Relevant bibliographies by topics / Postmodern short stories

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Postmodern short stories'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Postmodern short stories"

1

M.S., Zavarynska. "LINGUAL MEANS OF UNCERTAINTY IN POSTMODERN SHORT-SHORT STORIES." Scientific Bulletin of Kherson State University. Series Linguistics, no. 37 (December 27, 2019): 24–28. http://dx.doi.org/10.32999/ksu2413-3337/2019-37-4.

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Shahid, Sameen, and Arooba Khurram. "A Postmodern Reading of Don DeLillo’s Short Stories." Journal of Communication and Cultural Trends 3, no. 1 (2021): 1–13. http://dx.doi.org/10.32350/jcct.31.01.

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The focus of this paper is to study how different techniques are incorporated in the postmodern fiction to present the multiplicity of meaning and subjectivity of the reality. For this purpose, the researcher has selected American novelist and short story writer Donald Richard DeLillo’s short stories “The Itch” and “Coming. Sun. Mon. Tues”. The researcher has analyzed the selected works using the theoretical frameworks provided by Fredric Jameson, Linda Hutcheon and Henri Bergson. The theoretical insights of the selected theorists help understand the subjective reality of the postmodernism. Te
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Jaan, Ghulam Maaz, Hammad Mushtaq, and Amer Akhtar. "Film Adaptation of Saadat Hasan's Short Stories in Manto: A Postmodern Critique." Global Social Sciences Review VI, no. II (2021): 150–66. http://dx.doi.org/10.31703/gssr.2021(vi-ii).16.

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The present study aims to analyze the process of the film adaptation with the help of a hermeneutic framework that covers the textual and contextual parameters. The current study builds affinities between adaptation, translation, and culture studies, junctures these theoretical aspects, and offers methodological and analytical tools for the study of the film adaptation. The model also provides a systematic analysis for the changes occurring in the process of adaptation (i.e., adaptation shifts) and interprets its socio-cultural bearings using a postmodernist lens. The study employs Mixed-Metho
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4

Lee, Terry. "“Instigating Women” and Initiation in Postmodern Male Identity: Women Mentoring Men in Michael Dorris's Short Fiction." Journal of Men’s Studies 6, no. 2 (1998): 209–25. http://dx.doi.org/10.1177/106082659800600206.

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Two short stories from Working Men by the American fiction writer Michael Dorris enact romantic heterosexual relationships in which a woman becomes the mentor who helps carry a man stuck in delayed adolescence into initiated manhood. Dorris's stories update and make accessible the mythical and magical elements that Robert Bly has described in his Iron John as being able to renew a man stuck in his boyhood woundedness. Where Bly discusses the female mentor for men in terms of “meeting the god woman” and the wild woman guarding a sacred pond, Dorris fleshes out his female guides in the form of w
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Нalуch, Оlexander. "Feasures of Fandorin’s Quasi-biography: Postmodern Experiment." LITERARY PROCESS: methodology, names, trends, no. 16 (2020): 84–89. http://dx.doi.org/10.28925/2412-2475.2020.16.12.

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More than two decades ago, the newest Russian writer B. Akunin began a series of multi-genre novels, the main character of which was Erast Petrovich Fandorin, who quickly made a detective career, has become famous not only in Russia, but far beyond its borders. Firstly appeared in the fiction novel «Azazel», Fandorin later quickly began to acquire the features of a real historical personality that affects the course of historical events. Fandorin’s quasi-biography was supplemented by works whose heroes were his ancestors and descendants. One of these novels is «F. M.», the annexes and addition
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Burgos, Fernando. "Rotaciones y traslaciones en la narrativa de Enrique Jaramillo Levi." LETRAS, no. 49 (June 12, 2011): 129–45. http://dx.doi.org/10.15359/rl.1-49.9.

