorek, Andrzej. Post-war British fiction: Realism and after. London: E. Arnold, 1995.

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The post-war novella in German-language literature: An analysis. New York: AMS Press, 1998.

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Closs, Gudrun Jahns. Canadian Mosaic: Life stories of post-war German-speaking immigrants to Sudbury. s.l: Gudrun Closs, 2002.

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John Le Carré's post-cold war fiction. Columbia, Mo: University of Missouri Press, 2017.

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The roman noir in post-war French culture: Dark fictions. Oxford: Oxford University Press, 2003.

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Soldiers of memory: World War II and its aftermath in Estonian post-Soviet life stories. Amsterdam: Rodopi, 2011.

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Book chapters on the topic "Post-War Stories"

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Davis, Sophia. "Looking to the Skies: Post-war Radar Stories." In Island Thinking, 115–59. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-9676-2_4.

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McEvoy-Levy, Siobhan. "Katniss in Fallujah: War Stories, Post-War, and Post-Sovereign Peace in Fan Fiction." In Peace and Resistance in Youth Cultures, 265–301. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-49871-7_8.

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Hölbling, Walter W. "The Vietnam War: (Post-)Colonial Fictional Discourses and (Hi-)Stories." In The United States and the Legacy of the Vietnam War, 89–120. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230591769_6.

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Jeannet, Jean-Pierre, Thierry Volery, Heiko Bergmann, and Cornelia Amstutz. "Founders, Shakers, Prime Movers." In Masterpieces of Swiss Entrepreneurship, 13–23. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65287-6_2.

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AbstractThis chapter introduces the reader to the principal actors of these stories, namely the founders, organized along major periods, and their backgrounds. Listed are early period founders, those from the interwar period, during World War II period, the Post WW II “Baby Boomer” generation, and founders from the most recent period. Separately listed from founders are prime movers who gave the company the eventual direction, if different from the company founders. The role of women, to the extent involved, is also covered. A complete list of the firms is provided, as well as information on founder backgrounds.
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Azmi, Fazeeha. "I Want My Wings Back to Fly in a New Sky: Stories of Female Ex-LTTE Combatants in Post-War Sri Lanka." In Female Combatants in Conflict and Peace, 200–215. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137516565_13.

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Markwick, Roger D. "Post-Soviet Russian Memoirs of the Second World War." In War Stories, 143–67. Berghahn Books, 2016. http://dx.doi.org/10.2307/j.ctvswx6zd.10.

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"Five life stories." In German Migrants in Post-War Britain, 153–68. Routledge, 2006. http://dx.doi.org/10.4324/9780203017708-13.

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"Post–World War II Radio Drama: Early to Mid 1950s." In Masterful Stories, 212–48. New York: Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315530772-14.

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"Classics Continued Post–World War II: From the Mid to Late 1940s." In Masterful Stories, 169–211. New York: Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315530772-13.

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Khutsoane, Tshego, Petro Janse van Vuuren, and Les Nkosi. "Redemptive Theatre: When the Performance Is in the Silence." In Theatre and Democracy: Building Democracy in Post-war and Post-democratic Contexts, 163–72. Cappelen Damm Akademisk/NOASP, 2021. http://dx.doi.org/10.23865/noasp.135.ch08.

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In this short frame for a creative research project, we outline a theatrical form that we are tentatively calling “redemptive theatre” – theatre that tells stories of people struggling with a mistake, a burden of guilt or an experience of being wronged. We created this form in the context of privileged South Africans navigating the landscape of systemic injustice and unconscious bias. We have performed the first version of redemptive theatre three times and, through a participatory action research process, documented the form and its principles as outlined here. The process has shown itself to consist of three distinct phases: first, identification of the story; second, developing the script; and third, the performance. After the initial identification process, it was performed and reworked three times to produce the current structural design. We present this design to encourage performances that reframe dominant and habitual narratives, disrupt boundaries, challenge stereotypes and give people a chance to redeem themselves, both in their own eyes and in other people’s. The form of redemptive theatre aligns with Jacques Rancière’s idea of an aesthetic regime and the concept of democracy as a redistribution of what can be seen, heard and experienced. By framing stories that are politically unpopular, we bring stories to the fore that are silenced (unseen and unheard).
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Conference papers on the topic "Post-War Stories"

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Urbanovská, Karolína, and Josef Kunc. "Nákupní preference mladé generace a on-line nakupování." In XXIII. mezinárodní kolokvium o regionálních vědách / 23rd International Colloquium on Regional Sciences. Brno: Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9610-2020-36.

