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Journal articles on the topic 'Postcolonial mimicry'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Owen, Catherine, John Heathershaw, and Igor Savin. "How postcolonial is post-Western IR? Mimicry and mētis in the international politics of Russia and Central Asia." Review of International Studies 44, no. 2 (2017): 279–300. http://dx.doi.org/10.1017/s0260210517000523.

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AbstractScholars of International Relations have called for the creation of a post-Western IR that reflects the global and local contexts of the declining power and legitimacy of the West. Recognising this discourse as indicative of the postcolonial condition, we deploy Homi Bhabha’s concept of mimicry and James C. Scott’s notion of mētis to assess whether international political dynamics of a hybrid kind are emerging. Based on interviews with Central Asian political, economic, and cultural elites, we explore the emergence of a new global politics of a post-Western type. We find that Russia su

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Siltaoja, Marjo, Katariina Juusola, and Marke Kivijärvi. "‘World-class’ fantasies: A neocolonial analysis of international branch campuses." Organization 26, no. 1 (2018): 75–97. http://dx.doi.org/10.1177/1350508418775836.

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In this article, we build on postcolonial studies and discourse analytical research exploring how the ‘world-class’ discourse as an ideology and a fantasy structures neocolonial relations in international branch campuses. We empirically examine how international branch campuses reproduce the fantasy of being so-called world-class operators and how the onsite faculty members identify with or resist this world-class fantasy through mimicry. Our research material originates from fieldwork conducted in business-school international branch campuses operating in the United Arab Emirates. Our finding

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Islam, Dr MD Rakibul, and DR Nazia Hasan. "Kim and Kip in the Mirror of Mimicry: A Postcolonial Study." Grove - Working Papers on English Studies 27 (December 14, 2020): 25–40. http://dx.doi.org/10.17561/grove.v27.a2.

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The research paper aims to give an accurate account of how Kirpal Singh/Kip in The English Patient by Michael Ondaatje copies the socio-cultural and linguistic norms of the Europeans (colonizers) unlike Kipling’s Kim who emulates the Eastern people (colonized) and their culture. They are examples of going through a long drawn process of growing up, looking into the mirror of mimicry. Kip joins the English army as a grown up, learns the need to show affinity to the new culture by way of imitation, adopting their ways to weave a comfort zone. Being different could be an assaulting fact for both

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Darmawan, Ruly Indra. "Revisiting Bhabha’s Mimicry in George Orwell’s Animal Farm." PIONEER: Journal of Language and Literature 12, no. 2 (2020): 141. http://dx.doi.org/10.36841/pioneer.v12i2.731.

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This paper talks about Bhabha’s Mimicry’s idea in Orwell’s novel entitled Animal Farm. Postcolonialism theory is used to analyze the Animal Farm since the novel portrays the dynamic of animals’ lives after being freed from human colonization. Bhabha’s mimicry is utilized to demonstrate Napoleon and his pig family as the principal data that portrays animals that are imitating a human as a result of human’s colonization. The animal is known as the foe of humankind on the ranch that they live. Mimicry ideas utilized are Bhabha’s both ambivalence and term the same but not quite. Those ideas are pr

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Iskarna, Tatang. "KOMPLEKSITAS POSKOLONIAL DALAM PUISI “NYANYIAN LAWINO” KARYA OKOT P’BITEK." Adabiyyāt: Jurnal Bahasa dan Sastra 10, no. 2 (2011): 259. http://dx.doi.org/10.14421/ajbs.2011.10203.

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This article discusses how an African woman faces the postcolonial complexity as presented in the poem “Song of Lawino” (1966), written by Okot p’Bitek, an Uganda writer. The postcolonial complexity here means the difficult situation of decolonizing process as a result of a cultural clash between local African and Western culture, which has been internalized by some African people. The internalization of the Western culture creates self-hatred racism of African people, political group dispute, woman oppression, and mimicry. Using postcolonial perspective, which is proposed by Franz Fanon, Aime

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Suwondo, Tirto. "KAJIAN WACANA SASTRA PASCAKOLONIAL DAN PEMBANGUNAN KARAKTER BANGSA." JENTERA: Jurnal Kajian Sastra 3, no. 2 (2017): 95. http://dx.doi.org/10.26499/jentera.v3i2.440.

