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Journal articles on the topic 'Postcolonial identity'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 March 2023

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1

Howe, Daniel Walker. "Postcolonial Identity Problems." Reviews in American History 41, no. 2 (2013): 220–23. http://dx.doi.org/10.1353/rah.2013.0030.

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2

Adejunmobi, Moradewun. "Translation and Postcolonial Identity." Translator 4, no. 2 (January 1998): 163–81. http://dx.doi.org/10.1080/13556509.1998.10799018.

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3

Strysick, Michael, and Francoise Lionnet. "Postcolonial Representations: Women, Literature, Identity." South Atlantic Review 61, no. 3 (1996): 166. http://dx.doi.org/10.2307/3200902.

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4

Stahl, Aletha, and Francoise Lionnet. "Postcolonial Representations: Women, Literature, Identity." SubStance 25, no. 3 (1996): 168. http://dx.doi.org/10.2307/3684876.

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5

Karkaba, Cherki. "Deconstructing Identity in Postcolonial Fiction." ELOPE: English Language Overseas Perspectives and Enquiries 7, no. 2 (May 28, 2010): 91–99. http://dx.doi.org/10.4312/elope.7.2.91-99.

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With the destabilization of political and cultural boundaries between peoples and nations, the concept of identity, with its implications in the dialectics of self and other, becomes a philosophical challenge in a globalised cosmopolitan world. The challenge resides in the fact that in such a postmodern situation where identity is viewed as shapeless, shifting and moving beyond the fixity of Manichean thought, a process of questioning is enacted to interrogate identity in its past, present and future implications. This paper will attempt to look at the ways in which some postcolonial novels set out to deconstruct the concept of identity by constructing ambivalent texts, blurring the borders between self and other, laying the foundations for hybridity where otherness reigns as a process of signification which rests on interpretation.
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6

Yadav, Bibhuti S. "Mispredicated identity and postcolonial discourse." Sophia 39, no. 1 (March 2000): 78–131. http://dx.doi.org/10.1007/bf02786384.

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7

Zabus, Chantal, and Françoise Lionnet. "Postcolonial Representations: Women, Literature, Identity." World Literature Today 70, no. 2 (1996): 480. http://dx.doi.org/10.2307/40152285.

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8

Savarimuththu Kilbert, Thangarajah Jeevahan, and Maniccarajah Thamilselvan. "Things fall apart: A liminal identity: Thematic approach of identity crisis." World Journal of Advanced Research and Reviews 17, no. 1 (January 30, 2023): 589–95. http://dx.doi.org/10.30574/wjarr.2023.17.1.0079.

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The aim of this research is to analyze the novel, Things Fall Apart as a liminal Identity: Thematic approach of Identity Crisis from the perspective of Postcolonial Literature. The study analyzes the plot development and the thematic aspects of the novel on one level. On the other level the paper analyzes how the facts related to the colonial aspects of Africa and the impact of colonialism are embedded in this fiction. Therefore, it is a comparative study of Post-colonialism and Post-Colonial Literature. A brief introduction to Postcolonial literature is given at the outset. The indication of the word ‘post-colonialism’ along with the origin and development of the postcolonial theories and studies are critically examined. The research evaluates the thematic aspect of postcolonial literature, identity crisis with special reference to liminal identity. It also critically analyses the various representative authors like Rushdie, Achebe, Ondantje, Fanon, Derek Walcott, and J. M. Coetzee in addition to some female writers like Jamaica Kancaid, Isabelle Illende and Eavan Bolland. Furthermore, it also briefly examines the political history of colonization and the impact of colonialism on the literature produced during post-colonial period. The research introduces Chinua Achebe, the author of Things Fall Apart, from the point of his personal and historical background in order to compare the content and the context of his writing. Thus, the study reveals that the novel, Things Fall Apart, is a revelation of Identity Crisis.
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9

Gutin, Ilya. "Macao: in search for postcolonial identity." Asia and Africa Today, no. 4 (2021): 54. http://dx.doi.org/10.31857/s032150750014656-3.

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10

Szakács, Simona. "Postcolonial readings of Romanian identity narratives." National Identities 21, no. 2 (January 16, 2018): 214–17. http://dx.doi.org/10.1080/14608944.2017.1422649.

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11

Hill, Jonathan N. C. "Identity and instability in postcolonial Algeria1." Journal of North African Studies 11, no. 1 (March 2006): 1–16. http://dx.doi.org/10.1080/13629380500409735.

