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Relevant bibliographies by topics / Postcolonial identity

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Academic literature on the topic 'Postcolonial identity'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 June 2025

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Journal articles on the topic "Postcolonial identity"

1

Howe, Daniel Walker. "Postcolonial Identity Problems." Reviews in American History 41, no. 2 (2013): 220–23. http://dx.doi.org/10.1353/rah.2013.0030.

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Adejunmobi, Moradewun. "Translation and Postcolonial Identity." Translator 4, no. 2 (1998): 163–81. http://dx.doi.org/10.1080/13556509.1998.10799018.

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Strysick, Michael, and Francoise Lionnet. "Postcolonial Representations: Women, Literature, Identity." South Atlantic Review 61, no. 3 (1996): 166. http://dx.doi.org/10.2307/3200902.

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Stahl, Aletha, and Francoise Lionnet. "Postcolonial Representations: Women, Literature, Identity." SubStance 25, no. 3 (1996): 168. http://dx.doi.org/10.2307/3684876.

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Karkaba, Cherki. "Deconstructing Identity in Postcolonial Fiction." ELOPE: English Language Overseas Perspectives and Enquiries 7, no. 2 (2010): 91–99. http://dx.doi.org/10.4312/elope.7.2.91-99.

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With the destabilization of political and cultural boundaries between peoples and nations, the concept of identity, with its implications in the dialectics of self and other, becomes a philosophical challenge in a globalised cosmopolitan world. The challenge resides in the fact that in such a postmodern situation where identity is viewed as shapeless, shifting and moving beyond the fixity of Manichean thought, a process of questioning is enacted to interrogate identity in its past, present and future implications. This paper will attempt to look at the ways in which some postcolonial novels set out to deconstruct the concept of identity by constructing ambivalent texts, blurring the borders between self and other, laying the foundations for hybridity where otherness reigns as a process of signification which rests on interpretation.

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Yadav, Bibhuti S. "Mispredicated identity and postcolonial discourse." Sophia 39, no. 1 (2000): 78–131. http://dx.doi.org/10.1007/bf02786384.

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Zabus, Chantal, and Françoise Lionnet. "Postcolonial Representations: Women, Literature, Identity." World Literature Today 70, no. 2 (1996): 480. http://dx.doi.org/10.2307/40152285.

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Savarimuththu Kilbert, Thangarajah Jeevahan, and Maniccarajah Thamilselvan. "Things fall apart: A liminal identity: Thematic approach of identity crisis." World Journal of Advanced Research and Reviews 17, no. 1 (2023): 589–95. http://dx.doi.org/10.30574/wjarr.2023.17.1.0079.

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The aim of this research is to analyze the novel, Things Fall Apart as a liminal Identity: Thematic approach of Identity Crisis from the perspective of Postcolonial Literature. The study analyzes the plot development and the thematic aspects of the novel on one level. On the other level the paper analyzes how the facts related to the colonial aspects of Africa and the impact of colonialism are embedded in this fiction. Therefore, it is a comparative study of Post-colonialism and Post-Colonial Literature. A brief introduction to Postcolonial literature is given at the outset. The indication of the word ‘post-colonialism’ along with the origin and development of the postcolonial theories and studies are critically examined. The research evaluates the thematic aspect of postcolonial literature, identity crisis with special reference to liminal identity. It also critically analyses the various representative authors like Rushdie, Achebe, Ondantje, Fanon, Derek Walcott, and J. M. Coetzee in addition to some female writers like Jamaica Kancaid, Isabelle Illende and Eavan Bolland. Furthermore, it also briefly examines the political history of colonization and the impact of colonialism on the literature produced during post-colonial period. The research introduces Chinua Achebe, the author of Things Fall Apart, from the point of his personal and historical background in order to compare the content and the context of his writing. Thus, the study reveals that the novel, Things Fall Apart, is a revelation of Identity Crisis.

