Relevant bibliographies by topics / Posthumous work

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Academic literature on the topic 'Posthumous work'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Posthumous work"

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Pizarro, Jeronimo. "The Stars Are as Variable as the Lines: Fernando Pessoa’s Works Considered from the Perspective of Editorial Agency / As estrelas são tão variáveis quanto as linhas: As Obras de Fernando Pessoa consideradas da perspectiva da mediação editorial." Revista do Centro de Estudos Portugueses 40, no. 64 (February 3, 2021): 15. http://dx.doi.org/10.17851/2359-0076.40.64.15-35.

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Abstract: Here we discuss editorial agency and its impact in the work of Fernando Pessoa, focusing on perception, mobility and interpretation. A posthumous publication is a privileged object to investigate the complexity of the process of editorial agency and its effects because, in the posthumous extension of a corpus, what is at stake is precisely its construction. We also examine the role of the editor and his intervention, rather than the one of publishers, bearing into account the impact the decisions and reorganizations can have when speaking of posthumous works. We conclude that a “work” is the product, or the result, of the joint work left by an author and that of its editors, and that a work or a set of works is not something determined and established forever, but a reassembled product, or the result of a construction or reconstruction.Keywords: Fernando Pessoa; editorial agency; mobility; interpretation; work; posthumous work.Resumo: Discutimos aqui a mediação editorial e o seu impacto na obra de Fernando Pessoa, com enfoque na perceção, na mobilidade e na interpretação. Uma publicação póstuma é um objeto privilegiado para investigar a complexidade do processo de mediação editorial e os seus efeitos porque, na extensão póstuma de um corpus, o que está em jogo é precisamente a sua construção. Analisamos também o papel do editor (editor) e da sua intervenção, em vez do papel da editora (publisher), tendo em consideração o impacto que as decisões e as reorganizações podem ter quando falamos de obras póstumas. Concluímos que uma “obra” é o produto, ou o resultado, do trabalho, em conjunto, do autor e da obra que deixou, e dos editores; e que uma obra ou um conjunto de obras não é algo determinado ou estabelecido para sempre, mas um produto reorganizado, ou o resultado de uma construção ou reconstrução.Palavras-chave: Fernando Pessoa; mediação editorial; mobilidade; interpretação; obra; obra póstuma.
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Scarffe, Eric J. "“A New Philosophy for International Law” and Dworkin’s Political Realism." Canadian Journal of Law & Jurisprudence 29, no. 1 (February 2016): 191–213. http://dx.doi.org/10.1017/cjlj.2016.7.

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During his career, Ronald Dworkin wrote extensively on an impressive range of issues in moral, political, and legal philosophy, but, like many of his contemporaries, international law remained a topic of relative neglect. His most sustained work on international law is a posthumously published article, “A New Philosophy for International Law” (2013), which displays some familiar aspects of his views in general jurisprudence, in addition to some novel (though perhaps surprising) arguments as well. This paper argues that the moralized account of international law we might have expected is conspicuously missing from this posthumous article; with Dworkin advancing an argument based on a form of political realism instead.
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Monk, Daniel. "EM Forster's will: an overlooked posthumous publication." Legal Studies 33, no. 4 (December 2013): 572–97. http://dx.doi.org/10.1111/j.1748-121x.2012.00264.x.

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Focusing on a single, uncontested will is unusual within legal studies. And the extensive literature about EM Forster has overlooked the significance of his will. This article endeavours to address these silences and develop a conversation between the two. It first explores the place of inheritance in Forster's life and novels; and in doing so highlights his interest in inheritance as both a concept and a practice. Turning then to his will, it argues that it reveals a reflective personal and political engagement with concerns about kinship, sexuality and intimate citizenship which are central to current debates within socio-legal and sociological scholarship. This reading consequently argues that his will is a text that can be read alongside his other work; that it represents a ‘posthumous publication’. While a close, critical reading of the will of one very particular individual, the article identifies the challenges posed to testators in negotiating the public and private nature of wills and highlights both the rich potential and the difficulties that these texts present for socio-legal, literary and biographical scholarship.
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Godina, Polona. "Selected American and Slovene critical responses to the work of Emily Dickinson." Acta Neophilologica 37, no. 1-2 (December 1, 2004): 25–38. http://dx.doi.org/10.4312/an.37.1-2.25-38.

