Academic literature on the topic 'Postcards in art'

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Journal articles on the topic "Postcards in art"

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Parr, Linda. "Two Hundred and Forty-Three Postcards in Real Colour." Axon: Creative Explorations 13, no. 1 (2023): 1–15. http://dx.doi.org/10.54375/001/vp91y8iwux.

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Georges Perec’s postcards were first published in the French magazine Le FOU parle, in 1978. They were not postcards at all, just the written messages, and far from their description ‘en Couleurs Véritables’ (in Real Colour), they were entirely in black and white. The Postcards for Perec mail art project responded to Perec’s 243 imaginary postcard messages by creating the missing images as real postcards.
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Davydova, Kateryna Oleksandrivna. "Thematic analysis of scientific publications dedicated to the development of a greeting card in the context of its historical and socio-cultural." Theory and practice of design, no. 25 (June 28, 2022): 202–9. http://dx.doi.org/10.18372/2415-8151.25.16797.

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The purpose. To carry out a thematic review of scientific works published in recent years and devoted to the emergence and historical development of the postcard greeting card of the late nineteenth — early twentieth century in the context of its historical and socio-cultural development.The research methodology. The article uses well-known art methods: historical-cultural, historical-attribute, which cover the process of formation of a greeting card from the standpoint of socio-cultural and historical heritage, and not only from the standpoint of information, contribute to the evolution and f
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Ray, Alisa. "Art therapy postcards:." South African Journal of Arts Therapies 1, no. 1 (2023): 111–33. http://dx.doi.org/10.36615/sajat.v1i1.2494.

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This research article draws on a master’s thesis. Inherited perpetrator trauma may result from a family legacy of past familial collaboration with the South African apartheid regime. This historical narrative emerges from a familial relationship with the artist Irmin Henkel, the author’s step-grandfather. Henkel was known as the official portrait painter of the 1960s apartheid regime Cabinet. A heuristic self-study and arts-based approach were used to create a five-step protocol that art therapists can use to treat inherited perpetrator trauma. The approach used postcards as an art therapy too
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Waitt, Gordon, and Lesley Head. "Postcards and Frontier Mythologies: Sustaining Views of the Kimberley as Timeless." Environment and Planning D: Society and Space 20, no. 3 (2002): 319–44. http://dx.doi.org/10.1068/d269t.

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In this paper we examine the role of postcards in disseminating and circulating Australian frontier myths. Cultural geographers have generally overlooked this mode of tourist communication. Yet, the postcard is an example par excellence of both a genre of popular art and an ephemeral cultural artefact. The ritual practice of selecting, writing, and sending a postcard is explored within the themes of souvenir, testimony, and anticipation. A report is provided of methods designed to reveal how individual tourists interpret these postcards as semiotic texts. Results suggest that postcards seem to
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Chepil, L., and N. Hordeichuk. "The art of making postcards." Art and education, no. 4 (2018): 26–31. http://dx.doi.org/10.32405/2308-8885-2018-4-26-31.

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JIANHUI, Liu. "The Utility of Picture Postcards:Another Cultural Content That Establishes the Image of the “Other” in Modern Japan." Border Crossings: The Journal of Japanese-Language Literature Studies 17, no. 1 (2023): 59–77. http://dx.doi.org/10.22628/bcjjl.2023.17.1.59.

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From the viewpoint of the prevalence of modern art to the masses, the International Research Center for Japanese Studies has been collecting postcards of art exhibitions such as the Ministry of Education Art Exhibition (1907~1918), the Imperial Art Exhibition (1919~1936), and the New Ministry of Education Art Exhibition (1937~1944) for many years and has studied its role in the development process of popular culture. As a part of our efforts visualizing our research and giving back to society, we are currently creating a database of about 25,000 postcards in our collection and disclosing them
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Lavrov, Dmitrii Evgen'evich. "Works of Palekh miniaturists of the Soviet period in the field of design of art postcards (Palekh and postcard)." Человек и культура, no. 6 (June 2022): 1–8. http://dx.doi.org/10.25136/2409-8744.2022.6.37077.