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12

Abidin, M. Zainal. "Rethinking Indonesia: Postcolonial Theory, Authoritarianism and Identity." Millah I, no. 1 (July 28, 2016): 161–64. http://dx.doi.org/10.20885/millah.voli.iss1.art12.

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Abidin, M. Zainal. "Rethinking Indonesia: Postcolonial Theory, Authoritarianism and Identity." Millah 1, no. 1 (August 15, 2001): 161–64. http://dx.doi.org/10.20885/millah.vol1.iss1.art12.

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14

Oh, Miyoung. "‘Eternal Other’ Japan: South Koreans' Postcolonial Identity." International Journal of the History of Sport 26, no. 3 (February 4, 2009): 371–89. http://dx.doi.org/10.1080/09523360802602257.

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15

Hart, Stephen M. "Vallejo in between: Postcolonial Identity inPoemas Humanos." Romance Studies 19, no. 1 (June 2001): 17–27. http://dx.doi.org/10.1179/ros.2001.19.1.17.

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16

Masselos, Jim. ":Gandhinagar: Building National Identity in Postcolonial India." American Historical Review 110, no. 4 (October 2005): 1151–52. http://dx.doi.org/10.1086/ahr.110.4.1151.

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17

Fairweather, Ian. "Heritage, Identity and Youth in Postcolonial Namibia." Journal of Southern African Studies 32, no. 4 (December 2006): 719–36. http://dx.doi.org/10.1080/03057070600995566.

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18

Mazrui, Alamin. "Postcolonial linguistic voices: identity choices and representations." Journal of Multilingual and Multicultural Development 34, no. 7 (December 2013): 750–51. http://dx.doi.org/10.1080/01434632.2013.803738.

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19

Sivaramakrishnan, K. "Wages of Violence: Naming and Identity in Postcolonial Bombay.:Wages of Violence: Naming and Identity in Postcolonial Bombay." American Anthropologist 105, no. 2 (June 2003): 421–22. http://dx.doi.org/10.1525/aa.2003.105.2.421.

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20

Kelli, Deonna. "The Postcolonial Crescent." American Journal of Islam and Society 15, no. 4 (January 1, 1998): 145–50. http://dx.doi.org/10.35632/ajis.v15i4.2150.

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Identity politics has become the catch phrase of the postmodern age. Withconcepts such as "exile," "migrancy," and "hybridity" acquiring unprecedentedcultural significance in the late twentieth century, the postcolonial age givesway to new identities, fractured modes of living, and new conditions of humanity.Literature is a powerful tool to explore such issues in an era where a greatdeal of the world is displaced, and the idea of a homeland becomes a disrupted,remote possibility. The Postcolonial Crescent: Islam's Impact onContemporary Literature, is an attempt to discuss how Muslims negotiateidentity at a time of rapid and spiritually challenging transculturation. The bookuses fiction written by Muslims to critique the effects of colonialism, counteractmodernity, and question the status of Islamic identity in the contemporaryworld. It also can be considered as the primary introduction of contemporaryIslamic literature into the postcolonial genre. Muslim writers have yet to submit a unique and powerful commentary on postcolonial and cultural studies;this work at least softens that absence.The Postcolonial Crescent was conceived as a response to The SatanicVerses controversy. Therefore, it is “intimately involved in the interchangebetween religion and the state, and demonstrates that the roles Islam is playingin postcolonial nation-building is especially contested in the absence of broadlyacceptable models” (p. 4). Conflicting issues of identity are approached byinterrogating the authority to define a “correct” Islamic identity, the role ofindividual rights, and the “variegation of Islamic expression within specificcultural settings, suggesting through the national self-definitions the many concernsthat the Islamic world shares with global postcoloniality” (p. 7) ...
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21

Sheoran, Bharatender. "A dilemma of Caribbean Populace: Post-Colonial conflicts and Identity crisis in Derek Walcott’s Plays." SMART MOVES JOURNAL IJELLH 1, no. 5 (February 28, 2014): 6. http://dx.doi.org/10.24113/ijellh.v1i5.3046.

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Today, it is said that the colonial age is over, and the new age is called “postcolonial”. However, the traces of colonialism can still be observed in the postcolonial period, for colonialism opened a big wound in the psychology, culture and identity of the once colonized people. Thus, the major themes in the works written in the postcolonial period have been the fragmentation and identity crisis experienced by the once colonized peoples and the important impacts of colonialism on the indigenous. Nobel Prize laureate Derek Walcott, a victim of colonial legacy has represented these conflicts in reference to Caribbean region with depth and self-evaluation through his writings. In this paper I will examine the identity crisis and fragmentation undergone by West Indians in the postcolonial age with reference to selected works of Derek Walcott.
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22

Barbora Starkutė, Ugnė. "Not Enough Sami? The Affects of Postcolonial Identity." Lietuvos etnologija / Lithuanian ethnology 20 (29) 2020 (December 21, 2020): 61–79. http://dx.doi.org/10.33918/25386522-2029003.