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Emily Dickinson, deemed one of the greatest and most prolific American woman poets, published only a handful of poems during her lifetime. Since its posthumous discovery, however, her opus has aroused innumerable critical debates, which mainly fall into the following three cat­ egories: psycho-biographical, strictly analytical and feminist. On the contrary, Slovenes have still not yet fully discovered all Dickinson has to offer. In addition to providing a short overview of American criticism on Emily Dickinson, the author of this largely by drawing a comparison with the Slovene woman poet Svetlana Makarovič, who bears a striking resemblance to Dickinson.
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Masaharu, Hiroshi. "Development in understanding of Gauss-Krüger projection and its outcomes." Proceedings of the ICA 1 (May 16, 2018): 1–4. http://dx.doi.org/10.5194/ica-proc-1-75-2018.

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The role of Gauss and Krüger is made clear in developing Gauss-Krüger projection. Gauss developed the projection and Krüger had brought Gauss’s posthumous work into the open. From studying such historical issues, useful projection formula was found and this is now implemented for actual usage in surveying in Japan.
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Hackett, Abigail, Christina MacRae, Katy McCall, Louisa Penfold, Nicola Wallis, Elaine Bates, and Lucy Cooke. "Coda: posthumous conversations. A reading group to discuss the work of Dr Elee Kirk." Children's Geographies 16, no. 5 (July 10, 2018): 571–77. http://dx.doi.org/10.1080/14733285.2018.1497142.

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Zimmermann, Peter, and Harry Paul. "The Origins of the Leading Edge in Kohut's Work." Psychoanalytic Review 108, no. 2 (June 2021): 169–96. http://dx.doi.org/10.1521/prev.2021.108.2.169.

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This article traces the evolution of the concept of the leading edge in Kohut's work. The leading edge is defined as the growth-promoting dimension of the transference. The authors argue that although Kohut did not ever use the term explicitly in his writings—Marian Tolpin (2002), one of Kohut's gifted pupils, introduced the concept into the psychoanalytic literature in the form of the forward edge—the idea of the leading edge was already present in nascent form in Kohut's earliest papers and became ever more central as his psychology of the self evolved and the concept of the selfobject transference took center stage. Kohut, it is argued, could not fully develop the idea of working with the leading edge for fear of being accused of advocating for a corrective emotional experience in psychoanalytic treatment. However, in his posthumous empathy paper (1982) Kohut came as close as he could to endorsing the leading edge as pivotal in all psychoanalytic work.
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Yerosimou, Maria. "Defining interdisciplinarity and indentifying Research directions in Jani Christou’s Strychnine lady." Journal of Education Culture and Society 5, no. 1 (January 7, 2020): 226–41. http://dx.doi.org/10.15503/jecs20141.226.241.

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Jani Christou was a major Greek composer, whose unusual, yet promising career was brought to an end after his untimely death in 1970 at the age of 44. His challenging and speculative output has intrigued generation of young music scholars; however, J. Christou’s work remains imperfectly and only patchily known and understood, especially outside Greece. This is partly because of the interdisciplinary nature of his late works which reduces the possibility of potential researchers who will academically establish J. Christou’s distinguished output. The aim of the present paper is to present and analyse parts of Strychnine Lady, a work composed in 1967 in order to propose research directions in an effort to confi rm J. Christou’s posthumous reputation.
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Godden, Malcolm. "The Old English Life of St Neot and the legends of King Alfred." Anglo-Saxon England 39 (December 2010): 193–225. http://dx.doi.org/10.1017/s0263675110000116.

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AbstractThe Old English Life of St Neot has been generally dated to the twelfth century and dismissed as a late and derivative work. The article argues that it was written much earlier, in the first few decades of the eleventh century, and is both a significant example of late Old English hagiographic literature and an important witness to early legends about King Alfred and his posthumous reputation.
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Cvejić, Žarko. "From "Bach" to "Bach's son": The work of aesthetic ideology in the historical reception of Carl Philipp Emanuel Bach." New Sound, no. 54-2 (2019): 90–108. http://dx.doi.org/10.5937/newso1954090c.

