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Journal articles on the topic 'Posthuman'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Hoogeveen, Teresa. "Posthuman Feminism / Feminisme posthumà." Lectora: revista de dones i textualitat, no. 30 (October 31, 2024): 356–58. http://dx.doi.org/10.1344/lectora2024.23.

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2

Agar, Nicholas. "What Does it Mean to be Human, Prehuman, or Posthuman?" Journal of Posthuman Studies 5, no. 1 (2021): 5–18. http://dx.doi.org/10.5325/jpoststud.5.1.0005.

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Abstract There has been a lack of precision in attempts to say precisely what it might mean to be or become posthuman. This article offers a way to determine what distinguishes humans from posthumans. It treats the relationship between humans and posthumans as the mirror image of the relationship between humans and prehumans. I propose that we view posthumans as not us, but of us. Posthumans are distinct from humans but of humans, where the “of” expresses an important evaluative relationship. This account furnishes a framework for considering the proposals of some transhumanist philosophers th

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3

Holm, Søren. "Evaluating the Posthuman Future – Some Philosophical Problems." European Review 25, no. 1 (2016): 131–39. http://dx.doi.org/10.1017/s1062798716000375.

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Imagining a future scenario where human beings have evolved in ways so that they are no longer human but post- or transhuman has been a recurrent trope in science fiction literature since the very inception of the genre. More recently, the possibility of a future including posthumans has received significant philosophical attention due to the emergence of activist ‘transhumanism’. This paper will analyse some of the philosophical problems in evaluating whether a posthuman future is a good future that we ought to pursue. It will first briefly describe the transhumanist conception of the posthum

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4

Patra, Indrajit. "Delineating humanistic underpinnings in the midst of posthuman evolution: A study of Hannu Rajaniemi’s Jean le Flambeur trilogy." Multidisciplinary Reviews 6, no. 4 (2023): 2023046. http://dx.doi.org/10.31893/multirev.2023046.

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This research aims to delve into the intricate and multilayered connection between humans and posthumans, as depicted in Hannu Rajaniemi's Jean le Flambeur trilogy. This Finnish American author's trilogy, consisting of The Quantum Thief (2010), The Fractal Prince (2012), and The Causal Angel (2014), paints an insightful picture of this interaction. The investigation aims to illuminate the emergence of humanity in an extremely posthuman and postsingular landscape, arguing that one must understand humanity as not entirely separate from posthumanism. Instead, humanity should be considered a speci

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5

Kang, Sujin. "Ethical Child Birth in the Posthuman Society and Politics of Emotion." Criticism and Theory Society of Korea 28, no. 2 (2023): 5–29. http://dx.doi.org/10.19116/theory.2023.28.2.5.

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This paper delves into the investigation of an expanded definition of subjectivity within posthuman society and its implications for the discourse on procreation. In the posthuman era, characterized by technological advancements and environmental shifts, the landscape of social reproduction is influenced. As humans undergo a transformative process, assuming a state that is both more and less than human, as posited by Rosi Braidotti, the ethical underpinnings of posthuman society necessitate an inclusive perspective that encompasses not only posthumans in the traditional sense of emerging techn

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6

Kim, Ji-Yoon, and Boo-Yeun Lim. "Exploring of Emergent Dramatic Play from a Perspective of Posthuman Children." Korean Society for Critical Inquiry of Childhood Education 14, no. 1 (2024): 18–40. http://dx.doi.org/10.26834/ksycbc.2024.14.1.18.

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The purpose of this study is to examine through expressive theatrical play that children are rich posthuman beings. This study utilized participatory observation and a posthumanist approach, drawing on van Manen's hermeneutic phenomenological analysis method. The study was conducted at Y Kindergarten in Busan, focusing on one class of four-year-old children, from early October 2022 to the end of January 2023, with observations conducted four to five days a week, approximately from 9:00 to 13:00, totaling 70 sessions. The research findings and their significance can be summarized as follows. Fi

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7

Noronha de Almeida, Hugo Ricardo. "The Posthuman as a Hopeful Monster: “Geneticizing” the Fly-Human Hybrid in David Cronenberg’s The Fly." Journal of Posthuman Studies 7, no. 2 (2023): 191–209. http://dx.doi.org/10.5325/jpoststud.7.2.0191.

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Abstract Even though posthuman themes abound in fiction, they often rely on representational practices tied to humanist worldviews, perpetuating assumptions about the meaning of being human and humankind’s relationship with its environment. This article discusses the artist’s book Not-Human, Not-Fly (NHNF), which reconsiders David Cronenberg’s The Fly from a critical posthumanist perspective. Tied to horror conventions, the film reduces the posthuman to a condition threatening human life and well-being. NHNF employs tools from molecular genetics, designing a fictional database of the creature’

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8

Odorčák, Juraj, and Pavlína Bakošová. "Robots, Extinction, and Salvation: On Altruism in Human–Posthuman Interactions." Religions 12, no. 4 (2021): 275. http://dx.doi.org/10.3390/rel12040275.