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Chaal, Houaria. "Identity and Social Pressure in The Death of Vivek Oji A Postcolonial Analysis." Feedback International Journal of Communication 2, no. 1 (2025): 27–37. https://doi.org/10.62569/fijc.v2i1.146.

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This study examines postcolonial African literature, focusing on the themes of identity and societal pressures in contemporary settings. The research is based on Akwaeke Emezi’s novel, The Death of Vivek Oji, which presents a complex portrayal of identity formation within a postcolonial society. Using a postcolonial analytical framework, this study critically explores the sociocultural values embedded in the novel and their influence on the protagonist’s life decisions. The analysis considers how postcolonial theory helps in understanding the preservation of identity amidst colonial legacies and societal constraints. The findings indicate that postcolonial societies often struggle to maintain their cultural identity due to the historical impact of colonialism, which sought to erase indigenous identities. The novel reveals that traditional values exert significant pressure on individuals, particularly those who deviate from societal norms, leading to conflicts between personal identity and collective expectations. This study highlights how postcolonial societies resist new Western ideologies out of fear of further identity transformation. The rejection of these ideas stems from a deep-rooted need to reclaim and safeguard cultural heritage. The analysis suggests that the protagonist’s struggles reflect broader societal tensions in postcolonial contexts. The study underscores the ongoing conflict between cultural preservation and modern influences in postcolonial societies, emphasizing the lasting effects of colonial legacies on identity formation.

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Savarimuththu, Kilbert, Jeevahan Thangarajah, and Thamilselvan Maniccarajah. "Things fall apart: A liminal identity: Thematic approach of identity crisis." World Journal of Advanced Research and Reviews 17, no. 1 (2023): 589–95. https://doi.org/10.5281/zenodo.8080559.

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The aim of this research is to analyze the novel, <em>Things Fall Apart </em>as a liminal Identity: Thematic approach of Identity Crisis from the perspective of Postcolonial Literature. The study analyzes the plot development and the thematic aspects of the novel on one level. On the other level the paper analyzes how the facts related to the colonial aspects of Africa and the impact of colonialism are embedded in this fiction. Therefore, it is a comparative study of Post-colonialism and Post-Colonial Literature. A brief introduction to Postcolonial literature is given at the outset. The indication of the word ‘post-colonialism’ along with the origin and development of the postcolonial theories and studies are critically examined. The research evaluates the thematic aspect of postcolonial literature, identity crisis with special reference to liminal identity. It also critically analyses the various representative authors like Rushdie, Achebe, Ondantje, Fanon, Derek Walcott, and J. M. Coetzee in addition to some female writers like Jamaica Kancaid, Isabelle Illende and Eavan Bolland. Furthermore, it also briefly examines the political history of colonization and the impact of colonialism on the literature produced during post-colonial period. The research introduces Chinua Achebe, the author of <em>Things Fall Apart, </em>from the point of his personal and historical background in order to compare the content and the context of his writing. Thus, the study reveals that the novel,<em> Things Fall Apart,</em> is a revelation of Identity Crisis.

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Dissertations / Theses on the topic "Postcolonial identity"

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Sharma, Seetal. "Globalisation and postcolonial identity." Thesis, Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262348.

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Chan, Ka-ming, and 陳嘉銘. "Social identity in postcolonial Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B30409238.

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Chan, Ka-ming. "Social identity in postcolonial Hong Kong." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B23234477.

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Francis, Toni P. "Identity Politics: Postcolonial Theory and Writing Instruction." Scholar Commons, 2007. https://scholarcommons.usf.edu/etd/711.

