Relevant bibliographies by topics / Postcard industry

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Academic literature on the topic 'Postcard industry'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Postcard industry"

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Paur, Iryna. "The Variety and Design of Postcards of the Early XX ct. with the Views of Kamianets-Podilskyi." Demiurge: Ideas, Technologies, Perspectives of Design 2, no. 1 (2019): 81–92. https://doi.org/10.31866/2617-7951.2.1.2019.170360.

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The aim of the research is to distinguish varietes and to analyze design features of this type of printed graphics on the basis of the postcards of the early XX ct. with the views of Kamianets-Podilskyi. Research methods. Methods of historical and art-study analysis have been applied. Scientific novelty. The main types of postcards with the views of Kamianets-Podilskyi have beeen studied, and their analysis has been carried out. Conclusions. Varying in accuracy of the image and information content, picture documentary postcard of the late XIX – early XX ct. became an important illustrate
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Cairns, George M. "Return to Chittagong: ten years since the “postcard”." critical perspectives on international business 13, no. 4 (2017): 340–48. http://dx.doi.org/10.1108/cpoib-06-2017-0037.

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Purpose This paper aims to revisit the author’s 2007 “Postcard from Chittagong” to reprise the past decade of activity related to the ship breaking industry of Bangladesh. Design/methodology/approach The study is based on content analysis of global and local source documentation. This includes academic works, research reports from non-governmental organizations and general and specialist media reports. Findings Over the past decade, there have been a number of international initiatives that seek to control the disposal and dismantling of redundant ships. However, based on evidence of ongoing e
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Goldsworthy, Patricia. "Images, ideologies, and commodities: the French colonial postcard industry in Morocco." Early Popular Visual Culture 8, no. 2 (2010): 147–67. http://dx.doi.org/10.1080/17460651003693337.

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Tucker, Chris. "Postcard from Pennsylvania: lessons learned during successful fight over Marcellus Shale operations that may have applicability to Australian discussion." APPEA Journal 57, no. 2 (2017): 567. http://dx.doi.org/10.1071/aj17021.

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This article explores the recent history and significance of unconventional natural gas development in the Marcellus region of Pennsylvania, including a look at the state’s historical background on hydrocarbon production, the effect of political and social media campaigns against development activities and the outlook for the future. In consultation with industry and environmental groups, Pennsylvania’s state government has crafted rules and regulations allowing responsible development to proceed, helping industry secure and retain its licence to operate in the process. This success was furthe
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Haynes, Cynthia, Ann Marie Van Der Zanden, and Jeffery Iles. "(157) Analysis of Ornamental Horticulture Productsand Services in Iowa." HortScience 40, no. 4 (2005): 1064D—1064. http://dx.doi.org/10.21273/hortsci.40.4.1064d.

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In 2004, the greenhouse and nursery industry was ranked as the fourth largest crop group in the United States based on farm cash receipts (USDA, 2004). The ornamental crop sector was expected to post total sales in excess of 15.3 billion dollars in 2004 (USDA, 2004). Landscape services within the green industry have risen from 28.9 billion in 2002 to 41.6 billion in 2004 (ALCA, 2004). In Iowa, recent surveys of turfgrass and edible food crop production and services have shown a combined net worth of more than 1 billion dollars. However, these surveys failed to include nursery and garden center
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Kerber, Heide. "Postcard Motifs and Littered Landscapes: How the Inglorious Relationship Between Tourism and Waste (Re)Shapes Phu Quoc Island’s Appearance." Practicing Anthropology 45, no. 2 (2023): 13–17. http://dx.doi.org/10.17730/0888-4552.45.2.13.