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The article is devoted to the phenomenon of art postcards in the Palekh lacquer craft in the 1960s - 1980s – a little-studied field of folk art of the late Soviet period. The subject of the study is the analysis of over 20 sets of Palekh art postcards that were widely popular among art connoisseurs, including works by K. S. Bokarev, B. N. Kukuliyev, A.M. Kurkin and E. I. Pashkov. The purpose of the article is to show the importance of studying this topic on a wide range of material attracted by the author for the knowledge of the history and artistic specifics of the Palekh lacquer craft in th
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Mordkovitch, T. A., and V. V. Salynskaya. "Images of Crimea in the Art Memory of Russia (Art Materials from the Collections of the Russian State Art Library)." Bibliotekovedenie [Library and Information Science (Russia)], no. 1 (February 28, 2015): 46–52. http://dx.doi.org/10.25281/0869-608x-2015-0-1-46-52.

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Kiseleva, N. A. "Deltiological Collection of Pskov Professor Yury Mukhin." Observatory of Culture 15, no. 3 (2018): 321–29. http://dx.doi.org/10.25281/2072-3156-2018-15-3-321-329.

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Every year the Pskov State University hosts the International scientifi c and practical conference “Mukhin readings”, which received its name in honor of the Doctor of psychological Sciences, Honorary Professor of the Department of pedagogics and psychology Yury Mikhailovich Mukhin. He would have turned 95 on July 24, 2018. He devoted many years of his life to the search and systematization of art postcards with the images of masterpieces of world art, which he used in scientifi c and pedagogical activities. The famous collection of Y.M. Mukhin includes more than 12 500 postcards; 10 994 of th
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Artamonova, Svetlana. "Art Collections of the Russian State Library." Art Libraries Journal 17, no. 2 (1992): 27–28. http://dx.doi.org/10.1017/s0307472200007793.

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The former Lenin State Library in Moscow, now the Russian State Library, holds extensive collections of graphic and photographic materials, Russian and foreign, dating from the 15th century to the present day. These include a collection of some 434,000 posters, of which film and political posters form the largest subsections; a smaller number of pre-Revolutionary posters is of special interest. The collection of engravings totals some 93,000 items, and includes both works of European masters and Russian popular prints. There are also collections of postcards, “albums”, and manuscripts.
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Dissertations / Theses on the topic "Postcards in art"

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Robinson, Christine. "Paradoxical Performances of Subjectivities, Spaces and Art Gallery Postcards." The University of Waikato, 2007. http://hdl.handle.net/10289/2295.

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This thesis examines the relationship between art gallery postcards, subjectivities and domestic spaces. Feminist post-structuralist debates on memory, subjectivity and domestic spaces provide the theoretical framework for this research into taken-for-granted objects of the everyday. Empirical data came from interviewing nine women who buy, use and keep postcards and two New Zealand Art Gallery store managers. Some of the participants were interviewed more than once, while others extended their views by e-mail. Auto-ethnographic narrative is used to explore further the symbolic significance of
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Conradie, Annemi. "Travelling snapshots of the Rainbow Nation : the commodification and performance of 'authentic' cultural identities in contemporary South African postcards." Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4251.

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Cote, Derek. "A Postcard, Or Something Like It." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/1361.

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Postcards highlight the most invigorating, awesome and memorable aspects of events and places. They serve as mementos to be shared or as a testament to experience, proof that "I was here." While postcards were most widely used at the turn of the 20th century, they are quickly being outmoded by the immediacy of technology. Thanks to digital photography and the world wide web, sharing memories is something that happens almost as quickly as the original event is experienced. The history and function of postcards are not the topics that I will address in this essay. Rather, I will look at how geog
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Pryor, Sally, University of Western Sydney, of Arts Education and Social Sciences College, and of Communication Design and Media School. "Extending integrationist theory through the creation and analysis of a multimedia work of art : postcard from Tunis." THESIS_CAESS_CDM_Pryor_S.xml, 2003. http://handle.uws.edu.au:8081/1959.7/746.

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This thesis consists of the production of an inter-active computer-based artwork, an analysis of its research outcomes, and an exploration of the theoretical issues that influenced the artistic practice. The artwork, Postcard from Tunis, is an Integrationist exploration of writing and its transformation at the human-computer interface. It is set in a personal portrait of Tunis, a city with a rich history of writing. The thesis starts with the theory of writing. The conventional view of real writing as representation of speech is shown to have serious limitations.Postcard from Tunis offers user
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Pryor, Sally. "Extending integrationist theory through the creation and analysis of a multimedia work of art : postcard from Tunis." Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/746.

