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Books on the topic 'Postcolonial ecocriticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 January 2023

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1

Huggan, Graham. Postcolonial ecocriticism. New York: Routledge, 2009.

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2

Huggan, Graham. Postcolonial ecocriticism. New York: Routledge, 2009.

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3

Postcolonial tourism: Literature, culture, and environment. New York: Routledge, 2011.

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4

Postcolonial ecologies: Literatures of the environment. New York: Oxford University Press, 2011.

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5

Wright, Laura. "Wilderness into civilized shapes": Reading the postcolonial environment. Athens: University of Georgia Press, 2010.

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6

"Wilderness into civilized shapes": Reading the postcolonial environment. Athens: University of Georgia Press, 2010.

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7

1970-, Roos Bonnie, and Hunt Alex, eds. Postcolonial green: Environmental politics and world narratives. Charlottesville: University of Virginia Press, 2010.

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8

Postcolonial Ecocriticism. Routledge, 2008.

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9

Huggan, Graham. Postcolonial Ecocriticism. Routledge, 2009. http://dx.doi.org/10.4324/9780203498170.

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10

Huggan, Graham. Postcolonial Ecocriticism. Routledge, 2015. http://dx.doi.org/10.4324/9781315768342.

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11

Postcolonial Ecocriticism. Routledge, 2008.

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12

Postcolonial Ecocriticism: Literature, Animals, Environment. Taylor & Francis Group, 2015.

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13

Tiffin, Helen, and Graham Huggan. Postcolonial Ecocriticism: Literature, Animals, Environment. Taylor & Francis Group, 2015.

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14

Tiffin, Helen, and Graham Huggan. Postcolonial Ecocriticism: Literature, Animals, Environment. Taylor & Francis Group, 2015.

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15

Tiffin, Helen, and Graham Huggan. Postcolonial Ecocriticism: Literature, Animals, Environment. Taylor & Francis Group, 2015.

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16

Tiffin, Helen, and Graham Huggan. Postcolonial Ecocriticism: Literature, Animals, Environment. Taylor & Francis Group, 2015.

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17

Stanley, Brooke, and Walter Dana Phillips. South African Ecocriticism. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.154.

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This essay surveys South African ecocriticism, scaling it alongside African and postcolonial ecocriticisms. The authors praise critics who use local specificities to disrupt the universalization of Euro-American environmental and ecocritical tenets. That disruption generates global relevance. However, the field is still overcoming imbalances toward white literary and critical voices, as well as a disarticulation of “animal-centered” from “people-centered” approaches. Animal studies and landscape have pulled South African ecocritics in two main directions, which this chapter maps. The authors then bolster arguments for reintegrating concerns about animals, land, and people, in the service of unpacking conservation’s links to race, colonialism, apartheid, and post-apartheid inequities. Novelist Zakes Mda stages the need for such reintegration in The Whale Caller, which reframes human-nonhuman relations and exposes the tourism economy’s disenfranchisement of both animals and people. (This article has been commissioned as a supplement to The Oxford Handbook of Ecocriticism, edited by Greg Garrard.)

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18

Bartosch, Roman. EnvironMentality: Ecocriticism and the Event of Postcolonial Fiction. Rodopi, 2013.

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19

Bartosch, Roman. EnvironMentality: Ecocriticism and the Event of Postcolonial Fiction. BRILL, 2013.

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20

Global Ecologies and the Environmental Humanities: Postcolonial Approaches. Taylor & Francis Group, 2015.

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21

Global Ecologies and the Environmental Humanities: Postcolonial Approaches. Taylor & Francis Group, 2015.

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22

Didur, Jill, Elizabeth DeLoughrey, and Anthony Carrigan. Global Ecologies and the Environmental Humanities: Postcolonial Approaches. Taylor & Francis Group, 2015.

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23

Didur, Jill, Elizabeth DeLoughrey, and Anthony Carrigan. Global Ecologies and the Environmental Humanities: Postcolonial Approaches. Taylor & Francis Group, 2016.

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24

Didur, Jill, Elizabeth DeLoughrey, and Anthony Carrigan. Global Ecologies and the Environmental Humanities: Postcolonial Approaches. Taylor & Francis Group, 2015.

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25

Didur, Jill, Elizabeth DeLoughrey, and Anthony Carrigan. Global Ecologies and the Environmental Humanities: Postcolonial Approaches. Taylor & Francis Group, 2015.

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26

DeLoughrey, Elizabeth. Postcolonialism. Edited by Greg Garrard. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199742929.013.016.