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The article explores how people identify with their ‘Saminess’. To understand this better, discourses of affects and emotions around the topic are analysed, particularly shame and inadequacy. They show how people ‘measure’ Saminess in relation to ‘proper’ Sami. I investigate here if this is a fault of a discursive dichotomy between modernity and tradition – the depiction of a traditional indigenous group forming in opposition to a coloniser’s modern identity. Key words: Sami, indigeneity, modernity, tradition, identity.
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23

Hamil, Mustapha. "Interrogating Identity: Abdelkebir Khatibi and the Postcolonial Prerogative." Alif: Journal of Comparative Poetics, no. 22 (2002): 72. http://dx.doi.org/10.2307/1350050.

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24

Fioupou, Christiane. "Mpalive-Hangson Msiska, Postcolonial Identity in Wole Soyinka." Commonwealth Essays and Studies 33, no. 1 (September 1, 2010): 121–22. http://dx.doi.org/10.4000/ces.8359.

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25

Gunawan, Vinsensius Adi. "Knörr, Jacqueline: Creole Identity in Postcolonial Indo- nesia." Anthropos 110, no. 2 (2015): 637–39. http://dx.doi.org/10.5771/0257-9774-2015-2-637-1.

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26

Jeyalakshmi, G. "Postcolonial Human Identity in Mahesh Dattani’s Select Plays." SMART MOVES JOURNAL IJELLH 8, no. 3 (March 28, 2020): 12. http://dx.doi.org/10.24113/ijellh.v8i3.10467.

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Mahesh Dattani is rightly regarded by the international Herald Tribune as one of the best and the most serious playwrights writing in English, His plays expose the violence of private thoughts and the hypocricy of public morality, Dattani wants to get rid of all kinds of evils in the society which spoil the degnifid life. All the atrocities in the name of religion, class, race, or gender can be eradicated if a person is able to understand the power of the human nature. It is not intelligent to be submissive to the cruelties of the oppressor and demising human dignity. This paper analyses a few plays of Dattani to prove that Dattani is against both the atrocities of the dominating and the submissiveness of the dominated in order to attain a dignified life with self -identity.
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27

Maira, S. "States of Exception: Everyday Life and Postcolonial Identity." Comparative Studies of South Asia, Africa and the Middle East 23, no. 1-2 (January 1, 2003): 349–51. http://dx.doi.org/10.1215/1089201x-23-1-2-349.

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28

Zhang, Carol Xiaoyue, Lawrence Hoc Nang Fong, ShiNa Li, and Tuan Phong Ly. "National identity and cultural festivals in postcolonial destinations." Tourism Management 73 (August 2019): 94–104. http://dx.doi.org/10.1016/j.tourman.2019.01.013.

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29

Scanlon, Lauren A., and M. Satish Kumar. "Ireland and Irishness: The Contextuality of Postcolonial Identity." Annals of the American Association of Geographers 109, no. 1 (December 20, 2018): 202–22. http://dx.doi.org/10.1080/24694452.2018.1507812.

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30

Wasserman, Herman. "Postcolonial cultural identity in recent Afrikaans literary texts." Journal of Literary Studies 16, no. 3-4 (December 2000): 90–114. http://dx.doi.org/10.1080/02564710008530267.

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31

Bleiker, Roland, and David Hundt. "Ko Un and the Poetics of Postcolonial Identity." Global Society 24, no. 3 (July 2010): 331–49. http://dx.doi.org/10.1080/13600826.2010.485557.

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32

Alexander, Claire. "States of Exception: Everyday Life and Postcolonial Identity." American Ethnologist 29, no. 2 (May 2002): 425–26. http://dx.doi.org/10.1525/ae.2002.29.2.425.

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33

Redclift, Victoria. "Displacement, integration and identity in the postcolonial world." Identities 23, no. 2 (February 9, 2015): 117–35. http://dx.doi.org/10.1080/1070289x.2015.1008001.

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34

Ashcroft, Shaka. "Roots and Routes: Krio Identity in Postcolonial London." Black Theology 13, no. 2 (August 2015): 102–25. http://dx.doi.org/10.1179/1476994815z.00000000051.