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This thesis consists of the production of an inter-active computer-based artwork, an analysis of its research outcomes, and an exploration of the theoretical issues that influenced the artistic practice. The artwork, Postcard from Tunis, is an Integrationist exploration of writing and its transformation at the human-computer interface. It is set in a personal portrait of Tunis, a city with a rich history of writing. The thesis starts with the theory of writing. The conventional view of real writing as representation of speech is shown to have serious limitations.Postcard from Tunis offers user
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Lee, Hsuan-Yu. "A Study on Hybrid Style and Orchestration in Bright Sheng’s Postcards." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc804979/.

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Bright Sheng (b. 1955) has won international acclaim for successfully fusing disparate musical elements in his works. Listeners can trace Chinese pentatonic scales and instrumental effects mixed with Western classical structures. Postcards (1997) is a well-received orchestral work that successfully merges diverse musical styles and compositional techniques. Sheng based Postcards on material from his Four Movements for Piano Trio (1990). He applies masterful and distinctive orchestration to transform the chamber work into a multi-layered and colorful orchestral canvas. He fuses polyrhythm and p
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Pryor, Sally. "Extending integrationist theory through the creation and analysis of a multimedia work of art Postcard from Tunis /." View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20040416.112222/index.html.

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Thesis (Ph.D.) -- University of Western Sydney, 2003.<br>"Thesis submitted for the degree of Doctor of Philosophy in the School of Communication, Design and Media, University of Western Sydney, 31 August 2003" Includes bibliography.
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Jordan, Meghan Lynn, and Meghan Lynn Jordan. "Lynching Photographs and Their Aftermath: The Overlay of the Gaze." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/626147.

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The purpose of this thesis is to examine the circulation of photographic postcards depicting lynching events in the United States, as well as the changing contexts and gaze. The initial mailing of the postcards to far away family and friends, some including handwriting on the versos, makes apparent the desire to spread white supremacist ideals across the country. These photographs, often depicting the victim’s suffering body amongst a crowd of people, were then placed in family photo albums, hidden in attics, or sold in flea markets. It was in these locations that collector James Allen found t
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Буга, М. А., та M. A. Buga. "Создание набора стрит-арт-открыток : магистерская диссертация". Master's thesis, б. и, 2020. http://hdl.handle.net/10995/94026.

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Магистерская диссертация посвящена исследованию стрит-арт-открыток и уличному искусству в целом: рассмотрению американской и французской традиций, рассмотрению особенностей российского стрит-арта и его правового регулирования. Также работа включает в себя анализ современного состояния уличного искусства г. Екатеринбурга и классификацию стрит-арт-объектов города. Для разработки концепции издательского проекта стрит-арт-открыток был осуществлен анализ рос¬сийского книжного рынка в специфике публикаций об уличном искусстве и анализ открыток, посвященных стрит-арту, проведена оценка востре¬бованно
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Hume, DL. "Pebbles to postcards : an investigation into the activity of tourist art, souvenirs and other artefacts of travel." Thesis, 2004. https://eprints.utas.edu.au/20570/1/whole_HumeDavidLeslie2004_thesis.pdf.

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This project explores the expression of place as it is made manifest in the tourist art and souvenirs of formerly colonial cultures. Susan Stewart, On Longing 1985, sets souvenirs into two categories, the Sampled which include things like sea shells, pebbles, dried flowers; and the Representative which includes miniatures, postcards and other artefacts. This project refines this grouping to reveal a third category, the Crafted which consists of artefacts made from endemic media by artists and crafts people of the souvenired destination. This investigation explores the function of sou
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Books on the topic "Postcards in art"

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Fanelli, Giovanni. Art nouveau postcards. Phaidon Christie, 1987.

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Ezio, Godoli, ed. Art nouveau postcards. Rizzoli, 1987.

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Weber, Edith. Art nouveau & art deco fashion postcards. Schiffer Pub., 2009.