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The paper explores the historical correlation between the marginalization of C. P. E. Bach in his posthumous critical reception in the early and mid 19th century and the paradigm shift that occurred in the philosophical, aesthetic, and ideological conception of music in Europe around 1800, whereby music was reconceived as a radically abstract and disembodied art of expression, as opposed to the Enlightenment idea of music as an irreducibly sensuous, sonic art of representation. More precisely, the paper argues that the cause of C. P. E. Bach's marginalization in his posthumous critical reception should not be sought only in the shadow cast by his father, J. S. Bach, and the focus of 19th and 20th-century music historiography on periodization, itself centred around "great men", but also in the fundamental incompatibility between this new aesthetic and philosophical ideology of music from around 1800 and C. P. E. Bach's oeuvre, predicated as it was on an older aesthetic paradigm of music, with its reliance on musical performance, especially improvisation, itself undervalued in early and mid 19th-century music criticism for the same reasons. Other factors might also include C.P. E. Bach's use of the genre of fantasia, as well as the sheer stylistic idiosyncrasy of much of his music, especially the fantasias and other works he wrote für Kenner ("for connoisseurs"). This might also explain why his music was so quickly sidelined despite its pursuit of "free" expression, a defining ideal of early to mid 19th-century music aesthetics.
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Dissertations / Theses on the topic "Posthumous work"

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Figueroa, Juan A. Jr. "Immigrant Views of Hospice and Posthumous Repatriation." CSUSB ScholarWorks, 2014. https://scholarworks.lib.csusb.edu/etd/29.

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The focus of this study is to explore and examine the views and feelings of United States documented and undocumented immigrants on their final resting place after death, posthumous repatriation, whether there is a need for repatriation, and if a lack of such need is preventing immigrant groups from remaining in the United States and benefiting from end-of-life services such as hospice. A quantitative research method was utilized. The use of a quantitative research method allowed for an expansive look into the use of posthumous repatriation and its effect on hospice use by immigrants. Data were obtained from multiple locations that serve and cater to specific ethnic groups within the region of the Inland Empire in Southern California. Sixty-three immigrants who identified themselves as persons born in a country outside the United States are the sample. This study produced evidence that family plays a major role in end-of-life decisions and argues the need of repatriation by immigrant groups as a potential reason for the underutilization of hospice services. The guarantee of return to their country of origin after death produced greater inclination to use hospice.
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Books on the topic "Posthumous work"

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Barthelme, Steve. The early posthumous work. Los Angeles, CA: Red Hen Press, 2009.

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The early posthumous work. Los Angeles, CA: Red Hen Press, 2009.

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Barthelme, Steve. The early posthumous work. Los Angeles, CA: Red Hen Press, 2009.

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Kepler, Johannes. Kepler's somnium: The dream, or posthumous work on lunar astronomy. Mineola, N.Y: Dover Publications, 2003.

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Swedenborg, Emanuel. Posthumous theological works. West Chester, Penn: Swedenborg Foundation, 1996.

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Swedenborg, Emanuel. Apocalypse explained: According to the spiritual sense in which the arcana there predicted but heretofore concealed are revealed : a posthumous work of Emanuel Swedenborg. 2nd ed. West Chester, Pa: Swedenborg Foundation, 1994.

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Yokota, Tomoaki. T. Yokota's posthumous text on Sabo works. [Yogyakarta]: Ministry of Public Works, Directorate General of Water Resources Development, Directorate of Rivers, Volcanic Sabo Technical Centre, 1988.

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Musil, Robert. Posthumous papers of a living author. Hygiene, Colo: Eridanos Press, 1987.

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Wittgenstein, Ludwig. Culture and value: A selection from the posthumous remains. 2nd ed. Oxford [England]: Blackwell, 1997.

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Dickens, Charles. The posthumous papers of the Pickwick Club. New York: Oxford University Press, 1997.

