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1

Shukhrat-Zade, Asad. "Postmodern Consciousness." Annales Universitatis Mariae Curie-Skłodowska, sectio K – Politologia 28, no. 2 (2022): 61. http://dx.doi.org/10.17951/k.2021.28.2.61-70.

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Kawai, Toshio. "Postmodern consciousness in psychotherapy." Journal of Analytical Psychology 51, no. 3 (2006): 437–50. http://dx.doi.org/10.1111/j.0021-8774.2006.00601.x.

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3

Liu, Senjia. "Historical Consciousness under the Postmodern Context." Communications in Humanities Research 2, no. 1 (2023): 87–92. http://dx.doi.org/10.54254/2753-7064/2/20220335.

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Human historical consciousness has undergone fundamental changes after multi-dimensional interactions with postmodern context. After analysing the conditions for the formation of such postmodern historical consciousness and its impact on human beings, obviously, postmodernism engendered great impact on historical ontology, historical epistemology and historical methodology which resulted in postmodern-contextualization of historical consciousness.
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Liu, Senjia. "Historical Consciousness under the Postmodern Context." Communications in Humanities Research 2, no. 1 (2023): 87–92. http://dx.doi.org/10.54254/2753-7064/2/2022335.

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Human historical consciousness has undergone fundamental changes after multi-dimensional interactions with postmodern context. After analysing the conditions for the formation of such postmodern historical consciousness and its impact on human beings, obviously, postmodernism engendered great impact on historical ontology, historical epistemology and historical methodology which resulted in postmodern-contextualization of historical consciousness.
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5

Boeve, Lieven. "Critical Consciousness in the Postmodern Condition." Philosophy and Theology 10, no. 2 (1997): 449–68. http://dx.doi.org/10.5840/philtheol199710223.

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6

Rich, Ben A. "Postmodern Personhood: A Matter of Consciousness." Bioethics 11, no. 3-4 (1997): 206–16. http://dx.doi.org/10.1111/1467-8519.00059.

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7

Atkinson‐Grosjean, Janet. "Consciousness, complexity, and self in postmodern times." World Futures 46, no. 4 (1996): 253–67. http://dx.doi.org/10.1080/02604027.1996.9972579.

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8

Wilson, DN. "Postmodern epistemology and the Christian apologetics of CS Lewis." Verbum et Ecclesia 27, no. 2 (2006): 749–71. http://dx.doi.org/10.4102/ve.v27i2.173.

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Evangelicalism at the turn of this century finds itself facing a challenge that undermines its very validity. This challenge is generally referred to as postmodernism. Within the contemporary evangelical paradigm, the context in which this term is generally used refers to epistemology – the structure and limitations of human self-consciousness. The gist of the popular post-modernist argument is that human consciousness always develops inductively – from the inside, outward – utilising a particular linguistic and cultural frame of reference in order to construct conceptions of reality. Human se
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Chethan, B. Manjunath. "Narrating Metafiction: Reading Tibor Fischer's The Thought Gang." International Journal of Advance and Applied Research 10, no. 2 (2022): 46–49. https://doi.org/10.5281/zenodo.7427517.

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&nbsp;The question of Metafiction rises in the context of the postmodern narrative, in which fictional writing is carried out self-consciously and systematically, posing questions about the relationship between fiction and reality. This kind of narration, with the self-consciousness and systematic posing of questions in relation to postmodernity and postmodern fiction, can be examined in Tibor Fischer&#39;s <em>The Thought Gang</em> (1994). The present paper attempts to examine the narration from the postmodern point of view by tracing how Fischer utilizes postmodernity in constructing postmod
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Zemło, Mariusz. "Postmodern consciousness versus implemented model of school knowledge." Roczniki Nauk Społecznych 6(42), no. 4 (2014): 31–52. http://dx.doi.org/10.18290/rns.2017.45.3-13.

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Morozova, Lyudmila, Olga Morozova, Vira Drabovska, Olena Hrechanovska, Lesia Martirosian, and Valentuna Benera. "Formation of National Culture and National Consciousness in the Postmodern Society." Postmodern Openings 12, no. 1Sup1 (2021): 257–70. http://dx.doi.org/10.18662/po/12.1sup1/283.