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contributor, Eisenthal Jessica, Kelly, Ellsworth, 1923-2015, artist, contributor, Klich Lynda contributor, Paik Tricia Y. contributor, Frances Young Tang Teaching Museum and Art Gallery, and Blanton Museum of Art, eds. Ellsworth Kelly: Postcards. The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2021.

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Astolat, John. Phillmore: The postcard art of R.P. Phillimore. Greenfriar Press, 1985.

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Vikan, Gary. Postcards from the Walters. Walters Art Museum, 2012.

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Astolat, John. Phillimore: The postcard art of R.P. Phillimore. Greenfriars, 1985.

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Martin, Mary L. The ultimate collector's guide to surfing postcards. Schiffer Pub., 2008.

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Gorey, Edward. The betrayed confidence revisited: Ten series of postcards. Pomegranate, 2014.

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Enterprises, Harlequin, ed. The Art of romance: 30 postcards : a century of romance art. Harlequin Enterprises, 1999.

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Book chapters on the topic "Postcards in art"

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Enzenbach, Isabel. "Jewish Bodies in Postcards and Street Art." In The Medieval Roots of Antisemitism. Routledge, 2018. http://dx.doi.org/10.4324/9781351120821-13.

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Ülker, Barış. "Exile, Postcards, and a Return to Cold War Berlin." In Art and Architecture of Migration and Discrimination. Routledge, 2023. http://dx.doi.org/10.4324/9781003410010-15.

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Mackus, Sandra. "The Passage of Time: Jasper Johns’s The Seasons (1985–86) and 5 Postcards (2011)." In Retrospection and Revision in Modern and Contemporary Art, Literature and Music. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-39598-7_14.

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Dallow, Jessica. "A Girl Who Can Handle a Horse Well: The Rodeo Cowgirl in Early Twentieth-Century Real Photo Postcards." In Race, Gender, and Identity in American Equine Art. Routledge, 2022. http://dx.doi.org/10.4324/9781351034340-4.

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Cowcher, Kate. "A Postcard from Addis." In New Histories of Art in the Global Postwar Era. Routledge, 2021. http://dx.doi.org/10.4324/9780367140854-14.

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Jóhannesson, Gunnar Thór, and Carina Ren. "Cultivating Proximities: Re-visiting the Familiar." In Arctic Encounters. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-39500-0_5.

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AbstractIn this contribution, we explore how proximity may be cultivated as a way to re-experience and retell tourism and how research might become more sensitive to modest and mundane tourism practices. By doing so, we wish to interfere with common binaries in the tourism studies literature, such as home and away and ordinary and extraordinary. Based on our personal experiences from places close to our hearts, we ask: How may we cultivate proximity as part of our research methodology to enact-through-knowing and care for (alternative) tourism? How may we cultivate collaborative ways of knowing tourism while at a distance? We invite you to two places close to our hearts, places that are—at first glance—mundane and unexceptional, to experiment with alternative methodologies. We make use of postcards from these places as probes to revisit the tourist gaze and the tourist experience, enacting these familiar places through alternative means. The postcard narratives exemplify how proximity can help us cultivate modest and situated tourism research practices and enact places and landscapes as tourism sites in proximate and sensitive ways.
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Strange, Carolyn. "Postcard from Plaguetown: SARS and the Exoticization of Toronto." In Medicine at the Border. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230288904_12.

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Sanyal, Saptarshi. "Framing Fragments The Image, Modernity, and Architecture." In Architekturen. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467169-009.

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By focusing on how image making practices and architecture are inextricable from one another, in this essay, Saptarshi Sanyal explores some ways in which the photograph is a site of architectural production. Sanyal views the postcard as an artefact of popular cultures over time, draws attention to its representation of fragments of urban and architectural modernity, while also simultaneously underscoring the uneven nature of such modernity. Studying the photographic gaze then becomes an important agenda in uncovering new histories of modernity that, rather than clear, colonial taxonomies and categories linked to places, races or societies, are contested and plural.
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"The Life and Art of Otto Schubert." In Postcards from the Trenches. Bloomsbury Visual Arts, 2018. http://dx.doi.org/10.5040/9781350015784.ch-003.

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"The Great War and the Uses of Art." In Postcards from the Trenches. Bloomsbury Visual Arts, 2018. http://dx.doi.org/10.5040/9781350015784.ch-001.