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Posthumanism and transhumanism are philosophies that envision possible relations between humans and posthumans. Critical versions of posthumanism and transhumanism examine the idea of potential threats involved in human–posthuman interactions (i.e., species extinction, species domination, AI takeover) and propose precautionary measures against these threats by elaborating protocols for the prosocial use of technology. Critics of these philosophies usually argue against the reality of the threats or dispute the feasibility of the proposed measures. We take this debate back to its modern roots.

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9

Garcia, Mark. "21st‐Century Posthuman Spaceship and Spacecraft Architectures." Architectural Design 94, no. 1 (2024): 118–27. http://dx.doi.org/10.1002/ad.3022.

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AbstractGuest‐Editor Mark Garcia takes us on a spatial journey through some of the notions and precedents of spaceships and spacecraft, their fictive and architectural precursors and current conceptual preoccupations. The contexts these new posthuman architectures and posthumans will have to occupy, endure and travel through are mind‐boggling in their varied complexity.

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10

Yazgünoğlu, Kerim Can. "Posthuman “Meta(l)morphoses” in Jeanette Winterson’s The Stone Gods // "Meta(l)morfosis" posthumanas en The Stone Gods de Jeanette Winterson." Ecozon@: European Journal of Literature, Culture and Environment 7, no. 1 (2016): 144–60. http://dx.doi.org/10.37536/ecozona.2016.7.1.986.

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Jeanette Winterson’s The Stone Gods (2007) pictures a futuristic world in which every body is technologically, discursively, and materially constructed. First of all, The Stone Gods foregrounds the futuristic conceptualization of embodiment and posthuman gendered bodies in relation to biotechnology, biogenetics, and robotics, interrogating contemporary dimensions of the interface between the human and the machine, nature and culture. Secondly, the novel focuses on environmental concerns relevant to our present age. More specifically, however, drawing our attention to posthuman toxic bodies in

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11

Gane, Nicholas. "Posthuman." Theory, Culture & Society 23, no. 2-3 (2006): 431–34. http://dx.doi.org/10.1177/026327640602300279.

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12

Farahmandfar, Masoud. "Beckett, posthumanism, and the art of lessness." Philosophy Journal 16, no. 1 (2023): 117–27. http://dx.doi.org/10.21146/2072-0726-2023-16-1-117-127.

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Post-humanism, a comprehensive critique of the demands of humanism, especially the centrality of cognitive and biological structures, offers a new understanding of the realm of language, the role of subject, and the environment. The post-cataclysmic subject in Beckett’s writing uses words that arrive from nowhere, to no purpose, without direction, and without telos. It is therefore in the failure of language that we realize our predicament as prisoners of this symbolic void. Approaching, or interpreting, the work of Beckett may remain at the level of an “attempt”; fulfillment or capturing an

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13

Inbaraj, M., and Abdul Mohammed Ali Jinnah. "Posthuman Gothic and Monstrosity in Ahmed Saadawi’s Frankenstein in Baghdad." World Journal of English Language 12, no. 1 (2022): 384. http://dx.doi.org/10.5430/wjel.v12n1p384.

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Posthuman Gothic is one of the recent emerging areas of research in the twenty-first century. It explores the different ways in which Posthuman thoughts and ideologies conflate with Gothicism in all its contemporary variations. Primarily, the posthuman gothic concerns itself with the human beings’ technological, biomedical, and supernatural experiments with the human body and consciousness that alters the human identity into the posthuman. The possibility and capability of humans to alter the human identity into something other than human or into the ‘posthuman other’ create anxiety among huma

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14

Shin, Sang-Kyu. "Posthuman Discourse and Sci-Fi’s Posthuman Narrative." General Education and Citizen 4 (July 31, 2021): 33–68. http://dx.doi.org/10.47142/gec.4.2.

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15

Ingold, Tim. "Posthuman Prehistory." Nature and Culture 16, no. 1 (2021): 83–103. http://dx.doi.org/10.3167/nc.2020.160106.

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Abstract This article asks what part prehistory could play in establishing a posthumanist settlement, alternative to the humanism of the Enlightenment. We begin by showing how Enlightenment thinking split the concept of the human in two, into species and condition, establishing a point of origin where the history of civilization rises from its baseline in evolution. Drawing on the thinking of the thirteenth-century mystic, Ramon Llull, we present an alternative vision of human becoming according to which life carries on through a process of continuous birth, wherein even death and burial hold

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16

Arnould-Bloomfield, Elisabeth. "Posthuman Compassions." Publications of the Modern Language Association of America 130, no. 5 (2015): 1467–75. http://dx.doi.org/10.1632/pmla.2015.130.5.1467.