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35

Amoamo, Maria. "Māori tourism: Image and identity — a postcolonial perspective." Annals of Leisure Research 10, no. 3-4 (January 2007): 454–74. http://dx.doi.org/10.1080/11745398.2007.9686776.

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36

PERERA, KAUSHALYA. "Postcolonial Identity of Sri Lankan English. Manique Gunesekera." TESOL Quarterly 41, no. 4 (December 2007): 831–32. http://dx.doi.org/10.1002/j.1545-7249.2007.tb00111.x.

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37

Briedik, Adam. "A postcolonial feminist dystopia: Margaret Atwood’s The Handmaid’s Tale." Ars Aeterna 13, no. 1 (June 1, 2021): 57–67. http://dx.doi.org/10.2478/aa-2021-0004.

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Abstract Postcolonial criticism offers a radically new platform for the interpretation of science fiction texts. Mostly preoccupied with the themes of alien other and interstellar colonization, the genre of sci-fi breaths with colonial discourse and postcolonial tropes and imagery. Although Margaret Atwood rejects the label of science fiction writer, her dystopian novel The Handmaid’s Tale (1985) explores similar ethical concerns to the anti-conquest narratives of postcolonial authors. Atwood’s identification of Canadian identity as a victim of the former British Empire is challenged by her introduction of a female character rejecting their postcolonial subjugated identity in a patriarchal society. Her variation on dystopian concerns is motivated by sexuality, and her characters are reduced to objects of colonial desire with no agency. The protagonist, Offred, endures double colonization from the feminist perspective; yet, in terms of postcolonial criticism, Attwood’s character of Offred is allowed to reconstruct her subaltern identity through her fragmented narration of the past and speak in an authoritative voice. The orality of her narration only confirms the predisposition of the text to interpretation in the same terms as postcolonial fiction.
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38

Alzouabi, Lina Taysir. "A Comparative Study of Tayeb Salih’s Season of Migration to the North and Hanif Kureishi’s My Son the Fanatic: The Crisis of Identity in Postcolonial Literary Works." International Journal of Literature Studies 2, no. 1 (April 30, 2022): 15–21. http://dx.doi.org/10.32996/ijts.2022.2.1.3.

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Throughout postcolonial societies, identity is amongst the most contentious and problematic concerns. The topic of identity in postcolonial literature will be explored in this study, using critical postcolonial theory to examine the complicated topic of identity struggles in Tayeb Salih's Season of Migration to the North (1969) and Hanif Kureishi’s short story My Son the Fanatic (1994). Following a detailed examination, the study highlights the complex concept of hybridity and identity in a neocolonial environment, where a false concept of ‘purity’ defines and establishes identities. The protagonists’ struggles to improve and preserve an identity that straddles the line between complete integration and abandonment of their own culture are depicted in the study. The findings of the study demonstrate how issues occur when the West is placed higher than the East, and the postcolonial self is brainwashed and absorbed by this ideology. According to this study, oriental and occidental identities conflict still exists as long as the West maintains dominance over the East.
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39

Zárate Fernández, Marcela Patricia. "Trilogía postcolonial." Diálogos Latinoamericanos 19, no. 27 (December 20, 2018): 104–16. http://dx.doi.org/10.7146/dl.v19i27.111648.

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The literature of Latin America informs and captivates lectors through a myriad of sociocultural, political and economic contexts, thus validating it as an artistic expression representative of those postcolonial communities that authors wish to engage. In the case of postcolonial literature, both contemporary and historical events play a significant role in the development of a nation’s distinct identity and facilitate an incipient society’s recognition as an independent region. In this article, I illustrate how the three-part series of books Journey On, Aba Wama, and Gariganus’ Exile by Belizean author Nelita Doherty contribute significantly to the creation of postcolonial Belize through the establishment, struggles, and survival of the Afro-indigenous Garifuna community. This work critically analyzes themes such as emancipation, the concept of “nation”, a feminist perspective of protecting the nation, cultural heritage and remembrance, and subalternity viewed through the lenses of macrohistories and microhistories.
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40

Baydalova, Ekaterina. "On the specfics of postcolonial research in the conetmporary Ukrainian literary studies." Slavic Almanac, no. 1-2 (2019): 446–61. http://dx.doi.org/10.31168/2073-5731.2019.1-2.6.05.