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In this dissertation I intend to apply postcolonial theory to primary pedagogical and administrative concerns of the writing program administrator. Writing Program Administrators, or WPAs, take their responsibilities seriously, remaining cognizant of both the negative and positive repercussions of the pedagogical decisions that take shape in the scores of composition classrooms they administer. This dissertation intends to infuse the WPA position with the ethos of scholarly praxis by historicizing and contextualizing the field of composition, and by placing the teaching of writing within the historical memory of slavery and colonialism. Sound WPA research is theoretically informed, systematic, principled inquiry that works toward producing strong writing programs. This dissertation provides such inquiry, drawing the field's attention to the reality of postcoloniality and presenting an understanding of the work of composition as informed by and complicit in the history of racialized forms of oppression. From this context, the dissertation analyzes three major issues faced by the WPA: the debate over standardized discourse, the influence of the job market on pedagogical decisions, and the (de)politicizing of the composition classroom. In the following sections, these issues will be related directly to critical theories from postcolonial and composition studies that assist in articulating the issues of identity politics, hegemonic struggle, interpellation and interpolation, subaltern voice, and hybridity that are so crucial to writing program pedagogy and administration in the postcolonial age, for it is my argument that the writing classroom is a crucial site of contention in which the politics of identity are manifested as students appropriate and are appropriated by discourse.

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Ali, Shainna. "Contemporary hijra identity in guyanna : colonial and postcolonial transpormations in hijra gender identity." Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1344.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Sciences<br>Anthropology

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Chu, Wei-cheng Raymond. "Homo and others : articulating postcolonial queer subjectivity." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.388671.

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Sewlall, Haripersad. "Joseph Conrad : situating identity in a postcolonial space / H. Sewlall." Thesis, North-West University, 2004. http://hdl.handle.net/10394/394.

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This thesis is premised on the notion, drawn mainly from a postcolonial perspective (which is subsumed under the poststructuralist as well as the postmodern), that Conrad's early writing reflects his abiding concern with how people construct their identities vis-a-vis the other/Other in contact zones on the periphery of empire far from the reach of social, racial and national identities that sustain them at home. It sets out to explore the problematic of race, culture, gender and identity in a selection of the writer's early works set mainly, but not exclusively, in the East, using the theoretical perspective of postcoloniality as a point of entry, nuanced by the configurations of spatiality which are factored into discourses about the other/Other. Predicated mainly on the theoretical constructs about culture and identity espoused by Homi Bhabha, Edward Said and Stuart Hall, this study proposes the idea of an in between "third space" for the interrogation of identity in Conrad's work. This postcolonial space, the central contribution of this thesis, frees his writings from the stranglehold of the Manichean paradigm in terms of which alterity or otherness is perceived. Based on the hypothesis that identities are never fixed but constantly in a state of performance, this project underwrites postcoloniality as a viable theoretical mode of intervention in Conrad's early works. The writer's early oeuvre yields richly to the contingency of our times in the early twenty-first century as issues of race, gender and identity remain contested terrain. This study adopts the position that Conrad stood both inside and outside Victorian cultural and ethical space, developing an ambivalent mode of representation which recuperated and simultaneously subverted the entrenched prejudices of his age. Conceived proleptically, the characters of Conrad's early phase, traditionally dismissed as those of an apprentice writer, pose a constant challenge to how we view alterity in our everyday lives.<br>Thesis (Ph.D. (English))--North-West University, Potchefstroom Campus, 2004.

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Bethel, Nicolette Ruth Marie. "Navigations : the fluidity of national identity in the postcolonial Bahamas." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.621871.

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Baker, Raquel Lisette. "Undoing Whiteness: postcolonial identity and the unfinished project of decolonization." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/6542.