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A nation cannot exist without national culture and national self-consciousness. These concepts are decisive in the development of the nation. Values are the priorities of any nation, determined by its culture and self-awareness. The national cool is the basis for the formation and development of national self-consciousness. The aim is to analyze the influence of national culture on the formation of national consciousness. Justify their objective and subjective factors of formation, which are based on the motivational core of personality behavior. National culture and national self-consciousnes
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Ou, Yuting. "Interpretation of the Feminism in the Work Sula." Communications in Humanities Research 2, no. 1 (2023): 566–71. http://dx.doi.org/10.54254/2753-7064/2/20220627.

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Toni Morrison focuses on the spiritual world of black women in her masterpiece Sula, portraying Sula, Nell and other black women who suffer from subject identity crisis, reflecting on the problem of female subject consciousness and revealing that women's subject consciousness can be re-established through their own efforts. This paper is intended to explore the characteristics of different female characters in the novel and their own stories from the postmodern feminism perspective argued by Hlne Cixous, taking into account the character traits and life experiences of the main female character
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Ou, Yuting. "Interpretation of the Feminism in the Work Sula." Communications in Humanities Research 2, no. 1 (2023): 566–71. http://dx.doi.org/10.54254/2753-7064/2/2022627.

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Toni Morrison focuses on the spiritual world of black women in her masterpiece Sula, portraying Sula, Nell and other black women who suffer from subject identity crisis, reflecting on the problem of female subject consciousness and revealing that women's subject consciousness can be re-established through their own efforts. This paper is intended to explore the characteristics of different female characters in the novel and their own stories from the postmodern feminism perspective argued by Hlne Cixous, taking into account the character traits and life experiences of the main female character
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14

Leontiev, Yury A. "THE PROBLEM OF THE VALUE CONSCIOUSNESS FORMATION IN THE CONTEXT OF THE CRISIS OF IDEOLOGIES." Humanities And Social Studies In The Far East 19, no. 2 (2022): 128–33. http://dx.doi.org/10.31079/1992-2868-2022-19-2-128-133.

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The article substantiates the thesis that one of the fundamental causes of today's world crisis is the irrelevance of the ideological form of consciousness of the modern post-postmodern situation, which is characterized by the dominance of the postideological form of consciousness. The blurring of the criteria of the real, which occurred in the postmodern era, led to the relativization of the axiological sphere, which undermined the ability of society to resist destructive tendencies in social reality. The necessity of a new form of worldview, based on the primacy of the value approach, and ne
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15

Moore, Melanie, and Steven P. Dandaneau. "Taking It Big: Developing Sociological Consciousness in Postmodern Times." Teaching Sociology 30, no. 1 (2002): 127. http://dx.doi.org/10.2307/3211532.

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16

De Bleeckere, Sylvain. "The religious dimension of cinematographical consciousness in postmodern culture." Communicatio Socialis 27, no. 1 (1994): 46–67. http://dx.doi.org/10.5771/0010-3497-1994-1-46.

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17

Ingalsbee, Timothy. "Earth First! Activism: Ecological Postmodern Praxis in Radical Environmentalist Identities." Sociological Perspectives 39, no. 2 (1996): 263–76. http://dx.doi.org/10.2307/1389312.

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Classical and conventional sociological theories cannot explain social-psychological dynamics in contemporary social movements. A synthesis of symbolic interactionism and New Social Movement theory offers a useful framework for analyzing and interpreting the role of consciousness/identity and culture/lifestyle in new social movements. Movement identifications are social-interactional processes that symbolize collectively constructed cognitive frameworks. Activist identities are forms of collective consciousness that function as symbolic resources in the ongoing mobilization of collective actio
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Mejevnikova, O. P., and T. V. Ukhina. "A man in the era of virtualization of society." Services in Russia and Abroad 17, no. 2 (2023): 35–43. https://doi.org/10.5281/zenodo.8105530.