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This article talks about Indonesia literature postcolonial discourse in relation to characters building (nation). The approaches used are postcolonial and pragmatic. Postcolonial approach is used to study the meaning of texts, while pragmatic is used to study the meaning of contexts. The postcolonial approach proves that Indonesia literature texts indicate the existence of postcoloniality in the form of power relation, double identities, mimicry, and resistence. The pragmatic approach shows that postcoloniality can be used by readers as a reference to various temathical ideas; and those ideas

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Lothspeich, Pamela. "Chasing the Parsi Theatre in Bareilly." TDR/The Drama Review 59, no. 2 (2015): 9–45. http://dx.doi.org/10.1162/dram_a_00447.

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A contemporary restaging of Pandit Radheshyam Kathavachak’s mythological play Heroic Abhimanyu in the style of Parsi theatre raises questions about postcolonial mimicry, hybrid theatre forms, and the vicissitudes of reviving traditional theatre in India.

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Zeghal, Malika. "On the Politics of Sainthood: Resistance and Mimicry in Postcolonial Morocco." Critical Inquiry 35, no. 3 (2009): 587–610. http://dx.doi.org/10.1086/600093.

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9

Watson, Jini Kim. "Imperial mimicry, modernisation theory and the contradictions of postcolonial South Korea1." Postcolonial Studies 10, no. 2 (2007): 171–90. http://dx.doi.org/10.1080/13688790701348565.

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10

Chakrabarti, Sumit. "Moving beyond Edward Said: Homi Bhabha and the Problem of Postcolonial Representation." International Studies. Interdisciplinary Political and Cultural Journal 14, no. 1 (2012): 5–21. http://dx.doi.org/10.2478/v10223-012-0051-3.

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The essay takes up the issue of postcolonial representation in terms of a critique of European modernism that has been symptomatic of much postcolonial theoretical debates in the recent years. It tries to enumerate the epistemic changes within the paradigm of postcolonial theoretical writing that began tentatively with the publication of Edward Said’s Orientalism in 1978 and has taken a curious postmodern turn in recent years with the writings of Gayatri Spivak and Homi Bhabha. The essay primarily focuses on Bhabha’s concepts of ambivalence and mimicry and his politics of theoretical anarchism

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Anantama, Muharsyam Dwi, Sahid Teguh Widodo, and Budhi Setiawan. "Hybridity and Mimicry in the Novel Pangeran Dari Timur Iksaka Banu's Work." International Journal of Multicultural and Multireligious Understanding 8, no. 1 (2021): 32. http://dx.doi.org/10.18415/ijmmu.v8i1.2211.

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This study aims to describe and interpret the hybridity and mimicry in Iksaka Banu's novel, Pangeran dari Timur. This research is a descriptive qualitative study with a postcolonial approach. The data in this study are symptoms of hybridity and mimicry in the data source, namely the novel Pangeran dari Timur by Iksaka Banu. Data were collected using reading and note-taking techniques. The collected data then analyzed using the interactive analysis technique of Miles and Huberman. The results show that in the novel Pangeran dari Timur by Iksaka Banu, there is hybridity which includes the educat

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Dasgupta, Sandipto. "Gandhi’s Failure: Anticolonial Movements and Postcolonial Futures." Perspectives on Politics 15, no. 3 (2017): 647–62. http://dx.doi.org/10.1017/s1537592717000883.

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M.K. Gandhi was the undisputed leader of India's struggle for independence. Yet his vision for postcolonial India was completely marginalized at the moment of decolonization. The article takes this seemingly paradoxical juncture as the vantage point from which to offer a critique of Gandhi's political thought and more broadly an analysis of the shift from anticolonial movements to postcolonial rule. Through the voices of Gandhi's two most significant contemporary critics—B.R. Ambedkar and Jawaharlal Nehru—the article shows how his ideas failed to either inspire the struggle of the ruled (Ambed

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Iqbal, Liaqat, Irfan Ullah, and Abdur Rehman. "Postcolonial perspective in No Longer at Ease and A Passage to India." Global Language Review III, no. I (2018): 114–25. http://dx.doi.org/10.31703/glr.2018(iii-i).07.

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Postcolonialism with its various aspects is focused in this paper. The present study highlights the key postcolonial issues in Chinua Achebe’s novel No Longer at Ease and E. M. Forster’s novel A Passage to India. While keeping in view length of the chapters, only the first chapter of No Longer at Ease and the first three chapters of A Passage to India have been analyzed and discussed. The postcolonial issues found in these novels are ambivalence, stereotyping, mimicry, hybridity, representation, orality, binarism and marginalization. Almost both of the novels got these issues in some proportio

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Oh, Chuyun. "Performing Post-Racial Asianness: K-Pop's Appropriation of Hip-Hop Culture." Congress on Research in Dance Conference Proceedings 2014 (2014): 121–25. http://dx.doi.org/10.1017/cor.2014.17.

