Academic literature on the topic 'Postmemory'

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Journal articles on the topic "Postmemory"

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Mun, Young-hee. "Alice Pung’s Her Father’s Daughter: The Postmemory and Testimony of a Father." Institute of British and American Studies 57 (February 28, 2023): 3–35. http://dx.doi.org/10.25093/ibas.2023.57.3.

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This paper explores Alice Pung’s postmemoir Her Father’s Daughter in terms of the theories of postmemory, as Pung inherits and writes about her father’s memory and testimony. Instead of using the first person narrator, Pung’s postmemoir fluctuates between the third person perspective of herself and that of her father, and contrasts her father’s memory of the Cambodian Killing Fields with her peaceful life in the western suburbs of Melbourne. Likewise, Pung's postmemoir combines fragmented and conflicting narratives rather than assigning a single authoritative voice to an individual who has exp
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Hirsch, Marianne. "Postmemory." Témoigner. Entre histoire et mémoire, no. 118 (October 1, 2014): 189–90. http://dx.doi.org/10.4000/temoigner.1276.

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Frosh, Stephen. "Postmemory." American Journal of Psychoanalysis 79, no. 2 (2019): 156–73. http://dx.doi.org/10.1057/s11231-019-09185-3.

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Elizabeth R. Baer and Hester Baer. "Postmemory Envy?" Women in German Yearbook: Feminist Studies in German Literature & Culture 19, no. 1 (2003): 75–98. http://dx.doi.org/10.1353/wgy.2003.0002.

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Çalışkan, Dilara. "Queer postmemory." European Journal of Women's Studies 26, no. 3 (2019): 261–73. http://dx.doi.org/10.1177/1350506819860164.

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Drawing on 10 years of activism in Turkey’s trans movement and seven months of fieldwork in Istanbul on mutually formed mother and daughter relationship among trans women, this article looks at alternative understandings of ‘inter-generational’ transmission of memory. How can we engage alternative family making processes and non-normative formations of time with memory transmission rather than merely identify ‘inter-generational’ memory in advance with pre-established non-normative systems? Or can we talk about ‘inter-generational’ memories without knowing what ‘generation’ really means? Inspi
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Fernanda, Andri. "Transmisi Memori dan Trauma dalam Mother Land Karya Dmetri Kakmi: Kajian Postmemory." Jurnal POETIKA 5, no. 2 (2017): 82. http://dx.doi.org/10.22146/poetika.30937.

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AbstrakPenelitian ini mengkaji tentang bagaimana proses kreatif sebuah karya postmemory dalam proses transmisi memori dari generasi pertama ke generasi selanjutnya dan melihat gender memainkan peran penting dalam proses transmisi, serta bagaimana melihat gender dalam karya tersebut. Tujuan dalam penelitian ini untuk membongkar struktur transmisi memori traumatis Dmetri Kakmi dalam novel Mother Land serta melihat konstruksi gender terhadap kesan-kesan traumatis yang muncul di dalam karya tersebut. Peneliti menggunakan teori postmemory yang dicetuskan oleh Marianne Hirsch untuk melihat 1) Bagaim
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Fernanda, Andri. "Transmisi Memori dan Trauma dalam Mother Land Karya Dmetri Kakmi: Kajian Postmemory." Poetika 5, no. 2 (2017): 82. http://dx.doi.org/10.22146/poetika.v5i2.30937.

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AbstrakPenelitian ini mengkaji tentang bagaimana proses kreatif sebuah karya postmemory dalam proses transmisi memori dari generasi pertama ke generasi selanjutnya dan melihat gender memainkan peran penting dalam proses transmisi, serta bagaimana melihat gender dalam karya tersebut. Tujuan dalam penelitian ini untuk membongkar struktur transmisi memori traumatis Dmetri Kakmi dalam novel Mother Land serta melihat konstruksi gender terhadap kesan-kesan traumatis yang muncul di dalam karya tersebut. Peneliti menggunakan teori postmemory yang dicetuskan oleh Marianne Hirsch untuk melihat 1) Bagaim
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Santoso, Joko. "Konsep Dasar Postmemory Marianne Hirsch untuk Kajian Sastra." Proceedings Series on Social Sciences & Humanities 20 (November 30, 2024): 297–304. https://doi.org/10.30595/pssh.v20i.1380.