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<em>The purpose of the study of the article is to reveal the features of the formation of a virtual person in the postmodern era. The relevance of the article is due to the need to study the processes in society, determined by technical and information systems and virtual reality, which lead to the formation of a new posthuman. The authors made an attempt to trace the influence of the information age and virtual reality technologies on the formation of a person of the postmodern era &ndash; Homo Virtualis. The article emphasizes that virtual reality technologies can significantly affect not on
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19

Kostiuk, Olha, Olha Vaskevych, Nataliia Zlenko, Olena Savitska, Rada Mykhailova, and Taras Gorbatiuk. "The Philosophy of Design in the Innovation Space of the Postmodern World: Consciousness of Cultural Practices." Postmodern Openings 13, no. 1 (2022): 170–85. http://dx.doi.org/10.18662/po/13.1/390.

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The design ideas of the postmodern era reflect the general trends of socio-cultural reality, namely the loss of traditional moral guidelines, disharmony and destructiveness combined with absurdity, a sense of crisis, abyss and uncertainty conveyed in signs and in spatial coordinates. Design products become installations in which the viewer is a direct participant, sometimes even the creator. Postmodern design denies finitude, noting the plurality, uncertainty and fluidity of the world. The paradox of postmodern design culture is expressed in a combination of diametrically opposite things, some
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20

Sameen, Humam Salah. "Postmodern Elements in Samuel Beckett’s Waiting for Godot." JOURNAL OF LANGUAGE STUDIES 6, no. 1 (2022): 251–57. http://dx.doi.org/10.25130/jls.6.1.14.

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Postmodernism is considered a break with 19th-century realism and before that, the project of Enlightenment dealt with the issue of transformation of outer phenomenal reality to an internal consciousness of the human mind. As a result, the using postmodernism subconsciously reveals and manifests their inner consciousness through what they do. It rejects the concept of absolute reality. Mostly, postmodernist writers support the premise that ‘irrational is real’. Samuel Beckett’s Waiting for Godot (1948) is considered to be the leading playwright amongst many others. This play derives its inspir
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21

Danylova, T. V. "THE PROBLEM OF HUMAN IDENTITY IN POSTMODERN WORLD VIEW." Anthropological Measurements of Philosophical Research, no. 2 (December 12, 2012): 16–22. https://doi.org/10.15802/ampr2012/7833.

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The awareness of the pluralistic reality of postmodern transforms the very understanding of human identity: the human self is no longer something unified and indivisible but is rather composed of different, often conflicting, parts. This article is devoted to the analysis of the concept of identity in a problem field of postmodern.
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22

Adeleke, Emmanuel B., and Dowell I. Oba. "Simulation and Depthlessness in Postmodern Fiction: The Examples of Chimamanda Ngozi Adichie and Teju Cole." CLAREP Journal of English and Linguistics 2 (October 10, 2020): 123–39. http://dx.doi.org/10.56907/gz1n6z4t.

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This paper examines simulation and depthlessness in postmodern fiction using Chimamanda Ngozi Adichie’s Americanah and Teju Cole’s Every Day is for the Thief (Every Day henceforth) as illustrative texts. The theory employed in the paper is postmodernism with particular reference to Bennett and Royle’s postulation on simulation and depthlessness. The study finds that in Every Day, the use of the hyperreal competes with the reality of Lagos and creates a fictional form that makes it much more exciting. Simulation with the use of photographs in the novel is also employed to give a feel of the env
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23

Rollins, W. "Reflections on a Spare Tire: SUVs and Postmodern Environmental Consciousness." Environmental History 11, no. 4 (2006): 684–723. http://dx.doi.org/10.1093/envhis/11.4.684.

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24

Toews, John E. "MANIFESTING, PRODUCING, AND MOBILIZING HISTORICAL CONSCIOUSNESS IN THE “POSTMODERN CONDITION”." History and Theory 48, no. 3 (2009): 257–75. http://dx.doi.org/10.1111/j.1468-2303.2009.00508.x.

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25

Mandrygina, N. S. "Representation of the concept of the “other” in the modern and postmodern era through the prism of works of the science fiction genre." Herald of Omsk University 24, no. 4 (2019): 79–81. http://dx.doi.org/10.24147/1812-3996.2019.24(4).79-81.

