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Books on the topic 'Postdramatic theatre'

Author: Grafiati

Published: 4 June 2021

Last updated: 22 June 2024

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1

Postdramatic theatre. Abingdon, [England]: Routledge, 2006.

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2

D'Cruz, Glenn. Teaching Postdramatic Theatre. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71685-5.

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3

Tuchmann, Kai, ed. Postdramatic Dramaturgies. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459973.

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This book compiles lectures by the world's leading practitioners of postdramatic theatre from East Asia and the German-speaking world, which were given at Asia's only dramaturgy degree program at The Central Academy of Drama in Beijing 2018/19. It includes first-time English-language scripts of the discussed plays. The material is complemented by contextualizing essays by the program founder Li Yinan and its co-developer Kai Tuchmann. Hans-Thies Lehmann contributes the foreword to this volume. This rare compilation enables the reader to gain a unique insider's impression of postdramatic theatre's artistic thinking and working methods and informs about its manifold manifestations. With contributions from Hans-Werner Kroesinger, Lee Kyung-Sung, Li Yinan, Boris Nikitin, Kai Tuchmann, Wang Mengfan, Wen Hui, Zhao Chuan and Zhuang Jiayun.

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4

Gao Xingjian's post-exile plays: Transnationalism and postdramatic theatre. New York: Bloomsbury Methuen Drama, 2015.

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5

Vass, Freya. William Forsythe’s Postdramatic Dance Theater. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-26658-4.

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6

Kim, Hyŏng-gi. P'osŭt'ŭdŭrama yŏn'gŭk ŭi chigak pangsik kwa kwan'gaek ŭi yŏkhal: Suhaengjŏgin kŏt ŭi mihak ŭi sŏngkwa wa han'gye = The modus of perception and the role of the audience in the postdramatic theatre : focused on the aesthetics of the performative. Sŏul-si: P'urŭn Sasang, 2014.

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7

Laudahn, Christine. Zwischen Postdramatik und Dramatik: Roland Schimmelpfennigs Raumentwürfe. Tübingen: Narr, 2012.

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8

Postdramatik: Transformationen des epischen Theaters bei Peter Handke, Heiner Müller, Elfriede Jelinek und Rainald Goetz. Berlin: De Gruyter, 2015.

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9

Lehmann, Hans-Thies. Postdramatic Theatre. Routledge, 2006. http://dx.doi.org/10.4324/9780203088104.

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10

Lenmann, Hans-Thies. Postdramatic Theatre. Taylor & Francis Group, 2006.

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11

Lehmann, Hans-Thies. Postdramatic Theatre. Taylor & Francis Group, 2006.

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12

Lehmann, Hans-Thies. Postdramatic Theatre. Taylor & Francis Group, 2006.

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13

Lehmann, Hans-Thies. Postdramatic Theatre. Taylor & Francis Group, 2006.

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14

Lehmann, Hans-Thies. Postdramatic Theatre. Taylor & Francis Group, 2006.

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15

Lehmann, Hans-Thies. Postdramatic Theatre. Taylor & Francis Group, 2006.

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16

Boyle, Michael Shane, Mark Taylor-Batty, Matt Cornish, Enoch Brater, and Brandon Woolf. Postdramatic Theatre and Form. Bloomsbury Publishing Plc, 2020.

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17

Postdramatic Theatre and Form. Bloomsbury Publishing Plc, 2019.

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18

Jürs-Munby, Karen, Jerome Carroll, and Steve Giles. Postdramatic Theatre and the Political. Bloomsbury Publishing Plc, 2013. http://dx.doi.org/10.5040/9781408183519.

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19

Postdramatic Theatre and the Political. Bloomsbury Publishing Plc, 2013.

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20

Cole, Emma. Postdramatic Tragedies. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198817680.001.0001.

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Ancient tragedy has played a well-documented role in contemporary theatre since the mid-twentieth century. In addition to the often-commented-upon watershed productions, however, is a significant but overlooked history involving classical tragedy in experimental and avant-garde theatre. Postdramatic Tragedies focuses upon such experimental reinventions. It analyses receptions of Greek and Roman tragedy that come under the banner of ‘postdramatic theatre’, a style of performance in which the traditional components of drama, such as character and narrative, are subordinate to the immediate, affective power of more abstract elements, such as image and sound. The book is in three parts, each of which explores classical reception within a specific strand of postdramatic theatre: text-based theatre, devised theatre, and theatre that transcends the usual boundaries of time and space, such as durational and immersive theatre. Across the three sections the author conducts a semiotic and phenomenological analysis of seven case studies, of productions from 1995 to 2015 from the United Kingdom, the United States, Australia, and Continental Europe. The book covers a mixture of widely known productions, such as Sarah Kane’s Phaedra’s Love, alongside works largely unknown in Anglophone scholarship, such as Martin Crimp’s Alles Weitere kennen Sie aus dem Kino and Jan Fabre’s Mount Olympus. It reveals that postdramatic theatre is related to the classics at its conceptual core, and that the study of postdramatic tragedies reveals a great deal about both the evolution of theatre in recent decades, and the status of ancient drama in modernity.