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Tulisan ini berusaha menjelajahi, mengabstraksi, dan menyimpulkan konsep-konsep dasar postmemory Marianne Hirsch dan kemudian menawarkan sebagai kajian sastra. Konsep-konsep dasar itu didasarkan pada dua bukunya yaitu Family Frames: Photography Narrative and Postmemory (2012), dan The Generation of Postmemory: Writing and Visual Culture After the Holocaust (2012). Penjelajahan itu juga merupakan upaya memahami kerangka teori/paradigma postmemory. Dari upaya pengabtraksian dapat ditemukan beberapa hal penting; postmemory selalu adalah mengenai memori trauma, sehingga kajiannya juga mengenai tra
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Ghassani, Damia Rizka, and Ari J. Adipurwawidjana. "Metacinema as Diasporic Postmemory in Justin Chon’s Blue Bayou (2021)." k@ta 26, no. 1 (2024): 1–13. http://dx.doi.org/10.9744/kata.26.1.1-13.

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Blue Bayou (2021), a film by Justin Chon, presents issues of imagination, postmemory, and identity through self-referential techniques. Referring to Marianne Hirsch’s theory on postmemory, this article examines how this film represents imagined moments and how they serve as a postmemory of the history of Korean immigrants, and how this kind of forgetting constitutes the American shared experience. The findings and discussion show that imagined moments in Antonio's subconscious function as postmemory for Antonio, while the film itself serves as a postmemory for America’s imagination. It can be
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Sy, Ousseynou. "Toni Morrison’s transgressive literary preaching and folk songs as postmemory." International journal of linguistics, literature and culture 7, no. 4 (2021): 241–54. http://dx.doi.org/10.21744/ijllc.v7n4.1720.

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This paper intends to study the sermons or ‘‘literary preaching’’ and folk songs in Toni Morrison’s fiction in the light of Marianne Hirsch’s concept of postmemory. Drawing on Hirsch’s postmemory then, this paper articulates that the ‘‘literary preaching’’ and folk songs function within Morrison’s novelistic discourse as postmemory medium that presses against the erasure and the death of a culture and history. The folk songs and ‘‘literary preaching’’ are mediums of transgenerational transmission of trauma and history. Hirsch defines postmemory as the memories that the survivors of trauma bequ
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Dissertations / Theses on the topic "Postmemory"

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Pini, Sara <1991&gt. "Holocaust postmemory in contemporary anglophone children's literature." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2022. http://amsdottorato.unibo.it/10406/1/Pini%20tesi%20dottorale%20.pdf.

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This dissertation discusses contemporary Anglophone children’s literature representing the Holocaust and it claims that, through the reading of historical novels, children can acquire a specific kind of postmemory, which I call ‘attitudinal postmemory’. The works analyzed have been written by ‘non-related’ authors, meaning writers who are not witnesses nor their descendants. Attitudinal postmemory is based on the readers’ establishment of a personal-emotional link with the Holocaust by means of narrative empathy towards the characters; it is an ‘active’ kind of memory because it will hopefully
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Altomonte, Jenna A. "The Postmemory Paradigm: Christian Boltanski's Second-Generation Archive." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1244047774.

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Dilly, Melanie Simone. "Expatriate writing : post-trauma, postmemory and the postcolonial." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/60507/.

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This thesis describes the relationship between post-Second World War discourses and postcolonialism as observed in a selection of works by expatriate 'postmemory' authors after the Second World War and the Indian Partition. With global consequences which are still felt today, the Holocaust can no longer be understood as a singled-out event. Through their various works, Anita Desai, Amitav Ghosh, Salman Rushdie, and W.G. Sebald offer a range of comparable strategies for further personal engagement with the past - not just in Europe or in South Asia, but in both places together. The thesis shows
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Gumiela, Josh. "Distance Generation: Postmemory and the Creation of New Family Histories." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/theses/592.