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This article examines some of the different mappings of the globe by ecocritics and postcolonalists and the role of militarization as a constitutive part of both globalization and planetary thought. It discusses the historical connection between ecological thought and radioactive militarism and describes how postcolonial approaches can contribute an important critique of universalist modes of globalism. It also explores postcolonial ecocriticism’s emphasis on discourses of alterity and difference.

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27

Mukherjee, Pablo. Cholera, Kipling, and Tropical India. Edited by Greg Garrard. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199742929.013.009.

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This article investigates how a particular vision of a diseased tropical environment grew out of the dynamics of British imperialism in the Indian subcontinent and how this vision was simultaneously reinforced and interrogated in the work of Rudyard Kipling, who was considered the bard of the empire. It analyzes the issue of so-called palliative imperialism in the works of Kipling and describes how the debates about cholera conducted by the imperial doctors produced a contested and contradictory idea of tropicality. This article also argues that the embedding of the idea of a global, tropical diseased environment through the techniques of empire in the nineteenth-century should enable us to place disease and medicine as key elements in any exercise of postcolonial ecocriticism.

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28

Boast, Hannah. Hydrofictions. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474443807.001.0001.

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Hydrofictions identifies water as a new topic of literary and cultural analysis at a critical moment for the world’s water resources, focusing on the urgent context of Israel/Palestine. It argues for the necessity of recognising water’s importance in understanding contemporary Israeli and Palestinian literature, covering topics including representations of the River Jordan; the history of Zionist and Israeli swamp drainage; the emergence of Israeli and Palestinian environmentalisms; the role of the Mediterranean in Israeli identity; and the hydropolitics of war and occupation. In doing so, it shows that water is as culturally significant as that much more obvious object of nationalist attention, the land. This book offers new insights into Israeli and Palestinian literature and politics, and into the role of culture in an age of environmental crisis. Hydrofictions shows that how we imagine water is inseparable from how we manage it. It is vital reading for students and scholars in Middle East Studies, postcolonial ecocriticism, the environmental humanities and anyone invested in the future of the world’s water.

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29

Walsh, John Patrick. Migration and Refuge. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781786941633.001.0001.

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This book argues that contemporary Haitian literature historicizes the political and environmental problems brought to the surface by the 2010 earthquake by building on texts of earlier generations, notably at the end of the Duvalier era and its aftermath. Haitian writers have made profound contributions to debates about the converging paths of political crises and natural catastrophes, yet their writings on the legacies of colonialism, imperialism, and neoliberalism are often neglected in heated debates about environmental futures. The earthquake only exacerbated this contradiction. Despite the fact that Haitian authors have long treated the connections between political violence, social and economic precariousness, and ecological degradation, in media coverage around the world, the earthquake would have suddenly exposed scandalous conditions on the ground in Haiti. Informed by Haitian studies and models of postcolonial ecocriticism, the book conceives of literature as an “eco-archive,” or a body of texts that depicts ecological change over time and its impact on social and environmental justice. Focusing equally on established and less well-known authors, this study contends that the eco-archive challenges future-oriented, universalizing narratives of the Anthropocene and the global refugee crisis with portrayals of different forms and paths of migration and refuge within Haiti and around the Americas.

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30

Phelpstead, Carl. An Introduction to the Sagas of Icelanders. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066516.001.0001.

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An Introduction to the Sagas of Icelanders provides new perspectives on a unique medieval literary genre: the Sagas of Icelanders (also known in English as Family Sagas). The book deepens our understanding both of the Old Norse-Icelandic texts and of our responses to them by attending to the ways in which the texts work as narratives of identity. It offers a fresh account of the sagas by relating them to questions addressed by postcolonial studies, feminist and queer theory, and ecocriticism, approaches that are currently more familiar in other areas of literary study than in the study of Old Norse-Icelandic literature. The book begins by examining what an Icelandic saga is, and then goes on to discuss the origins of the genre, describing its historical contexts and arguing that a rich variety of oral and written source traditions combined to produce a new literary form. The book then examines issues of national, religious, and legal identity, gender and sexuality, and the relations between human beings, nature, and the supernatural. Readings of selected individual sagas show how the various source traditions and thematic concerns of the genre interact in the most widely read and admired sagas. A brief history of the translation of the sagas into English shows how consistently translation has been inspired by, and undertaken in accordance with, beliefs about identity. The book’s conclusion draws together the preceding chapters by underlining how they have presented the sagas of Icelanders as narrative explorations of identity and alterity.

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