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In my dissertation project, I engage in a discursive analysis of whiteness to examine how it influences postcolonial modes of self-styling. Critical whiteness studies often focuses on representations of whiteness in the West as well as on whiteness as physical—as white bodies and white people. I focus on representations and functions of whiteness outside of the West, particularly in relation to issues of belonging and modes of postcolonial identification. I examine Anglophone African literary representations of whiteness from the twentieth and twenty-first centuries to query how whiteness both enables and undermines anticolonial consciousness. A central question I examine is, How does whiteness as a symbolic manifestation function to constitute postcolonial African identification? Scholarship on the topic of subjectivity and liberation needs to explicitly examine how whiteness intersects with key notions of modernity, such as race, class, progress, and self-determination. Through an examination of postcolonial African literary representations of whiteness, I aim to examine the aspirations, unpacked stereotypes, and fears that move us as readers and hail us as human subjects. Ultimately, through this work, I grapple with the question of identification, understood as the system of desires, judgments, images, and performances that constitute our experiences of being human. I begin by looking backward at the satirical play, “The Blinkards,” written in 1915 in the context of British colonization of the Gold Coast in West Africa (present-day Ghana), to develop an understanding of postcolonial identification that includes an examination of the artistic expression of a writer conceptualizing liberation through notions of cultural nationalism. I go on to examine a selection postcolonial African literatures to develop an understanding of how racialized socio-cultural realities constitute forms of self-hood in post-independence contexts. I hope to use my argument about representations of whiteness in African literatures to open up questions fundamental to contemporary theories of identification in postcolonial contexts, as well as to make a philosophical argument about the ethics of whiteness as it undergirds transnational modes of modernity. One main point I make in relation to postcolonial theories of subjectivity is that notions of identification are tied up in local, regional, and global circuits of capital and cultural production. In chapter 2, I look at an early (Grain of Wheat 1967) and recent novel (Wizard of the Crow 2006) by Ngũgĩ wa Thiong’o (Kenya), who locates African postcolonial subjectivity as deeply embedded in local traditions, myths, and storytelling circuits. By fluidly mixing the contexts of the local, the national, and the global, Ngũgĩ astutely challenges naturalized conventions that position black identities and blackness as always inferior to whiteness. Ngũgĩ represents postcolonial consciousness as a space whose local relationships are deeply informed by global structures of race, economics, and politics. Situating African postcolonial identification within global circuits of migration, capitalism, and colonialism, Ngũgĩ engages the pervasive significance of whiteness through representations of sickness and desire, suggesting that postcolonial identification is performed through beliefs and practices that are situated within a global racial hierarchy. From there I go on to analyze a contemporary short story cycle by post-apartheid generation South African writer Siphiwo Mahala. Through his work, I continue to explore the issue of performative identification constituted through desire and aspirational notions in which whiteness works as a moving signifier of cultural and social capital. The main question I address in this chapter is, What is the meaning of whiteness in post-apartheid South Africa? Through this examination, I use my analysis of representations of whiteness to reflect on the politics of entanglement as a way to move beyond racialized and geographic modes of identification, to challenge conceptual boundaries that undergird modernity, and theoretical possibilities of a politics of entanglement in relation to broader issues of identification and belonging in postcolonial contexts.

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Serfontein, Estie. "Postcolonial nomadism and the simulated self in images of fragmented identity." Diss., University of Pretoria, 2010. http://hdl.handle.net/2263/27159.

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Since the onset of postcolonialism in South Africa, cultural diversity was brought on by the political decline of cultural borders, mass-media infiltration, technological advancement and the disposition of postmodernism’s assemblage of eclectic characteristics. Within postmodern postcolonialism, cultural conditions such as diaspora, nomadism and cosmopolitanism contributed to a sense of global citizenship. As such, postcolonialism and its cultural fusion promoted a new multi-cultural, hybrid culture. In this mini-dissertation it is argued that identity is a reflection or a simulation of the social surroundings in which one exists. Just as the individual’s identity becomes a product of his/her surroundings, elements of the individual’s identity manifest within cultural spaces. Within this simulation in a hybrid and multi-cultural space, personal identity becomes a fragmented and splintered concept, which is a subconscious reaction to the diversities in the individual’s cultural surroundings; moreover, the diversity in culture also contributes to constructing a more adaptable identity from these fragments. A growing feeling of Ubuntu or tolerance for differences and oppositions that develops in multi-cultural space contributes to the argument that cultural spaces become diverse and hybrid in a postmodern eclectic era. To overcome the fragmentation in identity, the postcolonial individual unintentionally formulates a hybrid, or fusion in identity by relating to different aspects that one finds in one’s surroundings. Identity becomes a fluid concept and is ever-changing to adapt to the multiplicities of contemporary postcolonial culture. This fluidity in identity is sub-consciously achieved by adopting psychological thought processes like Nomadism and Proteanism. The process of formulation of a new eclectic and fluid identity becomes more important than the identity in itself. Therefore, the ability to have a fluid and adaptable identity becomes more important than exclusivity in one’s identity. The establishment of this fluidity in identity is not a conscious decision, but merely an autonomic process of metamorphosis that enables the postcolonial individual to maintain identity, even though his/her identity cannot be fixed.<br>Dissertation (MA)--University of Pretoria, 2006.<br>Visual Arts<br>unrestricted