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Drawing on theories from performance studies, dance studies, and critical race studies, this paper explores the ways in which Korean pop (K-pop)'s appropriation of hip-hop reveals a complex moment of global cultural flow. Western audience reception of K-pop is likely limited to framing K-pop either as a form of contemporary minstrelsy or a postcolonial mimicry, e.g., making fun of African American culture or a bad copy of American pop. This perspective, however, understands K-pop through the lens of American culture and only considers external signs of the performances. It fails to capture the

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15

Sealey, Kris. "Resisting the Logic of Ambivalence: Bad Faith as Subversive, Anticolonial Practice." Hypatia 33, no. 2 (2018): 163–77. http://dx.doi.org/10.1111/hypa.12404.

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This article critiques Homi Bhabha's proposal that mimicry, as a transgressive performance of ambivalence, disrupts the colonial violence of the stereotype, and as such, generates emancipatory conditions for postcolonial subjects. I am critical of this naming of mimicry as enabling a possible liberation from colonial violence not only because it fails to address the loss of belonging that significantly marks the experience of being so violated, but also because it seems to intensify this loss in the hybridity and fragmentation that it celebrates. Through the work of María Lugones and Mariana O

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Saikia, Giteemoni. "Mimicry in Postcolonial Nigerian literature with special reference to Chimamanda Ngozi Adichie’s ‘Americanah’." Think India 22, no. 3 (2019): 1641–59. http://dx.doi.org/10.26643/think-india.v22i3.8553.

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Purpose of the Study: The purpose of the paper is to offer a study on the work of Adichie through the approach of Homi K. Bhabha’s concept of mimicry. Methodology: The study is based on both primary and secondary data. However, the study is mostly based on secondary data such as published literature, books and journals etc.

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Peimanfard, Shima, and Fazel Asadi Amjad. "“Mimic woman” or “Abject Subject”? Crisscrossing Glances of Postcolonial and Psychoanalytic Theories in Rhys’s Wide Sargasso Sea." Advances in Language and Literary Studies 9, no. 1 (2018): 75. http://dx.doi.org/10.7575/aiac.alls.v.9n.1p.75.

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This study intends to examine the intersections of Postcolonilism and Psychoanalysis in Rhys’ literary oeuvre, Wide Sargasso Sea. In the light of Kristeva’s Abjection theory, the paper challenges Bhabha’s notions of hybridity, mimicry and ambivalence as he accentuates them as a form of resistance against White hegemony. Notwithstanding Bhabha’s arguments, the novel also indicates that the hybrid woman’s mimicry of whiteness subjects her to an ambivalent space, which not only make her incapable of distorting the master’s hegemony, it dooms her to get lost in a constant psychotic delirium and ab

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18

Hasanthi, D. R. "The Mimic Man in Kiran Desai’s The Inheritance of Loss." Shanlax International Journal of English 9, no. 2 (2021): 48–57. http://dx.doi.org/10.34293/english.v9i2.3737.

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Spread over continents, countries and cultures, Kiran Desai’s The Inheritance of Loss (2006) takes us on a tour de force into the realms of multiculturalism and hybridity in Indian culture. It focuses on the changing face of India, amidst East - West encounter, globalization and glocalization. The novel as a postcolonial text puts forth, the authority politics of cultural imperialism, even after the independence of India. This paper appraises the novel using Homi. K. Bhabha’s theory of mimicry, hybridity and ambivalence. It concentrates on the mimic man of the novel Judge Jemubhai Patel. This

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Azeem, Muhammad, M. K. Sangi, and Komal Ansari. "FOREGROUNDING OF POSTCOLONIAL ELEMENTS IN HANIF KUREISHI’S THE BLACK ALBUM." Humanities & Social Sciences Reviews 9, no. 3 (2021): 1018–26. http://dx.doi.org/10.18510/hssr.2021.93100.

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Purpose of the study: This study aims to examine the postcolonial elements i.e, hybridity, mimicry, and ambivalence concerning Hanif Kureishi’s novel The Black Album (1995). The protagonist of the novel faces religious, economic, social, racial, and ethnic identities in a tormenting and perturbing social order of England. Methodology: This article is based on inductive reasoning and thus exploratory due to its qualitative nature. A close reading method is applied to the text of this paper. For this purpose, the researcher has read carefully the book Close Reading (The Basics 2018) by Dav

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Hays, Colleen. "Beur–French romances in French comedies: Postcolonial mimicry or a challenge to essentialist identities?" Journal of European Studies 46, no. 3-4 (2016): 312–25. http://dx.doi.org/10.1177/0047244116664643.