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Book chapters on the topic "Posthumous work"

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Landfester, Ulrike, Nina-Louisa Remuss, Kai-Uwe Schrogl, and Jean-Claude Worms. "Extract from “The Dream — or posthumous work on lunar astronomy” by Ludwig Kepler498." In Humans in Outer Space — Interdisciplinary Perspectives, 296–97. Vienna: Springer Vienna, 2011. http://dx.doi.org/10.1007/978-3-7091-0280-0_24.

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Coda, Vittorio. "Management Theory in the Late 1950s: Revisiting Gino Zappa’s Productive Activities and His Posthumous Work." In Entrepreneurial Values and Strategic Management, 28–62. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230299054_3.

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Merisalo, Outi. "The Historiae Florentini populi by Poggio Bracciolini. Genesis and Fortune of an Alternative History of Florence." In Atti, 25–40. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-6453-968-3.05.

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During the last years of his life, Poggio Bracciolini (1380-1459), former Apostolic Secretary and Chancellor of Florence, was working on a long text that he characterized, in a letter written in 1458, as lacking a well-defined structure. This was most probably his history of the people of Florence (Historiae Florentini populi, the title given in Jacopo’s dedication copy to Frederick of Montefeltro, Duke of Urbino), revised and published posthumously by Poggio’s son, Jacopo Bracciolini (1442-1478). Contrary to what is often assumed, Poggio’s treatise was not a continuation, nor even a complement, to Leonardo Bruni’s (1370-1444) official history of Florence. It concentrates on the most recent history of Florence from the fourteenth-century conflicts between Florence and Milan through Florentine expansion in Tuscany and finally reaching the mid-fifteenth century. This article will study the genesis and fortune of the work in the context of Poggio’s literary output and the manuscript evidence from the mid-fifteenth century until the first printed edition of the Latin-language text by G.B. Recanati in 1715.
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Pierrot, Anne Herschberg. "Barthes, the Desire to Write, and the Prevision of the Work." In Interdisciplinary Barthes, 276–87. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266670.003.0017.

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This chapter explores the connections between Le Lexique de l’auteur (the seminar of 1973–4 in which Barthes reflects on the genesis of the text that will become Roland Barthes par Roland Barthes), La Préparation du roman (his last Collège de France lecture course of 1978–80), and critical essays he wrote in the mid- and late 1970s on scription, the ductus, and writing as gesture (from an anthropological point of view, as in the posthumously published Variations sur l’écriture, and within the paintings of Bernard Réquichot and Cy Twombly). The main focus will be on Barthes’s reflection, across the two seminars, on the idea of the virtual work: his exploration of the modalities of literary genesis in the grammatical mood of the ‘as if’, and his development of ways of modelling literary genesis through the concept of the œuvre-maquette. This bringing together of modelling, genesis, and writing as process, placed in relation to the desire to write as a significant dimension of actual writing, is one of the strikingly original aspects of Barthes’s 1970s thought. It is one that the posthumous publication of the seminars and lectures allows us to understand.
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Clemens, Justin, and Rowan Wilken. "Posthumous News: The Afterlives of Georges Perec." In The Afterlives of Georges Perec. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474401241.003.0001.

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Georges Perec is considered one of the most significant twentieth century writers. While perhaps best known for his first breakthrough novel Things and his monumental Life A Users Manual and perhaps his involvement in the Oulipo group, over the course of his writing career Perec produced, in Alison James’s words, ‘a body of work that is astonishing in its breadth and originality’. Perec’s stated ambition was to ‘write every kind of thing that it is possible for a man to write’, from acrostics and palindromes, to crosswords and revealing parodies of academic journal articles. The sheer diversity of Perec’s own output and the richness and insight of many of his non-fiction essays has provided scholars, writers and artists with a veritable toolbox of ideas for adaptation and wider application. This chapter gives a brief account of Perec’s life and extraordinary literary output. It develops the argument that Perec was, in key respects, ahead of his time and that many of his literary experiments were prescient in the way that they speak to and shed significant light on a range of contemporary issues and debates.
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Davis, Colin. "Levinas the Novelist." In Traces of War, 148–62. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940421.003.0009.

