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1

Art and architecture in postcolonial Africa. Jefferson, N.C: McFarland & Co., 2005.

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2

Imagined museums: Art and modernity in postcolonial Morocco. Minneapolis: University of Minnesota Press, 2010.

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3

Unfixed: Photography and postcolonial perspectives in contemporary art. Heijningen [The Netherlands]: JAPSAM Books, 2012.

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4

1945-, Phillips Ruth B., and Steiner Christopher Burghard, eds. Unpacking culture: Art and commodity in colonial and postcolonial worlds. Berkeley: University of California Press, 1999.

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5

Guha-Thakurta, Tapati. Monuments, objects, histories: Institutions of art in colonial and postcolonial India. Delhi: Permanent Black, 2004.

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6

Picturing the postcolonial nation: (inter) nationalism in the art of Jamaica, 1962-1975. Kingston [Jamaica]: Ian Randle Publishers, 2013.

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7

Theatre and postcolonial desires. London: Routledge, 2003.

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8

Amkpa, Awam. Theatre and Postcolonial Desires. London: Taylor & Francis Group Plc, 2003.

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9

Leung, Helen Hok-Sze. Undercurrents: Queer culture and postcolonial Hong Kong. Vancouver: UBC Press, 2008.

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10

Undercurrents: Queer culture and postcolonial Hong Kong. Vancouver: UBC Press, 2008.

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11

Repositioning Shakespeare: National formations, postcolonial appropriations. London: Routledge, 1999.

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12

Sim, Gerald. Postcolonial Hangups in Southeast Asian Cinema. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463721936.

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Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability explores a geopolitically situated set of cultures negotiating unique relationships to colonial history. Singaporean, Malaysian, and Indonesian identities are discussed through a variety of commercial films, art cinema, and experimental work. The book discovers instances of postcoloniality that manifest stylistically through Singapore’s preoccupations with space, the importance of sound to Malay culture, and the Indonesian investment in genre.
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13

Glover, Kaiama L. Haiti Unbound: A Spiralist Challenge to the Postcolonial Canon. Liverpool: Liverpool University Press, 2011.

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14

1962-, Landau Paul Stuart, and Kaspin Deborah D. 1953-, eds. Images and empires: Visuality in colonial and postcolonial Africa. Berkeley: University of California Press, 2002.

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15

Moore, Lindsey. Arab, Muslim, woman: Voice and vision in postcolonial literature and film. Milton Park, Abingdon, Oxon: Routledge, 2008.

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16

The postcolonial unconscious. Cambridge: Cambridge University Press, 2011.

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17

editor, Gohrisch Jana 1962, and Grünkemeier Ellen editor, eds. Postcolonial studies across the disciplines. Amsterdam: Rodopi, 2013.

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18

Culture della differenza: Femminismo, visualità e studi postcoloniali. Torino: UTET università, 2008.

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19

L' identité culturelle en crise: Art et différence àl'époque postmoderne et postcoloniale. Nimes: Jacqueline Chambob, 1999.

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20

Experiences of freedom in postcolonial literatures and cultures. London: Routledge, 2011.

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21

Somdatta, Mandal, ed. The Indian imagiNation: Colonial and postcolonial literature and culture. New Delhi: Creative Books, 2007.

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22

New postcolonial British genres: Shifting the boundaries. New York: Palgrave Macmillan, 2015.

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23

We are playing football: Sport and postcolonial subjectivity, Panapompom, Papua New Guinea. Newcastle on Tyne: Cambridge Scholars, 2011.

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24

Stateless subjects: Chinese martial arts literature and postcolonial history. Ithaca, N.Y: Cornell East Asia Program, 2011.

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25

Nordquist, Joan. Postcolonial theory (II): Literature and the arts : a bibliography. Santa Cruz, CA: Reference and Research Services, 1999.

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26

Okeke-Agulu, Chika. Postcolonial Modernism. Duke University Press, 2015.

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27

Tuttle, Lisa. Postcolonial Karma. Poem 88 Editions, 2021.

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28

Project 1975: The Postcolonial Unconscious in Contemporary Art. Black Dog Publishing Limited, 2014.