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Este ensayo examina el concepto de metaficción en los cuentos de Enrique Jaramillo Levi. Se comienza por una explicación de los orígenes de la metaficción en la literatura universal así como de su establecimiento más sólido en el contexto de la narrativa moderna de la literatura escrita en lengua española. Se desarrolla luego la aplicación particular de lo metaficticio en la obra cuentística de Jaramillo Levi dejando claramente establecido que en su caso se trata de un estilo posmoderno cuya plasmación difiere del uso encontrado en la modernidad artística hispana. Finalmente en el análisis de
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7

Ternopol, Tatiana. "The Intertextual Use of Greek Mythology in Agatha Christie’s Detective Fiction." English Studies at NBU 6, no. 2 (2020): 321–31. http://dx.doi.org/10.33919/esnbu.20.2.8.

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This study investigates the intertextual use of Greek mythology in Agatha Christie’s short stories Philomel Cottage, The Face of Helen, and The Oracle at Delphi, a short story collection The Labours of Hercules, and a novel, Nemesis. The results of this research based on the hermeneutical and comparative methods reveal that A. Christie’s intertextual formula developed over time. In her early works, allusions were based on characters' appearances and functions as well as on the use of motifs and themes from Greek myths. Later on, she turned to using allusory character names; this would mislead
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8

Aćamović, Bojana. "Replenishing the Odyssey: Margaret Atwood’s and John Barth’s Postmodern Epics." ELOPE: English Language Overseas Perspectives and Enquiries 17, no. 1 (2020): 41–55. http://dx.doi.org/10.4312/elope.17.1.41-55.

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The paper focuses on Margaret Atwood’s novel The Penelopiad and John Barth’s short stories “Menelaiad” and “Anonymiad,” comparing the approaches of the two authors in their postmodernist retellings of Homer’s Odyssey. Both Atwood and Barth base their narratives on minor episodes from this epic, with its less prominent or unnamed characters assuming the roles of the narrators. Using different postmodernist techniques, the authors experiment with the form and content of the narration, combine different genres, and demythologize the situations and characters. In their re-evaluations and reinterpr
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9

Lysenko, N. "WORLD CREATION POTENTIAL OF ALLUSION IN FRENCH POSTMODERN SHORT-FORM PROSE (BASED ON THE STORIES BY B. WERBER)." International Humanitarian University Herald. Philology 2, no. 45 (2020): 91–94. http://dx.doi.org/10.32841/2409-1154.2020.45-2.22.

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10

Chunlawong, Saowanit. "Consumption and Consumer Society as Postmodernity in Contemporary Thai Fiction." MANUSYA 11, no. 3 (2008): 1–12. http://dx.doi.org/10.1163/26659077-01103001.

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This article aims to scrutinize the postmodern concept of consumption and consumer society from the Thai perspective through four Thai short stories written in a period exemplary of economic change including “Hong Thoe Hong Chan Khan Kan Duai Khwam Ngao” (Your Room, My Room Separated by Loneliness), by Paritat Hutangkul; “Pathanukrom Chiwit Chabap Khon Chan Klang Krungthep” (The lexicon of the life of middle class Bangkokians) and “Ching ming” (Tomb sweeping day), by Win Lyovarin; and “Lok Bai Lek Khong Salman” (The little world of Salman), by Kanogpong Songsompuntu. Each represents Thai socie
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Dissertations / Theses on the topic "Postmodern short stories"

1

Johnson, John Gregory. "Beasts of the Earth and Air." Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/english_diss/4.

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These stories explore contemporary people who find their lives taking a shape they fear. These people often try to cling to their old life, control a loved one who is changing, or seek an escape. Their aspirations are often higher than where they land. Their situation resembles the writer’s situation in attempting to shape the lives of characters: they attempt to control what often cannot be controlled.
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2

Natsina, Anastasia. "Greek short stories in the last quarter of the twentieth century : contribution to an exploration of the postmodern." Thesis, University of Oxford, 2004. http://ora.ox.ac.uk/objects/uuid:a5e8d523-e2de-449f-8b5e-fe16d86f4edb.