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What happens when i watch a creature suffer or when i share in my dog's joy? what is the power of these emotions, what do they teach me about living with animals and engaging ethically with their differences? While these questions may still seem sentimental to some, they have become increasingly relevant to those who study animals. Emotions have made a remarkable comeback in recent animal literature and philosophy. Rehabilitated by a new wave of theorists, they have found their way into some of the most provocative contemporary reflections on animal ethics. Josephine Donovan, Jacques Derrida,

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17

Weigel, Sigrid. "Posthuman Conditions." Zeitschrift für Medien- und Kulturforschung, no. 1 (2009): 11–18. http://dx.doi.org/10.28937/1000107484.

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As empirical research in neuro- and life sciences is aimed at the core of humanities, they adopt those formulas of pathos like "intention", "mind", "identity" or "consciousness" which, after all, have long been analysed with regard to their symbol-theoretical and media-anthropological principles. Meanwhile, cultural as well as media sciences have established themselves – beyond the contrasting 'two cultures' – as a kind of third culture of knowledge and thus connect to traditions of thought like, for instance, Freud's theory of subjects or Benjamin's theory of media.

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18

NORGAARD, RICHARD B. "Posthuman Enough?" BioScience 54, no. 3 (2004): 255. http://dx.doi.org/10.1641/0006-3568(2004)054[0255:pe]2.0.co;2.

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19

Ingold, Tim. "Posthuman Prehistory." Nature and Culture 16, no. 1 (2021): 83–103. http://dx.doi.org/10.3167/nc.2021.160106.

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This article asks what part prehistory could play in establishing a posthumanist settlement, alternative to the humanism of the Enlightenment. We begin by showing how Enlightenment thinking split the concept of the human in two, into species and condition, establishing a point of origin where the history of civilization rises from its baseline in evolution. Drawing on the thinking of the thirteenth-century mystic, Ramon Llull, we present an alternative vision of human becoming according to which life carries on through a process of continuous birth, wherein even death and burial hold the promi

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20

Santos, Sara. "Posthuman Knowledge." Journal of Posthuman Studies 4, no. 1 (2020): 107–12. http://dx.doi.org/10.5325/jpoststud.4.1.0107.

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21

Benvenuti, Anne. "Posthuman Folklore." Journal of American Folklore 134, no. 532 (2021): 208–36. http://dx.doi.org/10.5406/jamerfolk.134.532.0208.

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22

Privalova, I. Yu. "Posthuman ethics." Economic and Socio-Humanitarian Studies 32, no. 4(32) (2021): 99–105. http://dx.doi.org/10.24151/2409-1073-2021-4-99-105.

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The content of posthuman ethics is clarified through a comparative analysis of the psychophysical structure of modern man and posthuman, the features of which specifically determine the ethics of different types of society. For this purpose, the content of the concepts mind, consciousness, soul, spirit, human cognition is investigated from the point of view of modern neuroscience, Christian anthropology and Cartesian philosophy. The questions of free will are raised, arguments are given in favor of the concept of compatibilism.

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23

Hong, Sungook. "Posthuman Technology." Study of Humanities 35 (June 30, 2021): 3–35. http://dx.doi.org/10.31323/sh.2021.06.35.01.

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24

Gemuend, Julie. "Posthuman Knowledge." Brock Education Journal 30, no. 2 (2021): 137. http://dx.doi.org/10.26522/brocked.v30i2.910.

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25

Galvis Ortiz, Sara Lorena. "The Posthuman." La Manzana de la Discordia 11, no. 1 (2016): 111. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v11i1.1638.

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26

Galvis Ortiz, Sara Lorena. "The Posthuman." La Manzana de la Discordia 11, no. 1 (2016): 111. http://dx.doi.org/10.25100/lmd.v11i1.1638.

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27

Thomsen, Mads Rosendahl. "Posthuman Scale." CounterText 2, no. 1 (2016): 31–43. http://dx.doi.org/10.3366/count.2016.0037.

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Visions of the posthuman are almost inevitably tied up with questions of scale. The size of Frankenstein's creation sets him apart from humanity, the longevity of Virginia Woolf's Orlando makes her / him uncannily posthuman, and the travels of Gulliver constantly confront the protagonist with the issue of physical scale. This article investigates different dimensions of posthuman scale with examples from fiction, film, and transhumanist writings. From the sizes of bodies and the length of lives to the more complex matters of the scale of consciousness and the magnitude of social connections, w

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28

Kerasovitis, Konstantinos. "Posthuman knowledge." Information, Communication & Society 23, no. 9 (2020): 1388–91. http://dx.doi.org/10.1080/1369118x.2020.1739733.

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29

Braidotti, Rosi. "Posthuman Humanities." European Educational Research Journal 12, no. 1 (2013): 1–19. http://dx.doi.org/10.2304/eerj.2013.12.1.1.