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Abstract Phu Quoc Island is famous for its sun, sand, and sea, but tourism struggles with visible plastic pollution. The colorful plastic waste disrupts tourists’ imaginaries of a pristine, tropical paradise. To counter the threat of image loss, local authorities and the tourism industry create both materially and symbolically ‘clean’ places that fulfil the scenery tourists seek. Drawing on my human geography background, I frame this making, maintaining, and manipulation of attractive environmental features as place-making practices. Yet, the creation of an appealing environment makes it neces
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Sheaffer, Cassandra C., and Mary Ann Rose. "Irrigation Management Practices in Ohio." HortScience 33, no. 3 (1998): 521b—521. http://dx.doi.org/10.21273/hortsci.33.3.521b.

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Expanding urbanization in Ohio has made the availability of quality water an emerging issue of great importance to the state's nursery industry. This development necessitates an examination of nurseries' use and management of water. This study surveyed 600 Ohio nursery growers with a mail questionnaire to determine the frequency of irrigation and water-saving techniques across the state. The 21-question questionnaire covered topics including water sources, irrigation practices, water testing and information needs. The mailing list used was the Ohio Dept. of Agriculture's licensed nursery opera
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Bates, Natalie. "Postcards from the chairside." Dental Nursing 16, no. 7 (2020): 336–37. http://dx.doi.org/10.12968/denn.2020.16.7.336.

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Natalie Bates worked in the travel industry for six years. Now, she is sharing her journey from trainee to qualified dental nurse on Instagram. Here, she reveals why she changed her career destination
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KIM, ALICE, and NICOLE C. LAUTZE. "TOURISTS PLAY WITH LAVA AND VOLCANIC HEAT: KĪLAUEA VOLCANO’S EARLY CONTRIBUTIONS TO HAWAI‘I’S TOURISM INDUSTRY." Earth Sciences History 40, no. 1 (2021): 244–60. http://dx.doi.org/10.17704/1944-6187-40.1.244.

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ABSTRACT Kīlauea Volcano has attracted visitors to Hawai‘i throughout the history of Hawai‘i’s tourism industry. From the 1870s to the 1910s, Kīlauea offered the experience of using volcanic heat and molten lava to cook food, melt postcards onto cavern walls, enflame items, and obtain souvenirs including scorched postcards, rocks, olivine, and Pele’s hair. Writers shared their experiences in publications, and traveling presentations showed American audiences images of visitors scorching postcards at Kīlauea. Marketing campaigns on the U.S. Mainland promoted Hawai‘i as a tourist destination and
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Dysa, Kateryna. "A bow from Kyiv: touristic postcards from Kyiv of the late 19th-early 20th century: production, content and use." NaUKMA Research Papers. History 5 (December 28, 2022): 107–12. http://dx.doi.org/10.18523/2617-3417.2022.5.107-112.

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Today postcards are an essential part of touristic infrastructure: they are sold as souvenirs, collected as a reminder of visited places, and even occasionally sent by post to family and friends. Postcards became a meaningful addition to the arsenal of the tourist industry only in the second half of the nineteenth century. Kyiv “open letters,” as the postcards were called in the Russian empire, reflected the same dynamic as in the center of the empire. In this article I study Kyiv postcards of the late nineteenth – early twentieth century as one of the means to popularize the city among the to
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Books on the topic "Postcard industry"

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Yılmaz, Gökhun. Osmanlı dönemi kartpostal editörleri 1895-1923 : Anadolu, Trakya, İstanbul: Ottoman era postcard editors 1895-1923 : Anatolia, Thrace, Istanbul. Gökhun Yılmaz, 2019.

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Saunders, Richard L. Glimpses of Wonderland: The Haynes and their postcards of Yellowstone National Park. R. Saunders, 1997.

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Werther, Mark. Linen postcards: Images of the American dream. Sentinel Pub., 2002.

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Antonio, Meave, and Hernández Almazán Juan Manuel, eds. Juan y Arnoldo Kaiser: Editores y cronistas de su tiempo. Instituto Nacional de Antropología e Historia, 2010.

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Ristine, James D. Clams, oysters, & scallops: A postcard and tradecard illustrated album. Schiffer Pub. Ltd., 2009.