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In the era of modern and postmodern, a transformation of forms of interpersonal and intercultural dialogue takes place. These transformations are reflected in the mass culture of the science fiction genre and affect the consciousness of the masses.
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26

Bekh, Volodymyr, Viktor Vashkevych, Alla Kravchenko, Alla Yaroshenko, Valerii Akopian, and Tetiana Antonenko. "Education as a Way of Human Existence in a Postmodern Society." Postmodern Openings 12, no. 3 (2021): 01–14. http://dx.doi.org/10.18662/po/12.3/324.

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Without exaggeration, learning problems are among the most complex and most controversial not only in pedagogical and philosophical science but also in other scientific areas. We are talking about the philosophy of education as a general paradigm of the organization and content of all that knowledge - scientific and non-scientific - that we pass on to pupils and students through education, about worldview values that are brought up, merged in the process of educational and educational activities, the certainty of the spiritual world of the individual which is formed at school and university an
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Avdeenko, E. V. "The Simulation Phenomenon in Postmodern Society." Pushkin Leningrad State University Journal 3 (2024): 70–83. https://doi.org/10.35231/18186653_2024_3_70.

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Introduction. The modern stage of society's development in the socio-humanitarian literature is often interpreted as a postmodern period. This characteristic, among other factors, is associated with a large role in the culture of the philosophy of postmodernism. The author of the article believes that the philosophy of postmodernism can be considered both an ideological and theoretical reflection of the modern society realities and an essential element of this social reality. One of the main concepts by which representatives of the philosophy of postmodernism explain modern social reality is t
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Skinner, James, and Allan Edwards. "Inventive Pathways: Fresh Visions of Sport Management Research." Journal of Sport Management 19, no. 4 (2005): 404–21. http://dx.doi.org/10.1123/jsm.19.4.404.

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Although qualitative research approaches such as ethnography have been applied to the field of sport (e.g., Bricknell, 2001; Hughson and Hallinan, 2001) Sparkes (2003) has suggested that it was not until the late 1990s that sport researchers began to embrace ethnographic frameworks underpinned by critical and postmodern theories. As such, the value of these research designs has not been fully realized. The benefit for sport management researchers in applying critical and postmodern thought to ethnographic approaches is that it sharpens their critical consciousness. This article therefore devel
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Afonin, E. A., and A. Yu Martynov. "Archetypics of the multipolar world: from war to peace." Ukrainian Society 81, no. 2 (2022): 15–31. http://dx.doi.org/10.15407/socium2022.02.015.

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The authors used archetypal methodology to analyse the problem of the international relations multipolar system formation, which occurs against the background of full-scale armed aggression by Russia against Ukraine. Emphasis is placed on the phenomenon of security as a prerequisite for individual and collective activity, which is the keeper of the world history evolution, and knows various systems of international relations, their classification and typology: unipolar, bipolar, and multipolar. It is noted that after the collapse of the Soviet Union, Russia for an extended period, cultivated r
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Qu, Jiaqi. "Del's Growth: A Typical Example of Construction of Female Self-consciousness—A Postmodern Feminist Analysis of Lives of Girls and Women." Journal of Social Science Humanities and Literature 6, no. 5 (2023): 185–90. http://dx.doi.org/10.53469/jsshl.2023.06(05).26.

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Alice Munro is a famous contemporary Canadian women writer and the winner of 2013 Nobel Prize in literature. She is known as the ""master of contemporary short stories"". Munro is very concerned about the life experience of ordinary women. She always focuses on the daily trifles and details of ordinary women and describes their journey from a girl to a wife in detail, especially focusing on the psychological fluctuations and twists and turns of women. They seem fragile, but they are persistent. Munro's works are full of postmodern feminism, focusing on women's self-awareness and subjective con
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Shevchenko, Nataliia, Maiia Shypko, Liubov Dolynska, Olena Stroianovska, Galyna Gorban, and Olena Temruk. "Ethical Consciousness of University Students in the Context of Postmodernism." Postmodern Openings 13, no. 4 (2022): 472–96. http://dx.doi.org/10.18662/po/13.4/528.