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29

Coffee, Rhum, Sugar and Gold: A Postcolonial Paradox. Cameron + Company, 2019.

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30

Linnell, Sheridan, Tarquam McKenna, Jill Westwood, and Andrea J. Gilroy. Art Therapy in Australia: Taking a Postcolonial, Aesthetic Turn. BRILL, 2019.

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31

Art Therapy in Australia: Taking a Postcolonial, Aesthetic Turn. BRILL, 2019.

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32

Chambers, Iain Michael. Location, Borders and Beyond: Thinking with Postcolonial Art. Independently Published, 2018.

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33

Okeke-Agulu, Chika. Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria. Duke University Press, 2015.

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34

Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria. Duke University Press Books, 2015.

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35

Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria. Duke University Press Books, 2015.

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36

Weaver-Hightower, Rebecca, and Peter Hulme. Postcolonial Film. Taylor & Francis Group, 2018.

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37

Africa's Struggle for Its Art: History of a Postcolonial Defeat. Princeton University Press, 2022.

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38

Savoy, Bénédicte, and Susanne Meyer-Abich. Africa's Struggle for Its Art: History of a Postcolonial Defeat. Princeton University Press, 2022.

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39

(Editor), Ruth B. Phillips, and Christopher B. Steiner (Editor), eds. Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds. University of California Press, 1999.

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40

(Editor), Ruth B. Phillips, and Christopher B. Steiner (Editor), eds. Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds. University of California Press, 1999.

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41

Guha-Thakurta, Tapati. Monuments, Objects, Histories: Institutions of Art in Colonial and Postcolonial India. Columbia University Press, 2004.

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42

Steiner, Christopher B., and Ruth B. Phillips. Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds. University of California Press, 1999.

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43

Steiner, Christopher B., and Ruth B. Phillips. Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds. University of California Press, 2014.

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44

Word & Image: In Colonial and Postcolonial Literatures and Cultures. RODOPI, 2009.

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45

Diagne, Souleymane Bachir, and John E. Drabinski. Postcolonial Bergson. Translated by Lindsay Turner. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823285839.001.0001.

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Henri Bergson has been the subject of keen interest within French philosophy ever since being championed by Gilles Deleuze and others. Yet his influence extends well beyond European philosophy, especially within Africa and South Asia. Postcolonial Bergson traces the influence of Bergson’s thought through the work of two major figures in the postcolonial struggle, Muhammad Iqbal and Léopold Sédar Senghor. Poets and statesmen as well as philosophers, both of these thinkers—the one Muslim and the other Catholic—played an essential political and intellectual role in the independence of their respective countries. Both found, in Bergson’s work, important support for their philosophical, cultural, and political projects. For Iqbal, a founding father of independent Pakistan, Bergson’s conceptions of time and creative evolution resonated with the need for the “reconstruction of religious thought in Islam,” a religious thought newly able to incorporate innovation and change. For Senghor, Bergsonian ideas of perception, intuition, and élan vital—filtered in part through the work of the French philosopher Pierre Teilhard de Chardin—proved crucial for thinking about African art, as well as foundational for his formulations of African socialism and his visions of an unalienated African future. At a moment of renewed interest in Bergson’s philosophy, this book, by a major figure in both French and African philosophy, gives an expanded idea of the political ramifications of Bergson’s thought in a postcolonial context.
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46

Olaniyan, Tejumola. State and Culture in Postcolonial Africa: Enchantings. Indiana University Press, 2017.

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47

State and Culture in Postcolonial Africa: Enchantings. Indiana University Press, 2017.

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48

Brown, Matthew H., Patrick Chabal, Tejumola Olaniyan, Akinwumi Adesokan, and Kunle Ajibade. State and Culture in Postcolonial Africa: Enchantings. Indiana University Press, 2017.

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49

Amkpa, Awam. Theatre and Postcolonial Desires. Routledge, 2007.

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50

Leung, Helen Hok-Sze. Undercurrents: Queer Culture and Postcolonial Hong Kong. University of British Columbia Press, 2009.

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