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This paper explores the `creative' process of postmemory in relation to family photographs, story telling, the absence of memory, and the subsequent construction of new and elastic family histories in my MFA thesis artwork. I define postmemory and how it relates to the limited number of existing photographs that document my family's experience as displaced persons and immigrants. I also discuss how literalist art has influenced the works in my thesis exhibition and outline the reasons for the absence of actual photographs in my work. Then, drawing from Freud's ideas of the condensation of drea
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Chea, Chany. "Postmemory work in the Cambodian diaspora : using the past to access the present." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/51663.

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This thesis calls for a change in the way we think about articulating suffering and its meanings. It is an analysis of 1.5 and second generation Cambodian postmemory work in North America. I describe the music, film, visual art, poetry and performance art that have been produced by these generations as “postmemory” work because the creators invoke memory that they have not lived themselves or have forgotten. The work of these generations that relate to the Cambodian genocide relies on intergenerational communication with their parents to retell family stories. In their countries of resettlemen
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Maguire, Geoffrey William. "Political postmemory : childhood, memory and politics in Argentina's post-dictatorship generation (2003-2013)." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709107.

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Howell, Jennifer Therese. "Popularizing historical taboos, transmitting postmemory: the French-Algerian War in the bande dessinée." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/683.

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In addition to proposing a survey and subsequent analysis of the French-Algerian War in French-language comics, also known as bandes dessinées, published in Algeria, France, and Belgium since the 1960s, my dissertation investigates the ways in which this medium re-appropriates textual and iconographic source materials. I argue that the integration or citation of various sources by artists functions to confer a measure of historical accuracy on their representation of history, to constitute a collective memory as well as personal postmemories of the war, and to re-contextualize problematic imag
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Rocha, Thaís de Santis. "Um coração que ainda bate após Auschwitz: um estudo de caso sobre o Holocausto." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-25102016-114552/.

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A presente investigação tem como objetivo estabelecer a relevância da relação dos descendentes do Holocausto com a memória desse evento através da análise da obra Meu coração Ferido, escrita por Martin Doerry. Essa obra retrata a trajetória de uma mulher judia entre 1900 e 1944, mostrando como as medidas nazistas alteraram seu cotidiano, incluindo cartas escritas no período no qual esteve confinada em um campo de concentração. Ela possui um destaque dentro da literatura atual devido a sua narrativa, que mescla textos produzidos na época com a contextualização dos fatos feita pelo autor. Preten
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Serpente, A. "Diasporic Chilean and Argentinean narratives in the UK : the traces of second generation postmemory." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1426115/.

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This thesis analyses the interrelated concepts of diasporic postmemory and how they apply to the oral narratives of a small group of second generation Chileans and Argentineans living in the UK, whose parents were political exiles and economic migrants linked to the Chilean (1973-1990), and Argentinean (1976-1983) dictatorships. Diasporic postmemory as a ‘multidirectional’ theory is used to discuss these narratives in a ‘delocalised’ context where it is argued that two central memory fields overlap: the first being the field of the ‘politics of memory’ in the Southern Cone, and the second the
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Hillman-McCord, Jessica. "From the shtetl to 42nd Street: Nostalgia and postmemory in Jewish American musicals, 1961--today." Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3256432.

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Books on the topic "Postmemory"

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Maguire, Geoffrey. The Politics of Postmemory. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51605-9.

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Koh, Dong-Yeon. The Korean War and Postmemory Generation. Routledge, 2021. http://dx.doi.org/10.4324/9781003008897.

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Kapila, Shuchi. Postmemory and the Partition of India. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-43397-9.

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Mitroiu, Simona, ed. Women’s Narratives and the Postmemory of Displacement in Central and Eastern Europe. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96833-9.

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Landscapes of Holocaust postmemory. Routledge, 2011.

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Kaplan, Brett Ashley. Landscapes of Holocaust Postmemory. Taylor & Francis Group, 2011.