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The article describes theoretical views on the development of ethical consciousness in Ukrainian university students in the context of postmodernism, using the data from quasi-experimental psycho-pedagogical measurements. The article aims to specify the process of developing structural components of ethical consciousness in Ukrainian university students, who de facto (culturally and socially) are still gaining the experience of late postmodernity. The following methods were used at the propaedeutic, quasi-experimental and resumptive levels: theoretical-methodological analysis of relevant scien
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Gavran, Iryna, Svitlana Stoian, Maria Rohozha, Iryna Vilchynska, and Khrystyna Pletsan. "Visual practices of human creation in postmodern culture." Herança 6, no. 2 (2023): 243–52. http://dx.doi.org/10.52152/heranca.v6i2.721.

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The relevance of the study is due to the transformation of views on the processes of human creative activity in visual practices in postmodern culture. Changing views on the key elements of the individual characteristics of representatives of a particular type of culture allows us to talk about a new character of a person, passing through numerous stages of formation in the process of socialization. The purpose of the article is to form the basic principles of postmodern human creativity in the context of demonstrating this process within the framework of visual cultural and artistic practices
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Zaluzhna, Maryna. "Postmodern transformations of the concept UNCERTAINTY in the English language consciousness." Nova fìlologìâ, no. 73 (2018): 33–41. http://dx.doi.org/10.26661/2414-1135/2018-73-06.

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34

Ponomareva, Maria A. "The Soviet Man in Postmodern Conditions: Historical Politics and Public Consciousness." New Past, no. 4 (December 28, 2021): 227–37. http://dx.doi.org/10.18522/2500-3224-2021-4-227-237.

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35

Vatazhko, Elvira. "THE CONCEPTS OF ‘METATEXTUALITY’ AND ‘METAFICTION’ IN LITERARY CRITICISM." Слово і Час, no. 2 (March 25, 2021): 100–109. http://dx.doi.org/10.33608/0236-1477.2021.02.100-109.

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Undoubtedly, the second half of the 20th century and the early 21st century are notable for the extensive artistic experiment, including metatextual and metafictional phenomena. Such scholars as Gérard Genette, Anna Wierzbicka, Patricia Waugh, Linda Hutcheon, Robert Sholes, and many others focused on the mentioned issues in their research work. Therefore, this paper considers metatextuality and metafiction in the theoretical perspective tracing the origins of metatextuality and its connections with postmodern literature. The terms ‘metatext’ and ‘metafiction’ appeared as rather close in time.
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Manoylo, Nataliya. "Notary as a Subject of Formation of Postmodern Society of Civil Legal Type." Postmodern Openings 13, no. 4 (2022): 531–47. http://dx.doi.org/10.18662/po/13.4/531.

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The article considers the notary as a subject of active influence on the formation of postmodern democratic legal society, mediation of law in postmodern society. The constitutional definition of the state in this status does not mean that the civil law consciousness prevails in all spheres of its life. Since no person in society does not need this type of legal service, it is quite objective to consider this community as a subject whose activities should be considered as a subject of formation not only of legal consciousness of society but also a leading subject of civil society. This primari
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37

Kanchi Maharjan. "A Comparative Study of Traditional and Postmodern Perspectives on the Yashodhara Drama." Interdisciplinary Journal of Management and Social Sciences 6, no. 1 (2025): 315–24. https://doi.org/10.3126/ijmss.v6i1.75412.

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In most of the mythological and medieval texts, the author has given prominence to the courageous male protagonist instead of the female character. Be it Hindu or Buddhist texts, female characters have been overlooked or ignored, but in Nepali literature, over the past fifty years, heroine-dominated dramas have been written, giving a central place to the entire being of female characters. In the present study, playwright Kali Prasad Rijal's Yashodhara (2059) Geetha Natak and Sharada Subba's Yashodhara (2065) drama have been taken as evidence material to conduct a comparative character study of
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Damlègue Lare. "Postmodern Aesthetics in African Literature." Littera Aperta. International Journal of Literary and Cultural Studies 7, no. 8 (2023): 55–78. http://dx.doi.org/10.21071/ltap.v7i8.16191.