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Ijabs, Ivars. "Another Baltic Postcolonialism: Young Latvians, Baltic Germans, and the emergence of Latvian National Movement." Nationalities Papers 42, no. 1 (2014): 88–107. http://dx.doi.org/10.1080/00905992.2013.823391.

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This article looks at the emergence of Latvian nationalism in the mid-nineteenth century from the intercultural perspective of postcolonial theory. The writings of early Young Latvians, and the reaction to them from the dominant Baltic German elite, show that the emergence of a modern Latvian nationalism is to a large extent due to postcolonial mimicry, as described by Homi Bhabha. Attempts to imitate German cultural models and to develop a Latvian high culture lead to hostile reactions from the German side, which, in their turn, lead to increasing consolidation of Latvian nationalism. Since t

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Awan, Nishat. "Words and objects in transposing desire and making space." Architectural Research Quarterly 12, no. 3-4 (2008): 263–68. http://dx.doi.org/10.1017/s135913550800119x.

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In this article I will explore the relationship between space, language and objects and interrogate the role of language as a signifier for the transformation of space through cultural difference. My work is informed by the context and the methods of postcolonialism and specifically the notion of hybridity. If the hybridity of a postcolonial identity is acknowledged, then the space where these identities are negotiated could also be seen as sharing qualities of overlap and mixing. Influenced by psychoanalytic theories of the self and its relation to others, postcolonial theory has used strateg

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Samuel, Simon. "THE BEGINNING OF MARK: A COLONIAL/ POSTCOLONIAL CONUNDRUM." Biblical Interpretation 10, no. 4 (2002): 405–19. http://dx.doi.org/10.1163/15685150260340761.

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AbstractThis article reads the Markan beginning (Mark 1:1), arguably the superscription, from a postcolonial perspective. It examines whether or not Mark begins the story of Jesus as a pro- or anti- or postcolonial response to the colonist Roman and certain relatively dominant native Jewish nationalistic and collaborative discourses of power. This reading is informed by the postcolonial theoretical concepts of mimicry, ambivalence and hybridity. It examines the consensual-conflictual hybridity of 'Aρχη τoυ ευαγγελιoυ 'Iησoυ Xριστoυ [υιoυ εoυ], firstly in the Roman imperial context of 'Aρχη τo

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Sinha, Paresha N., and Dharma Raju Bathini. "Resistance toward dominant US work practices in emerging markets." critical perspectives on international business 15, no. 4 (2019): 323–40. http://dx.doi.org/10.1108/cpoib-11-2017-0083.

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Purpose The purpose of this study is to apply the dominance effect theory and postcolonial notions of “otherness” to critically study the enactment of mimicry at IndianBread, an Indian fast-food chain that has adopted work practices typically found in US fast-food multinational enterprises (MNEs). Design/methodology/approach The authors used an interpretive sensemaking case study approach and collected qualitative data drawing on observations, notes from the company policy manual and in-depth interviews with eight staff at an IndianBread outlet. Data were also collected during informal interac

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Ndi, Gilbert Shang. "On the aesthetics of mimicry and proliferation: interrogations of hegemony in the postcolonial public sphere." English in Africa 44, no. 2 (2017): 93. http://dx.doi.org/10.4314/eia.v44i2.4.

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Yasa, I. Nyoman, Anang Santoso, and Roekhan. "The Resistance of Slave in Colonial Era toward Surapati by Abdoel Moeis." International Journal of Linguistics, Literature and Culture 3, no. 1 (2017): 70. http://dx.doi.org/10.21744/ijllc.v3i1.366.

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This descriptive qualitative research is done based on slave and slavery problem in Indonesia in literary work. It is executed by using deconstruction technique, and it has the goals to describe: (1) The relation between colonials and colonialized people in Surapati novel and (2) The resistance of slave to the employer, and (3) The characteristics of Surapati novel in postcolonial perspective. The result of this research shows that the relation between colonials and colonialized people, it is between Dutch and Indonesian indigene is an unbalanced relation. Dutch’s domination toward indigene is

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Mayasari, Fitria. "NEGOSIASI BUDAYA DAN DIALEKTIKA KEKUASAAN DALAM DISKURSUS (POS)KOLONIAL: DISKUSI TENTANG A BACKWARD PLACE KARYA R. P. JHABVALA (Cultural Negotiation and Power Dialectics in (Post)Colonial Discourse: A Discussion on R. P. Jhabvala’s A Backward Place)." METASASTRA: Jurnal Penelitian Sastra 9, no. 2 (2017): 201. http://dx.doi.org/10.26610/metasastra.2016.v9i2.201-210.