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Books on the topic "Postcolonial identity"

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Morozov, Viatcheslav. Russia's Postcolonial Identity. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137409300.

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Msiska, Mpalive-Hangson. Postcolonial identity in Wole Soyinka. Rodopi, 2007.

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Lionnet, Françoise. Postcolonial representations: Women, literature, identity. Cornell University Press, 1995.

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Vlitos, Paul. Eating and Identity in Postcolonial Fiction. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96442-3.

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A, Anchimbe Eric, and Innovations and Reproductions in Cultures and Societies Conference (2005 : Vienna, Austria), eds. Linguistic identity in postcolonial multilingual spaces. Cambridge Scholars, 2007.

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Gibson, Nigel C. Fanon: The postcolonial imagination. Polity Press in association with Blackwell Pub., 2003.

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Abraham, Susan. Identity, Ethics, and Nonviolence in Postcolonial Theory. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604131.

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Gunasekera, Manique. The postcolonial identity of Sri Lankan English. Katha Publishers, 2005.

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Philpott, Simon. Rethinking Indonesia: Postcolonial theory, authoritarianism and identity. Macmillan Press, 2000.

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Anchimbe, Eric A. Postcolonial linguistic voices: Identity choices and representations. De Gruyter Mouton, 2011.

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Book chapters on the topic "Postcolonial identity"

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Adami, Esterino. "Identity." In Postcolonial Stylistics. Routledge, 2025. https://doi.org/10.4324/9781003467595-4.

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Dirlik, Arif. "Literature/Identity." In Postcolonial Studies. John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781119118589.ch25.

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Nthenya, Nahashon Nzioka. "Flight paths of identity." In Postcolonial Aeromobilities. Routledge, 2025. https://doi.org/10.4324/9781003512325-5.

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Milligan, Jeffrey Ayala. "Postcolonial Pragmatism." In Islamic Identity, Postcoloniality, and Educational Policy. Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403981578_6.

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Morozov, Viatcheslav. "Introduction." In Russia's Postcolonial Identity. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137409300_1.

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Morozov, Viatcheslav. "The Postcolonial and the Imperial in the Space and Time of World Politics." In Russia's Postcolonial Identity. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137409300_2.

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Morozov, Viatcheslav. "Russia in/and Europe: Sources of Ambiguity." In Russia's Postcolonial Identity. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137409300_3.

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Morozov, Viatcheslav. "Material Dependency: Postcolonialism, Development and Russia’s ‘Backwardness’." In Russia's Postcolonial Identity. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137409300_4.

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Morozov, Viatcheslav. "Normative Dependency: Putinite Paleoconservatism and the Missing Peasant." In Russia's Postcolonial Identity. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137409300_5.

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Morozov, Viatcheslav. "The People Are Speechless: Russia, the West and the Voice of the Subaltern." In Russia's Postcolonial Identity. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137409300_6.

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Conference papers on the topic "Postcolonial identity"

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Chen, Steven, and Eric Chuan-Fong Shih. "CITY BRANDING THROUGH CINEMA: CREATING HONG KONG’S POSTCOLONIAL IDENTITY." In Bridging Asia and the World: Global Platform for Interface between Marketing and Management. Global Alliance of Marketing & Management Associations, 2016. http://dx.doi.org/10.15444/gmc2016.07.08.02.