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21

Tu, Kai-chieh. Sonorous Dramaturgy: The Polyphony of Postdramatic Theatre. Taylor & Francis Group, 2018.

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22

Taylor-Batty, Mark, Enoch Brater, and Ashis Sengupta. Postdramatic Theatre and India: Theatre-Making since The 1990s. Bloomsbury Publishing Plc, 2022.

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23

D'Cruz, Glenn. Teaching Postdramatic Theatre: Anxieties, Aporias and Disclosures. Springer, 2018.

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24

D'Cruz, Glenn. Teaching Postdramatic Theatre: Anxieties, Aporias and Disclosures. Palgrave Macmillan, 2018.

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25

Utopia: Three plays for a postdramatic theatre. Intellect, Limited, 2015.

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26

Dramaturgy of Sound in the Avantgarde and Postdramatic Theatre. McGill-Queen's University Press, 2013.

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27

Mazzilli, Mary. Gao Xingjian's Post-Exile Plays: Transnationalism and Postdramatic Theatre. Bloomsbury Publishing Plc, 2017.

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28

Ovadija, Mladen. Dramaturgy of Sound in the Avant-Garde and Postdramatic Theatre. McGill-Queen's University Press, 2013.

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29

Ovadija, Mladen. Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre. McGill-Queen's University Press, 2016.

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30

Postdramatic Theatre And The Political International Perspectives On Contemporary Performance. Bloomsbury Publishing PLC, 2013.

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31

Carlson, Marvin. 3. Theatre and drama. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199669820.003.0003.

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‘Theatre and drama’ considers the source and status of the material performed on stage, whether it originates as a written text or not. Improvisation is seen in many cultures and is recorded in China and the Middle East centuries before any written dramatic texts are found. Community theatre based on improvisation and audience participation remains popular in the non-Western world where oral traditions are strong. The wider publication of dramatic texts from the 17th century and the strict regulation of their performance played a significant role in Western theatre development. Drama and theatre, as studied at university, and the impact of postdramatic theatre, as described by Hans‐Thies Lehmann, are also discussed.

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32

Fraunhofer, Hedwig. Biopolitics, Materiality and Meaning in Modern European Drama. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474467438.001.0001.

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Mapping the -- not always chronological -- trajectory from representationalist-naturalist theatre (Strindberg, Sartre) to the theatre of the historical avant-garde (Brecht, Artaud), this book puts milestones of modernist theatre in conversation with new materialist, posthumanist philosophy and affect theory. Arguing that existing modernization theories have been unnecessarily one-sided, Biopolitics, Materiality and Meaning in Modern European Drama offers a rewriting of modernity that cuts across binary methodologies – nature and culture, mind and matter, epistemology and ontology, critique and affirmative writing, dramatic and postdramatic theatre. Going beyond the exclusive focus on questions of identity, representation and meaning on the one hand or materiality on the other hand, the book captures the complex material-discursive forces that have shaped modernity and modern theatre. In powerfully prescient readings of modern anxiety, contagion and performance, the volume specifically reworks the biopolitical, immunitarian exclusions that mark Western epistemology leading up to and beyond modernity’s totalitarian crisis point. The book reveals the performativity of theatre in its double sense -- as theatrical production and as the intra-activity of an open and dynamic system of relations between multiple human and more-than-human actants, energies, and affects. In modern theatre, public and private, human and more-than-human, materiality and meaning co-productively collapse in a common life.

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33

Postdramatic Tragedies. Oxford University Press, 2019.

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34

Postdramatic Dramaturgies: Resonances Between Asia and Europe. Transcript Verlag, 2022.

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35

Tuchmann, Kai. Postdramatic Dramaturgies: Resonances Between Asia and Europe. Transcript Verlag, 2022.

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36

Hansen, Simon. Nach der Postdramatik: Narrativierendes Text-Theater Bei Wolfram Lotz und Roland Schimmelpfennig. Transcript Verlag, 2021.

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