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This article examines contemporary critical positions in African literature that mark off perceptible shifts in focus from issues of primal postcolonialism to a more self-reflexive treatment of postmodernism in contemporary African literature. Contemporary African literary works, novels, and plays have become markedly self-reflexive in the way they rewrite one another and draw attention to their own functionality and fictionality. These works present stylistic and thematic departures that challenge the nationalist and realist trend of earlier writing. Creative works further depart from the tra
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Samokhina, Viktoriia, Olha Kuznietsova, and Valentyna Pasynok. "Polycode Essence of Postmodern Comic Literary Text." Theory and Practice in Language Studies 12, no. 9 (2022): 1711–17. http://dx.doi.org/10.17507/tpls.1209.02.

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The present paper aims at the analysis of the postmodern comic literary texts and their peculiar features. In the focus of the attention is polycode organization of the texts, which is based on polystylistic and polysemiotic techniques. Application of these techniques proves that the comic depends on the carnival type of consciousness of the author, who is a creative personality – Homo Ludens. The author of the postmodern comic literary text has a specific vision of the world which is expressed through the use of carnival plots, images, themes and devises. It has been demonstrated that most co
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Kudryavtseva, Mariya I. "Referentiality of event in postmodern fictional discourse: pragmatics and semantics." Current Issues in Philology and Pedagogical Linguistics, no. 1(2021) (March 25, 2021): 181–90. http://dx.doi.org/10.29025/2079-6021-2021-1-181-190.

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The article is devoted to the study of postmodern fictional discourse referentialism in terms of pragmatics and semantics. Postmodern fictional discourse eliminates the oppositions of different narrative perspectives, which entails a non-distinction of the author’s narrative and the characters’ speech. The relevance of the article arises from the need to identify the communicative parameters of the creator of fictional discourse and its recipient from the standpoint of the cognitive and discursive linguistic paradigm, but it should be noted that both sides of fictional communication are free i
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Alborova, Anzhelika Sergeevna. "Historical time in Umberto Eco’s novels about the Middle Ages." Philology. Theory & Practice 18, no. 4 (2025): 1310–18. https://doi.org/10.30853/phil20250188.

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The study aims to identify the features of modeling historical time in Umberto Eco’s novels “The Name of the Rose” and “Baudolino”. The article examines historical time in these works in its relationship with the worldview attitudes of the postmodern era. The key characteristics of the postmodern historical novel are analyzed, in which the past is intertwined with the present through intertextuality, and the depiction of a bygone era is supplemented by reflections on the nature of history, which is subjected to ironic reinterpretation. The scientific originality of the research lies in the fac
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42

Dybicz, Phillip. "The Role of Science in Postmodern Practice." Advances in Social Work 11, no. 2 (2010): 95–116. http://dx.doi.org/10.18060/422.

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Postmodern thought offers a critique to the heavily science-based approaches of the modernist discourse. Such critiques however tend to obscure the role that science has to play in postmodern practices. The current scientific-based modernist approaches faced this similar challenge when they arose in the early 1900s. In the 1800s, social agents did not base their interventions upon scientific authority, but rather, moral authority. While scientific knowledge displaced moral knowledge as the main guide for developing treatment plans, the field of social work did not abandon moral knowledge as us
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43

Maksum, Ali. "Rekonsiliasi Epistemologi Antara Agama dengan Sains (Telaah tentang Pemikiran Filsafat Seyyed Hossein Nasr)." ULUL ALBAB Jurnal Studi Islam 3, no. 1 (2018): 115–31. http://dx.doi.org/10.18860/ua.v3i1.6083.

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The framework of thinking about modern scholarship tries to break away from the spiritual dimension. Human consciousness is herded towards the secular. As a result, modern Western humans no longer know about the meaning and purpose of life. Then revisions arose in the form of relativizing the absurdities that had been attributed to the scientific method, while at the same time trying to pave the way for the entry of divine values and spiritual dimensions into the basis of scientific epistemology, ontology and axiology. Some even see that value based on revelation (religion) can enter the scien
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Pavlova, Olena. "Features of the play of imagination in the postmodern era." Sententiae 6, no. 2 (2002): 19–27. http://dx.doi.org/10.31649/sent06.02.019.