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The postcolonial studies have been under discussion in the Ukrainian historiography, social science, culture studies and literary criticism since 1990 years. They have originated from American, European, and Australian academic studies and became more and more popular in modern Ukrainian culture recently. The nation and the nationalism, Orientalism, multicultural and ambivalent individuality self-presentation, the search of cultural identity, the problem of ambivalent attitude to the past are in the paradigm of postcolonial studies. The problems of national identity, the totalitarian past, the interactions with neighboring countries especially Russia and Poland, the instable Ukrainian society’s condition are analyzed under the postcolonial ideas in the Ukrainian intellectual discourse. The postcolonial theory has become the main interpretative strategy of the Ukrainian researchers lately. Nevertheless, there is no unconditional modus vivendi in the Ukrainian academia about postcolonial conceptions, strategies and principles. One of the most important unsolved issues is the question of correlation of postcolonial and postmodern components of the Ukrainian national literature. The inclusion of the studies of trauma and anticolonial and posttotalitarian discourses into the framework of the postcolonial studies is the most distinguishing feature of postcolonial studies in the Ukraine.
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41

Bertaux, S. "The Return of the Native: Postcolonial Smoke Screen and the French Postcolonial Politics of Identity." Public Culture 23, no. 1 (January 1, 2011): 201–15. http://dx.doi.org/10.1215/08992363-2010-023.

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42

Pisarska, Justyna. "Viatcheslav Morozov, Russia’s Postcolonial Identity. A subaltern Empire in a Eurocentric World, Palgrave Macmillan, London 2015." Rusycystyczne Studia Literaturoznawcze 28 (December 12, 2018): 179–88. http://dx.doi.org/10.31261/rsl.2018.28.09.

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The article is the review of a book Russia’s Postcolonial Identity. A Subaltern Empire in a Eurocentric World. Its main aim is to present the new perspective of researching postcolonial situation in Russia, presented by Viatscheslav Morozov in which Russia is seen as a subaltern.
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43

Emoto. "Performing Alterity: Postcolonial Genesis of Borderland Identity in Japan." Journal of Folklore Research 53, no. 1 (2016): 1. http://dx.doi.org/10.2979/jfolkrese.53.1-4.1.

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44

Hogan, Patrick Colm. "Postcolonial Identity in Wole Soyinka, by Mpalive-Hangson Msiska." Research in African Literatures 39, no. 3 (September 2008): 204–5. http://dx.doi.org/10.2979/ral.2008.39.3.204.

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45

Hughes, Harriet. "Performing postcolonial identity: The spectacle of Lagos Fashion Week." International Journal of Fashion Studies 9, no. 2 (October 1, 2022): 281–98. http://dx.doi.org/10.1386/infs_00072_1.

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Throughout the fashion year in Lagos, events take place across the city. The pre-eminent event is Lagos Fashion Week (LFW). A key event in the fashion calendar on the African continent, this is where designers are consecrated in the fashion field, and where social and economic capital is delineated. This article describes the strategies employed by the designers and attendees to realize and self-represent their creations. To some degree, LFW is more accessible than the dominant western fashion weeks (New York, etc.) and offers the potential for actors to destabilize that system and its inherited colonial ideologies. LFW provides a platform for self-representation and for legitimizing alternative identities, some of which challenge an embedded patriarchy. A vibrant competitive display of street fashion, covered by international journalists and photographers, offers further possibilities for the articulation of contemporary identities, which challenge the legacies of stereotypical colonial representations of African dress. At the same time, certain western conventions are reproduced, such as the celebration and legitimization of individual designers over the hidden labour of artisans. The article suggests that LFW might serve to facilitate decolonial processes once designers employ equitable fashion practices and represent the voices of the artisans.
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46

Carotenuto, Matthew. "Riwruok E Teko:Cultivating Identity in Colonial and Postcolonial Kenya." Africa Today 53, no. 2 (December 2006): 52–73. http://dx.doi.org/10.2979/aft.2006.53.2.52.

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47

Loughran, Steven. "Cultural Identity, Deafness and Sign Language: A Postcolonial Approach." LUX 2, no. 1 (2013): 1–8. http://dx.doi.org/10.5642/lux.201301.19.

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48

Banks, Glenn, Ken Gelder, and Jane M. Jacobs. "Uncanny Australia: Sacredness and Identity in a Postcolonial Nation." Pacific Affairs 73, no. 2 (2000): 319. http://dx.doi.org/10.2307/2672217.

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49

Krishna, Sankaran. "Producing Sri Lanka: J. R. Jayewardene and Postcolonial Identity." Alternatives: Global, Local, Political 21, no. 3 (July 1996): 303–20. http://dx.doi.org/10.1177/030437549602100302.

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50

Sizgorich, Thomas. "The Dancing Martyr: Violence, Identity, and the Abbasid Postcolonial." History of Religions 57, no. 1 (August 2017): 2–27. http://dx.doi.org/10.1086/692315.

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