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Kaplan, Brett Ashley. Landscapes of Holocaust Postmemory. Taylor & Francis Group, 2013.

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Kaplan, Brett Ashley. Landscapes of Holocaust Postmemory. Taylor & Francis Group, 2011.

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Kaplan, Brett Ashley. Landscapes of Holocaust Postmemory. Taylor & Francis Group, 2011.

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Kaplan, Brett Ashley. Landscapes of Holocaust Postmemory. Taylor & Francis Group, 2011.

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Book chapters on the topic "Postmemory"

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Morris, Leslie. "Postmemory, Postmemoir." In Unlikely History. Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-0-230-10928-5_15.

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Frosh, Stephen. "Postmemory." In Studies in the Psychosocial. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14853-9_1.

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Spitzer, Michael. "Hearing Postmemory." In The Routledge Companion to Popular Music Analysis. Routledge, 2018. http://dx.doi.org/10.4324/9781315544700-27.

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Ying, Yan. "Postmemory lost." In The Routledge Handbook of Translation and Memory. Routledge, 2022. http://dx.doi.org/10.4324/9781003273417-21.

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Ying, Yan. "Postmemory lost." In The Routledge Handbook of Translation and Memory. Routledge, 2022. http://dx.doi.org/10.4324/9781003273417-21.

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Gluhovic, Milija. "Postmemory, Testimony, Affect." In Performing European Memories. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137338525_4.

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Biti, Vladimir. "Postmemory in action." In Perpetrators’ Legacies. Routledge, 2024. http://dx.doi.org/10.4324/9781003499879-8.

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Lee, Jade Tsui-yu. "Postmemory and Transoceanic Coolitude." In Trauma, Precarity and War Memories in Asian American Writings. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-6363-8_4.

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Alfandary, Rony. "Postmemory and family trauma." In Postmemory, Psychoanalysis and Holocaust Ghosts. Routledge, 2021. http://dx.doi.org/10.4324/9781003189121-8.

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Maguire, Geoffrey. "Introduction: The Second Generation in Contemporary Argentina." In The Politics of Postmemory. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51605-9_1.

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Conference papers on the topic "Postmemory"

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"Memory and Trauma Transmission in Haruki Murakami’s After the Quake: Postmemory Study." In March 2-4, 2020 Istanbul (Turkey). Dignified Researchers Publication, 2020. http://dx.doi.org/10.17758/dirpub8.dir0320425.

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"Memory Transmission In The Secret Life Of Bees Novel: A Study Of Postmemory." In March 2-4, 2020 Istanbul (Turkey). Dignified Researchers Publication, 2020. http://dx.doi.org/10.17758/dirpub8.dir0320418.

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Carol J, Priya. "Ricochets of Reality: Gila Almagor’s Holocaust Narratives." In Pausing Time/Timing the Pause: sayability in the arts, philosophy, and politics, the 4th interdisciplinary Ereignis conference. Tankebanen forlag/utopos publishing, 2024. https://doi.org/10.59391/s68pn1qvnw.

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This paper delves into the dynamic interplay between speech and silence in Gila Almagor’s films, revealing how the unsayable emerges in language. Rooted in Almagor’s reflections on trauma, war, and postmemory, it examines her film — _Siege_ (1987), _The House on Chelouche Street_ (1973), _Summer of Aviya_ (1988), and _Under the Domim Tree_ (1994) — as they grapple with articulating the inexpressible. _Siege_ critiques the human cost of conflict, while _The House on Chelouche Street_ illuminates Israel’s early years. _Summer of Aviya_ explores post-Holocaust trauma, fostering empathy and unders
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Chowdhury, Nabila, Natasha Shokri, Cibeles Herrera Valera, et al. "Politics of the Past: Understanding the Role of Memory, Postmemory, and Remembrance in Navigating the History of Migrant Families." In CHI '24: CHI Conference on Human Factors in Computing Systems. ACM, 2024. http://dx.doi.org/10.1145/3613904.3642496.

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