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Penyajian sejumlah teks sastra poskolonial berusaha mengubah citra dunia ketiga dalam dikotomi kaku dunia pertama/dunia ketiga, namun malah menunjukkan apa yang disebut Bhabha colonial mimicry di mana permasalahan ‘nativism’ justru mengasingkan isu identitas (origin) dan membentuk situs kekuasaan baru (Gandhi, 1998). Karya-karya Ruth Prawer Jhabvala, khususnya novel A Backward Place, mengindikasikan gejala tersebut. Esai ini membahas negosiasi budaya dan dialektika kekuasaan yang mengaburkan batasan-batasan biner kerangka pemikiran kolonial. Pendekatan yang digunakan dalam analisis adalah pend

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Tallapessy, Albert, Indah Wahyuningsih, and Riska Ayu Anjasari. "Postcolonial Discourse in Coogler’s Black Panther: A Multimodal Critical Discourse Analysis." Jurnal Humaniora 32, no. 1 (2020): 75. http://dx.doi.org/10.22146/jh.47234.

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This article deals with the investigation of the existence of postcolonial discourse in Coogler’s Black Panther (2018). The study aims to reveal and examine the existence of social issues related to Bhabha’s notion of postcolonialism represented through visual and linguistic elements in the movie. Fairclough’s (1989,2001, 2010) Critical Discourse Analysis, Kress and van Leeuwen’s (2006) Reading Images, Halliday’s Systemic Functional Linguistics (2004) and Bhabha’s (1994) Postcolonialism are used to conduct this research. The result of the study shows that postcolonial discourse is proved repre

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Vetinde, Lifongo. "Reels of Conflicting Paradigms The Black Filmmaker and Africa's Transitional Dilemmas." Matatu 40, no. 1 (2012): 457–88. http://dx.doi.org/10.1163/18757421-040001030.

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Since its debut in the 1960s, African cinema, like other popular cultural forms, has played, and continues to play, a role in the discursive and representational practices which shape specific ideas of African nationhood. This essay explores the ways in which African filmmakers dramatize, explicitly or implicitly, the postcolonial transitional dilemmas their nations face in a context of cultural mimicry with its inherent ideological contradictions. It focuses principally on (Senegal, 1974) by Ousmane Sembène, (1988, Burkina Faso) by Gaston Kaboré, (1991, Cameroon) by Bassek ba Kobhio, (Burundi

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Thomson, Kelly, and Joanne Jones. "Being and becoming a professional accountant in Canada." critical perspectives on international business 11, no. 2 (2015): 156–72. http://dx.doi.org/10.1108/cpoib-10-2012-0045.

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Purpose – The purpose of this study was to explore how the migration experiences of international accounting professionals were shaped by colonial structures and how, through their interactions with other professionals, migrants hybridize their professional identities and the profession in Canada. Design/methodology/approach – A post-colonial analysis of the career narratives of international accounting professionals who migrated to Canada. Findings – This paper illustrates how explicit and formal requirements for transformation, as well as the more subtle informal demands of employers and cli

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Tion, Lucian. "The Postcolonial Self and the Other in Béla Tarr’s Werckmeister Harmonies." Acta Universitatis Sapientiae, Film and Media Studies 14, no. 1 (2017): 31–49. http://dx.doi.org/10.1515/ausfm-2017-0002.

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Abstract This work sets off to offer a polemical response to postcolonialist theories advanced by Homi Bhabha in his seminal work The Location of Culture, particularly to Bhabha’s famous notions of ambivalence and mimicry purportedly used as methods of struggle against colonialism. Reading Béla Tarr’s film Werckmeister Harmonies (Werckmeister harmóniák, 2000) as an allegory for the colonization of a former colonial agent in the guise of an ambiguously framed post-imperial Hungary now on the eve of Soviet invasion, I turn Bhabha’s notions on their heads, and thus de-stereotype the simplistic hi

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Diala. "Colonial Mimicry and Postcolonial Re-membering in Isidore Okpewho's Call Me by My Rightful Name." Journal of Modern Literature 36, no. 4 (2013): 77. http://dx.doi.org/10.2979/jmodelite.36.4.77.

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Christianna, Aniendya. "Javanese Women Hybridity: Postcolonial Study of Nyonya Muluk in Damar Kurung Paintings." International Journal of Creative and Arts Studies 7, no. 1 (2020): 33–48. http://dx.doi.org/10.24821/ijcas.v7i1.4164.