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Some of Levinas’s published work suggests hostility towards literature. Nevertheless, since his death it has been discovered that he nurtured literary projects of his own. His posthumous archive contains material towards two novels, both of which deal with the experience of the Second World War. This chapter discusses this material in the context of his philosophical work.
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O’Meara, Lucy. "Barthes and the Lessons of Ancient Philosophy." In Interdisciplinary Barthes, 137–53. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266670.003.0009.

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Roland Barthes was a classicist by training; his work frequently alludes to the classical literary canon and the ancient art of rhetoric. This chapter argues that ancient Greco-Roman philosophy permits insights into Barthes’s very late work, particularly when we understand ancient philosophy not as an academic discipline, but as a mode of thought which prioritises an art of living. This chapter will focus on Barthes’s posthumously published Collège de France lecture notes (1977–80) and on other posthumous diary material, arguing that this work can be seen as part of a tradition of thought which has its roots in the ethics and care of the self proposed by ancient Greco-Roman philosophical thought. The chapter uses the work of the historian of ancient philosophy, Pierre Hadot, to set Barthes’s teaching in dialogue with Stoic and Epicurean thought, and subsequently refers to Stanley Cavell’s work on ‘moral perfectionism’ to demonstrate how Barthes’s final lecture courses, and the associated Vita Nova project, can be seen as efforts by Barthes to transform his ‘intelligibility’. Barthes’s late moral perfectionism, and the individualism of his teaching, corresponds to the ancient philosophical ethical imperative to think one’s way of life differently and thereby to transform one’s self.
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Hughes, Gillian. "The Afterglow of Abbotsford: John Macrone, Celebrity Culture, and Commemoration." In The Life of Sir Walter Scott by John Macrone. Edinburgh University Press, 2013. http://dx.doi.org/10.3366/edinburgh/9780748669912.003.0002.

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In this essay, Gillian Hughes describes the efforts of Scott's family to control his posthumous image by the publication of Lockhart's authorised life and the reissue of Scott's poems and novels. She situates Macrone's work in the context of its composition, when Scott, even in death, dominated the Anglophone literary world, a subject of unique fascination to readers and writers alike.
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Ellis, Jonathan. "Introduction: Incompatible Bishops?" In Reading Elizabeth Bishop, 1–16. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474421331.003.0001.

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This chapter offers an overview of Bishop Studies in the last 40 years. It analyses the posthumous publication of Bishop’s poems, prose, letters and unpublished material and identifies different phrases of criticism via influential readings of Bishop’s work. In the second half of the chapter, new trends in Bishop Studies are identified, alongside a consideration of Bishop’s presence in films, paintings and other media and her influence on contemporary writing.
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Helibron, J. L. "Alfredo Dinis, S.J., A Jesuit against Galileo? The strange case of Giovanni Battista Riccioli Cosmology, ed. Álvaro Balsas, S.J. & Ricardo Barroso Batista (Braga: Universidade católica portuguesa, 2017). xxiii + 364 pp. ISBN: 9789726972822 (Print); 9789726972839 (eBook). Aviva Rothman. The pursuit of harmony. Kepler on cosmos, confession, and community (Chicago: University of Chicago Press, 2017). viii + 355 pp. ISBN: 9780226497020." In History of Universities, 225–31. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198865421.003.0010.

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This chapter focuses on the works of Alfredo Dinis and Aviva Rothman. Giovanni Battista Riccioli's principal work, Almagestum novum (1651), so called to indicate a replacement of Ptolemy's classic text, presents much valuable quantitative information, often in tabular form, which astronomers of all religious persuasions found useful. It also contains 49 arguments pro and 77 contra the Copernican system. Much of the late Alfredo Dinis's posthumous book analyses Riccioli's 126 arguments in an endeavour to judge whether they hid a closet Copernican. Meanwhile, little is said by Aviva Rothman about Johannes Kepler's achievements in astronomy. Instead she places much of his work, thought, and aspiration under the concept of harmony. This leitmotiv carries her a long way through Kepler's religious ideas.
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