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30

Toffoletti, Kim. "The Posthuman." Australian Feminist Studies 30, no. 84 (2015): 211–13. http://dx.doi.org/10.1080/08164649.2015.1038119.

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31

Blake, Liza. "Posthuman physics." postmedieval: a journal of medieval cultural studies 1, no. 1-2 (2010): 39–45. http://dx.doi.org/10.1057/pmed.2010.13.

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32

Kessler, Sarah. "Posthuman Fantasies." WSQ: Women's Studies Quarterly 44, no. 1-2 (2016): 326–30. http://dx.doi.org/10.1353/wsq.2016.0021.

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33

Karcher, Katharina. "the posthuman." Feminist Review 107, no. 1 (2014): e12-e14. http://dx.doi.org/10.1057/fr.2014.12.

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34

Lucie, Sarah. "Posthuman Visions." PAJ: A Journal of Performance and Art 41, no. 2 (2019): 75–79. http://dx.doi.org/10.1162/pajj_a_00473.

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35

Burgess, Peter. "Posthuman security." European Journal of Human Security, no. 1 (2017): 63–76. http://dx.doi.org/10.5937/ejhs1701063b.

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36

Cimini, Amy M. "Posthuman sounds." Sound Studies 1, no. 1 (2015): 180–83. http://dx.doi.org/10.1080/20551940.2015.1079977.

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37

Marchesini, Roberto. "POSTHUMAN ANTISPECIESISM." Angelaki 21, no. 1 (2016): 217–33. http://dx.doi.org/10.1080/0969725x.2016.1163853.

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38

Mejia, Robert. "Posthuman, postrights?" Explorations in Media Ecology 11, no. 1 (2012): 27–44. http://dx.doi.org/10.1386/eme.11.1.27_1.

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39

Milburn, Colin. "Beyond Posthuman." Twentieth-Century Literature 55, no. 4 (2009): 618–23. http://dx.doi.org/10.1215/0041462x-2009-1008.

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40

Castree, Noel, and Catherine Nash. "Posthuman geographies." Social & Cultural Geography 7, no. 4 (2006): 501–4. http://dx.doi.org/10.1080/14649360600825620.

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41

Serpell, C. Namwali. "Posthuman Systems." American Book Review 30, no. 2 (2009): 8–9. http://dx.doi.org/10.1353/abr.2009.0023.

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42

Lütticken, Sven. "Posthuman Prehistory." Third Text 29, no. 6 (2015): 498–510. http://dx.doi.org/10.1080/09528822.2016.1235861.

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43

Vermeulen, Pieter. "Posthuman Affect." European Journal of English Studies 18, no. 2 (2014): 121–34. http://dx.doi.org/10.1080/13825577.2014.917001.

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44

Goodley, Dan. "The posthuman." Disability & Society 29, no. 5 (2014): 844–46. http://dx.doi.org/10.1080/09687599.2014.889416.

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45

Weigel, Sigrid. "Posthuman Conditions." Zeitschrift für Medien- und Kulturforschung, no. 1 (January 1, 2009): 12–18. http://dx.doi.org/10.28937/zmk-0-1_2.

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46

Schauert, Paul. "Posthuman Rap." Ethnomusicology 68, no. 1 (2024): 150–52. http://dx.doi.org/10.5406/21567417.68.1.09.

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47

Reichel, A. Elisabeth. "Posthuman Economies." interconnections: journal of posthumanism 2, no. 1 (2023): 4–9. https://doi.org/10.26522/posthumanismjournal.v2i1.4086.

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48

Kimberley, Maree. "Posthuman by Accident; Posthuman by Design: Power and Belonging in Posthuman Young Adult Fiction." New Review of Children's Literature and Librarianship 22, no. 2 (2016): 124–41. http://dx.doi.org/10.1080/13614541.2016.1223928.

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49

Thompson, Terrie Lynn, and Catherine Adams. "Accountabilities of posthuman research." Explorations in Media Ecology 19, no. 3 (2020): 337–49. http://dx.doi.org/10.1386/eme_00050_7.

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What constitutes ‘good’ posthuman research? This article offers three dynamics to help assess the value of posthuman-inspired inquiry. We propose that a good posthuman research account should show evidence that the researcher: (1) attended to their own more-than-humanness and made explicit how they interviewed and attuned to the nonhuman things of their inquiry; (2) reassembled resemblings of the posthuman world by inventively weaving and fusing human and nonhuman storylines; and (3) offered analytic insights into the liveliness of posthuman research work as the performativity of difference.

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50

이은경. "Death in a posthuman age and its education for the posthumans." THEOLOGICAL THOUGHT ll, no. 186 (2019): 355–86. http://dx.doi.org/10.35858/sinhak.2019..186.013.

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