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Based on the texts of postmodern philosophers, the article analyses the crisis of the real and the imaginary. The context of this analysis is the difference between European and American cultures. Through the criticism of social and technological progress, the article substantiates the change in the form of modern consciousness and its manifestations, in particular, the loss of integrity and completeness of being.
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45

Yaghjian, Lucretia B. "Flannery O'connor's Use of Symbol, Roger Haight's Christology, and the Religious Writer." Theological Studies 63, no. 2 (2002): 268–301. http://dx.doi.org/10.1177/004056390206300203.

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[The author argues that Flannery O'Connor's fiction and critical prose are informed by a theological understanding of symbol, a narrative Christology from below, and a consciousness of her task as a religious writer of modernity. This places her work in mutually constructive conversation with the writing of postmodern Christology, represented, for instance, by Roger Haight's Jesus Symbol of God.]
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Hurbаnskа, Svitlаnа O. "PECULIARITIES OF PRECEDENT NAMES FUNCTIONING IN POSTMODERN ARTISTIC DISCOURSE." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 14(82) (2022): 26–30. http://dx.doi.org/10.25264/2519-2558-2022-14(82)-26-30.

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This article examines intertextuality of artistic texts of postmodern discourse in the aspect of linguosemiotic research; defines intertextuality as a text category that occupies one of the central places among other text categories; summarizes and systematizes the functioning of precedent names in postmodern artistic texts; considers postmodern artistic discourse as a special semantic focus of intertextual connections on the example of precedent names; highlights that intertextuality changes the idea of ​​artistic texts as homogeneous structures, suggesting their consideration as heterogeneou
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Ghafoori, Mina, and Zohreh Ramin. "Collapsing Time, Chaotic Consciousness: Reading Don DeLillo's Point Omega from the Perspective of Postmodern Gothic." International Letters of Social and Humanistic Sciences 64 (November 2015): 143–49. http://dx.doi.org/10.18052/www.scipress.com/ilshs.64.143.

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The intense concerns with time, space and consciousness structure modernist and postmodernist Gothic narratives with the elements been treated much differently in these periods from the previous ages, owing to the hypotheses of great twentieth and twenty first century philosophers such as Henri Bergson, Edmund Husserl, Martin Heidegger and Jean-Paul Sartre, later to be followed by Gilles Deleuze, for whom the linear spatialized concept of time and the traditional notions of space and consciousness are no more than ideal speculations and to whom the existential views of time, space and consciou
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Vukolova, Kateryna, Ivetta Depchynska, Natalia Hertsovska, Irina Cherniaieva, Nataliia Loskutova, and Zoryana Vasylko. "Defining the Postmodern Aspect of the Social Factor of Language Variation." BRAIN. Broad Research in Artificial Intelligence and Neuroscience 14, no. 1 (2023): 475–99. http://dx.doi.org/10.18662/brain/14.1/431.

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The article highlights the trends of the present world, the informatization of society, the intensive development of innovative technologies entails a rethinking of values in art and language environment. Learning a language certainly includes considering a whole range of external circumstances in which it really develops and actively functions: the society that uses the language, its social structure, age difference between native speakers, social status, level of culture and education, place of residence, as well as differences in their speech behavior depending on the language situation. Th
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Yuriy, Mykhailo. "Presidential Election as a Postmodern Mirror." Mediaforum : Analytics, Forecasts, Information Management, no. 9 (December 28, 2021): 11–27. http://dx.doi.org/10.31861/mediaforum.2021.9.11-27.

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The article gives signs of postmodern. It is stated that the postmodern is an anti-fundamentalist paradigm, which proclaims that there is nothing predetermined, true without a doubt, once and for all that is given. Mosaic, eclectic, kaleidoscopic, fragmentary, combining the incompatible, where everything is a game, are inherent in him as a type of consciousness. The game has a policy associated with the carnival, in politics, as in the carnival, there is a lot of mummery. Not a single politician is free from travesty, role-playing game. Myths, legends, images, ideal political biographies, the
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Brand, Peter. "The Environment and Postmodern Spatial Consciousness: A Sociology of Urban Environmental Agendas." Journal of Environmental Planning and Management 42, no. 5 (1999): 631–48. http://dx.doi.org/10.1080/09640569910920.

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