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Fellahi, Nadjla. "The Impact of Globalization on Architectural Production in Algeria Regarding Post-colonial Identity." In 6th International Students Science Congress. Izmir International Guest Student Association, 2022. http://dx.doi.org/10.52460/issc.2022.002.

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Algeria imported Western culture through early globalization, which continued with the global integration of the French colonial period and proceeded its impact in the postcolonial era. This paper seeks to analyse the impact of globalization in Algeria in the postcolonial era starting from the remaining colonial impact, as well as how it functioned as an introduction to modern globalization aspects in the postcolonial Algerian identity in the decades before to present. The impact of thousands of colonial houses occupied by Algerians shortly after independence that created old/new dwellings, as well as the rise of individualism as a result of the change in housing notion. The reaction of nationalist Algerian architects as well as the consequences of academics and architects studying abroad in parallel with the availability of internet, architectural media, and commodities, and the rise of consumer culture, that led the change in Algerians' housing preferences. Foreign investments and globalization trends: Are all the aspects that have been discussed to understand the impact of globalization on the post-colonial Algerian identity regarding architectural production. The results show that the Algerian post-colonial architectural production has been remarkably affected by both earlier globalization and modern globalization. Local authorities of Algeria can focus on making young architects familiar with traditional culture in order to maintain the authenticity of their culture in architectural design in the upcoming future.

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Mouli, T. Sai Chandra. "Towards Understanding Identity, Culture and Language." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.3-8.

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Knowledge of self is at the core of all human endeavours. In the quest identity assumes significance. It acquired greater relevance and respect on account of Postcolonial concerns. ‘Class’ emerged as the basis of a person’s identity. Subsequent to liberation of colonies from alien rule, postcolonial concerns gained ground. Focus on indigenous ways of life adds new dimension. Social, cultural, psychological and economic structures became the basis of one’s own view of identity. These dynamics are applicable to languages that flourished, perished or are on the verge of extinction. In India, regional, linguistic, religious diversity add to the complexity of the issue in addition to several subcultures that exist. Culture is not an independent variable. Historical factors, political developments, geographical and climatic conditions along with economic policies followed do contribute to a larger extent in fixing the contours of a country’s culture. Institutional modifications also sway the stability of national culture. Cultural transmission takes place in diverse ways. It is not unidirectional and unilateral. In many countries culture models are passed on from one generation to another through recitation. The learners memorize the cultural expressions without understanding meaning or social significance of what is communicated to them. Naturally, this practice results in hierarchical patterns and hegemony of vested elements. This is how norms of ‘high’ and ‘low’ are formed and extended to written works and oral/folk literatures respectively. This presentation focuses on the identity, culture and language of indigenous people in Telugu speaking states of Telangana and Andhra Pradesh in South India.

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Das, Dipto. "Studying Multi-dimensional Marginalization of Identity from Decolonial and Postcolonial Perspectives." In CSCW '23: Computer Supported Cooperative Work and Social Computing. ACM, 2023. http://dx.doi.org/10.1145/3584931.3608920.

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Issafi, Hamid. "New Trajectories in Postcolonial Narratives: The Predicament of the Immigrant in the Host Country in Laila Lalami’s The Other Americans." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8211.

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During the last few decades Postcolonial studies have evolved to a considerable extent. The abundance of Postcolonial writings and rising polemical debates among Postcolonial writers, scholars and critics are benchmarks that marked the evolvement of Postcolo-nialism in the realm of intelligentsia. Among the most prominent and innovative key-figures of Postcolonial and diaspora writers is Laila Lalami. This paper seeks to explore new routings in Postco-lonial writings. Therefore, the dynamic shift from locality to cosmo-politanism inscribed within Laila Lalami’s The Other Americans (2019) will be discussed. How the migrant’s moving identity is manifested in the Western host country through the prism of the Self and Other dynamics will be given much emphasis. Methodologically speaking, Mikhail Bakhtin’s dialogism will be used as a tool to discuss the polyphony of the novel; by the same token, this study draws upon Postcolonial theory; concepts such as displacement, moving identities, and Homi Bhabha’s third space will be used as tools of analysis.