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ABSTRACTDamar Kurung is a typical lantern of Gresik, made in the 16th century. In 2017 Damar Kurung was declared an intangible cultural heritage by the Indonesian Ministry of Education and Culture. Masmundari (1904-2005) was a female artist who painted Damar Kurung based on skills learned from her ancestors. Among Masmundari's many paintings, Nyonya Muluk is the most frequently painted. Nyonya Muluk is described as a big woman wearing a dress and wings. Many people say that Nyonya Muluk is a picture of Queen Wilhemina that Masmundari has seen directly. To uncover Nyonya Muluk's identity, it is

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Saputra, Iwan. "HEGEMONI WACANA KOLONIAL DALAM CERPEN “MEREKA BILANG, SAYA MONYET” KARYA DJENAR MAHESA AYU: KAJIAN PASCAKOLONIAL." Kibas Cenderawasih 17, no. 1 (2020): 75–85. http://dx.doi.org/10.26499/kc.v17i1.247.

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Hegemoni merupakan salah satu upaya yang dilakukan oleh penjajah untuk melanggengkan kekuasaannya. Dengan hegemoni tersebut, penjajah akan terus menjadi dominan terhadap kaum terjajah. Dalam penelitian ini, penulis berusaha mengelaborasi tentang bentuk dan model hegemoni wacana kolonial yang terdapat dalam cerpen mereka bilang, saya monyet karya Djenar Mahesa Ayu dengan menggunakan teori pascakolonial. Adapun teori yang digunakan untuk menganalisis cerpen tersebut adalah konsep pascakolonial Homi K. Bhabha, yaitu tentang stereotype, mimicry dan hibriditas. Ketiga konsep tersebut dilakukan untu

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Sidjabat, Yedija Remalya, Vissia Ita Yulianto, and Royke Bobby Koapaha. "POLITIK IDENTITAS DALAM PERSPEKTIF POSKOLONIAL STUDI KASUS HIP HOP DANGDUT GRUP NDX A.K.A." CaLLs (Journal of Culture, Arts, Literature, and Linguistics) 4, no. 2 (2018): 77. http://dx.doi.org/10.30872/calls.v4i2.1693.

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Hip hop dangdut is music identity of NDX A.K.A group. Hip hop dangdut that became popular in society also bring the pros and cons for some groups. Political identity in this research investigates background in choosing music dangdut and hip hop that integrated in NDX’s songs. Political identity used to see the factor that played a role in formation of hip hop dangdut, but not fully realized by NDX group. Political identity in formation of hip hop dangdut then analyzed in textual and contextual to answer the contestation of hip hop dangdut in postcolonial perspective. The concept postcolonial i

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Dsouza, Tanya, and Dr Hemangi Bhagwatis. "Master-Slave Dialectic and Mimicry: A Postcolonial Analysis of the Subjectivity of Frankenstein and his Monster in Mary Shelley’s Frankenstein." New Literaria 1, no. 2 (2020): 48–59. http://dx.doi.org/10.48189/nl.2020.v01i2.026.

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Waworuntu, Michelle Intan Goh Rumengan, and Tomi Arianto. "HIBRIDITY OF THE CHACRACTERS IN MY SON THE FANATIC STORY BY HANIEF KURESHI." JURNAL BASIS 6, no. 2 (2019): 197. http://dx.doi.org/10.33884/basisupb.v6i2.1432.

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This study aimed to reveal the forms of hybridity as a result of the existence of postcolonial cultural contact with the construction of a colonial form. Researchers revealed the hybridity represented by the characters Parvez and Ali in My Son the Fanatic Short Story by Hanief Kureshi. This study used the Postcolonialism approach in the hybridity concept of Homi K Bhabha. According to. Bhabha (1994) Hybridity is a cross between two different cultures in a tangent interaction. In this case, hybridity is not only seen as a fusion of culture but also cultural products placed in social and histori

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Claeyé, Frederik. "Contextualising non‐profit management in Sub‐Sahara Africa." African Journal of Economic and Management Studies 3, no. 2 (2012): 159–83. http://dx.doi.org/10.1108/20400701211264983.

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PurposeThe purpose of this paper is to offer a framework for the analysis of the power dynamics shaping the emergence of hybrid management systems in sub‐Sahara Africa. It aims to achieve this by showing how insights from postcolonial theory can further enrich cross‐cultural management theory.Design/methodology/approachThe mainstream perspectives in current cross‐cultural management literature are reviewed as a basis for the development of a theoretical framework that emphasises cross‐cultural interaction and a consideration of the power dynamics surrounding non‐profit organisations operating

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Dektisa, Andrian. "Parody Idioms in the Visual Characteristics of KNIL Andjing NICA Reenactors." International Journal of Creative and Arts Studies 2, no. 1 (2017): 16. http://dx.doi.org/10.24821/ijcas.v2i1.1436.

