Academic literature on the topic 'Posters Constructivism (Art) Soviet Union'

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Journal articles on the topic "Posters Constructivism (Art) Soviet Union"

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Tibbe, Lieske. "ARTISTIEKE VERSUS POLITIEKE AVANT-GARDE." De Moderne Tijd 2, no. 1 (January 1, 2018): 70–94. http://dx.doi.org/10.5117/dmt2018.1.004.tibb.

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ARTISTIC VERSUS POLITICAL AVANT-GARDISM: THE VISUAL ARTS IN AND AROUND THE MAGAZINE ‘NIEUW RUSLAND’/‘CULTUUR DER U.D.S.S.R.’ (NEW RUSSIA/CULTURE OF THE USSR), 1928-1934 This article concentrates on the position of the visual arts in Russia as presented in Nieuw Rusland (New Russia), organ of the Netherlands – New Russia Society. This Society was initiated by VOKS, the All-Union Society for Cultural Relations with Foreign Countries, established to coordinate international cultural contacts with artists and intellectuals in other countries in order to help lending the Soviet Union a positive and civilised image. The Netherlands – New Russia Society was suspected to be a communist umbrella organization, and indeed some of its members were moles. At the time, visual arts in Russia were in transition: the abstract avant-gardism of the first years after the Revolution was making way for moderately modern, figurative, and politically engaged painting. Easel painting in general had to yield to the graphic arts, photography and composite picture, especially as applied in posters, children’s books and magazines. Dutch editors of Nieuw Rusland had to communicate and explain or soften the often staunch political art theories of their Russian authors. From around 1932, Nieuw Rusland made a change of course from cultural information towards explicit political propaganda. In combination with a ban on membership of left-wing organizations for all public servants, this meant the end of the magazine.
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Rosendfeld, Alla. "‘We are not Exiles, we are Messengers’: George Riabov and his Collection of Russian Theatre Design (USA)." KnE Social Sciences, August 25, 2020. http://dx.doi.org/10.18502/kss.v4i11.7531.

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This article is devoted to the history of George Riabov’s collection of Russian art. Among art collections outside of Russia, the George Riabov Collection of Russian Art is unique due to its scope. It includes icons from the fifteenth to the nineteenth centuries, graphic arts and sculpture from the eighteenth to the twentieth century, as well as ‘lubki’, posters and illustrated books from the early 1900s to the 1930s, nonconformist art of the former Soviet Union from the 1960s–1970s, and the works of Russian émigré artists. Consisting of important works of Russian art across the centuries, the Riabov Collection also features some major examples of stage and costume designs for theater, ballet, and opera created by the early twentieth-century artists. In 1990, Riabov donated his vast collection to The Jane Voorhees Zimmerli Art Museum at Rutgers, The State University of New Jersey (USA). The article traces the history of the Riabov collection and also places a number of important costume and stage designs in the collection in the context of the development of Russian theatrical design in pre- and post-revolutionary era. Keywords: Riabov collection, Russian art, theater design, émigré artists, World of Art, Ballets Russes, art collecting
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Books on the topic "Posters Constructivism (Art) Soviet Union"

1

Barkhatova, E. V. Konstruktivizm v sovetskom plakate =: Soviet Constructivist posters. Moskva: Kontakt-Kulʹtura, 2005.

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1927-, Savosti︠u︡k Oleg, American Institute of Graphic Arts. San Diego Chapter, and La Jolla Museum of Contemporary Art, eds. Poster art of the Soviet Union: Plakatnai︠a︡ zhivopis SSSR. San Diego, Calif: The Chapter, 1990.

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John, Milner. Vladimir Tatlin and the Russian avant-garde. Ann Arbor, Michigan: UMI, Books on Demand, 1999.

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John, Milner. Vladimir Tatlin and the Russian avant-garde. New Haven (Conn.): Yale University Press, 1985.

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1889-1924, Popova Li͡u︡bovʹ Sergeevna, and Museum of Modern Art (New York, N.Y.), eds. Liubov Popova. New York: Museum of Modern Art, 1991.

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6

Dabrowski, Magdalena. Liubov Popova: 1889-1924. Madrid: Ministerio de Cultura, Museo Nacional Centro de Arte Reina Sofía, 1991.

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Ėnergetika Rossii v plakate = Russian energetics through poster art. Moskva: Izdatelʹstvo "Kontakt-Kulʹtura", 2012.

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8

Steiner, Evgeny. Stories for little comrades: Revolutionary artists and the making of early Soviet children's books. Seattle: University of Washington Press, 1999.

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9

Gustav Klutsis and Valentina Kulagina: Photography and montage after constructivism. New York: International Center of Photografy, 2004.

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10

Gustav Klut︠s︡is, Valentina Kulagina: Plakat, knizhnai︠a︡ grafika, zhurnalʹnai︠a︡ grafika, gazetnyĭ fotomontazh : 1922-1937. Moskva: Kontakt-Kulʹtura, 2010.

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