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The young generation born in the mid-1990s and later is referred to as Generation Z. As the only post-war generation, they grew entirely on the World Wide Web and has been increasingly associated with the rapid increase in daily use of technology on a daily basis. Mainly the Internet and smart mobile phones have become an indispensable part of their lives and are often used in consumer preferences and during shopping. The paper focuses on the analysis and evaluation of selected results of Generation Z research in the Czech Republic in relation to shopping behaviour and on-line shopping. In terms of methodology, the research is based on an extensive quantitative questionnaire survey among members of a given generation in the Czech Republic. The results show that Generation Z a bit surprisingly prefers shopping in a brick-and-mortar store compared to online shopping. On the other hand, Czech young population not surprisingly spends the largest expenditures on food, entertainment, clothing and footwear, housing and travel, and this product mix is also reflected in the frequency of visits. This finding may be important for retailers and managers because, despite the ever-increasing implementation of smart technologies and an online lifestyle across all generations, brick-and-mortar businesses are still competitive to face this trend.
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Petrioli, Nello, and Brandon Eastwood. "London Expanding - Adding Value Through Fine Engineering." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.2699.

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<p>London combines a rapidly expanding population with ever-decreasing land availability. This equation continues to attract property investors and allows developers to deliver high quality buildings.</p><p>Typically, developments must respect local site constraints. London’s rich construction archaeology – from Roman times to the post-war period – and the need to future-proof new infrastructure, create a unique blend of challenging constraints.</p><p>Unlocking such highly constrained sites by devising finely-engineered, sustainable and cost-efficient solutions has generated some of London’s most iconic buildings. A typical example is the recently completed Principal Tower, a 50-storey residential development on the edge of the City. Sited between existing 19th century railway tunnels and a protected viewing corridor that restricts building heights, the tower also sits above provision for a future rail tunnel.</p><p>WSP overcame these extreme constraints by forming a deep ‘concrete box’ through the building’s basement to support both the tower and the future railway tunnel. Adopting solutions associated more with heavy civil engineering adds significant costs, but enables high value developments on otherwise unremarkable sites.</p><p>This paper will examine some of London’s most technically challenging sites, such as Principal Tower, 22 Bishopsgate and Shard Place and the advanced engineering solutions that have made these iconic buildings possible. Further details in the design of 22 Bishopsgate are given in Paper No 16601: Twentytwo Bishopsgate, London.</p>
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Bhat, Raj Nath. "Language, Culture and History: Towards Building a Khmer Narrative." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.3-2.

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Genetic and geological studies reveal that following the melting of snows 22,000 years ago, the post Ice-age Sundaland peoples’ migrations as well as other peoples’ migrations spread the ancestors of the two distinct ethnic groups Austronesian and Austroasiatic to various East and South–East Asian countries. Some of the Austroasiatic groups must have migrated to Northeast India at a later date, and whose descendants are today’s Munda-speaking people of Northeast, East and Southcentral India. Language is the store-house of one’s ancestral knowledge, the community’s history, its skills, customs, rituals and rites, attire and cuisine, sports and games, pleasantries and sorrows, terrain and geography, climate and seasons, family and neighbourhoods, greetings and address-forms and so on. Language loss leads to loss of social identity and cultural knowledge, loss of ecological knowledge, and much more. Linguistic hegemony marginalizes and subdues the mother-tongues of the peripheral groups of a society, thereby the community’s narratives, histories, skills etc. are erased from their memories, and fabricated narratives are created to replace them. Each social-group has its own norms of extending respect to a hearer, and a stranger. Similarly there are social rules of expressing grief, condoling, consoling, mourning and so on. The emergence of nation-states after the 2nd World War has made it imperative for every social group to build an authentic, indigenous narrative with intellectual rigour to sustain itself politically and ideologically and progress forward peacefully. The present essay will attempt to introduce variants of linguistic-anthropology practiced in the West, and their genesis and importance for the Asian speech communities. An attempt shall be made to outline a Khymer narrative with inputs from Khymer History, Art and Architecture, Agriculture and Language, for the scholars to take into account, for putting Cambodia on the path to peace, progress and development.
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Reports on the topic "Post-War Stories"

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Ballesteros-Aguayo, L., and FJ Escobar-Borrego. Humour in the post-war press: Short stories of Gloria Fuertes in the falangist magazine Maravillas. Revista Latina de Comunicación Social, February 2019. http://dx.doi.org/10.4185/rlcs-2019-1343en.

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