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This research is to study the phenomena of wearing military costumes of the past as an alternative ‘means’ of visual communication. People in Indonesia like old military costumes and celebrate them as reenactors (a name for the wearers of old military uniforms) in various social activities that can be categorized into two types of stage, namely main and parallel stage. The main stage is related to learning military history, while parallel stage correlates to euphoria for military fashion. Both stages become an expression of mockery toward postcolonial mimicry and create a cultural postcolonial

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Nugroho, Bhakti Satrio, and Muhammad Arif Rokhman. "Imposition, adoption, and resistance in Lynne Kutsukake�s The Translation of Love: A postcolonial approach." EduLite: Journal of English Education, Literature and Culture 5, no. 2 (2020): 345. http://dx.doi.org/10.30659/e.5.2.345-358.

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This paper, which is under Transnational American Studies and Postcolonial Studies, aims to analyze a process of creating a colonial culture which involves cultural imposition, adoption, and resistance in Lynne Kutsukake�s The Translation of Love. This novel depicts postwar Japanese society that lives under American power after the end of World War II while undergo kyodatsu (the period of an economic, social and moral crisis caused by the war). This paper is a qualitative research that utilizes three theories, including cultural imposition, mimicry and symbolic resistance. The finding, shows t

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Ichsan, Hindun. "BUILDING IDENTITY IN GLOBAL REALITY: A POSTCOLONIAL STUDY ON RAJAA ALSANEA'S BANAT AR-RIYADH." Poetika 9, no. 1 (2021): 23. http://dx.doi.org/10.22146/poetika.v9i1.63956.

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This study aims to examine the novel Banaat ar-Riyadh (Girls of Riyadh) from the perspective of globalization using a postcolonial approach. This novel was written by Rajaa Alsanea, a Riyadhi girl who moved to the United States of America and then published her novel in Lebanon. The novel was written in the form of a series of electronic mails sent by four young Riyadhi girls who discuss the contestation between traditional Saudi Arabian norms and American norms. Fittingly, this study uses postcolonial theory, with the theoretical framework of globalization as a basis for investigating the asp

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Perdana, B. Endo Galuh, and Elisa Dwi Wardani. "CRISIS OF IDENTITY AND MIMICRY IN ORWELL’S BURMESE DAYS SEEN THROUGH A LOCAL NATIVE CHARACTER U PO KYIN: A POSTCOLONIAL READIN." Journal of Language and Literature 17, no. 1 (2017): 82–96. http://dx.doi.org/10.24071/joll.2017.170109.

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Asri, Iit Purnama. "RESISTENSI TOKOH AKU TERHADAP KOLONIALISME DI MUSIRAWAS DALAM NOVEL KEPUNAN KARYA BENNY ARNAS." Jurnal Penelitian Humaniora 21, no. 1 (2020): 43–54. http://dx.doi.org/10.23917/humaniora.v21i1.7377.

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This study aimed to reveal the forms of resistance to colonialism of character "I" in Musirawas in Kepunan novel by Benny Arnas. The theory used in this study is postcolonial theory. Data analysis was carried out by identifying forms of resistance identified by "I" character in Kepunan novel. The researcher described information about the resistance of the forms of mimicry, hybridity, diaspora, and ambivalence through evidences in the form of quotations. I addition, the researcher interpreted the resistance done by "I" character to the Dutch colonial government in Musirawas in the field of edu

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Brovold, Madelen Marie. "Om Postkolonialisme, Migrasjonsprosesser Og Hybride Identiteter. En Lesning Av Eva Scheers Vi Bygger I Sand (1948)." Folia Scandinavica Posnaniensia 24, no. 1 (2018): 7–24. http://dx.doi.org/10.2478/fsp-2018-0002.

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Abstract This article examines what one might call migration literary features in the Jewish Norwegian author Eva Scheer’s novel Vi bygger i sand (1948). I will investigate themes and sections that in different ways emphasize the migration experience of the characters within the novel. The focal point of the analysis is the migration experience in itself, what it means to be forced to move from one country to another and having to learn how to live in a different country and community, perceived identity and identity issues, prejudices, anti-Semitism and the fear of persecution. Because of thi

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Sharp, Carolyn. "Interrogating the Violent God of Hosea: A Conversation with Walter Brueggemann, Alice Keefe, and Ehud Ben Zvi." Horizons in Biblical Theology 30, no. 1 (2008): 59–70. http://dx.doi.org/10.1163/187122008x294358.