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Conference papers on the topic "Postcards in art"

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Silva, Ana Catarina Koka de Souza, Cibele Bugno Zamboni, and Dalton Giovanni Nogueira da Silva. "X-ray investigation of graphic art." In III SEVEN INTERNATIONAL MULTIDISCIPLINARY CONGRESS. Seven Congress, 2023. http://dx.doi.org/10.56238/seveniiimulti2023-195.

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X-rays produced by electron ionization provide an analytical tool that can assist investigations in the field of Artistic and Cultural Heritage. In this study, the technique of Energy Dispersive X-ray Fluorescence (EDXF) was employed to investigate collections of postcards from the 1960s produced in Brazil, London and Uruguay. The collections belong to private collections and were made available for analysis at the Radiation Spectroscopy and Spectrometry Laboratory of the Institute for Nuclear and Energy Research (IPEN). This technique is non-destructive and allows the identification of chemic
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Regal, Georg, Caterina Maidhof, Jaison Puthenkalam, Željko Khermayer, Katarina Pavšek, and Andreas Sackl. "Feel the Art: Digital, Tangible Postcards for Accessible Cultural Experiences." In MUM '23: International Conference on Mobile and Ubiquitous Multimedia. ACM, 2023. http://dx.doi.org/10.1145/3626705.3631877.

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Siapera, Eugenia, and Paloma Viejo Otero. "How Do Far-Right Movements and Parties Use the Internet and the Social Media? Digital Facebook Postcards, With Hate, Your Far Right. ." In ISIS Summit Vienna 2015—The Information Society at the Crossroads. MDPI, 2015. http://dx.doi.org/10.3390/isis-summit-vienna-2015-s3007.

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Никандрова, О. Ф. "PATRIOTIC GREETING CARD." In Образ, знак и символ сувенира. Материалы IX Всероссийской национальной научно-практической конференции. Crossref, 2023. http://dx.doi.org/10.54874/9785605054283_147.

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В статье представлено курсовое задание по дисциплине «Графика» для студентов художественного вуза, целью которого является создание поздравительной открытки патриотической направленности. Открытка посвящена празднованию Победы в Великой Отечественной войне и является не только методом практической подготовки студентов, но и способом сохранения исторической памяти и патриотического воспитания молодого поколения. В статье рассмотрены практические аспекты подготовки проекта поздравительной открытки, предназначенной для ветеранов и участников Великой Отечественной войны. В ходе предпроектного иссл
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Vorina, Anton, and Gašper Krže. "The Advantages and Disadvantages of Virtual Travel." In 7th International Scientific Conference – EMAN 2023 – Economics and Management: How to Cope With Disrupted Times. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2023. http://dx.doi.org/10.31410/eman.2023.263.

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This article explores the concept of virtual tourism and address­es four key questions: What is virtual travel? Can virtual travel replace real travel? What are the benefits of virtual travel? And what is the future of vir­tual travel? Virtual travel has been around in various forms since the 1850s when pictori­al materials such as postcards were used to invite people to a destination. To­day, the COVID-19 pandemic has accelerated the development of virtual re­ality technologies that attempt to replicate the tourist experience. However, while virtual tourism offers a sustainable alternative to
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Vera López, José Antonio. "EFFICIENT POSTAL SERVICE AND RESPECTFUL WITH THE ENVIRONMENT." In CIT2016. Congreso de Ingeniería del Transporte. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/cit2016.2016.4085.

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The postal service is suffering an adaptation to the new markets opened by the users. The traditional post, letters and postcards, is being used less and is substituted by mail and packaging. To adequate to this new market it's important for the postal sector companies. In Spain, the operator of the Universal Postal Service has taken example from other companies of the sector, national and international, implanting electrical bicycle mail and packaging service in the centre of big cities. This is due to the fact that there are more the cities that are forbidding vehicle access to it's historic
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Covaci, Marinela. "SHARING THE DIGITAL RESOURCES." In eLSE 2018. Carol I National Defence University Publishing House, 2018. http://dx.doi.org/10.12753/2066-026x-18-269.

