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Books on the topic 'Postcolonial intertextuality'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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1

African fiction and Joseph Conrad: Reading postcolonial intertextuality. Albany: State University of New York Press, 2005.

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2

Caribbean-English passages: Intertexuality in a postcolonial tradition. New York: Routledge, 2002.

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3

Newman, Judie. The ballistic bard: Postcolonial fictions. London: Arnold, 1995.

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4

Postcolonial con-texts: Writing back to the canon. London: Continuum, 2001.

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5

In un altro paese: Intertestualità postcoloniale. Reggio Emilia: Diabasis, 2008.

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6

Ricciardi, Caterina. In un altro paese: Intertestualità postcoloniale. Reggio Emilia: Diabasis, 2008.

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7

Brillenburg Wurth, Kiene, and Ann Rigney. The Life of Texts. NL Amsterdam: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789463720830.

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This innovative introduction to literary studies takes 'the life of texts' as its overarching frame. It provides a conceptual and methodological toolbox for analysing novels, poems, and all sorts of other texts as they circulate in oral, print, and digital form. It shows how texts inspire each other, and how stories migrate across media. It explains why literature has been interpreted in different ways across time. Finally, it asks why some texts fascinate people so much that they are reproduced and passed on to others in the form of new editions, in adaptations to film and theatre, and, last but not least, in the ways we look at the world and act out our lives. The Life of Texts is designed around particular issues rather than the history of the discipline as such. Each chapter concentrates on a different aspect of 'the life of texts' and introduces the key debates and concepts relevant to its study. The issues discussed range from aesthetics and narrative to intertextuality and intermediality, from reading practices to hermeneutics and semiotics, popular culture to literary canonisation, postcolonial criticism to cultural memory. Key concepts and schools in the field have been highlighted in the text and then collected in a glossary for ease of reference. All chapters are richly illustrated with examples from different language areas.
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8

Caminero-Santangelo, Byron. African Fiction And Joseph Conrad: Reading Postcolonial Intertextuality. State University of New York Press, 2004.

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9

Caminero-Santangelo, Byron. African Fiction And Joseph Conrad: Reading Postcolonial Intertextuality. State University of New York Press, 2004.

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10

DORING, TOBIAS. Caribbean-English Passages: Intertexuality in a Postcolonial Tradition (Postcolonial Literatures). Routledge, 2006.

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11

Postcolonial Echoes and Evocations: The Intertextual Appeal of Maryse Conde (Modern French Identities). Peter Lang Publishing, 2006.

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12

O'regan, Derek. Postcolonial Echoes and Evocations: The Intertextual Appeal of Maryse Conde (Modern French Identities). Peter Lang Publishing, 2006.

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13

Newman, Judie. The Ballistic Bard: Postcolonial Fictions. A Hodder Arnold Publication, 1998.

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14

Thieme, John. Postcolonial Con-Texts: Writing Back to the Canon (Literature Culture and Identity). Continuum International Publishing Group, 2002.

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15

Thieme, John. Postcolonial Con-Texts: Writing Back to the Canon (Literature Culture and Identity). Continuum International Publishing Group, 2002.

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16

van der Vlies, Andrew. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793762.003.0001.

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This chapter considers the representation of impasse in three novels by Ingrid Winterbach, widely fêted in South Africa as one of its leading Afrikaans-language writers: Die boek van toeval en toeverlaat (2006; The Book of Happenstance, 2008); Die benederyk (2010; The Road of Excess, 2014); Die aanspraak van lewende wesens (2012; It Might Get Loud, 2015). It discusses the forms of precarious life at issue in these texts, and tests the usefulness of work by Lauren Berlant (on the ‘cruel optimism’ of neoliberal social life; on the cultural forms—including the ‘situation tragedy’—that reflect it) and David Scott (on the tragic nature of post-utopian postcolonial politics) for reading it. This chapter introduces a key concern of the book, the intertextuality through which its writers participate in local and global conversations (here involving J.M. Coetzee and Don DeLillo).
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