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The thesis examines Greek short stories written and published since the fall of the dictatorship in Greece in 1974, a year marking the beginning of the country's increasing opening to western lifestyles, mentalities and preoccupations. The present research explores two questions: How do Greek short stories of this period respond to the challenges of the postmodern condition, and what is the picture of the postmodern that one could draw from these texts. To this goal more than a hundred short stories are examined, by Sotiris Dimitriou, Michel Fais, Rhea Galanaki, E. Ch. Gonatas, Yiorgos loannou
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Andrews, Chad Michael. ""Minds will grow perplexed": The Labyrinthine Short Fiction of Steven Millhauser." Thesis, 2014. http://hdl.handle.net/1805/4023.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>Steven Millhauser has been recognized for his abilities as both a novelist and a writer of short fiction. Yet, he has evaded definitive categorization because his fiction does not fit into any one category. Millhauser’s fiction has defied clean categorization specifically because of his regular oscillation between the modes of realism and fantasy. Much of Millhauser’s short fiction contains images of labyrinths: wandering narratives that appear to split off or come to a dead end, massive structures of branching, winding paths and
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Books on the topic "Postmodern short stories"

1

The fruited plain: Fables for a postmodern democracy. Yale University Press, 2002.

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2

Postmodern Bangla Short Stories Edited by Samir Roychowdhury. Haowa 49 Publishers, Brahmapur, Bansdroni, Kolkata 700070, India, 2003.

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3

Joel, Rose, and Texier Catherine, eds. Love is strange: Stories of postmodern romance. W.W. Norton, 1993.

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4

1935-, Bowering George, and Hutcheon Linda 1947-, eds. Likely stories: A postmodern sampler. Coach House Press, 1992.

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5

Farhat, Iftekharuddin, and Society for the Study of the Short Story., eds. The postmodern short story: Forms and issues. Praeger, 2003.

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The postmodern short story: Forms and issues. Praeger, 2004.

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7

The Upshot of the Postmodern: And other stories. Troubador Publishing, 2012.

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8

1946-, Stewart Frank, and Batt Herbert J. 1945-, eds. The mystified boat: Postmodern stories from China. University of Hawai'i Press, 2003.

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9

(Editor), Farhat Iftekharrudin, Joseph Boyden (Editor), Mary Rohrberger (Editor), and Jaie Claudet (Editor), eds. The Postmodern Short Story: Forms and Issues (Contributions to the Study of World Literature). Praeger Publishers, 2003.

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10

Kernan, Alvin B. Fruited Plain: Fables for a Postmodern Democracy. Yale University Press, 2008.

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Book chapters on the topic "Postmodern short stories"

1

"Lost in Translation: Short Stories by Mikhail Segal." In Postmodern Crises. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618115591-013.

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"Mind the Gap: Modernism in Salman Rushdie’s Postmodern Short Stories." In Modernism, Postmodernism, and the Short Story in English. Brill | Rodopi, 2012. http://dx.doi.org/10.1163/9789401208321_009.

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3

Ladyga, Zuzanna. "Inertia and Not-Knowing in the Fiction of Donald Barthelme." In The Labour of Laziness in Twentieth-Century American Literature. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474442923.003.0007.

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The chapter looks at Barthelme’s literary work through the prism of sloth/laziness variants such as inertia, nausea, and most importantly, Anton Ehrenzweig’s rendition of inoperativity via the concept of unconscious scanning. From Barthelme’s early renditions of the figure of the artist such as the Pollockian Paul in Snow White (1967), through avatars of passive artists in his short stories, to the half-dead-half-alive carcass of D.F. in The Dead Father (1975), there emerges a radical counter-Rosenbergian philosophy of action/inaction. No author of American postmodernism has done more to counteract the Rosenbergian post-Romantic idea of heightened sensibility of passive repose than did Barthelme. The purpose of this chapter is to bring the themes of inertia and sterēsis, understood by Barthelme as Ehrenzweig’s unconscious scanning, as unique insights into creative processes, insights which exceed the classical postmodern ethical and aesthetic regime
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