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Ristine, James D. Clams, oysters, & scallops: A postcard and tradecard illustrated album. Schiffer Pub. Ltd., 2009.

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7

Fisher, Carrie. Postcards from the edge. Pocket Books, 1988.

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Fisher, Carrie. Postcards from the edge. Pocket Books, 1987.

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Fisher, Carrie. Postcards from the edge. Pocket Books, 1990.

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Fisher, Carrie. Postcards from the edge. Simon and Schuster, 1987.

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Book chapters on the topic "Postcard industry"

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Rault-Chodankar, Yves-Marie. "Before take-off: waiting for India's globalization at the Sahar International Airport in 1974." In Architekturen. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467169-006.

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In this piece, Yves-Marie Rault-Chodankar reflects on the evolution of Mumbai's Sahar International Airport, as depicted in a postcard from the early 1970s. The airport, originally a modest colonial-era structure, served a limited number of passengers and destinations. However, with India's economic growth and liberalization, the airport underwent expansions and privatization, transforming into the Chhatrapati Shivaji Maharaj International Airport. Now a bustling global hub, it showcases a blend of traditional and modern architecture, reflecting India's aspirations for progress and connectivit
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Nugent, Stephen L. "Postcards from El Dorado." In The Rise and Fall of the Amazon Rubber Industry. Routledge, 2017. http://dx.doi.org/10.4324/9781315179971-4.

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Pite, Rebekah E. "Taking the Herb of Paraguay, 1860s–1910s." In Sharing Yerba Mate. University of North Carolina PressChapel Hill, NC, 2023. https://doi.org/10.5149/northcarolina/9781469674537.003.0004.

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Abstract This chapter tells the story of how South America’s Great War (also referred to as the War of the Triple Alliance or the Paraguayan War) dramatically shifted the dynamics of yerba production and consumption. It helps us understand the impact of the privatization of the Paraguayan yerba industry after the war and leftist writers’ increased attention to the exploitation of yerba workers. It also examines why Paraguay acquired national symbols that differed from those of its neighbors in the late nineteenth and early twentieth centuries. While prewar visual culture emphasized Paraguayan
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Zimmerman, Brandon. "The Cadaver as (Self-)Portrait." In Dissection Photography. Policy Press, 2024. http://dx.doi.org/10.1332/policypress/9781529222180.003.0014.

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This chapter discusses visualizing student life and dissecting room culture during a period of climactic upheaval in the photographic industry: the introduction of amateur handheld cameras. It focuses on the formation of student identity by way of single dissector snapshots. Until the 1890s, photographically commemorating a one-on-one relationship between student and cadaver was virtually unheard of. Moreover, handheld cameras led to an increase in representative agency; providing the next level of self-representation and self-awareness – critical awareness – which provided students with an op
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Tilburg, Patricia. "From Grisette to Midinette." In Working Girls. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198841173.003.0001.

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This chapter examines the early nineteenth-century grisette as a literary type, and traces her reappearance on the cultural scene as a figure of nostalgia at the turn of the nineteenth century. By the turn of the century, the grisette of the 1830s and 1840s still regularly appeared throughout French popular culture as a sign of heightened romantic longing for a lost Paris, a France of small-scale industry, sentiment, and elegance. She was frequently conflated with contemporary garment workers, tethering living belle époque workingwomen to a figure of literary wistfulness. Parisian garment work
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Borsay, Peter. "Media." In The Image of Georgian Bath, 1700–2000. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198202653.003.0007.

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Abstract The previous chapters have explored the dominant features of Bath’s Georgian image. This chapter will examine the media through which those features were expressed. Conventionally historians would title such a section’sources’, and consign it to an appendix or bibliography, signifying it to be part of the scholarly infrastructure of the work, and not crucial to its comprehension. Such an approach seems inappropriate when investigating a topic like image, the very notion of which implies an especially close relationship between the subject of study and its sources. The latter are not s
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