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The National Library of Romania shares digital resources, providing access to knowledge and cultural heritage, through three online platforms. These are: a) The Traditional Virtual Catalog for the books published before 1993. It is the virtual image of the traditional catalog which is organized alphabetically by author name in the appropriate folders physical drawers. 1,600,000 sheets are structured in 1600 folders, and a folder contains on average 1,000 sheets scanned catalog. Book-to-Book Platform, a crowd-cataloguing tool, provides both search and retrieval of bibliographic information in v
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Vasilevich, F. I., S. A. Shemyakova, and N. V. Esaulova. "MUSEUM OF THE DEPARTMENT OF PARASITOLOGY AND VETERINARY AND SANITARY EXPERTISE NAMED AFTER K. I. SKRYABIN." In THEORY AND PRACTICE OF PARASITIC DISEASE CONTROL. All-Russian Scientific Research Institute for Fundamental and Applied Parasitology of Animals and Plant – a branch of the Federal State Budget Scientific Institution “Federal Scientific Centre VIEV”, 2023. http://dx.doi.org/10.31016/978-5-6048555-6-0.2023.24.138-141.

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The paper describes the structure of the Museum of Parasitology located on the&#x0D; basis of the Department of Parasitology and Veterinary and Sanitary Expertise of&#x0D; the Federal State Budgetary Educational Institution of Higher Education "Moscow&#x0D; State Academy of Veterinary Medicine and Biotechnology – MBA named after&#x0D; K. I. Skryabin", which was organized by Konstantin Ivanovich Skryabin. The first&#x0D; gross specimens were provided by him from his own collection. Later, together with&#x0D; his students, K. I. Skryabin replenished the collection with helminths brought by&#x0D;
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Richards, Whitman A. "Cyclopean experiment." In OSA Annual Meeting. Optica Publishing Group, 1988. http://dx.doi.org/10.1364/oam.1988.thee6.

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An optical device, similar to that used in a microscope, presented the same view to each eye, as if both eyes were superimposed at the midline of the forehead. Surprisingly, the world seemed to possess the same rich depth sensations seen with normal binocular viewing. The depth obtained with the cyclopean view is enhanced compared with monocular viewing as if the disparity cue is available (although it is not). Flat postcard scenes inspected through the cyclopean device elicit a similar enhanced depth sensation. Normally, each eye receives identical images only for distant scenes, when the fix
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Ahmed, Hanaa, Sana Elashie, and Lily O'Hara. "Evaluating the Impact of a brief Health at Every Size-Based activity on body positivity and internal weight-based oppression." In Qatar University Annual Research Forum & Exhibition. Qatar University Press, 2020. http://dx.doi.org/10.29117/quarfe.2020.0188.

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Introduction: Internal weight-based oppression WBO is the internalized negative attitudes, values and beliefs people hold about body weight, and is associated with depression, anxiety, body image disturbance, disordered eating, avoidance of physical activity, and increased calorie consumption. Conversely, body positivity encompasses body acceptance, body appreciation, and body love, and adaptive approaches protective of health and wellbeing. The objective of the study was to evaluate the impact of the brief activity on body positivity and internal WBO in female students at Qatar University. Me
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Reports on the topic "Postcards in art"

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Woods, Mel, Saskia Coulson, Raquel Ajates, et al. Citizen Science Projects: How to make a difference. WeObserve, 2020. http://dx.doi.org/10.20933/100001193.

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Citizen Science Projects: How to make a difference, is a massive open online course (MOOC). It was developed by the H2020 WeObserve project and ran on the FutureLearn platform from 2019. The course was designed to assist learners from all backgrounds and geographical locations to discover how to build their own citizen science project to address global challenges and create positive change. It also helped learners with interpreting the information they collected and using their findings to educate others about important local and global concerns. The main learning objectives for the course wer
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Yablonskyy, Maxym. «NEW DAYS» WEEKLY AND PETRO VOLYNIAK, PUBLISHER AND AUTHOR. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11058.

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In the article on the material of the Salzburg weekly «New Days» (1945–1947) various spheres of activity of Peter Volyniak are presented. It is noted that this edition was a business card of the publishing house of the same name and had a history of continuation: in Toronto Petro Volyniak restored the publishing house of the same name and continued the publication in the format of the universal monthly «New Days» (1950–1969). The article also presents periodicals («Latest News», «New Days», «Timpani», «Our Way») and literary, artistic and scientific collection «Steering Wheel», which were publ
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