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Evwodere, Confidence Happiness. "DIALOGIC REPRESENTATION OF POSTCOLONIAL DYNAMICS IN CHIMAMANDA NGOZI ADICHIE’S AMERICANAH." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.114e.

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The echoes of colonialism reverberate through the present, profoundly shaping relational dynamics between the West and the Other. This impact is palpable in contemporary society and finds expression in literature. While postcolonial theory presents tools for analysing literary texts to unravel the resultant complex relations, Communication Accommodation Theory (CAT) offers critical tools for analysing dyadic and larger intercultural and interpersonal dialogues to unravel people’s conversational accommodation styles. These two theories/disciplines—postcolonial theory from literary studies and CAT from Communication—provide theoretical frameworks to analyse dialogues within literary texts with the aim of unravelling the impact of colonialism on postcolonial societies and people and the dynamics of relations forged within the binary framework of the West and the Other. Through this exploration, we gain deeper insights into the complexities of identity, power relations, and cultural negotiation. The paper takes an interdisciplinary approach to emphasise that the interplay of these disciplines provides a rich ground for gaining insight into power, identity, and relational dynamics within the context of African diaspora narratives. Chimamnda Ngozi Adichie’s (2013) Americanah was purposively selected because it yields itself to CAT and postcolonial reading and it is rich with dialogues that reflect the lasting impact of colonialism and postcolonialism on the psyche of the coloniser and the colonised thereby providing rich data for the study.

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Li, Yujin. "The Identity of Jim in lThe Adventures of Huckleberry Finnr from the Postcolonial Perspective." In 2nd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/iccese-18.2018.123.

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Embley, Charity. "A Postcolonial Narrative Inquiry Into the Identity Paradigm of Filipino American Adolescents Using Literary Texts." In 2020 AERA Annual Meeting. AERA, 2020. http://dx.doi.org/10.3102/1569384.

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Shafique, Ariba. "IDENTITY FORMATION IN ‘KARUKKU’ BY BAMA: EXPLORING THE TENSIONS BETWEEN INDIVIDUAL AND COLLECTIVE IDENTITY." In Transforming Knowledge: A Multidisciplinary Research on Integrative Learning Across Disciplines. The Bhopal School of Social Sciences, 2025. https://doi.org/10.51767/ic250303.

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This research explores how identity is shaped and negotiated in Bama’s Karukku, focusing on the tensions between personal and communal identity in the experience of Dalit individuals. The study centers around the question: How does Karukku express the conflicts and compromises between individual and collective identity within the Dalit experience? The goal is to understand how Karukku portrays personal struggles within a rigid caste-based system and how these struggles reflect the broader identities and experiences of the Dalit community. This study also aims to shed light on how societal oppression impacts one’s personal sense of self and the drive for belonging within a marginalized community. Employing a qualitative methodology, the study integrates textual analysis with postcolonial and identity theories to examine the narrative. It analyzes Bama’s storytelling techniques, language, and thematic focus to reveal the dynamics between personal struggles and the collective resilience of the Dalit community. The research highlights how Karukku portrays identity as a fluid negotiation influenced by both personal aspirations and societal constraints. Bama’s narrative demonstrates the intersection of individual and communal identities, emphasizing the resilience and strength of Dalit solidarity in the face of systemic marginalization. Her personal journey is emblematic of a broader struggle for justice and dignity. This study adds to Dalit literature by providing a thoughtful exploration of Karukku, highlighting it as both a deeply personal autobiography and a powerful voice for the Dalit community. It emphasizes how literature can bring attention to marginalized voices and shows how exploring identity becomes a way to resist and challenge caste-based oppression.

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Baydalova, Ekaterina. "Ukrainian Postcolonial Literature: The Problems of National and Gender Identity in the Novels by O. Zabuzhko." In Slavic collection: language, literature, culture. LLC MAKS Press, 2019. http://dx.doi.org/10.29003/m.slavcol-2018/337-344.

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