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AbstractThis essay responds to Brueggemann, Keefe, and Ben Zvi. Commending Brueggemann's discernment of multivocality in Hosea, this response considers his idea of a recovering God in light of rhetorical disjuncture between the brutal God of most of Hosea and the nurturing deity of Hosea 14. Keefe's welcome focus on class-based economic motivations for Hosea's polemics raises a question about the "urban elite male warrior class" that she identifies as responsible for regional economic exploitation; postcolonial notions of hybridity and mimicry are invoked to extend Keefe's analysis. Ben Zvi's

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El Samad, Soha. "“Hamsun's Liminality”." Nordlit, no. 47 (December 10, 2020): 237–51. http://dx.doi.org/10.7557/13.5640.

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This study seeks to establish the extent to which In Wonderland is a cultural hybridity discourse and a writing-back to Euro-American travelogues. In this ‘different’ travelogue, Hamsun’s voice cuts through the borderlands of the Russian colonized Caucasus region to reveal contempt for acquired culture and a rejection of global uniform identities in a manner that accords with Homi Bhabha’s concept of ‘hybridity.’ While keeping in mind Hamsun’s undisputed parodic style, this postcolonial reading claims that mimicry, as applied by Hamsun, is a practical demonstration of Bhabha’s theory that refl

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Arasteh, Parisa, and Hossein Pirnajmuddin. "The Mimic (Wo)man ‘Writes Back’: Anita Desai’s In Custody." International Letters of Social and Humanistic Sciences 27 (May 2014): 57–66. http://dx.doi.org/10.18052/www.scipress.com/ilshs.27.57.

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This article aims to trace the articulation of resistance in terms of gender and the postcolonial condition in Anita Desai’s In Custody (1984). As one of the most prominent post-Independence Indian writers of her time, Anita Desai has been a strong voice in portraying the Indian domestic sphere. Accordingly, one of the main concerns of Desai’s novels has been the representation of women and their struggles against patriarchal and colonial oppression. Though promising in many aspects, the political Independence of 1947 failed to unburden women from the ideal visions of womanhood promoted both b

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Costa, Sérgio. "The research on modernity in Latin America: Lineages and dilemmas." Current Sociology 67, no. 6 (2018): 838–55. http://dx.doi.org/10.1177/0011392118807523.

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Conventional research on modernity has interpreted Latin American experiences as lagging behind, as expressions of an ‘incomplete’ or failed modernity, since they do not meet the conditions of a ‘complete’ achievement of modernity as described by theories developed within European and, later, US academia. Since the emergence of dependency theory in the 1960s, and more emphatically since the 1990s, after the dissemination of postcolonial and decolonial theories in the region, this still dominant interpretation has been challenged by new approaches which convincingly underline the interdependent

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Punt, Jeremy. "Who’s the Fool, and Why? Paul on Wisdom from a South African Perspective." Religion & Theology 20, no. 1-2 (2013): 107–28. http://dx.doi.org/10.1163/15743012-12341256.

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Abstract South Africa is a young democracy but with colonial and Apartheid legacies fresh in the minds of many, the lasting impact and consequences of hegemony still tangible and measurable in a new, democratic dispensation with its own problems and concerns. This is the context within which Paul’s appeal for a different understanding of wisdom and appearance to insist on breaking through the conventions of the day (1 Cor 1:18–31) is considered. Since Empire largely defined wisdom in the first century, Paul’s rhetoric of foolishness can be interpreted as a critique of the imperial discourse of

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Muhammad Azeem, Prof. Dr. M K Sangi, and Dr. Komal Ansari. "Critical Analysis of Identity Crisis in Hanif Kurieshi's Novel “The Buddha of Suburbia”." sjesr 3, no. 4 (2020): 159–67. http://dx.doi.org/10.36902/sjesr-vol3-iss4-2020(159-167).

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This paper critically analyzes the dilemma of identity crisis and its impact on immigrants concerning the Hanif Kurieggidentity crisis into its texts because of the rule of colonial power and its impacts on the colonized. Under the impact of this colonial power, the crisis of identity has been originated in western countries on social, economic, political, religious, and cultural grounds. Postcolonial theoretical ideas i.e, hybridity, mimicry, assimilation, and ambivalence by Homi K. Bhabha are applied into the text of this research paper to examine the dilemma of identity crisis more clearly.

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